The Kinks - Flash's Confession

[1974]

Right, for a start, here's just one tune from Preservation Act 2. How this is not an iconic canonical 70s rock tune is beyond me. So if you're not willing to sit through a double concept album of the rock-opera variety you're just not gonna find it but there are four or five others that are just as great. Really though the entire two record set is a masterpiece. Some of the tunes might not work out of context but it isn't like they're not accessible or fabulous. You may have to set aside your 60s Kinks expectations but its really not that hard because Ray Davies' genius is on display here too. On the instrumental front, Flash's Confession is bizarrely reminiscent of peak 70s Anatolian Psych. This insanely funky wah-wah action is indeed some of Dave Davies' best ever guitar work. Dave is on fire throughout the entire Preservation Act 2. 

Hildegard von Bingen - Canticles Of Ecstasy

Missed this cd at the time, only discovering it this year. As far as 90s atmospheric liturgical jams go this is peak heavenly gear. It might just be the best album of 1994. It's some holy Gregorian chant music from the 12th century. This Hildegard bird was certainly touched by the hand of God. Apparently she was the mbv of her era with her ecstatic yet accessible tunes pushing the boundaries of her genre (monophonic chant) to the outer limits. 

This stunning deeply devotional performance by medieval music ensemble Sequentia is notable for its spectacular soaring heavenly voices and ethereal beauty. Husband and wife team Barbara Thornton (chorus master/lead vocalist) and Benjamin Bagby (arranger/instrumentalist) along with a holy chorus of vocalists seem intent on raising the human spirit to levels near to the divine. 

Take this glorious journey and before you know it you will be closer to God and what a splendid place to be. Canticles Of Ecstasy's a mysterious celestial experience that deserves to be celebrated.  

Pavement

Summer Babe (Winter Version) - Pavement (1992)

Before their twerp-iness kicked in, Pavement ruled in 91/92. The perfect anthemic slacker jam for the 19/20 year old I was. Now it's just a nostalgia show for the sad old man I am now. For all their Fall-isms this tune also reminds me of the guitar work on the pop tunes from Bowie's Low (1977), am I right? Holy sonic data representations of remarkable lackadaisical exuberance Batman.

The tunes on Slanted & Enchanted like the Nevermind demos had an airing throughout 1991 on 3PBSFM in Melbourne, where I was, and probably other college and community radio stations throughout the western world, way before getting officially released.

Box Elder - Pavement (1989)

Tunes from the earlier eps would get an airing too. Two things got them noticed outside of the fanzine world that pushed them into the limelight maybe, was it Melody Maker's Everette True praising one of their eps then Wedding Present doing a cover of this on a b-side. At this stage Pavement were just Malkmus and Spiral Stairs with contributions and production duties from the one and only Gary Young. Once this classic line-up ended they went shit ie. post-Slanted & Enchanted. 

Box Elder's actually got a clear narrative of someone who's being held back by his girlfriend but he's gonna make a break and he's glad. I guess in the vein of The Byrds I Feel A Whole Lot Better. Pavement really capture the essence of this scenario in one of the great defiant break-up songs. Incredibly contagious stuff.

From Now On - Pavement (1991)

...er they were Swell Maps fans you know...

Trigger Cut - Pavement (1992)

Cool sounding words with cool sounding guitars is always a winning combination. Not to diminish the strange rhythmic stylings of Gary Young either. The whole thing has that classic low key pyrotechnical cardboard sound. 

I don't know what most of their songs were ever really about due their surreal/cut up/non sequitur style but they just had this air of "jolly to be wasting your youthful days" kinda vibe, which was a chief principle at the time. I guess that's more of a perverted or inverse principle... 

In The Mouth A Desert - Pavement (1992)

I guess this is like a quasi Pixies tribute innit. Somebody once wrote in Mojo that The Pixies were the last original rock band and no truer word has been spoken in that magazine. It isn't quite as rip off-y as Smells Like Teen Spirit or A Good Idea but hat bass-line is straight outa Kim Deal's playbook. Chuck in a bit of quiet/loud and Santiago-isms but then's it's fused with a Slint-esque darkness. There's just enough that's intrinsically Pavement-y to make this all time 90s rock classic all their own.

Peak slacker rock right here folks! 

Preservation Act 1 - The Kinks

Sweet Lady Genevieve - The Kinks (1973)

Speaking of harmonica on outlier fan favourite records, how about this number from the 1973 Kinks record Preservation Act 1. I mean the following year's Preservation Act 2 is the real Kinks outlier but you know critics hated the fairly accessible Act 1 as well. 

Sweet Lady Genevieve is an absolute Kinks classic. 

Sitting In The Midday Sun - The Kinks (1973)

But wait this one might even be better. The great slacker jam of all time innit. 

It's my absolute anthem. Although as opposed to Ray Davies saying he's sitting in the midday sun for no particular purpose I have a very specific purpose whilst doing it. I've recovered from my ailments recently mostly by sitting in the midday sun every day. For years I was just resigned to the reality that I was just going to be perpetually ill and in a state of malaise and spiritual demise, much like Charles Darwin was for many years, for the rest of my life. But this sunshine lark has been an absolute winner. I'm sometimes spending over four hours every day in the sun. Luckily I live in one of the sunniest regions in Australia. So even in the middle of winter I'm still getting a lot of sunshine in my life. It has made everything so much better. As the song goes along you actually realize Ray does see particular benefits and purposes of lazing in the midday sun too. Getting off anti-depressants, doing daily exercise, eating more eggs, meat & veggies and cutting back on carbs has also helped. Don't get sucked into the trauma, therapy & psychology culture/big pharma, they want you sick and not thriving. Soon every aspect of our personalities will be pathologized. Just Nah! That's my rant. it's probably phobic or racist or sexist or something now that we've reached peak cultural left-ism, fringe bullshit, globalist retardation and poison ideas. 

 

Daylight - The Kinks (1973)

This too... actually all of Preservation Act 1 is ace. Even on other tracks when it goes into esoteric conceptual prog rock opera territory, it's still Ray Davies and band at the top of their game.

Cricket - The Kinks (1973)

The critics who dislike the music hall aspects of The Kinks don't truly understand the band. Honestly entire records of this absurd comedic jazz would be a splendid things to these ears. Listen a little closer and you realise this a philosophical tune with cricket as the battlefield between good and evil. 

One Of The Survivors -The Kinks (1973)

One of their great rockin tunes. Steve Jones surely lifted some riffage elements here didn't he. This goes as hard as any Iggy, Ziggy, Lobby or Lou tunes of the era. I suppose Johnny Thunders got his name from The Kinks. The character Johnny Thunder, who first appeared on Village Green Preservation Society (1968), is fleshed out further as he makes a reprise appearance here as a greying, overweight old rock'n'roller biker. 

Money And Corruption/I Am Your Man - The Kinks (1973)

I guess you can't really discuss Preservation Act 1 without mention of its centrepiece. This is where the prog-folk theatrical rock opera stylings get an airing. Once you get past the fear of a tune being in that vein you will realise it still beautiful Ray Davies melodies, emotionally poignant, peak storytelling lyrics and a lovely arrangement. 

What could actually be problematic is the subject matter that veers into almost cringe naivety Imagine zones where the narrator in the second half of the song is promising classlessness and yet also great wealth. We all know where all that tragically leads in reality. Then you realise this is a song, a story, and this proposal is being presented by a character by the name of Mr Black who may well be just another charlatan with big promises. 

Mr Black turns up in the second half of the tune after the chorus of the people had been complaining "Money and corruption are ruining the land/Crooked politicians betray the working man" but then the chorus naively sing "Show us a man who'll be our Saviour" instead of just asking for some actual democracy where your hard earned money isn't stolen by corruption, given to undeserving competing victim groups or wasted on retarded governmental programmes/rorts.

I mean this is prescient to this day in the UK. Why are the people being dealt absurd shitful hands where the immigration is so insanely high for housing construction to keep up, not that anyone can afford it once it's built anyway. Setting the population up for failure, a possible collapse and sectarian violence. This isn't just happening in England either it's in Australia, USA etc... back in 1973 it might have seemed possible to get a fair go but 50 years later whatever remaining illusion of democracy has been totally shattered. The globalists, oligarchs, multinational megacorps, deep states etc. are not allowing western democracies to act in their own interests. Our countries don't belong to us and our overlords hate us. Sorry 'bout the bleaknesss... but...

David Bowie - Never Let Me Down

[1987]

An underrated Bowie tune from his floundering era. I guess it fits with the sophist-pop scene of the age though. You tend to forget how often he used harmonica which always seems so anachronistic because it just so early Bob. Anyway Never Let Me Down was a slight bit of a relief after terrible singles like Blue Jean, Day In Day Out, all these soundtrack things and the bloody shemozzles he did with Tina Turner and Mick Jagger. I don't think anyone in my family ever had a copy of this album but it was pretty ubiquitous in other households at the time despite its poor critical reception but according to AA it's maybe one of these outlier fan favourite records like The Kinks Preservation Act  2 (1974). 

Cornucopia ► Day of a Daydreambeliever

[1973]

A psychedelic kraut-prog freakout of epic proportionings. For some this sprawling ott jam is gonna be way too much but others are going to enjoy the too much is just enough vibe. 

Loverboy - Ariel Pink's Haunted Grafitti

So Glad - Ariel Pink's Haunted Grafitti (2002)

Wait... just checking.... Ariel still a genius. 

Loverboy's so daydreamy/night-dreamy/hallucinatory. All the amorphous intergalactic synth-y seepage//brainwave spillage/melodic rowboats in soda-waves/haunted hypno-fogggy spray-painted air/mixed lolly loitering/unhinged hazy baby psych/glow-y neon phantasms/pop unrealities you could ask for.

*This goes out to those who can't see past their dogmatic ideologically captured media sources. The aesthetic and material properties of AP's music didn't change between 2002 and 2021.

GHost - Areil Pink's Haunted Grafiitti (2002)

One of the great Haunted Grafitti moments. A barmy baroque bee gee barbershop pet sound spirals into glaring off kilter overdrive with added intergalactic Jed Clampett-isms. 

Absolute Ariel anthem.

Let's Get Married Tonight - Ariel Pink's Haunted Grafitti (2002)

A blistering bananas bubblegum psych-pop bonanza. Even the most unlikely, unfathomable and absurd Ariel tunes are pulled off with such aplomb it's hard to deny them. 

More On Movies...The Return III

Murder My Sweet (1944)

Is this the best movie ever or incoherent nonsense? I tend to think a statement made from an amalgamation of those two questions is correct. A confusing journey of going nowhere but cutely summarised at the end is this film's MO. You can either enjoy the ride or opt out.

King Boxer aka Five Fingers Of Death (1972)

Is this the most beautifully photographed 70s kung Fu flick? It is absolutely stunning to look and the story is ace too. This is the kinda kung fu movie I would recommend to those who enjoyed Crouching Tiger Hidden Camera.

A Woman's Vengeance (1948)

A murder mystery from the pen of Aldous Huxley, directed with an unbearably heavy hand. Still it's not a bad story but I couldn't recommend it unless you're a womens picture enthusiast or a noir completist. 

Cops V Thugs (1975)

Kinji Fukasaku directed Yakuza soap opera about real estate deal disputes and corruption in society. Hard to recommend this to anybody unless you're a Yakuza fanatic. 

After Dark My Sweet (1990)

This adaptation of the Jim Thompson novel is a flawed cult neo-noir. California's relentless glaring sunshine and desert mountains as the backdrop make this cinematically epic. Thirty five years later Rachel Ward's acting is still a bit ropey but I now think that maybe-perhaps Jason Patric's performance is genius and hey Bruce Dern never misses.

An escaped mental patient a Punch-drunk ex boxer meets actual drunk in a bar and uh-oh all of a sudden he's involved in a kidnapping conspiracy. He is coerced by a femme fatale and her uncle to kidnap a rich kid. A perplexing study of one man's mental turmoil.  

Larceny (1948)

Good fun little crime con story. Underrated noir with legends Dan Duryea and Shelley Winters.

Mr Vampire (1985)

Vampire-zombie-ghost comedy kinda thing that could have only come from Hong Kong in the 80s! So much fun if you can surrender to its silly charms, otherwise you're gonna hate it.

Under The Silver Lake (2018)

David Robert Mitchell, director of 2012's It Follows, very obvious homage to Altman's Long Goodbye and other sprawling noirs. In the first half hour I thought this was gonna be the great neo-noir of the new millennium. I was cursed from the moment that notion entered my head as it started quite the drastic downslide in quality from then on. In a word bloated. However Elvis' grand daughter Riley Keogh does make an unforgettable appearance.

Deported (1950)

An Italian-American crook is deported back to Italy after spending time in prison for a bankroll heist? How will he ever be able to live off the spoils of the loot without the American and Italian authorities catching him doing so? Includes romance with a wealthy countess, hang on just what is a countess. Unusual crime/noir from legendary director Robert Siodmak. 

Violent Cop (1989)

Takeshi Kitano's auspicious directing debut. There's a doomed slow burning inevitability about this grim nihilistic tale. Does what it says on the tin in a very strange and effective manner. This outsider cosmic cop is fed up of the criminal degeneracy and corrupt police force and aims to stamp some of it out but is he a goodie or a baddie?

Taken (2008)

Somehow I managed to miss this pop culture moment at the time. A tale of a daughter's kidnapping by an illegal immigrant in a foreign country and her fathers relentless crusade to track her down then exact revenge. Prescient themes to this day. No holds barred visceral filmmaking. Absolutely entertaining. 

Can you imagine what the twerps at The Guardian would say about Taken today as they bury their heads in the sand and ask for more censorship and cheer on cancelations. I mean Hollywood and the dead inside courtiers of the mainstream left press tried to bury Sound Of Freedom last year by running an unhinged smear campaign because it was a true story about the horrors of modern day slavery pedophilic sex trafficking. Apparently pointing this out or caring about such things makes you a deplorable. 

Casino Raiders (1989)

An epic romantic saga disguised as a crime action flick. Gambling themes were a big thing in 80s Hong Kong gangster movies and it makes perfect cinematic sense as this device is a gift to visceral suspense.  

Romancing The Stone (1984)

This could only have been made in one decade. Once you suspend your disbelief and submit to the silliness, this is whole lotta fun. Romance, adventure, exotic jungles, lost treasure, über 80s-ness and Michael Douglas dancing: What more do you need?

Wheels On Meals (1984)

More great Hong Kong 80s comedy action fun. This one's set in Spain with two mates who own a food truck, a detective, a mysterious pickpocket lady, swords and a looney bin. Let the shenanigans ensue.

This Gun For Hire (1942)

There aren't many iconic films from the noir cannon I can't get on board with, there's The Asphalt Jungle, The Big Clock and This Gun For Hire, otherwise... 

A Long Kiss Goodnight (1996)

A deadly assassin with amnesia living a quiet suburban life starts getting flashbacks of her former life. Then the supreme action and absurd storyline unfurls. Some of the best ott action sequences and banter from the 90s. Charisma galore with Geena Davis and Samuel L Jackson plus top villainous performance from David Morse. Written by Shane Black. Entertainment! 

Jake Holmes - A Letter to Katherine December

Saturday Night - Jack Holmes (1968)

An insightful social commentary on modern day mating rituals or misguided angry jealousy directed at his ex-wife (Katherine)... probably both... whatever it is, it's a very 60s lyrically downbeat yet musically upbeat tune with strange orchestrations and wayward six string explorations. 

When somebody tells you there's a record you should check out "It's a bit like Love's Forever Changes by a dude who used to be in a band with Tim Rose" you can only ever end up disappointed. However after leaving the bootleg cd of A Letter To Katherine December languishing in my cobwebby collection for ages (twenty years) I've had a slight change of heart after coming across Holmes recently on a website.

For those that don't know Jake Holmes was an acid-folk singer/songwriter with psychedelic jazz undercurrents whose first LP The Above Ground Sound Of Jake Holmes (1967) had a little song on it by the name of Dazed And Confused which he wrote. Later in the 70s he would lend his songwriting talents to The Four Seasons, Frank Sinatra, Harry Belafonte and eventually the advertising world. 

Anyway we're talking here about the second Jake Holmes LP A Letter To Katherine (1968) which has surprisingly never had an official reissue since its original release date in 1968. The master tapes have never been found although a fairly sub-standard version did turn up on spotify a few years back. Several tunes have a lounge-y cabaret/show tunes influence while others are almost proto-new-wave, perhaps making Katherine not as cohesive as many would like. Whilst not exactly a masterpiece it definitely has its moments... there's really only one track, the irritating High School Hero, preventing this record from minor classic status. The Beatles always had annoying tunes on their great albums so perhaps I'm being too harsh. 

Late Sleeping Day - Jake Holmes (1968)

A tune of quiet turmoil that unfolds intensely yet cautiously featuring subtle understated acidic spike-y jazz guitar tones and strings. Nice.  

Chase Your Eyes - Jake Holmes (1968)

Chase Your Eyes is pretty impeccable 60s stuff, acid-folk gold. It's one of the tunes on the LP that is actually comparable in quality and aesthetic vision to Love. This vocal performance is quite a journey with its restrained melodic twists and turns. Add in an ace string arrangement and voilà...

Moving Day - Jake Holmes (1968)

Having been in the situation depicted in this song's scenario several times in my life, I find this heartbreaking. I get the feeling she left him and not the other way around. It's heartbreaking no matter who's doing the leaving though... er fabulous arrangement so quite the artistic achievement here.

 

Leaves Never Break - Jake Holmes (1968)

The noisy heavy-psych freakout track on the LP. This tune leaves a lot of people wondering what could have been if he'd done a whole side in this extreme chaotic acid-rock style or indeed an entire LP.

Sleeping Woman - Jake Holmes (1968)

Dreamy Rickenbacker twirls, that mesmerizing bass, luscious strings fused with soaring vocals all intertwine to make this THE incandescent jewel of this lost treasure. Surely one of the great lost moments in 60s music, am I wrong?

Houston Street - Jake Holmes (1968)

A restrained dark and intense whispered vocal with sparse ghostly guitar picking... kinda almost proto-Slint innit.

Fingerbobs

[1972]

S Reynolds points out Scampi Theme is also a banger which I totally agree. However I cannot abide Gulliver's (The Seagull) Theme which goes into very irritating almost Tiny Tim territory. The opening Fingerbobs Theme which incorporates Joffy's own little theme tune is also excellent as is the tortoise's tune aka Flash's Theme.

What's the story with Joffy I wonder?

A Canadian paper finger puppet master abroad gets his own show on the BBC. 

A quick glance on the interwebs reveals Joffy aka actor Rick Jones was a Play School presenter in Britain during the 60s and 70s who was involved in a drugs scandal which got him sacked from the BBC.

Rick Jones - Saskatchewan Sunrise (1971)
He had a #26 Canadian hit with this sorta baroque-country Gordon Lightfoot-esque tune. Pretty good.

 

Rick Jones later had a band called Meal Ticket. They did this tune for the The Flipside Of Dominick Hide which was an episode of Play For Today in 1980.

The Flipside Of Domonick Hide (1980)

I don't recall but surely Mark Fisher wrote about this show... I mean it's described as a tale about "genetic time slippage" ffs... actually this predated Back To The Future and fulfils some of the scenarios entertained therein ie. there is some kind of sex with a great-great-grandmother, oh dear this does sound demented, whereby Dominick spawns his own great-grandfather or something... 

Fingermouse Theme

"I am the mouse called fingermouse

the mouse with guts and verve

I get past cats so easily

with my famous body-swerve"

I was watching an episode of Fingerbobs and this great folk-y Fingermouse theme tune came on. Then I thought how was this missed in the 00s when all those British kids telly things became all the rage and they reissued the soundtracks and dvds of the programs etc.  

 

Fingermouse Theme - Michael Jesset, Michael Cole and Rick Jones (1972)

Turns out Trunk did a cd reissue in 2011 which I can now pay $57 for on discogs. 

Anyway, top tune.  

In Reverse / Some Say - Stray

In Reverse / Some Say - Stray [1970]

The undeniable heavy psych-prog stylings of Stray from their eponymous debut record.

So much music was dismissed, written out or never written in rock history narratives that there are some bands you just never heard about back in the day. I mean people know their Groundhogs, Pink Fairies, Buffalo and even Sweet Leaf these days but Stray... They were probably mentioned in Rock & The Pop Narcotic (1990) but it wasn't until the early 00s when reissue specialists Castle Music released that space rock compilation then the Stray 70s anthology that many of us became aware of these lost doyens of progressive hard rock.  

All In Your Mind - Stray [1970]
This was the tune on the 2001: A Space Rock Odyssey 2cd compilation, it's also the opening track to Stray's self-titled 1970 debut. 

Drivin' hard riffin' gloriousness. This still has remnants of their mod roots whilst heading into the stoner proto-metal 70s. Some severe wah-wah action here. The SOUND of these guitars baby!

'O' Level - We Love Malcolm

[1978]

'O' Level were notable for being name checked in Part-Time Punks (1978) by The Television Personalities. It's a bit cheeky though as Ed Ball was in both groups. This is DIY punk and no it ain't no hard-rock/sub-metal. More like proto-indie skeletal jangle-y gear of the faux ineptitude variety yet sorta charming, cheerful and tuneful, before that whole vibe got tiresome in the 80s. 

Also how amazing is it that a manager of a band was able to insinuate himself into being a celebrity as famous as his clients The Sex Pistols, then get a bloody song written about him. 

Information - Inside Your Mind

[1985]

On the synth-y new wave tip in a proto hypnagogic/synth-wave style that you'd imagine the likes of Ariel Pink, John Maus, Geneva Jacuzzi etc. being influenced by. The world just wasn't ready for this kind of outside the lines deranged pop music with its amorphous mega melodies and overall synth seepage.  

The And - Marshmallow In A Keyhole

[1984]

Bringing you all the hits and misses from the 80s. Weird mixture of in-between scenes things here: Synth-y new wave, almost indie rock and throwback 70s radio anthem... hits you in your emotional bones, I mean it coulda been on a teen flick soundtrack couldn't it... just a catchy, crafty and copacetic tune. When that keyboard hits at 1:47 it gets pretty ecstatic. Surely this is Canadian... or Mid-Western. 

The best anthem from the 80s you never heard. 

New Johnny 5 - The Reasoning

[1985]

This kinda post-punk new wave sound was old by 1986 but this tune is soo fucking good it makes you think well hang on a minute this is undeniable who cares! A good tune is a good tune. 

This is incredibly endearing and bittersweet regional new wave from New London CT. It's a lost classic. New Johnny 5 are forever out of time and place even in the internet age. They're not on spotify and their 1986 LP Alternative Tactics has only eight ratings on Rate Your Music.

(non) hits and non (memories)

The Gathering - Falling Crimson

[1988]

A bit of late goth from South Africa no less. The Gathering (not to be confused with the Dutch band) did just one single and this was the b-side. This tune is a lark innit, what a killer dark bass line, ace drummage and great atmospheric infernal guitar sound. 

Konrad - Evil

[1982]

If you didn't discover Konrad's delightful cult album Evil on music sharing blogs in the 00s here's your chance now. Don't let the cover fool you this ain't no satanic metal, it's actually an anti-evil synth-songwriter record. The sort of thing you might think John Maus was influenced by. While Evil is somewhat of its time it's also absolutely outside of time as well. 

Along with the myriad of synth action you get some fx damaged vocals, acoustic guitars, more synths, jazzy pop, psych rock reimagined through an electro pop viewfinder, lite synthetic jazz-funk, a blue eyed soul tune, cosmic synth breaks and even reggae. A bit like a skewed survey of radio rock/pop of the era made in a bedroom by one fella and his arsenal of keyboards. Konrad: A one man genre that he also termed Ethereal Sequence which he described as "the sequence of the soul". This music scientist is an electro wizard. 

Lyrical and theme-wise Evil is somewhat of a concept LP. After seeing a lot of violence and murder on the streets of NYC, the assassination of John Lennon was the catalyst for him "to build a non violent record where he could teach human beings not to be evil" Other topics include science, the cosmos, synchronicity, the matrix, alien intelligence and the drudgery of work.

Cult-y outsider music albums can often be a difficult listen or just utter crap but this is incredibly accessible pop music.  

The unadulterated humanity here might just be the tonic you need in these spiritually bankrupt times.  

Cleaners From Venus - Follow The Plough

Cleaners From Venus - Follow The Plow 

Cleaners From Venus' poetic jolly defiance looking towards whimsical optimism or something more ecstatic is always good on a gloomy wintry day. Their spirited daydream-y anthems fit my glad to be gloomy/Happy when it rains vibes. I used to call overcast rainy winter days in Melbourne during June "Joy Division days"...  in the 90s me and my housemate would get some red wine and watch Withnail & I on such days. 

Anyway I discovered an odds and sods German only Cleaners From Venus compilation tape today called Winter (1988) and it has this version of Follow The Plough. This is a slightly different "brighter" mix from the one on the Living With Victoria Grey tape. 

Cleaners From Venus in their jangling 80s, Rickenbacker drenched, heavenly pop (non) hit stride. 

Peak Newell.

    

The Living With Victoria Grey mix. Interestingly it's grey in Victoria today... hello from the Antipodes.

Cleaners From Venus - Winter (1988)

The whole shonky un-remastered lo-fi cassette.

A1 Prince Of The Winter recorded 1985, previously released on Various - Reynard The Fox.

A2 When Fire Burns Dreams recorded 1986, previously released on Modern Art/Cleaners From Venus - Souvenir.

A3 Amateur Paranoic recorded 1982/83, previously released on the cassingle Two For The Winter. 

A4 She's Checkin You Out recorded 1982/83, previously released on the cassingle Two For The Winter.

A5 Albion's Daughter recorded 1986, previously released on Modern Art/Cleaners From Venus - Souvenir.

A6 Ilya Kuryakin Looked At Me recorded 1986. Originally appeared on the Victoria Grey cassette. This version is a special mix for Color Tapes with different instruments (real drums, different guitar mix etc.)

B7 Sunday Afternoon recorded 1987
B8 Ilya Kuryakin (full version) recorded 1987. This is the vinyl version from Illya Kuryakin Looked At Me.
B9 Black And White. recorded 1987. Previously released on Illya Kuryakin Looked At Me.

B10 Follow The Plough recorded 1985/86. Originally appeared on the Victoria Grey tape. This version is a more "transparent" Mix made for Color Tapes.
B11 Soul Monday recorded 1984/85. Originally appeared on the solo cassette Martin Newell - Songs For A Fallow Land. Different mix.

B12 Julie Profumo recorded 1984/85. Originally appeared on the solo cassette Martin Newell - Songs For A Fallow Land. Rather different mix.

Martin Newell - Amateur Paranoiac [Two For The Winter - Cassingle] (1983)

Wonky post-punk psychedelic dub poetry kinda thing. Top stuff.

Cleaners From Venus - Julie Profumo (1985)

Back to the pastoral paisley... Pure perfect poetic pop!

Autopilot - Love Is A Process

[1979]

Cult post-punk single of the highest order... you love your Magazine, The Fall. Wire, Homosexuals etc. well now you can add Autopilot to the list. Quite possibly the greatest one off post-punk single of all time out of Britain, it's so ace it's hard to believe it didn't become a chartbusting hit. 

Forced Vengeance - William Goldstein

[1982]

Incredible opening sequence and score to Forced Vengeance. Layers of spectacular thickly textured synthesisers, oriental vibes and anthemic drama. As previously stated in the post about William Goldstein's score to Eye For An Eye, many of the best soundtracks are for movies you don't know or care about.

Film · The Church

More soundtrack-y goodness from legendary 80s bands. An instrumental of immense lyrical charm. Gorgeous profoundly emotional stuff. I dunno if it ever got used in a film or tv show... 

Elegia · New Order

Epic.

On the evidence here New Order should have become massive soundtrack composers. Alas that was not to be. This track however has been used numerous times on soundtracks for 80s teen movies, video games, documentaries, cop shows and several Netflix series. 

Elegia is Italian for elegy which makes sense as this sombre and mournful instrumental is dedicated to Joy Division lead singer Ian Curtis, their former bandmate who killed himself. 

I didn't even know a 17 minute version of this existed but apparently the five minute version on Low-Life (1985) is edited down from this lengthy original.  

The Ogre Theme - Simon Boswell

From the dude who produced 23 Skidoo's Coup (1984) and did the brilliant score to Richard Stanley's cyberpunk flick Hardware (1990) comes this slice of soundtrack gold. A sombre slow-crawling dystopian vibe here that is actually for an Italian telly movie directed by Mario Bava's son Lamberto. 

The Ripper - Rod Slane

[1985]

Once again a soundtracks to a z-grade 80s horror flick that outshines all other contributions to the film. Rod Slane's The Ripper OST has never been released. This 11 minute suite extracted from the movie and edited together by Fish Man starts out eerily sad quickly becoming cinematic with compounding layers of suspenseful sound and soon enough alarming atmospheres are achieved. At 3:00 those incredible chiming synths enter rippling kaleidoscopically outwards eventually deforming. More sonic layers are insidiously added, the pile up reaching immense density and aural capacity. Thick textures  of dramatic synthetic sound are deployed to great effect and by 6:30 some über-80s guitar tones arrive then it's back to dark tones before ending with a tropical neon nights synth jam. 

Fabio Frizzi - City of the Living Dead

Fabio Frizzi - Apoteosi Del Mistero (1980) 

It's a remake of his Zombie theme. More like a cleaned up, more uplifting version. Peak mellotron choir goodness. Creepy heroic.  

Fabio Frizzi - Zombie 2 Main Title (1979)

I think I prefer this though. There's something a bit more grime-y, drowsy and unstable about it, quite torpid compared to the above remake. Funereal zombie stoner synth.

 

Fabio Frizzi - Paura Nella Città Dei Morti Viventi (1982)

It's pretty hard to go past this here, the original Beat Records soundtrack LP of City Of The Living Dead though. One of the all time great Italian horror scores. Amongst the gorgeously mournful analogue synths, epic ghostly mellotron choirs, tenebrous atmospherics, there's even some acoustic guitar and quite possibly the most emotional use of a fretless bass ever in the history of recorded music on the unbelievably poignant Paura E Liberazione.

Graveyard Productions - Grab My Mask

Graveyard Productions - Grab My Mask (1995)

The daisy-age gone sour. A deranged criminal tale set to sweet innocent music. So it's not the usual 90s Memphis underground horror movie samples, it's a lovely tranquil Isley Brothers sample of Highways Of My Life mixed with Graveyard Production's melodic chorus that has fermented into something off key sickly sweet and absurdly unsavoury. It's a bit of creepy fun, lo-fi used to delirious perfection. They tread a fine line on Grab My Mask: Always verging on satire of hip hop's glamorisation of nihilistic ultra violence and yet it's still often unsettling. "Don't make me get my OJ gloves" is a particularly menacing line that's probably also black comedy genius. I'm pretty sure there's also a conflicted Robin Hood-esque moral tale lurking in amongst this complex barrage of words too.    

DIY outsider halloween music.

Strap Like An Army Tank - King Goldi (feat. Lil Wako & Skimask Troopaz)

King Goldi - Strap Like An Army Tank (Video incorrectly titled) - [1996]

Insane underground lo-fi psychedelic horrorcore* 90s Memphis stylee with some rockin' guitar samples and screwed techniques. That cheap creepy synth is something else. The music here has more in common with Chrome or The Residents than say 1996's rising stars of rap Jay Z or The Fugees. 

*I feel like 90s underground Memphis Rap with morbid, horror, satanic and dark psychological themes was never properly named or in fact given a proper sub-genre term to seperate it from other Memphis rap and Horrorcore from other geographical areas. Using the term horrorcore with 90s Memphis rap is somewhat misleading as it really doesn't sound anything like Esham, Gravediggaz or bloody ICP, only really overlapping in some dark psychological lyrical themes. The 90s Memphis flows and beats are an entire (aesthetic sound)world apart from these Northern counterparts. 

If they can retroactively coin the term Mid-School Hip Hop they should have no qualms about a seperate genre name for the music I'm talking about here. Bloggers and aficionados refer to it as evil Memphis shit or devil shyt. Perhaps I should try to come up with one... then again I can't stand retroactively titled genres especially if it's for music created created more than 5 years previous let alone 30 years ago. I mean is anybody seriously really using the term Zolo outside of Rate Your Music nerds? 

Black Puppet - Groove Chronicles

Groove Chronicles - Black Puppet [1999]

Classic UKG. 

The kids are reading history in reverse. So some of these children who weren't even born in 1999 call this dubstep. Not something that inspired or influenced dubstep but actual dubstep. This temporal collapse is distorting knowledge. It's a particular pedagogical and epistemic problem that is being applied across the board as seen in debates about slavery where they conveniently leave out of the timeline how the British stopped slavery and poured immense financial and human resources into this incredibly moral endeavour... correct me if I'm wrong I think perhaps sociologist Frank Füredi addresses the problems with reading history wrong and its disastrous consequences... anyway sorry this is a tangent not relevant to this amazing track.

...this was the b-side of their hit 99 with the wibble wobble bass, crisp jittery beat and overall immense dubwise production.   

Just Give It All To Christ · Lucky Rosenbloom

Lucky Rosenbloom (1985)

Back to the electro. This is something else. I guess it's electro gospel but I mean it could be gospel-house, I don't get the genre pigeon hole here...I'm guessing it's down to the make of drum machine and his geographic location which was St Paul. 

This is a WTF? tune if there ever was one. It's electronic, it's post disco, It's funky, it's jazzy, It's futuristic, it's the strangest space age gospel tune you ever heard. Insane synth action with luxurious soul jazz piano stylings, acidic squelches, off the wall funky keytar breaks, unorthodox recording techniques and more. At one stage (0.42) I thought another song had started playing in another window of my computer but no that's just this song's strange arrangement and unique sound design. I can't tell whether that was incompetence or deliberate, either way it was surprising and a genius move.

If my memory serves Rosenbloom was a pastor and tv evangelist who recorded just this one 7" single and last year it got re-released by one of those trendy reissue labels either Light In The Attic or Numero Group. 

I think maybe this is outsider music.  

Broadcast - Spell Blanket

Running Back To Me - Broadcast (2024)

Witchy and tribal. This definitely has a second half of the 00s vibe, making clear that there was definite overlap between Hypnogogia and Hauntology. This has a similar spirit to groups like Pocahaunted but then again I guess Broadcast were always more than just hauntologic with their folky neo-psych and dilapidated moogy dream jazz.

March Of The Fleas - Broadcast (2024)

Sorta like a lo-fi shoegaze jam but Broadcast stylee. I get that these are demos but were Broadcast ever this raw? My brain says no but I don't really trust my memory bank anymore so who knows... maybe I'll have to dig out me dusty old cds and give them a listen. So the recently released Spell Blanket compilation is made up of 36 demos recorded between 2006 and 2009. This material was apparently sketches for a future LP that never got made. (Retro) Retro retro-future.  

Broadcast - My Body (2024)

Hymn for an occult ritual... goths in the woods...fun baby Diamanda Galas doing spooky incantations...

I don't recall Broadcast ever being this overtly... well just this overt. 

Disturbing or hilariously cheese-y, I don't know... maybe both. 

Broadcast - Follow The Light (2024)

While containing many sketches and snippets Spell Blanket has plenty of gorgeous haunting psych-folk moments like this. Surely one of Trish's most outstanding tunes.

Staring Into The Abyss

CELEBRATE THE NEW DARK AGE

Bernard Herrmann - Gort/The Visor/The Telescope (1951)

Darkness and fear with added theremin fun.

Front 242 - Moldavia (1991)

The sound design and the way sound is organised here is pretty impeccable. Also just an iconic anthem innit.

Health - Ashamed Of Being Born (2023)

It's hard to have an affect if you're a post-industrial pop group post-1980s but this is somewhat interesting if perhaps post post-post ironic (or should I add in a few more posts). This video with its images of the cult of nerdy fandom with their infantile dress ups and mental illness deification is all about you and your identity or lack thereof and the emptiness at the heart of it all...The downer euphoria "I'm a sad boy" identity pioneered by the likes of Drake is transposed here onto a Linkin Park/NIN style jam. What's the difference anymore? Rap, psych, metal, industrial, dance pop: All this shit sounds the same...is the same. 

Pedro The Lion - Rejoice (2002)

Codeine/Low/Idaho.... Pedro has the blueprint...pulled off with particular aplomb. This is a raw non-ironic sad boy but it feels like he's reaching for something more and not just acquiescing to the abyss. 

 

Crass - White Punks On Hope (1979)

A song slagging off The Clash is always a winner with me. Also notable for astute commentary on retarded "There is only one viewpoint. It's ours and we are correct" lefty conformism and meaningless pick a team "Which side are on?" politics that still rings true today. Imagine thinking for yourself...

I get the irony of a dogmatic sloganeering band slagging off a band for being dogmatic sloganeers. 

 

"Pogo on a nazi, spit upon a jew
Vicious mindless violence that offers nothing new
Left wing violence, right wing violence, all seems much the same
Bully boys out fighting, it's just the same old game
Boring fucking politics that'll get us all shot
Left wing, right wing, you can stuff the lot"

Polvo - Every Holy Shroud (1994)

Like Pavement and Unwound tunes like this sounded nostalgic back in the 90s when they were released. I've gotta say It is surprising that I still really enjoy Polvo. In fact I think I like their stop start shenanigans, weird time signatures, modal guitars and daft surreal melancholy more now. Still acquiring the taste 30 years on. 

"Celebrate the new dark age with us
Calculate the irony with someone you can trust"