Tuesday, 22 January 2019

UK Garridge



The following three tracks were the ones I discovered for the first time on that top mix from the previous post. This is pure gold. I cannot believe I missed Don't Stop. How good is the 1 min 13 moment?  When that steppy bass enters. Then the 2 minute 27 bass change. Two tunes for the price of one in the true spirit of hardcore. Mental tune.



How's that beat, bass and vocal sample? There's an Australian connection here, Nissan Cedrics singer Dannielle Gaha recorded a dance tune Secret Love that was a minor hit in the UK in 1993. Five years later Danny J Lewis sampled it here.



I cannot believe this was not a number one chart topper.

Thursday, 17 January 2019

On the UK Garridge Tip

& A Bit Of Ye Olde Jungle



Found this choice UK garage mix today. It treads that fine line between classy, trashy, rootsy and poppy. The rhythms and sonic innovations are undeniable though. It's got classic faves Find The Path, It's a London Thing, RIP Groove etc. Maybe I haven't heard or don't remember half of these tunes which is refreshing. There are some revelations here like Don't Stop (Deeper Mix) from Ruff Driverz, Spend The Night (H-Mans Groove Dub) by Danny J Lewis and Jhelisa's very commercial Friendly Pressure (Midnight Mix), which I can only assume was a big hit in the UK. I think this gear stays really fresh because I wasn't into the scene at the time and only came to appreciate the music much later. It's not like 'ardcore/darkside/jungle where I've heard, you know, Mr Kirk's Nightmare, Bombscare, Finest Illusion, Terminator, Here Come The Drumz, Renegade Snares et al. 1000 times. Anyway this was a really spot on mix until the final three tunes which didn't seem to fit, starting with that Tori Amos track which was more like funky house. So I'd fade out the mix at around the 1 hour 12 minute mark.


Double 99's speed garridge gem RIP Groove from 1997 led me to the above mix. I'm pretty sure this is the original 6 min track.


DJ Gunshot's 1994 jungle tune Wheel 'N' Deal was sampled on RIP Groove was it not?


Wheel 'N' Deal put me in mind of this all time classic jungle Amen smasher Drum N' Bass Wise from Remarc. Wow this still sounds fucking remarkable (pun intended) and current and future... It's from bloody 1994. That's ages ago! I don't even wanna say the amount of years that is. Is 94 when the future died?


This whole sonic journey started here with Grant Nelson's classic Step 2 Me because this tune was posted at Energy Flash several hours ago.

*Some previous posts on UK Garridge:
Proto Dubstep, Speed Garage & Recreations.
UK Garridge With Simon Reynolds.
UK Garridge 101 Part 1.
UK Garridge 101 Part 2.
Uk Garridge 101 Part 3.

Monday, 31 December 2018

Best of 2018


2018 LPS
On Drugs - Primitive Calculators
Everywhere At The End Of Time: Stage 5 - The Caretaker
Make Me Know You Sweet - Pendant
A Laughing Death In Meatspace - Tropical Fuck Storm
Mother - Xylouris White
Everywhere At The End Of Time: Stage 4 - The Caretaker
Psychedelic Spirit Show - Moon Wiring Club
Double Negative - Low*
Pastoral - Gazzelle Twin
Mandy OST - Johann Johannsson
Culture II - Migos 
Insula - Proc Fiskal
Cocoon Crush - Objekt
Unfold - Gabor Lázár



This list is in no way authoritative or comprehensive (go to FACT, OPIUM-HUM or The Wire for that) as I didn't check out hundreds of albums this year like I usually do. Severe debilitating migraines caused my life to be lived at about a 3rd of its capacity. So I was rarely in a jovial mood to even entertain the thought of listening to the latest pop tune or experimental opus. The above records are just the handful I managed to enjoy in 2018.

I didn't mind Addendum from John Maus, Late Electrics by Rangers, Young Thug's Slime Language/On The Rvn, Future's Beast Mode 2Kazuashita by Gang Gang Dance, Laurel Halo's Raw Silk Uncut WoodThe Invisible World Of... by Beautify Junkyards, Neville Watson's The Midnight Orchard, Duppy Gun's Miro Tape etc. They might have ended up in my main best of 2018 list but I just haven't listened to them enough to rate them properly. I can't even recall if I liked Let's Eat Grandma's I'm All Ears or Sophie's Oil Of Every Pearl's Un Insides...er probably not.

There were new records from GasOneohtrix Point Never, Alvin Lucier, Eli Keszler, Chris Carter, Bruce, Pusha T, Cardi B, Travis Scott, Rico Nasty, Playboi Carti, 21 Savage, Chief Keef, Gnod, Dead Can Dance, Julia Holter, Autechre, Supersilent, Jon Hassell and a bunch of others that I just didn't get around to listening to let alone buying. FACT even have a list of the best 13 ambient LPs of 2018. None of which I've heard either and that's probably where my head should have been at more than anywhere else this year. I'm sure some of this unheard music is good stuff but that's the way my 2018 cookie crumbled.

On the soundtrack front I enjoyed Rob's Revenge OST and Colin Stetson's Hereditary OST but I didn't even get around to that Scott Walker/Sia soundtrack or the new Halloween from John Carpenter & Co.

I nearly fell into the nostalgia traps of new releases from Space Afrika, Beta Librae, Barker... all perfectly adequate facsimiles of past high water marks in innovative electronic music.

...apparently rave is the new old thing...hasn't it been the new old thing for several years now?

Was The Sons Of Kemet album really all that? *Rhetorical question.

I wonder what Mark Fisher would have made of Guttersnipe's My Mother The Vent? Being Mars wannabes in 2018 is kinda trad, innit? Talk about not killing yr idols. Mars formed in 1974! Another case of a band picking up on the sonic aesthetics of a band but not understanding the revolutionary ideas behind them.

I don't even know who Twenty One Pilots are or what they do...er... same goes for Amnesia Scanner and Tirzah. Do I need to know? Am I missing out?

I enjoyed track-y tunes like Ramos from Ploy and Agua Y Puerta by Lechuga because they sound like I could have made them myself on GarageBand if I could have been bothered.

What would Mark Fisher have thought Part 2: Vessel's Queen Of Golden Dogs? I mean I get what they are doing but why would you want to do that? It feels like a project as part of a music degree doncha reckon?

Liquid Drum'n'Bass, seriously people?!

Oh...and who gives two fucks about Kendrick Lamar when you've got YG serving up Californian gold ala Big Bank! YG is West Coast's main man.


*LOW - DOUBLE NEGATIVE
This record is a bit like Sun Kil Moon's Benji album from a few years back, it was hard to ignore due to the groundswell of popularity on the internet and even from the archaic printed paper people. I first heard Low on the legendary Witch In The Colours radio show hosted by Jason Reynolds on Melbourne's 3RRR when I Could Live In Hope was released in 1994. At the time they were described as an American answer to Slowdive, which was a little misleading. I still remember hearing Lazy for the first time and its Slint meets Twin Peaks reverbed vibe had me mesmerised. To me, Low reached perfection in 1995 on their 2nd album Long Division. That LP was a three piece doin electrifying minimal rock with their signature threatening, gloomy and slow burning jamz that sounded like they were recorded in a cold and lonesome echo chamber. Sure they had very good records after Long Division including the following The Curtain Hits The Cast (1996) and a couple recorded with Steve Albini. I lost touch with them after that though. So it was weird listening to them this year but also a joy. Double Negative is like a Low chopped & screwed tape. I don't know how they ended up in this sonic terrain (although they have always had an experimental bent) but it's great that they did. Low are still Low of old ie. lovely yet intense melodious close boy/girl harmonies. Its just that the sonic textures have been beautifully fucked with. Stuff drops in and out, gets slowed down, gets chopped, gets sent into the red, goes glitch-y and disintegrates then swells back to life in a swathe of distortion. The outstanding track Always Tying To Work It Out sounds like DJ Screw could have been at the controls. This all might sound like a strange juxtaposition but it works to an impressive degree. Enthralling.


ARCHIVAL/COMPILATIONS/REISSUES
Black Mass - Lucifer
The Unexplained: Electronic Musical Impressions Of The Occult - Ataraxia
Memoire Magnetique Vol.1 1966-1990 - Bernard Parmegiani
The Music From Bagpuss - Sandra Kerr & John Faulkner
Impressionz - Ekoplekz
Chronolyse - Richard Pinhas
East West - Richard Pinhas 
Rhizosphere - Richard Pinhas
A Dream Sails Out To Sea: Get At The Wave - Takashi kokubo
Coochin Moon - Haroumi Hosono & Tadanori Yokoo
Orient - Hiroshi Sato
African Scream Contest Volume 2: Benin 1963-80 - Various
Two Niles To Sing A Melody: The Violins & Synths Of Sudan - Various
Gumba Fire: Bubblegum Soul & Synth-Boogie In 1980s South Africa - Various
Onda De Amor: Synthesized Brazilian Hits That Never Were 1984-94 - Various



Apart from those first three records mentioned by Lucifer, Ataraxia (both Mort Garson pseudonyms) and Bernard Parmegiani I'm pretty out of the loop now when it comes to pioneering ye olde avant-electronics reissues. God I even missed an Aussie Creel Pone release this year! How many live recordings of Throbbing Gristle do I need? Well all of them so I guess one more wouldn't hurt. Then there was a whole deluge of Japanese electronic, ambient, city-pop, image albums and Ghibli soundtracks from the 70s & 80s, a lot of which are getting issued in the west for the first time. Have all the good electronic and horror soundtracks now been reissued? I don't even know if great labels from the 00s like Trunk, Omni Recording Corporation, Strut or Finders Keepers are still reissuing interesting esoterica in 2018. On the African tip there were choice compilations on SoundwayOstinato Records and Analog Africa, that stuff seems to be petering out now that they've reached the 80s Post-Boogie/R&B/Pop phase. What comes after that? Probably not much. Then again maybe in Africa they did noise-rock, indie, grunge, riot grrl, acid house, 'ardcore rave, techno, ambient, jungle, speed garage... who knows? Uh-huh! I just saw on the interwebs that this compilation Pantsula! The Rise Of Electronic Dance Music In South Africa 1988-1990 was released last year on on Rush Hour Music.



TELLY
INSIDE NO. 9
The anthology show that is sometimes horror, sometimes black comedy, sometimes drama and sometimes all of the above. Most film-makers get 2 hours plus to tell their story and it's usually not a masterpiece. Reece Shearsmith and Steve Pemberton give themselves 29 minutes and make a twisted ripper every time. Only comparable to The Crown in consistency and quality. Their genius is breathtaking!
ATLANTA
Even better than the first season.
THE DEUCE
Pretty good but hey, I guess you can't top The Wire can you?
THE STAIRCASE
Fascinating true crime documentary series. Did the justice system get it wrong? Surely Michael Peterson is guilty but yeah I get it, there's not enough solid evidence against him though.
EVIL GENIUS
Disturbing four part true crime documentary about a bunch of fucking nutters and their strange hair-brained heist scheme that culminated in the murder of the pizza bomber. I don't know who or what to believe. You do not want people like this in your life.
GLOW
Alison Brie is so charismatic as is Kate Nash and surprisingly Marc Maron is very good. Best telly soundtrack of the year ie. bunch of terrific old 80s radio songs I haven't heard since the 80s.
CLAWS
Bananas OTT crime drama/soap opera/comedy with the best wardrobe in TV since the 70s. Very 2018. This was entertainment.


AUDIO DOCUMENTARY
Evil Has A Name: The Untold Story Of The Golden State Killer Investigation. 
This is an Audible exclusive. Six hours featuring audio from key detectives, profilers, criminologists, forensic experts, victims etc. in the saga of The Visalia Ransacker/East Area Rapist/The Original Night-Stalker. Fascinating insight into the revolutionary ways of catching old evil cunts ie. Joseph DeAngelo the man who raped over 50 women & girls and killed over 13 people in California from 1974 to 1986. Paul Holes is the rock star of detectives! and the escalating technology surrounding DNA is the catalyst that is the icing on this case's cake. Amazing story.


Happy New Year!

Sunday, 30 December 2018

More On Movies XI


Strangers On A train (1951)
Great Alfred Hitchcock noir with fantastic premise, script, actoring, directing etc. Mostly totally riveting and highly suspenseful but there is a bit of a lull when it gets to the tennis scene (Hitchcock loves to not trim his fat) but it comes back strong with a raucous merry go-round climax.


Shadow Of A Doubt (1943)
Funny little melodramatic Hitchcock noir. Sometimes this one gets a bit too ye olde for me but there's no doubt it's a fantastic and suspenseful story though. The cheesiness gets to me but I guess Hitchcock's just trying to contrast that phoney American veneer with the reality of it's dark underbelly like Sam Fuller and David Lynch have done since. Serial killer films have been around for a long time. Many people think Shadow Of A Doubt is the greatest of Hitchcock films including Alfred himself, I do believe.

The Wild Bunch (1969)
I've been expecting to eventually come around to loving Westerns since I was a teenager. I've enjoyed Spaghetti Westerns more than American ones to be quite honest. I would have expected by now to fully love The Wild Bunch as it is directed by Sam Peckinpah who is responsible for some of my all time favourite films Straw Dogs, Bring Me The Head Of Alfredo Garcia and The Getaway. I don't hate it, I just don't love it...oh the sacrilege! Maybe due to Deadwood's utter magnificence I will never be able to enjoy old westerns. Am I bothered?

Eyes Wide Shut (1999)
I don't know what the consensus is now on this film but it was pretty polarised when it was released. I was split in two too and couldn't decide if was a brilliant masterpiece or complete tosh. Almost 20 years on I can say it's a pretty good movie if way too long. I am not as concerned with the linear reality of the plot as I once was. Reality and fantasy intermingle to create some pure cinema. I feel like it's a little, perhaps slight story that probably didn't deserve such an epic magnification of its contents. If you give into the cinema of it all you should enjoy or at least not hate Eyes Wide Shut.

Silence Of The Lambs (1991)
Excellent horror/serial killer thriller that I once hated. I cannot for the life of me figure out what I hated about this modern masterpiece. Silence Of The Lambs hardly needs my endorsement.


Frightmare (1974)
Gruesome British family drama horror involving a psycho grandma, insane asylums, mysterious packages, bikers, bartenders, power drills, tarot readings and a body count. Not your typical English horror fare of the time ie. no fangs or cloaks, plenty of blood though. Frightmare has more in common with the demented American movies of the early 70s ie. Last House On The Left, Texas Chainsaw Massacre etc. Highly recommended.


Symptoms (1974)
Spectacular British horror movie. Helen played by Angela Pleasance is mentally fucked up and tiresome. She invites her friend Anne (Lorna Heilbron) to stay at her mansion in the gloriously picturesque English countryside then shit starts to get weird. Also includes legendary character actor Peter Vaughan (Straw Dogs, Game Of Thrones etc.) as the groundskeeper. A study in feminine psychosis where the atmosphere is hauntingly oppressive. I think this is another UK horror flick that was missing for a while but has now had the full restoration and blu-ray treatment. Great score too.

Frenzy (1972)
The wrong man is nabbed for the crimes of a serial killer known as the necktie murderer in 70s London. Will he be able to prove his innocence or go to gaol for the rest of his life for crimes he did not commit? Alfred Hitchcock could have removed so much flab from this terrific suspenseful story to make it lean and mean but...what the fuck did editors get paid to actually do back then? Definitely worth watching though.


And Soon The Darkness (1970)
Two young English ladies go on a cycling trip through the beautiful French countryside. The once bucolic french landscape gradually becomes a dread inducing nightmare-scape of menacing claustrophobia. And Soon The Darkness is an outstanding, relatively obscure British Giallo. There are so many red herrings, everyone barring the missing woman come under suspicion. Beautifully shot and stylishly put together. A real eye-opener. I recommend.

TOP SEVEN SCORSESE MOVIES 
Mean Streets (1973)
Raging Bull (1980)
King Of Comedy (1982)
Goodfellas (1990)
After Hours (1985)
Taxi Driver (1976)
Casino (1995)

Sunday, 9 December 2018

More On Movies X


The Undertaker aka Death Merchant (1988/2010/2016)
Can I say Joe Spinell gets more demented than usual? Probably not after Maniac (1980). He's a loveable undertaker with more than that on his mind and perhaps his colleagues should look out. Sadly this was Spinell's last piece of acting caught on celluloid. You're gonna watch this if you're a Spinell fan (speaking of which here's a mini doc on his life) or just a little bit mental. It's not that bad considering it wasn't even released straight to video at the time. This unfinished movie finally got a semi-official dvd release with stupid added in footage in 2010 by Code Red. The 2016 blu-ray restores The Undertaker to its original form. This is another Vinegar Syndrome release that brings you the dregs from the depths.

Apostle (2018)
Boring horror movie Netflix shit. Got 20 minutes in and that was it.

The Hearse (1980)
Funny and a bit crap but it tightens up a little towards the end. This is a haunted house/satanic/nightmare kinda thing where dreams and reality get blurred. The Hearse is probably loved because of its campy absurdity than due it actually being chilling or frightening. An inept film that seems to miss every beat. Quite a feat.


Don't Answer The Phone (1980)
Strange tone from the very beginning which is so sarcastic. A man who's fat, rapey and hysterical commits ritualistic murders. Very much wrong but somehow enjoyable. I can't believe the brilliant noisy electronic score is actually part of this movie. If you like what I just described you'll either say this is another Vinegar Syndrome winner or moan.

78/52 (2017)
Delve into the minutiae of Alfred Hitchcock's shower scene from Psycho. This is a Netflix documentary that's not as boring as you might imagine. I guess if you don't know much about Hitchcock or Psycho this would be much more interesting ie. I'm very much aware of most of what is being repeated here by so-called horror experts. There were a couple of little bits of information I didn't  know though. I always wondered how they didn't get water on the camera lens in the shot looking directly up at the shower head from underneath...in fact I'm still not quite sure how they did that. On the talking head front we could have done with a lot less Eli Roth and just way more Bret Easton Ellis!


Secret Ceremony (1968)
Bizarre. This is all about the clothes, the house, the interior design, the eerie, the perversion & the depravity. Not quite like anything else I've ever seen. This film has to be seen to be believed. Cenci (Mia Farrow) is a regressive 22 year old whose mother died when she was little but she finds a lookalikey in Leonora (Liz Taylor) on a bus one day. The strangeness then begins. Add to that a pervy stepfather named Albert played by Mr. Robert Mitcham. Secret Ceremony is an outlandish psychological horror film that is incredibly entertaining. I imagine this is a cult classic in many circles.


The Dead Zone (1983)
An excellent movie that nobody ever says is great. I would have thought people imagined a Stephen King story in the hands of David Cronenberg would have been rather bloody and brutal but Cronenberg tones down the gore here. It's his first time directing a film that he did not write himself. Fine performances from Chris Walken, Herbert Lom, Brooke Adams, Tom Skerritt etc.

Christmas Evil aka You Better Watch Out (1980)
This film's tone is all over the place. Christmas Evil had real potential but seems to have been put together rather haphazardly. However it's easy to see why it's gained a cult following. It's funny, it's got murder by christmas decoration and Santa is an anti-social outsider. Harry (Brandon Maggart) is a disgruntled toy factory worker who takes it upon himself to become a real life Santa who ends up murdering people who do wrong. Worth watching at least once for historical purposes as this is where the homicidal Santa began, isn't it?

The Hitcher (1986)
I know I watched and wrote about this recently but Emma had never seen it and it's just been issued on blu-ray. The Hitcher would be in my top 10 movies from the 80s. The film-makers just do not miss a beat in this film. I'm thinking that it is perhaps flawless. There is something mysterious about the relationship between the psycho hitcher John Ryder (Rutger Hauer) and Jim Halsey (C Thomas Howell) the kid who gives him a ride. Is there something telekinetic going on or possibly a homosexual subtext? Am I just imagining this? It's hard to tell giving this film an enigmatic aura.

The Stepfather (1987)
I can't believe this is not a TV movie as it just felt like one. ie. rushed script, direction, editing, one take acting etc. The Stepfather has a very similar premise to Michael Winner's 1984 film Scream For Help but it's nowhere near as compelling as that nutty piece of work. Worth a look for slasher completists and fans of psychotic fathers.


Next Of Kin (1982)
I became aware of this film many years ago as someone suggested that the soundtrack was fantastic. Being a fan of Mr Klaus Schulze I tried to find the soundtrack but to no avail. I recently discovered the soundtrack was never actually released but it was a bunch of his music complied from his classic LPs of the 70s and early 80s. Despite Next Of Kin's relative obscurity now, this movie must have been known to cinephiles, at least, because it appeared on the front cover of Australia's legendary film journal Cinema Papers (see above) in 1982. Next Of Kin is a fabulous piece of underrated film-making. Director Tony Williams is obviously influenced by Giallo movies, classic haunted House films and probably The Changeling (1980). The cinematography is stunningly beautiful. It's a good little story with spot on direction, pacing, acting, atmosphere and sound design.


The Alligator (1980)
Great fun When Animals Attack film starring the fabulous Rob Forster. Terrific little story written by John Sayles. Don't you love it when directors write scripts that they don't actually direct? ie. Quentin Tarantino, Terrence Mallick, Larry Cohen, Paul Schrader, Walter Hill etc. A pet baby alligator is flushed down the lou with dire consequences. Funny, bit scary and fine entertainment!


The Last House On The Left (1972)
Haven't seen this for years. Haven't seen Ingmar Bergman's The Virgin Spring (1960) which this movie is based on since I was in my early 20s, you know, when you felt like you had to watch every bloody arthouse film ever made. Anyway this left me guessing right up until the end. The Last House On The Left is a nasty yet compelling exploitation/complex rape revenge movie. Wes Craven's not my favourite director but this is way better than his other major 70s effort The Hills Have Eyes (1977) and probably his best work. Ooh the VHS nerd nostalgists wont like that comment.

They'll Love Me When I'm Dead (2018)
If you're a cinephile, Orson Welles fan or just interested in history you will have probably already watched this on Netflix. It's a great doc about The Other Side Of The Wind, a film that never was. Many years ago there was a documentary on like five or six films that Welles never finished which I recall being very frustrating. However somebody has completed The Other Side Of The Wind. I haven't watched that yet but this doc makes you very excited about the prospect of, at least, seeing a 2018 version of this film.

The Exterminator (1980)
Was not aware of this movie until the Diablolique Website did a fantastic list of the best vigilante films earlier this year. Sure, The Exterminator's not the best film ever but there are some scenes to maybe make it worth watching ie. NYC cesspool, Viet Vets, cars that blow up immediately after crashing, burning people, meat grinders, flame throwers, death by rat etc. It's quite a convoluted plot in a movie that could have done with mucho editing.

Death Wish 4: The Crackdown (1987)
I guess you know to expect absurd vigilante action thrills by now as this is the fourth in the Death Wish series. It's unbelievable that Charles Bronson survived this film. We're Back in LA for Death Wish 4. Many baddies have many bad shots at Bronson so he survives to tell another tale. That's enjoyment of Death Wishes 3 and 4 now, perhaps I really am becoming a Charles Bronson fan. Bring on Death Wish 5.

The Changeling (1980)
Not as boring as I remember, actually it's quite the opposite. The Changeling is a brilliant, grim, brutal and ultimately sad haunted house story with a deliberately slow burning pace. I wouldn't say I'm a big haunted house movie fan but this one really gets you in. An incredibly well executed film with stunning cinematography and a great unsettling atmosphere.


Death Line (1972)
Although there are comic moments here this is one of the saddest horror movies ever. I became aware of this in the 90s due to its fantastic Will Malone score. An upper class Englishman goes missing late one night in a London tube station. An investigation ensues with very unexpected, strange and twisted results. Donald Pleasance plays the arsehole Inspector Calhoun brilliantly. Death Line is worth watching for that performance alone but The Man played by Hugh Armstrong is a haunting pièce de résistance of pathos.


Rope (1948)
Alfred Hitchcock is so adept at creating suspense it's ridiculous and er... masterful. Rope is set in real time and I enjoyed every reel minute. Two posh young gentlemen (could perhaps be read as 'preppy dandies') murder an old school chum as some kind of exercise based on the ideas and philosophies of Nietzsche and De Quincey. Will this murder be an act of brilliant supremacy or supreme idiocy? Much technical wizardry and an ace script based on a play from 20 years earlier.

Monday, 19 November 2018

Young Thug - Scoliosis

& Basic Channel/Chain Reaction Vibes



Hey, It's been ages since I posted about new music but here's something recent-ish. Well actually it sounds like Young Thug doin his thang over a Basic Channel/Chain Reaction track, doncha think? Sometimes I really want an instrumental or dub LP of many modern hip-hop records like Thugger, Future, Vince Staples, Lil B, Travis Scott et al. Scoliosis is not the first time that hints of 90s German dub-tech have appeared in rap though. The below track from 5 years ago had me thinking along similar lines and there have probably been a bunch more. Any suggestions out there?


This tune still astounds me. It also astounds me Boosie isn't as big as Kanye as previously mentioned (yawn).


Last year there was this terrific DJ Python album, not hip-hop but some kind of synthy-new-age-drift/deep-dub-tech-house hybrid thing that was probably a genre named something else entirely. Hey I was in the 90s so you can't fool me. Anyway there are several moments that recall or are probably homages to the great sounds from Basic Channel/Chain Reaction/Rhythm & Sound and their milieu. Amongst the cosmic tropical bliss Dulce Compañia also contains hints of 90s-esque ambient house/tech and even some shimmering post-rock of the Seefeel variety while still feeling contemporary. It's hard not to be seduced by such a lovely record. 

Tuesday, 13 November 2018

More On Movies VIIII

RECENTLY RE/WATCHED



Truck Turner (1974)
The threads in this blaxploitation flick are outstanding. Isaac Hayes is Truck Turner the double denim clad booze hound bounty hunter. The hunters however become the hunted. Look out for weird car chase including bagels, a foot-chase through a sewage works, the pimp and prostitute pool party & funeral, spectacular shoot out in a hospital and the brilliant symphonic funk soundtrack. Not forgetting the cars on the 70s streets of LA. Originally released as part of a double bill with Foxy Brown, now that's what I call a double feature!


Beyond The Black Rainbow (2010)
Third viewing of the first feature from director of 2018's Mandy Panos Cosmatos. I can't say it has grown on me at all. It's just too fucking slow and oh so stylised man. Elena (Eva Allan) is drugged and trapped in some kind of New Age clinic/psych ward The Arboria Institute by psycho druggy Dr Barry Nyle (Michael Rogers). What will happen? Well not much but there is a pretty cool telekinetic murder. Beyond The Black Rainbow is where trash and high art aesthetics collide but it's just not satisfying like similarly styled films ie. early Cronenberg movies. Fabulous soundtrack however from Sinoia Caves. One of my top 5 soundtracks of the 10s.

I Don't Feel At Home In This World Anymore (2017)
Wow this was an unexpected little bewdy, it made my week. Netflix just dump stuff on their site and you have no idea what it is. This had been sitting in my watch later list for over a year. I thought I'd probably never watch it, mainly because of the title. I was expecting it to be some kind of emo snowflake indie shit until I read the blurb. The lead role of Ruth is played by the stalker girl from Two Men and A Half Melanie Lynskey. Anyway Ruth, who is suffering from depression, gets robbed after already having a bad day at work. She teams up with neighbour Tony (Elijah Wood) to try and find her stuff, then things go berserk and spiral out of control from there. I Don't Feel... is an unpredictable and thoroughly entertaining black comedy revenge film. Hey, it's got the frontman of noise-rock legends Scratch Acid* and Jesus Lizard David Fucking Yow as shit criminal Marshall and he's really good. In a word surprising.


Someone's Watching Me (1978)
Pretty good little made for telly thriller. John Carpenter made two movies in 1978 this is the other less famous one. Good performances from Lauren Hutton and Adrienne Barbeau. A stalker is making creepy phone calls to Leigh (Hutton) but nobody's taking her seriously so she takes matters into her own hands in this Hitchcock homage. Terrific ending, which is something you rarely get to say.

The Invitation (2015)
Will (Logan Marshall-Green) is invited to a dinner party by his ex-wife Eden (Tammy Blanchard). Things start looking dodgy as the hosts become more creepy and may have some kind of agenda for the evening apart from the usual eating and drinking. An uneasy suspenseful vibe is created right from the start. One of the most well executed horror/thrillers I've ever seen this Millennium.


Creep (2014)
Top notch found footage horror flick. I was not expecting much from this but it turned out be fine entertainment which was funny and ultimately very fucking disturbing. Aaron (Patrick Brice) a freelance video cameraman gets a job with a weird dude named Josef (Mark Duplass). Should he continue with the project or run for his life? A very clever premise and script with good actoring. I recommend.

Creep 2 (2017)
Not as good as the first one but still pretty good. Another good concept and script. The acting is good once again. If you enjoyed the first one do yourself a favour.

50 Best Horror Movies You've Never Seen (2014)
This is one of those countdown shows like the TV show here in Australia which had a heap of crap celebrity Z-listers counting down all sorts of obvious shit like the best music videos of the 80s, the 20 most controversial moments in sport etc., maybe it was called 20 to 1. Anyway this American one counts down 50 horror movies you've supposedly never seen. I thought right here's a challenge I bet I've seen a shitload of these. But, haha, they got me in my achilles heel with a lot of movies made post-2000. I think I'd seen everything listed from the 20th century and only a few from the new Millennium. You get to see some talking heads that you may not have ever seen, like writers and podcasters you may know, such as Maitland McDonagh, Rob Galluzzo etc.


Wrong Turn (2003)
This is one from The 50 Best Horror Movies You've Never Seen which I'd never seen. Not a bad little backwoods slasher. Young and beautiful city slickers get in the way of inbred hillbillies somewhere in West Virginia. There's a body count and a couple of good, if generic, kills toward the end. Wrong Turn stars Eliza Dushku and the dude who played Brenda's mental patient brother in Six Feet Under.


Giallo E Venezia (1979)
Nuts giallo meets exploitation hybrid set in the seedy side of Venice. Much wrongful sexy time and creepy rapeyness with plenty of 70s bush and even quite a bit of male nudity. The awkward wrongness of these sex scenes is captured to create maximum unease. You know what I found the most disturbing about this film though? The detective always had a boiled egg. At one stage he was banging it on his colleagues smoking pipe. Weird. There weren't many Gialli set in Venice, I can only come up with The bloodstained Shadow. If you're looking for Giallo of the most sleazoid kind go no further, here it is. Thanks to Samm Deighan and Baron Martino for alerting me to this little known flick.


Baise-Moi (2000)
I have a vague recollection of this getting banned in Melbourne and taken off cinema screens before I got a chance to see it. So I was quite surprised and thrilled to find it was streaming on Stan. I'm assuming this was some kind of censored censored version. The utter nihilism of this movie is pretty fucking intoxicating. Two girls get raped then fuck and take out vengeance on everything in their path. Extraordinary romp of extreme sex and violence.


In A Lonely Place (1950)
I felt like starting a noir-fest after reading some stuff on the BFI website. Noir films tend to all blend together for me as I haven't watched them for a long time. Great cynical tone, script, acting, direction, plot etc. A screenwriting thug (Humphrey Bogart) is suspected of murder then falls in love with his actress neighbour (Gloria Grahame). It's all about the drinkin' and the smokin'. This Nicholas Ray fella wasn't a bad director was he?


Rabid (1977)
This is probably my least watched of the classic David Cronenberg movies because it's so fucking gross. I can't look at the screen half the time. The living anus with the spiky penis thing in the armpit of main star Marilyn Chambers is just disgusting. Medical experimentation once again causes chaos (see Shivers 1975) this time across Montreal and martial law is imposed. Canada did some dodgy shit back in the day with regard to medical trials, government control etc. This is a comment on that but it's still an entertainingly queasy horror flick.

Suspiria (2018)
Just kidding. Why would you bother doing this? What's next Blue Velvet?

Tuesday, 16 October 2018

More On Movies VIII

RECENTLY RE/WATCHED


Mr Majestyk (1974)
Classic. It's all about the ford cars, the double denim, the melon massacre, curtains with horsey patterns, the car chases, the hair and the stunning landscape of rural Colorado. Terrific Elmore Leonard screenplay perfectly realised. The pace and the tone were spot on. I believe this is now the fourth Charles Bronson film I've liked and this just might be my favourite. That's 4 out of 7 now, his average is growing. The soundtrack from Charles Bernstein is excellent up there with his other great scores White Lightning and The Entity. Why is Mr Majestyk not rated along with other 70s canonical shit? I get that director Richard Fleischer was old compared to the new Hollywood brats but hey so were Sam Peckinpah and John Huston. Perhaps it's the whole thing of auteur theory being valued above all else in film criticism particularly when it comes to American cinema in the 70s. Whatever.

The Last Run (1971)
The Last Run is an ok lil crime movie if a tad too slow. An ageing criminal getaway driver Harry (George C Scott) plans to retire after one last caper. Will he walk away cashed up and happy or will things go haywire? Spectacular Spanish setting.


The Tenant (1976)
The first time I saw this I thought it was silly, the second time I thought it was cool and this time I thought it was brilliant. Roman Polanski directs and acts in this psychological horror movie. Trelkovsky (Roman Polanski) moves into an apartment previously occupied by a suicide victim. Things get very bloody strange and Trelkovsky gradually becomes unhinged. This is a wonderful time capsule of Paris in the 70s that also stars Isabelle AdjaniThe Tenant is an amazing meditation on paranoia. The sense of unease created here is palpable. Quite possibly Polanski's best film.


Shivers aka They Came From Within (1975)
A parasite experiment gone wrong causes an epidemic of unstoppable orgy/rapey maniacs in a modern tower block. There is some pretty deranged shenanigans going on in this film but it's also pretty funny. At the time of release this was an enormously controversial movie in Canada. It almost feels quaint now but it's still a transgressive classic. David Cronenberg created one of the greatest ever final scenes in the history of cinema at the end of Shivers.


All The Colors Of The Dark aka Tutti I Colori Del Buio (1972)
I like Gialli with masks and black gloves but I also like it when they go unconventional and don't use them. This Sergio Martino movie is in the later category. Three icons of Gialli Edwige Fenech, George Hilton and Ivan Rassimov star. All The Colors Of The Dark is Jane Harrison's (Edwige Fenech) paranoiac nightmarish vision that includes car crashes, dead babies, satanic cults, black masses, a stalker with a knife and more. Excellent Bruno Nicolai score too.


Una Sull'Atra aka One On Top Of The Other aka Perversion Story (1969)
An incredible Lucio Fulci Giallo shot in San Francisco in the late 60s. Is this the only bona fide giallo to be shot in America? Top crime jazz score with occasional psych interludes from legendary composer Riz Ortolani! French actor Jean Sorel, who is the star of my favourite Giallo Short Night Of Glass Dolls and the Buñuel classic Belle De Jour, plays George a shonky doctor who ends up on death row. Is the dodgy doctor being framed for insurance fraud and murder or did he do it?  We've got double identities amongst some classic Giallo shit like inheritances, sexy shenanigans, police, sleaze, detectives, exquisite interior design, airports, people being drugged, photographers and even black gloves.


Mandy (2018)
You know you are in for something different if a movie starts out with a tune from prime 70s King Crimson. This is a fucking mental movie like a queasy bad acid trip. I dunno if I liked it but I watched the whole thing so I can't have hated it. In 1983 Red Miller (Nic Cage) and his girlfriend Mandy Bloom (Andrea Riseborough) are living off the grid somewhere in the wilderness but an absurd hippy Christian cult leader Jeremiah Sand (Linus Roache) has spotted Mandy. Jeremiah wants Mandy for himself but his seduction technique doesn't work so the cult wreak havoc upon the couple. That first half of this film is very bloody slow going but the second half is more compelling with Red seeking spectacular vengeance on the lysergically altered cult members. The saturated colour scheme used in this film would make Michael Powell, Mario Bava, Dario Argento, Marty Scorsese and Michael Mann proud. Mandy is some kind of arty cosmic black comedy action revenge horror film, that has instant cult status written all over it.

Mandy is a truly anomalous film. I really have never seen anything quite like it, not that I'm across the last fifteen years of cinema though. The vibe of Mandy did have me thinking of Blood Beat (1983), White Of The Eye (1987) and other such bonkers films. The first film from Panos Costmatos Beyond The Black Rainbow was much more indebted to his influences ie. Kubrick, Lynch, Cronenberg, Tarkovsky etc. If that was his hypnogogic/vapourwave film Mandy is his prog rock/black metal movie. Seedy, unhealthy, gross, sickly, fantastical, icky, psychedelic, nightmarish, hallucinatory, languid, gory, feeble, uneasy, squeamish, nauseating, peculiar, queer and aberrant are all words that could be used to describe Mandy but I feel like we need some new language to elucidate more perfectly what this movie is like. Sorry, you'll just have to watch it but don't blame me if you hate it. Look out for the chainsaw sword fight plus tiger and big black insect. The late Johan Johannsson's gloomy drone score, which is frequently reminiscent of 90s post-rock legends Labradford and atmospheric black metal, is outstanding and this film would be nowhere without it.

Best score since Mica Levi's Under The Skin

Friday, 5 October 2018

More On Movies VII

RECENTLY RE/WATCHED



Short Eyes (1977)
I saw this in the 90s but totally forgot about it until I got a few minutes into the blu-ray. This obscure prison drama is a lost gem. A middle class white pedophile is chucked into a prison. Will he find his comeuppance while inside or have his flimsy case dropped? Short Eyes is very very realistic because they used actual criminals in the cast à la The Wire. Rough, hard boiled and highly recommended. Look out for Curtis Mayfield as an inmate.

At Close Range (1986)
Stan added this to their movie list the other day so I thought I'd give it a go. Turns out I had never seen it. At Close Range is pretty slow to the point of being boring. But it does star Sean & Chris Penn with Christopher Walken as their criminal low-life father. The soundtrack kept making me think it was gonna break out into a Madonna song, I thought I was just being mental until the final scene where it does break out into Live To Tell. An 80s curio worth a look if you dig the aforementioned actors and Mary Stuart Masterson, whatever happened to her? Oh....and Crispin Glover.

Deliverance (1972)
Had not seen this since I was a teenager. I must be conflating it with another movie because I thought there was going to be cannibalism along with the buggery rape. Deliverance is so well done it keeps you transfixed from the start right up until the very end. John Voight, wow! The rest of the cast are great too. Deliverance is a timeless masterpiece. I'm never going bush for the rest of my life. No canoeing for me thank-you.

48 Hrs. (1982)
Wow imagine if this film was released today? Imagine the think-pieces! 48 Hrs. is a sometimes entertaining buddy cop film with Eddie Murphy & Nick Nolte. Not as good as I remember....still...I remember Another 48 Hrs. being a lot worse. One for the nostalgists only.

North By North-West (1959)
Thoroughly entertaining conspiracy thriller from Alfred Hitchcock. It's a tad long innit? He most definitely could have trimmed some fat off here and there. North By North-West contains some of Alfred's most spectacular scenes, you know, the drunk driving, the crop-duster and Mount Rushmore scenes. A film that oozes cold war paranoia and nefarious tones.

Invasion Of The Body Snatchers (1978)
I was expecting to love this but er...it's just not my bag. Why it's much loved by twits and legends is lost on me. 70s remake of a 50s Sci-Fi horror flick. I liked the human dog things. I found the rest rather tedious for some reason despite the best efforts from Donald Sutherland, Brooke Adams and Jeff Goldblum plus an outstanding performance from Leonard Nimoy. Maybe if Cronenberg or Carpenter had directed it I might have liked it. I'll give it a year or so then give it a Space Debris reappraisal. It's mainly that me and sci-fi just don't get along anymore or maybe I was a bit grumpy.


In The Mouth Of Madness (1995)
This is the best movie that nobody ever says is the best movie. I remember going to see it in a cinema in Bourke St. Melbourne. Shout out to SJ who used to call me Philippa Hawker* because I was such an opinionated critic. Anyway we left this film saying 'What was that???'  but ultimately agreeing it was silly rubbish. Hey, I'm still perplexed but now I love it. The only other film that has any kind of parallels to this is Lost Highway. John Trent (Sam Neil) is hired to go find missing blockbuster horror author Sutter Kane which takes him on a journey to an apocalyptic non place and back again. In The Mouth Of Madness is a gripping film right from the get go and Sam Neil is at an acting apex. Quite possibly John Carpenter's finest hour.

Death In Brunswick (1990)
They were the days. Alright this one is a bit of a nostalgia trip for me but maybe it's a good film....I just dunno. It's all too close to my heart as I lived in Brunswick for most of the 90s. Good lil story and top performances from Sam Neil and Zoe Carriddes though. This was an instant cult classic in Melbourne at the time like Romper Stomper was. 

Prince Of Darkness (1987)
Kinda silly but funny satanic horror from John Carpenter. He's not at his best here but not at his absolute worst either. I'm not sure any of it makes a hell of a lot of sense but there are some truly memorable scenes. Death by half a bicycle, the chosen evil one's head is chopped off but she just grabs it and puts it back on, lots of gross spitting of evil liquid into each others mouths and Kelly & Catherine getting lost forever to the other side through a mirror. Then there's the great shared dream sequence that changes slowly in small increments throughout the movie. Donald Pleasance, Victor Wong and Dennis Dun are great but fuck me the rest of the cast suck. This feels rushed, a lost opportunity.

Blue Thunder (1983)
Is this the best action movie ever made? It's unbelievably impressive. Blue Thunder must have been such a dangerous film shoot. These helicopter stunts are mental. Warren Oates, Roy Scheider and Malcolm McDowell star in this OTT 80s action epic.

White Of The Eye (1987)
All I knew about this one was that it was a crime movie or maybe a slasher that was rated by the VHS nerds as a high watermark in batshit crazy film making. Halfway through I was nearly falling asleep but yeah I gotta say by the end I was thinking 'WTF?' I dunno if I liked it but the second half was so engaging and just fucking bizarre. What does it all mean? I'm not sure. I definitely have to watch it again then probably again after that. I'm not even gonna try and do a mini synopsis of White Of The Eye suffice to say whether it makes sense or not it's truly bonkers. I think it was based on a bestselling novel(?). This one is for the out there and cult film buffs.

I Spit On Your Grave (1978)
One I had to check off my list before I died. But did I? Yes indeed I did, a classic. This is the most brutal movie I've ever seen. I Spit On Your Grave is the ultimate rape revenge movie which is totally compelling from start to finish. Only people who think they are hardcore need apply. I spit On Your Grave is a beautifully shot and tightly made film.


The Mechanic (1972)
Wait a minute here we have another Charles Bronson film I like. Sometimes I wish all movies were like this ie. plenty of action and crazy stunts that I'm pretty sure were seriously dangerous. Then you've got all the early 70s glamour of the beautiful interior design, houses, cars, fashions and hair. Not forgetting that the spectacular action is taking place in exquisitely shot exotic locations. Of all the Michael Winner films I've seen so far this is at the top.

Maniac (2012)
Very excellent cover version of the classic disturbing 1980 slasher Maniac. It's POV all the way from Elijah Wood's character Frank Zito. I can't remember if the original was like that or not. This is a primo example of how to do a remake. 2012's version might even be better than the original. Oh the Sacrilege. What will the VHS nerds say? Love the score from Rob too. Now I wanna watch the old Maniac. Which I remember being very creepy, perhaps a bit crap and maybe just a tad too unpleasant but with a great score.

Death Wish 3 (1985)
Vigilante shit is so satisfying innit? This is now the third Charles Bronson film I like. Charles Bronson goes OTT with his WW2 weaponry as he takes on a neighbourhood of young hooligans who are running amok in 80s NYC. I'm even thinking about watching the first Death Wish movie again just to see if maybe I'll like it this time. The freedom of being able to change your mind and not be a slave to a certain set of aesthetics is an exhilarating feeling.

What We Do In The Shadows (2014)
Totally missed this when it came out. It features 4 vampires from 4 different classic eras living in a share house in current day Wellington. New Zealand. Clever little light comedy that vampire fans will love and everybody else will get a laugh from. Hey, It's got Jermaine Clement and Rhys Darby from Flight of The Concords.

Maniac Cop 2 (1990)
Another spectacular horror/action hybrid written by Larry Cohen and directed by Bill Lustig. The indestructible Maniac Cop Mathew Cordell befriends a serial killer who specialises in the murder of strippers. Look out for remarkable scenes of Cordell attacking others whilst being fully on fire amongst an array of other memorable scenes. This is where the style meets the sleaze and creates riveting entertainment.

Hereditary (2018)
Another mega mix pastiche horror film. This movie doesn't know what it is.  Don't waste your time on this bollocks. The berserk swelling drones of the score were very fucking cool though. Best soundtrack of 2018?

Mother (2017)
Oh dear....anyone wanna be sledgehammered to death with a biblical and climate change allegory? I'm pretty sure this an insult to my intelligence and yours.

Maniac (1980)
Onya once again Bill Lustig. The original Maniac is way better than I remember (I love it when that happens). Joe Spinell is so fucking great as the creepy yet charismatic serial killer Frank Zito. Frank has a variant of agalmatophilia where his mannequins have to have human scalps, hair included. I've gotta say this movie is also excellent like the remake and not one bit crap as speculated above. None of this is POV, so the 2012 version of Maniac is quite different but still very faithful to the original story. Joe Spinell should have been bigger than Jack Nicholson. The score is still in top 10 territory for me, onya Jay Chattaway. Maniac goes into to the Space Debris movie hall of fame!


* Philippa Hawker was a critic and a sex/relationships columnist for The Age newspaper in Melbourne during the 90s or was it The Australian? I also think maybe she worked for Cinema Papers in the 80s (?).

**I'm aware of the run-on sentences but hey I'm mentally rusty and it's a blog.