RE: Disco Inferno

DI go pop but not as we know it.

So someone said Disco Inferno experienced critical indifference in their lifetime as a band but I recall a dude from Lime Lizard waxing lyrical about them thus alerting me to their existence in 1991. In Melody Maker '91 they were described as "exploring glacial zones" on their Closed Windows and Science records. In '92 their sound was also described as "Bitter and brooding beauty.' While in 1994 Disco Inferno's DI GO POP LP was placed at no. 3 in the out rock end of year list in The Wire. I would almost say they were critical faves but I don't really know what the more mainstream press were saying at the time. The possibilities seemed endless for this kind of experimental rock (if you could call it that). When was the last time you could say that about a band performing loosely within the rock idiom? Seeing The Boredoms a couple of years ago in full giant guitar neck/percussion overload mode would have been the last time I could have said that. Swans circa Soundtracks For The Blind.  A band I saw perform once in the early 90s at The Esplanade Hotel in St Kilda called Peril also had that future's up for grabs anything could happen vibe going on too. They consisted of Australian and Japanese experimental musicians including Michael Sheridan and Otomo Yoshihide if memory serves. Anyway I dunno what happened to Disco Inferno after that GO POP classic.

One of the noisier tracks off the excellent
DI GO POP LP.

Freaky Shit!!!

After writing that last post where I mentioned Lime Lizard Magazine which I'd totally forgotten otherwise it would have been mentioned in the post about The Wire, NME & MM I wrote a while back I went into my bedroom. On the floor lay one solitary cassette and (pictured above) it just happened to be a compilation tape given away free with a 1993 copy of Lime Lizard. Freaky man!!! I mean obviously a box of tapes had been knocked over under the bed but still that's some freaky shit right there! Truman's Water, Polvo, Shudder To Think - I loved those groups. I wonder what I'd make of them now? Maybe I should give it a listen.

Paul goes mental on the bass

* Music highlight of the week was listening to Abbey Road remastered in the Mrs car. Mind blowing shit man. Paul's crazy bass, Ringo's large drumming and some synthesizers I'd never really noticed before. We had to take the long way home so we could listen to the whole thing. Also I was listening to Blue Oyster Cult on the plane back from Sydney and laughed to myself  'Wouldn't this be funny if it was the last thing I ever listened to?' That particular thought tickled me for some reason. It still makes me smile.

Funny LP to die to.

Energy Flash

Origin Unknown

Valley Of The Shadows

I Started reading Simon Reynolds Energy Flash: A Journey Through Rave Music & Dance Culture (2012 Edition) today and I'm up to about page 188 at this very moment where the above track is mentioned. If I'd read it back in 98 I wouldn't have been able to just go on youtube to check out the tracks I didn't know. I am in the future. Funny I've read all his books but I've somehow managed to avoid this one for 14 years, better late than never and quite timely too as I'm in some kind of electronic 90s timewarp. After chapter 6 I have a new lease of love for old faves like Autechre, Black Dog, Aphex Twin et al. But there are gaps baby (ie. pg.188) and youtube is a brilliant resource. Somewhere in the book he mentioned Lime Lizard magazine which I had totally forgotten about. It was a magazine as opposed to a paper and was a pretty good alternative to the NME around 91/92. I think it came out bi-monthly. Anyway it had some top writers and was the first place I read about Thomas Koner, Disco Inferno, Ice, Ultramarine and others.

Bay-B-Kane

Hello Darkness

I recall this though.