Showing posts with label Emeralds. Show all posts
Showing posts with label Emeralds. Show all posts

Monday 25 August 2014

Rustie - Green Language

Now, I paid money for both Skrillex's Bangarang and Rustie's Glass Swords back in 2011 because they were both awesome. I listened to Skrillex's new one, can't even remember the name of it now, a coupla times and thought it was shite. So there was no trip down to the record shop for that one. I was worried on the first 2 listens of Rustie's Green Language. I thought maybe it was a vibe migration thing, you know his time was up and we'd all moved on. And what are these bloody rappers doin on it? A few more listens in and I'm thinkin maybe I am gonna make it down to the shop for this one. I really wanna hear Raptor and He Hate Me in their full digital aural splendour. I'm lookin forward to that. I'm even starting to like the tunes with the raps. Can't imagine though giving that Skrillex album another go though. You win some, you lose some.


How good is that? Bringin back memories of listening to Glass Swords on train platforms and being unable to control myself in its blissfulness. It also made me think of other stuff from that time that I loved - Emeralds and their side projects etc. Might even pull out Bangarang.


Friday 30 November 2012

2am Driving Music For The City's Lost Souls

Another Emeralds review with and I quote 'a little more cruising the lonely cityscape at 3am' over at Tiny Mix Tapes. This time I suspect that this is perhaps a little deliberate baiting from Mr Parker. Pre-review I told him to add Dire Straits to their list of influences. He didn't know if I was joking or not, I wasn't. Otherwise it's a very fucking weird coincidence or he nicked it from that Wire writer. I'm going for the original idea. Anyway James didn't add the Straits alongside Ash Ra Tempel and Tangerine Dream in the similar to category.

Mark McGuire's favourite band?

*Just a side note on a completely different topic but still with Tiny Mix Tapes. Hey Ed Comentale was I supposed to read that whole Scott Walker review? I mean it was actually longer than the record!

Thursday 15 November 2012

Emeralds again or was that Sand Circles

I was in the newsagents today flicking through the current issue of the Wire and I came across a review of the Emeralds LP  Just To Feel Anything. And thought this guy's ripping me off. My little one line review of Sand Circles great tape Motor City from earlier this year said "This is 2am driving music for the city's bewildered lost souls." This dude has just expanded on my one line and made a review from it. Imitation-the sincerest form of flattery? I dunno if I like it. By writing these concise slivers of gold am I giving other writers a blueprint for them to expand upon then claim them as their own?



Tuesday 13 November 2012

Emeralds - Just To Feel Anything


I've been meaning to write about Emeralds new LP Just to Feel Anything since I mentioned it in a previous post. I've had notes scribbled down for over a month now. Anyway my computer is playing up or is it blogger? Doing a post at the moment is quite frustrating. Anyway Emeralds are a group I thought were really going to push through some kind of sound barrier into something new, not just update the Kosmiche stylee. I think maybe they previously came close or did bring something new to the Kosmiche table. Perhaps it's my recent Back To The Future phase ie. re/listening to UK hardcore/Darkside/Jungle etc. that has put some things into perspective. In the early 90s the future was really actually happening.  This new Emeralds LP seems to be their most retro and least forward thrusting to date. I think they've added beats. Did any of the other LPs have beats? In my notes I have written (and this is from a while ago):

Nostalgia for Top Gun,
Nostalgia for Dire Straits,
Nostalgia for Harmonia,
Nostalgia for Arcade games,
Nostalgia for Pink Floyd,
Nostalgia for Cluster,
Nostalgia for Bruton Music's BRK series of library LPs.

Nostalgia for the future might be what I'm trying to project onto them. I mean this is nostalgia for the future but an older future. Not a future so much rooted in the UK early 90s so much as a 70s/80s vision of the future. If nobody is going into a new future can I value one vision of future over another? Who's being more cynical me or Emeralds?

Anyway having said all that it's another top record from Emeralds albeit one that's a little more guitar centric. Atmospheric, sad, uplifting and beautiful as usual. Nice. Is that enough?

Tuesday 16 October 2012

Old stuff better than new stuff?


Maria Minerva has a new LP Will Happiness Find Me?

There are all sorts of new records I would usually be salivating to to listen to by Maria Minerva, Emeralds & Sun Araw plus a new side by Oneohtrix Point Never and a new tape by Mark McGuire. I mean they are there waiting to be listened to but since reading Energy Flash I'm in some kind of British 90-95 timezone wormhole that has attached to my brain and will not allow anything else to get past my ears. This is no bad thing as I'm re/discovering exciting music from exciting musical times. It does however make me wonder if what's happening now is really quite inconsequential. Has that whole underground of above mentioned artists, James Ferarro, No Not Fun records et al. run its course? If hipsterhouse is the only thing on the musical horizon god help us. It could just be that I have read two books recently by Owen Hatherley & Simon Reynolds on 90s music so I've just naturally gone back and checked out the music. When the future of music looks barren I do usually go into undiscovered (by me) retro-zones though. I have musical zones waiting for such times like Musique Concrete, 20th century composition, Jazz, Early R & B, Disco, 70s AOR, Dancehall, Aboriginal Country, Doo Wop, ECM Records, Gamelin, NWOBHM, Anything from Finland, Country Soul  and general things I've just missed etc. etc. Worringly on Maria Minerva's new LP she sings on Perpetual Motion Machine "this goes out to the lovers of deep house" Forgive me if I'm wrong but whenever the term deep house first appeared (I dunno 90-91?) didn't that mean shit house. How much deeper/shittier has it got in the following 20 years god only knows.

Emeralds-Just To Feel Anything
Been waitin' 2 years for this but it remains unplayed!
Anyway I'm on this trip- The lineage (that would be a very crooked one) of 'Ardcore to Darkside to Ambient Jungle. Wow the times were moving then! A sort of hyper progression of culture that blasted into the future with the speed of light which was also reflected back into the music. I've been making ultimate mixtapes of hardcore, darkside and yesterday started one on ambient jungle. Had to dig out old Omni Trio, Foul Play and 4Hero tunes. A long time since I've listened to these records and they're great. This mix is already at nearly 3 hours. Someone on the blogosphere mentioned recently the Macro Dub Infection compilation released by Virgin in '95. I was getting massively into dub man in the early 90s like King Tubby, Scientist, Prince Jammy, Scratch, Augustus Pablo, Keith Hudson, Blood & Fire Records et al. This modern dub influenced collection on Virgin was great but out of the 4 tracks I could think of off the top of my head the other day (before I found it in my closet) 3 were jungle tracks. Omni Trio's The Half Cut, 4Hero's The Paranormal In 4 Form and a track by Spring Heel Jack. That just goes to show how outstanding jungle music was/is! There were only 3 jungle tracks on the compilation! I do have to mention the other track is one of the most astounding modern dub reggae tunes heard to this day. It was by Irration Steppas called Irration Steppas V Dennis Rootical (never found any of their records though). Anyway I remember playing Omni Trio on student radio and fuck me they were made for FM radio. Other tracks I recall from this one off night included The Beach Boys, Booker T and the MGs, My Bloody Valentine, Laika, The Beastie Boys and er....The Tindersticks. I have often thought my blog was a little too eclectic but clearly this is nothing new for me so I couldn't do it any other way.

Omni Trio strike more gold!

One of the greatest ambient jungle
 tunes. Which one???

Tuesday 28 August 2012

More Kosmische

Bataille Solaire-Baal Shamash et son char Celeste

This tape is a bewdy. It's somewhere along the the lines of atmospheric kosmische synth/organ/space/drone, occasionally slipping in and out wormholes. Sometimes heavenly at other times delving into the darkness. It's a true sonic journey not staying in the one place too long which is a bit different for this kind of thing. Sometimes hypnotic and then disorientating. This is a top shelf synth record from out of the blue and fast becoming one of my favourite records of the year. Cheers to Bataille Solaire and surprises. (thanks to you know who you are for recommending this). I know next to nothing about them which kind of adds to the mystique of it all.


Outer Space - Akashic Record (Events: 1986-1990)

Something must be in the air this week or is it amongst the stars and the planets? This is another LP that is loosely Kosmische in stylee. Finally tracked down this cracker from Outer Space. Beautifully recorded intergalactic electronics on Akachic Record (Events: 1986-1990). They are definitely getting out there into rarely travelled zones. John Elliot from Emeralds along with several other colleagues have probably created the most electric Kosmische LP since, well, the last Emeralds LP. The fidelity of this record has to be experienced through headphones to be believed, it so cool and crisp. This could be the best solo outing ever from an Emeralds member and believe me there have been some real good ones. Usually I think records are too long and could be trimmed a little but this left me wanting more. Spectrum Spools have done it again this year. This must be at least their 4th great release of the year.