Angel Rada

This is taken from the Soul Jazz comp Venezuela 70 which was released this year. I don't think I'd ever heard anything from Venezuela before. I have many records from Brasil, Columbia & Peru but this is a new territory for me. The above tune is the outstanding one for me on that collection - South American space synth jam dedicated to Klaus Schulze.



This one's on Venezuela 70 as well.... pretty good too. Details about Rada on the web are v sketchy. He was in the band Gas Light then went solo. He studied music in Germany in the 70s. That's about it.



Wow...this tune is not on the Soul Jazz compilation but is incredible. Upadesa puts me in mind of an even stranger Illitch if that's possible. This is fabulous lost Kosmische synthesiser music. A musical revelation to the eardrums. So all of the above tracks were on Angel Rada's record Upadesa released sometime in the 70s (???). This is the kind of thing that would have been posted on Mutant Sounds back in the day. Is there more unheard gold out there?

...from1983 apparently [added entry 11/11/22]

Edgar Froese - Epsilon In Malaysian Pale

I've been listening to this today for obvious reasons. It's Froese at his most serene and beautiful which is all I can handle at the moment. This was the second LP in his classic Brain trilogy that began with Aqua in 1974 and ended with Macula Transfer in 1976. I think I love these three LPs more than anything he did with Tangerine Dream. These were released on Brain the German label but I think Virgin licensed Epsilon In Malaysian Pale in 1975 for the British market. Parallel to this Froese purple patch was another for Tangerine Dream. During this same time frame Tangerine Dream released 3 classics too. They released 3 of my 5* favourite TD records. In 74 it was Phaedra and then in 75 they released two masterworks Ricochet and Rubicon. That's a hell of a few years for Froese. What a synthesiser legend. He was also pretty handy on the ye olde guitar. Thank you for the magic you created with your synths.

*The other two Tangerine Dream classics in my book are Zeit from 1971 and Atem which was released in 1973. Hey some of his soundtrack work was good too, solo and with Tangerine Dream. Stuntman was a great solo one. Tangerine Dream had some bewdies Sorcerer, The Keep and Thief were outstanding. Apparently he did a soundtrack for one of the very recent Grand Theft Auto's which I've never heard. Froese had a couple of other good solo records too in particular Ages (1978) and Pinnacles (1983).

I really liked it a few years ago when it was like everyone was influenced by Froese and Tangerine Dream. It was like the future had finally arrived and it was as Froese and co had predicted with those records by Emeralds, Oneohtrix Point Never, Mark McGuire, Panabrite, Steve Hauschidt, Outer Space et al. It was all really cool music. That must have been flattering for Froese.

I'll leave you with a quote from the Kosmische musician himself:
"There is no death, there is just a change of our cosmic address."

Emeralds - Just To Feel Anything

I've been meaning to write about Emeralds new LP Just to Feel Anything since I mentioned it in a previous post. I've had notes scribbled down for over a month now. Anyway my computer is playing up or is it blogger? Doing a post at the moment is quite frustrating. Anyway Emeralds are a group I thought were really going to push through some kind of sound barrier into something new, not just update the Kosmiche stylee. I think maybe they previously came close or did bring something new to the Kosmiche table. Perhaps it's my recent Back To The Future phase ie. re/listening to UK hardcore/Darkside/Jungle etc. that has put some things into perspective. In the early 90s the future was really actually happening.  This new Emeralds LP seems to be their most retro and least forward thrusting to date. I think they've added beats. Did any of the other LPs have beats? In my notes I have written (and this is from a while ago):

Nostalgia for Top Gun,
Nostalgia for Dire Straits,
Nostalgia for Harmonia,
Nostalgia for Arcade games,
Nostalgia for Pink Floyd,
Nostalgia for Cluster,
Nostalgia for Bruton Music's BRK series of library LPs.

Nostalgia for the future might be what I'm trying to project onto them. I mean this is nostalgia for the future but an older future. Not a future so much rooted in the UK early 90s so much as a 70s/80s vision of the future. If nobody is going into a new future can I value one vision of future over another? Who's being more cynical me or Emeralds?

Anyway having said all that it's another top record from Emeralds albeit one that's a little more guitar centric. Atmospheric, sad, uplifting and beautiful as usual. Nice. Is that enough?

More Kosmische

Bataille Solaire-Baal Shamash et son char Celeste

This tape is a bewdy. It's somewhere along the the lines of atmospheric kosmische synth/organ/space/drone, occasionally slipping in and out wormholes. Sometimes heavenly at other times delving into the darkness. It's a true sonic journey not staying in the one place too long which is a bit different for this kind of thing. Sometimes hypnotic and then disorientating. This is a top shelf synth record from out of the blue and fast becoming one of my favourite records of the year. Cheers to Bataille Solaire and surprises. (thanks to you know who you are for recommending this). I know next to nothing about them which kind of adds to the mystique of it all.



Outer Space - Akashic Record (Events: 1986-1990)



Something must be in the air this week or is it amongst the stars and the planets? This is another LP that is loosely Kosmische in stylee. Finally tracked down this cracker from Outer Space. Beautifully recorded intergalactic electronics on Akachic Record (Events: 1986-1990). They are definitely getting out there into rarely travelled zones. John Elliot from Emeralds along with several other colleagues have probably created the most electric Kosmische LP since, well, the last Emeralds LP. The fidelity of this record has to be experienced through headphones to be believed, it so cool and crisp. This could be the best solo outing ever from an Emeralds member and believe me there have been some real good ones. Usually I think records are too long and could be trimmed a little but this left me wanting more. Spectrum Spools have done it again this year. This must be at least their 4th great release of the year.



Michael Hoenig & Manuel Gottsching

Should really be trying to finish off my Glaring Omissions series but I'm a bit under the weather to be researching/checking facts etc. It was my aim to have the series complete by the years end, we'll see. It has been the most popular thing on my Blog. My two most misspelled words would be Kosmische which is German for cosmic and the other would be Oneohtrix. It's a silly name and I don't care that I spell it wrong every time. What does it mean? I must be dyslexic, for the first couple of years I had the pronunciation as 'on eo thrix' until I noticed the correct spelling. The way to say it apparently is 'one oh trix' which to me now just seems absurd. Anyway speaking of Kosmische I've recently discovered a record I did not know existed within that genre by two of my favourite artists doing a collaboration. Michael Hoenig of Agitation Free, Tangerine Dream and Solo Artist got together with Manuel Gottsching of Ash Ra Temple, Ashra, Cosmic Jokers, Solo Artist and Collaborator Extraordinaire in 1976 to make this fabulous slab of Kosmische music called Early Water. It's an unheralded classic with Manuel/Hoenig in fine form on their respective instruments. It's up there with best Ash Ra records and Hoenig's brilliant Departure From The Northern Wasteland LP. I understand this project remained unreleased for many years, until sometime in the 90s. How could they sit on such gold for so long without unleashing it? 48 and a half minutes of intergalactic guitar and synthesiser bliss. Float free man.

Departure From The Northern
Wasteland - 1978



S/T debut classic-1971





*Ok it was in the Cosmic Egg but I somehow missed it you know how it is