Emeralds again or was that Sand Circles

I was in the newsagents today flicking through the current issue of the Wire and I came across a review of the Emeralds LP  Just To Feel Anything. And thought this guy's ripping me off. My little one line review of Sand Circles great tape Motor City from earlier this year said "This is 2am driving music for the city's bewildered lost souls." This dude has just expanded on my one line and made a review from it. Imitation-the sincerest form of flattery? I dunno if I like it. By writing these concise slivers of gold am I giving other writers a blueprint for them to expand upon then claim them as their own?

AR Kane & Disco Inferno

Wow an interview with AR Kane as well as Disco Inferno over at FACT. The godfathers and their godchildren. I've still got AR Kane's Sixty Nine and "i" on tape. Released on Festival Australia licenced from Rough Trade. Still sounding fantastic by the way, recorded on BASF chrome tape. Most record companies would not have used such great quality tape. I love those tapes. They were so fucking original, like no one ever before! While the classic debut LP Sixty Nine gets all the kudos  "i" is their eclectic & surreal underrated other classic. Must admit I never heard that 3rd album, was that like a reformed/comeback kind of thing? On those 2 Rough Trade LPs they were magnificent!

I wanted to play Down and Love From Outer Space from "i" but they weren't on the youtubes! I must admit they are one of those bands I rediscover every 6 months and go 'How are they not legendary?' Well they are in my book. These albums are an essential peak of late 80s musical creativity, along with fill in________________.

Hang on I found it!

Then there were some acolytes I recall on AR Kane's own label hArk. I had an ep by Papa Sprain called May I think ..er...can't find that one in the closet. I had a cd Onomatopoeia by Butterfly Child as well. Those were both good records. Those acts came and went in a flash though.

Anyway Disco Inferno were influenced by AR Kane and were a great, unique, strange and groundbreaking band as well. All I can find is a lone cd single Summer's Last Sound/Love Stepping Out in my closet. They had some fine records DI GO POP & In Debt are 2 more gone missing from the crates! Whatever. Post Rock in its original meaning. Radiohead wish.

Nice & weird.

Onya FACT!



Being a cunt.

"....I appeared to be pretending to be a cunt. Why was I doing that? There are enough cunts in the world already. We don't need anymore. The only kind of pesron who would pretend to be a cunt probably is a cunt. This faux-cuntiness was a cunt's game"

Caitlin Moran, moranthology, page 12, 2012.

This is a quote in regards to a review in 1994 where she wished the singer of Ned's Atomic Dustbin dead in Melody Maker. Anyway It was probably worth it just to write that 18 years later.

In regards to the use of the word cunt it seems people from the UK and Australia have a very different use of the word compared to Americans. For us (Aussies & Poms) it's a wanker who is an arsehole and could be a man or woman. Whereas in the States it seems reserved for the most misogynist men to use towards a woman to denigrate her to being of use for only one thing- her cunt. I've been watching dvds of the Sopranos and boy when it gets used in that it seems filled with so much hate and resentment towards women. Someone said to me the other day 'the way you say cunt it almost sounds nice.' When Americans say it, it seems way more offensive. Am I right?

I agree with Caitlin that pretending to be a cunt is being a cunt. Make of that what you will.

 

 

Anyway I reckon this is a fantastic pop tune as good as anything the much overrated Nirvana ever did. This'll get yer party started every time. Style and taste are overrated. C'mon Caitlin you know you like this.

Emeralds - Just To Feel Anything

I've been meaning to write about Emeralds new LP Just to Feel Anything since I mentioned it in a previous post. I've had notes scribbled down for over a month now. Anyway my computer is playing up or is it blogger? Doing a post at the moment is quite frustrating. Anyway Emeralds are a group I thought were really going to push through some kind of sound barrier into something new, not just update the Kosmiche stylee. I think maybe they previously came close or did bring something new to the Kosmiche table. Perhaps it's my recent Back To The Future phase ie. re/listening to UK hardcore/Darkside/Jungle etc. that has put some things into perspective. In the early 90s the future was really actually happening.  This new Emeralds LP seems to be their most retro and least forward thrusting to date. I think they've added beats. Did any of the other LPs have beats? In my notes I have written (and this is from a while ago):

Nostalgia for Top Gun,
Nostalgia for Dire Straits,
Nostalgia for Harmonia,
Nostalgia for Arcade games,
Nostalgia for Pink Floyd,
Nostalgia for Cluster,
Nostalgia for Bruton Music's BRK series of library LPs.

Nostalgia for the future might be what I'm trying to project onto them. I mean this is nostalgia for the future but an older future. Not a future so much rooted in the UK early 90s so much as a 70s/80s vision of the future. If nobody is going into a new future can I value one vision of future over another? Who's being more cynical me or Emeralds?

Anyway having said all that it's another top record from Emeralds albeit one that's a little more guitar centric. Atmospheric, sad, uplifting and beautiful as usual. Nice. Is that enough?

Brostep/The Zone Formerly Known As Dubstep

Here's the missing Knife Party song that I was shown due to my interest in Skrillex. I can't really remember what the rest of the post was about! Maybe how slow I am to catch on to such homegrown greatness. Hey I like Severed Heads! Anyway this is brostep right?

I was off the continuum for a while by the time Dubstep came along and hey I didn't dislike it like I did with 2-Step & Grime. Some Dubstep I thought was grouse. Then I was slightly confused by Burial's LP. Was it even Dubstep? How can something be the pinnacle of said genre if its barely even a dubstep record? 'Was Burial's debut all that?' I thought it sounded like you know Pole/Basic Channel/Chain Reaction kind of gear with a bit of Maxinquaye chucked in. Don't get me wrong I love all that stuff, a lot in fact. But how could Burial's version be a whole new thing?  It's not a bad record per se but was it groundbreaking? Or did I miss something?

Deleted Scenes

That post I did on brostep, nowtro, EDM, Knife Party and Bassnectar has disappeared. Warning don't drink and blog.

Genius

Conrad Schnitzler, electronic guru, picks
 up no genius on Australia telly!

In the Australian Big Brother on the telly at the moment they keep calling a bloke in the house the genius of the house. So this guy got a high mark in an IQ test once but don't you actually have to have done something to warrant being a genius ie. not just sittin' around a house in your undies getting on the nation's tits. I should really look into what the real definition of genius is and if you're not one yourself can you tell who is one? Is anyone in pop culture a genius? Who decides? Can I say Arthur Lee is a genius? Francis Ford Coppola? What about Sean Penn? Miles Davis anyone?  Vince Gilligan? Conrad Schnitzler? Ed Kuepper? These people to me have extraordinary intellectual and imaginative faculties pertaining particularly to being creative and inventive. The guys who invent stuff in technology seem more seriously genius, you know like Steve Jobs? Mark Zuckerberg? The guy from London who invented the Internet?  Mike Goldman? (er.. a little BB humour there) But why should they be?  Should there be a board to decide who is and who isn't a genius. It all sounds a bit subjective to me. Should we do away with the concept of it all together? I mean if someone sittin' in a house for 3 months on national tv gets to be a genius don't I get to be one? After all I did write this blog post.

Friday Night

Wow 

Never seen this vid!

Warning - Does not contain the full intro, which is the best bit of the song along with the middle bit and the end. Good hair into bad hair! The original vid is better.

Eric B & Rakim & Coldcut

Information Overload

You know when I started this blog it was just a hoot to be writing about music again after a very early retirement. I had an existential crisis about the point of being a critic, when you yourself haven't got out there and created art. Who was I to judge? I was just another opinionated Australian and who needed another one of those? Being a published music critic at age 18 and getting paid for it ended after 4 reviews. Anyway as I got  further into this blogging caper I really started to think I've got to add something useful or unique to the discourse. There are many blogs that offer information on similar topics and I didn't want to add to the glut. So the whole notion of striving to be concise had to be reviewed in my mind. Being concise is good as I believe people do prattle on a little too long and  tediously about topics that don't necessarily warrant their word count.. I've also realised particularly with the Glaring Omissions series that adding my own personal history of my admiration of particular artists and how they came into my life is unique to me and therefore not just adding to the information overload unnecessarily. I don't need to repeat information that can be found in hundreds of different places on the interweb. Is this just me rationalising a reason to continue blogging? Rationalising Andy Warhol's Fifteen minutes of fame? Perhaps some bloggers need to have a little think and figure out why they're doing what they're doing. Is this just navel gazing though for its own sake? I mean people are compelled to blog and who am I to begrudge them?

Another aspect of my blog at the start was keeping an Eye on the critics/journalists involved in discourse of particular dis/interest to me. I felt that hey they can criticise the shit out of someone or something but they were for some reason immune to being pulled up on something or criticised themselves. So they were allowed to say what they wanted but then would get all catty when a taste of their own medicine came their way. Some of the ugliest insults have come my way because of this. All I have to say is toughen up Princesses (ie. critics). I have to admit the only insults/sledges I have received have come from websites with advertising. So certain editors feel the need to throw insults your way to protect their brand. Heaven forbid an advertiser should realise the site they are sponsoring is not really that great or perhaps shite. Some of these sites are not about music at all, they're about business and money. I think I was a little naive when I started blogging thinking music websites, theory based blogs, miscellaneous blogs and music blogs were all part of the anarchic cultural discussion together. How wrong I was! I must admit I don't really trust websites with advertising anymore. Is money gettin in the way of real intellectual opinion?

Down with the kids, me!

It turns out I'm actually down with the kids. That is my fave song of 2012 is by Skrillex who is my (nearly 2 year old)  niece's favourite artist. This one goes out to Harry!

Wu-Tang Clan/Trace & Nico

*The whole point of mentioning Ol' Dirty Bastard the other day was the Wu-Tang Clan connection with a track off the Torque record. The song in question Damn Son by Trace & Nico contains a sample from Raekwon's Only Built For Cuban Linx LP....er which I forgot to mention. I thought yeah I know that sample but it took me a while to pinpoint it. I thought it was ODB but it wasn't then I put on Only Built For Cuban Linx and there it was. A funny bit to sample really. Whatever works I suppose. Here's the two tracks in question!

 

 

 

How could I resist?

Wu Gambinos

Fave track off that record!

 

friday night

 

EPIC

 

He really comes across as an arsehole doesn't he? Which if memory serves he was in interviews at the time. You know the usual misogyny and homophobia. That never stopped me likin Public Enemy, ODB or Snoop though. It's this video I find hard to watch. Great song, it can't be denied.

I'm Livin' In The 90s

Still in 90s zones, I pulled out ODB's debut record the other day. How fuckin' funny is he? Scary & hilarious! He died right? I must check that out. I'm pretty sure he'd already been shot by the time Return To The 36 Chambers had been recorded. He's one of a kind The Old Dirty Bastard. He had me laughing out loud on the tram the other day. Anyone who can make me smile whilst commuting is ok in my book and I do have a book.



Psychotically Hilarious!

The word commute always makes me think of Lipstick Traces, Greil Marcus's peculiar opus on Johnny Rotten's voice and everything that could have possibly been connected to it. Commuting often in its loneliness and isolation reveals to me that I am part of a huge pulsating industrial monolith that doesn't necessarily need me and can spit me out at any moment without a care. Whoah!, that got heavy all of a sudden.

RE: Straight Edge/Torque & any old crap

*Ian MacKaye of Minor Threat/Fugazi & Dego & Mac of 4Hero were both at the forefront of Hardcore lineages albeit very different ones but funny that they were both straight edge. I didn't even realise when I was writing that the other day. Also both had a Mac in the group. Can I somehow get a Fleetwood Mac connection here as well? I fuckin' doubt it as they were the antitheses of straight edge.....er....all 3 had great rhythm sections. If you can call what 4Hero had a rhythm section?

**After purchasing Torque, the compilation on No U Turn from 97, the other day I realised that in fact I knew most of those tracks either from the radio, clubs, a friend of mine-some kind of osmosis anyway and hey me likey very much.

***Discussions among a few different people recently has ended up in this question: What ever happened to R & B? That lineage seems to have come to a halt doncha think?

****What about Hip Hop? A lost cause or what?

*****Indie Rock? Any life left in that? I doubt it.

******What about Exotic-Retro Psych/Funk/Rock and its Hybrids? Those compilations seem to be arriving less & less. I think I've only bought 2 this year. One from Iran and one from West Africa.

*******Is there anything out there apart from Skrillex & K-Pop?

RE: Techstep

To listen or not to listen?

I got off the hardcore train before techstep it's true. There may be some good stuff I've missed and I'm lookin' at that No U Turn comp Torque thinkin 'Go on give it a go!' Anyway I couldn't get into stuff that followed either Speed Garage, 2 step, Grime and only really liked a couple of things in the Dubstep universe. I didn't hate Big Beat but that was hardly part of that hardcore lineage. I kept half an ear on the experimental side of things in the electronic world but even Mouse On Mars were makin crap by 2001. I didn't really get back into underground electronic music in a big way until Ghostbox and it's Hautological friends arrived in the mid 00s. Then the strange Hypnagogic stuff caught my ear and the new Kosmiche/Ambient skool. I don't really think I'll be delving into old school tracks of 2 step and Grime when their time comes back around though.

RE: Interstellar Martians

Kowalski liked both types of speed.

*When I said in that previous post that Jungle "was for hopped up martians going interstellar!" I meant that's who it sounded like it was for. The reality was it was for druggy young urban jungle dwellers going nowhere except oblivion in their brains. This thought reminds of the film Vanishing Point and its subtext of a need for acceleration, to pioneer, to hunt etc. So Kowalski has all this instinctual energy but nowhere for it to go. The worlds been mapped out, we've even gone into space, all our food is at the supermarket etc. Did any women make Jungle? So Kowalski fills his desires with the speed (meth & going fast) and chaos of the road and being chased across America by the authorities. He makes the road his home. With jungle, the makers of and their followers wander a similar path. They enjoy the endless horizon that awaits in the music and their minds (usually drug addled ones) to escape the urban jungle's drudgery of daily life at least for a little while.....er.....discuss. Have your essays on my desk by Friday kids.

 

 

Two more classics from the Reinforced label for speeding into endless chaotic wide open vistas and dark futures. Having said all that stuff above it is interesting to note 4Hero were as straight edge as Fugazi's Ian Mackaye. Weird huh?

RE: The Beach Boys & The Rolling Stones

*Don't get me wrong about the Beach Boys. Many LPs that followed after Pet Sounds are classics in my book and I do have a book. What I meant was the general rock crits concencuss of Pet Sounds. I read that book Heroes & Villians way back in the late 80s and a couple of times since. The author didn't rate anything after that at all. So I was quite suprised when I tracked down the latter LPs in the 90s to discover some underated classics. Sunflower and Surf's Up are just as good in my opinion. Not far behind would be Wild Honey, 20/20 and Friends.

 

 



**Sure The Stones had a run of classics leading up to Exile and some good ones after like Some Girls and Tatoo You. Anyway you know what I'm getting at doncha? 

The Sopranos/Nostalgia for the future

Funny that I mentioned Tindersticks in that last post. I've just started rewatching The Sopranos from season one and I'm gonna watch the lot. Anyhoo in an excellent episode towards the end of the first season  called Isabella The Tindersticks song Tiny Tears appears during one of Tony's meltdowns. I was surprised and thought 'yeah! they had some great songs and were a bit of a funny band.' I'm intending on pulling those first couple of records out of the closet maybe. The first one and that live one were pretty good stuff. Were they Boz Scaggs fans? Their other influences were pretty obvious though Hazlewood, Van Zant, Scott Walker, Nick Cave & The Bad Seeds, The Triffids etc. It was funny having this British group with all these Australian influences. I guess Gallon Drunk were a bit like that as well, you know sounded a bit like they could have been from Melbourne.

Good tunes for panic
attacks on the toilet!

The Dreamy Isabella.

                                                                                                                                                             

Been loving the music on The Sopranos. There were so many good songs used and put to good use as well. Kasey Chambers turns up on one episode where Ralphie becomes a captain with the song...er...The Captain. Her voice may sometimes be grating but there is no denying her talents as a formidable songwriter.

Anyway I'm still obsessed with the whole hardcore/darkside/jungle/ambient jungle etc.90s timeline thing. I must admit though I can't bring myself to listen to possibly my favourite record of the 90s Tricky's Maxinquaye. I think this was pretty much the only record I listened to in 1995. In Energy Flash's Trip Hop chapter Simon Reynolds waxes lyrical about the record and with good reason, it's fucking brilliant. It is a dark record though, dark times personally too and perhaps I just played it to death. It was a bit of a shame though that his debut was his Pet Sounds or Exile On Main St...... er ..... meaning his peak, his Masterpiece, his piece de resistance. Then again who cares it's one of the all time great records!

MAXINQUAYE
Best LP of the 90s?

After tracking down a bloody lot of the great tracks from the hardcore etc. era I'm now onto AOJ. Album orientated jungle. One of the few other records I did listen to in 95 apart from Maxinquaye was Omni Trio's The Deepest Cut and 4Hero's Parallel Universe (that was originall released on vinyl in 94 but the cd which I had didn't come out til 95). Also getting back into A Guy Called Gerald, Spring Hill Jack and Jacob's Optical Stairway. Jungle's twistedness was starting to be straightened out and I didn't go much further with it after that. I couldn't get into Roni Size/Repazeant and all that. Maybe I missed some things by getting off the train before tech-step. Now I'm supposed to mention MC Esher (no he wasn't a rapper) and how jungle parallels the impossibilities, confusion and illusions that he created. Kodwo Eshun summed it all up nicely with the often quoted "rhythmic psychedelia." K-Punk says "temporal delirium" What more can I add. This was in no way nostalgic this music (ironically talking about it now is), it was speeding into the future with no map or coordinates and with unprecedented vigour. This was twisted, elastic, sharp, slimy & shapeshifting music for hopped up Martians going interstellar.

Friday Night - Rowland S Howard

Old stuff better than new stuff?



Maria Minerva has a new LP Will Happiness Find Me?



There are all sorts of new records I would usually be salivating to to listen to by Maria Minerva, Emeralds & Sun Araw plus a new side by Oneohtrix Point Never and a new tape by Mark McGuire. I mean they are there waiting to be listened to but since reading Energy Flash I'm in some kind of British 90-95 timezone wormhole that has attached to my brain and will not allow anything else to get past my ears. This is no bad thing as I'm re/discovering exciting music from exciting musical times. It does however make me wonder if what's happening now is really quite inconsequential. Has that whole underground of above mentioned artists, James Ferarro, No Not Fun records et al. run its course? If hipsterhouse is the only thing on the musical horizon god help us. It could just be that I have read two books recently by Owen Hatherley & Simon Reynolds on 90s music so I've just naturally gone back and checked out the music. When the future of music looks barren I do usually go into undiscovered (by me) retro-zones though. I have musical zones waiting for such times like Musique Concrete, 20th century composition, Jazz, Early R & B, Disco, 70s AOR, Dancehall, Aboriginal Country, Doo Wop, ECM Records, Gamelin, NWOBHM, Anything from Finland, Country Soul  and general things I've just missed etc. etc. Worringly on Maria Minerva's new LP she sings on Perpetual Motion Machine "this goes out to the lovers of deep house" Forgive me if I'm wrong but whenever the term deep house first appeared (I dunno 90-91?) didn't that mean shit house. How much deeper/shittier has it got in the following 20 years god only knows.

Emeralds-Just To Feel Anything
Been waitin' 2 years for this but it remains unplayed!

Anyway I'm on this trip- The lineage (that would be a very crooked one) of 'Ardcore to Darkside to Ambient Jungle. Wow the times were moving then! A sort of hyper progression of culture that blasted into the future with the speed of light which was also reflected back into the music. I've been making ultimate mixtapes of hardcore, darkside and yesterday started one on ambient jungle. Had to dig out old Omni Trio, Foul Play and 4Hero tunes. A long time since I've listened to these records and they're great. This mix is already at nearly 3 hours. Someone on the blogosphere mentioned recently the Macro Dub Infection compilation released by Virgin in '95. I was getting massively into dub man in the early 90s like King Tubby, Scientist, Prince Jammy, Scratch, Augustus Pablo, Keith Hudson, Blood & Fire Records et al. This modern dub influenced collection on Virgin was great but out of the 4 tracks I could think of off the top of my head the other day (before I found it in my closet) 3 were jungle tracks. Omni Trio's The Half Cut, 4Hero's The Paranormal In 4 Form and a track by Spring Heel Jack. That just goes to show how outstanding jungle music was/is! There were only 3 jungle tracks on the compilation! I do have to mention the other track is one of the most astounding modern dub reggae tunes heard to this day. It was by Irration Steppas called Irration Steppas V Dennis Rootical (never found any of their records though). Anyway I remember playing Omni Trio on student radio and fuck me they were made for FM radio. Other tracks I recall from this one off night included The Beach Boys, Booker T and the MGs, My Bloody Valentine, Laika, The Beastie Boys and er....The Tindersticks. I have often thought my blog was a little too eclectic but clearly this is nothing new for me so I couldn't do it any other way.



Omni Trio strike more gold!



One of the greatest ambient jungle
 tunes. Which one???

planet rock

Friday Night

The Stones-Happy

How fuckn good?

The Specials-Ghostown
Best song ever?



Energy Flash/Hauntology

Here is a quote from page 164 of Energy Flash: A Journey Through Rave & Dance Culture written by Simon Reynolds and originally published in 1998 but this is a 2012 edition.

'Imagine the theme music for a 50s Government film about Britain's new garden cities: serene, symmetrical, euphonious, evoking the socially engineered for a post war New Order.'

Here Mr Reynolds was referring to some of the music that Aphex Twin was making early in his career. I wonder if Boards Of Canada were reading this but didn't they already exist? or if the GhostBox crew were taking notes because it sounds like Simon Reynolds invented Hauntology 6 or 7 years ahead of its time, well the theory and subtext to it anyway. When I first heard BOC I thought shite they remind me a little of Seefeel & Aphex Twin, which to me was in no way a bad thing! I wonder if Simon is aware of this portentous quoted passage or realises his complicity in the entire idea/genre? I know he is a big fan of the whole thing and has scribbled many words on the topic via his blog and in an article for The Wire magazine many moons ago.

Word Up!

    

Cameo-Word Up

Best song ever?

Rock Da House

Rock Da House

Beatmasters & Cookie Crew

1987

Goin' Back To Cali

LL Cool J

ICE-T

COLORS

Back in the day all these tracks were exciting, you didn't know what was going to happen next! It was fresh. How excitement! This wasn't indie rock or hair-metal. They all still sound great today. I can't believe that Beatmasters & Cookie Crew track still stands up. These tunes remind me of ABC TV's Saturday morning show The Factory.

Darkside

Been on a mission/obsession in the last few days to make the most awesome Darkside mixtape ever. I think I've made it. It's funny what's available via the Internet and i-tunes. Everything you can imagine is able to be listened to via the youtubes but not every track ever is available for download legally or illegally. Been enjoying these two comps on Reinforced: The Definition Of Hardcore & Callin For Reinforcements. Been diggin wicked tracks by Kaotic Chemistry, Hyper On Experience, Doc Scott, Rufige Cru, Satin Storm, Origin Unknown, Boogie Times Tribe, Nebula II, Acen, DJ Ecel, Neuromancer etc as well. These are all from 90 - 93 an era of depleted funds and a lack of knowledge about said tracks. You would hear them but you wouldn't know what it was or who it was by. There was a jungle specialist record shop in Prahran in Melbourne but who could afford expensive imported 12'ers back then? Now the minute a track is played on/at a show the Internet will tell you pretty much straight away what it was. Anyway it was all about living in the moment. Having said that it's great to finally track down some of this Gold I'd forgotten about/thought I didn't care for anymore.

Contains two 4Hero classics as well as Nasty Habits
Dark Angel and Nebula II's X-Plore H Core.

DJ Excel-Just when You Thought It Was Safe

This epic is as absurd as prog rock!

Acen-Trip II The Moon Part 2

I love it when that Bond sample kicks in at around 3.30!

This has the 4Hero classics Mr Kirk's Nightmare &
Cookin' Up Yer Brain.

Panic Attack

Remarc & Lewi Cifer

Ricky

Johnny Jungle

Johnny

These two are part of the sub-sub-genre of Darkside (which was a sub-genre of 'ardcore) called panic attack songs along with Subnation's Scottie. The best genre ever?

Freaky Shit!!!

After writing that last post where I mentioned Lime Lizard Magazine which I'd totally forgotten otherwise it would have been mentioned in the post about The Wire, NME & MM I wrote a while back I went into my bedroom. On the floor lay one solitary cassette and (pictured above) it just happened to be a compilation tape given away free with a 1993 copy of Lime Lizard. Freaky man!!! I mean obviously a box of tapes had been knocked over under the bed but still that's some freaky shit right there! Truman's Water, Polvo, Shudder To Think - I loved those groups. I wonder what I'd make of them now? Maybe I should give it a listen.

Paul goes mental on the bass

* Music highlight of the week was listening to Abbey Road remastered in the Mrs car. Mind blowing shit man. Paul's crazy bass, Ringo's large drumming and some synthesizers I'd never really noticed before. We had to take the long way home so we could listen to the whole thing. Also I was listening to Blue Oyster Cult on the plane back from Sydney and laughed to myself  'Wouldn't this be funny if it was the last thing I ever listened to?' That particular thought tickled me for some reason. It still makes me smile.

Funny LP to die to.

Energy Flash

Origin Unknown

Valley Of The Shadows

I Started reading Simon Reynolds Energy Flash: A Journey Through Rave Music & Dance Culture (2012 Edition) today and I'm up to about page 188 at this very moment where the above track is mentioned. If I'd read it back in 98 I wouldn't have been able to just go on youtube to check out the tracks I didn't know. I am in the future. Funny I've read all his books but I've somehow managed to avoid this one for 14 years, better late than never and quite timely too as I'm in some kind of electronic 90s timewarp. After chapter 6 I have a new lease of love for old faves like Autechre, Black Dog, Aphex Twin et al. But there are gaps baby (ie. pg.188) and youtube is a brilliant resource. Somewhere in the book he mentioned Lime Lizard magazine which I had totally forgotten about. It was a magazine as opposed to a paper and was a pretty good alternative to the NME around 91/92. I think it came out bi-monthly. Anyway it had some top writers and was the first place I read about Thomas Koner, Disco Inferno, Ice, Ultramarine and others.

Bay-B-Kane

Hello Darkness

I recall this though.

Scottie

How good is this?!!!!!

Subnation

Scottie

Boardwalk Empire/25 Years Of Telly

Nelson Van Alden - Good Christian fellow

Just finished watching the 2nd season of Boardwalk Empire and I'm loving it. There are some great characters in there, some really good creeps. It got me thinking how slow crime used to take 90 years ago. The show is hardly as action packed as something like Breaking Bad and nor should it be. Today with mobile phones, computers, cctv and tracking devices crime happens within an instant as does the news of it but in The Boardwalk Empire days they may have had to wait weeks if not longer to pull off a crime or receive news of a crime or a cross. Some people may perceive Boardwalk Empire as slow but its pacing suits the era in which it is set perfectly.

Gillian Darmody-a good mum





Richard Harrow



While in Sydney I read a pretty good article, for a mainstream newspaper, in the Sydney Morning Herald on the best telly shows of the last 25 years and it was fairly spot on. Not the order of course that was ludicrous. Why do they have to rank such lists? Mad Men seems to be mostly appreciated due to its set design and wardrobe. Can't I just look at a picture book for such things or watch an episode of Bewitched? All my drama faves (most of these are comedy dramas I guess) were there though Six Feet Under, The Sopranos, The Wire, Deadwood, Twin Peaks, Blue Murder and Breaking Bad. Some of my favourite American sitcoms were listed too including Curb Your Enthusiasm, Seinfeld and the cult comedy Arrested Development. I also must admit to enjoying reruns of Frasier in recent years, something I could never have imagined/been horrified by in my 20s. I am wondering where Northern Exposure is? What about 30 Rock?

Do you think I'm sexy?

Only one British comedy makes the list from the past 25 years - The Office, which of course is a fine choice. It had me thinking is this a Sydney thing being so focused on America? Would the list have been more anglophile if it were compiled by a Melbourne paper? Just a thought to entertain. Some of the greatest British tv comedies of all time are from the last 25 years namely Ab Fab, Knowing Me Knowing You, The Royale Family, The Fast Show, Reeves & Mortimer, The Mighty Boosh, I'm Alan Partridge, Little Britain, Father Ted (Irish I know), Ali G, Black Books, Spaced, Peep Show, Help and The Trip to mention just a few. The Australian (so called) comedy Frontline makes it in but you've got to wonder how well that would stand up to viewing today considering it's sibling The Hollowmen was unwatchable when it was aired recently.

The Royale Family
Is this the most loved British comedy from the last 25 years?

I've never seen The West Wing. Lost well that lost me somewhere between season 1 and 2, I just didn't care. The X files is for other people. I watched Buffy up until about the end of the 3rd season I think then she got that military sort of boyfriend then it was never the same. Anyone for Wilfred? What about Flight of The Conchords? Where's The Blue Planet??? No variety?? No Letterman?????...........

Sun Araw - The Inner Treaty



Bondi - Last Sunday. Spent most of this trip ill in the Hotel room
with a tummy bug! Great! Fantastic pic by The Mrs though!

When I got back and started to feel a little better this was waiting for me. This being the only glimmer of happy in my life in the last 4 days.

It's his slickest yet most stripped back recording so far. I have only listened to it twice but I have to say it has a Compass Point/Adrian Belew vibe, maybe an influence from his time spent in the Caribbean recently or just listening to Talking Heads/Lizzy Mercier Descloux records. A bit weird after 5 or 6 LPs where it's been hard to pinpoint the slippery Sun Araw that now I can say something like that. Is it the stripping of the hypnogogic fog that's revealing or is it just a new direction/coincidence?

*Blogger spellcheck offers an alternative spelling to hypnogogic - Spongecake!

Swell Maps/Space Rock....

*It's a funny thing I've never heard those Rowland S Howard & Nikki Sudden Records. Well as you can tell I was big on the Birthday Party but I'm also a massive Swell Maps (Sudden's band formed with his bro Epic Soundtracks in the mid 70s) fan. Swell Maps have got to be the most underrated British Post Punk band. Their debut LP A Trip To Marineville would be in my all time top ten. The follow up Jane From Occupied Europe is also ace and International Rescue is one fine compilation. Maybe they were too broad in their musical output to be truly considered a post punk band, I guess a bit like the Homosexuals in that regard. Wasn't the whole point of post punk though to be fearless and travel your own experimental path. Funnily enough in the early 90s when most post punk was seen as passe they were still having some kind of impact, their records were still in print and they had an influence on the indie scene ie. Pavement et al. So I guess their influence was beyond mere post punk revivalists that came later loving/impersonating their Gang Of Fours and Joy Divisions. Swell Maps having a much broader influential scope. I should check out those Howard & Sudden records.

**After watching that Hawkwind doco I obviously dug out the Space Ritual double live record which is one of the space rock peaks. One that never seems to make it to any lists is Warrior On The Edge Of Time which could be my fave Hawkwind record of all. Sonically it's not that far from Space Ritual -glorious deep, dark and mysterious space rock man with great bass and rhythm. It put me on a trip of acid/space/electronic rock classics Agitation Free's Malesch, Amon Duul II's Phallus Dei and Yeti, Lobby Loyde's Beyond Morgia, Tonto's Exploding Head Band's Zero Time, White Noise's An Electric Storm, Can's Unlimited Edition and further on and out.......

A grade space rock grooves