Shoegaze

I saw that Slowdive were reforming on a website. I thought I'll dig out those early Slowdive tapes (no one ever stole tapes) and cds. The first 3 EPs Slowdive (90), Holding Our Breath (91) and Morningrise (91) plus most of their debut LP Just For A Day (91) I always rated. Listening back to them the other day revealed that I was perhaps correct, well I enjoyed them anyway. They had some stellar tunes Celia's Dream, Catch The Breeze, She Calls & the amazing epic Primal. They were definitely the most Cocteau Twins influenced of the shoegaze brigade whereas say Ride, early on, were probably more influenced by 80s noise rock. The meeting point for all these bands was My Bloody Valentine, they would be the centre of your Venn diagram. On the outside would be girl groups, stadium rock, cutie, goth, fx pedal worship, ambient, psych pop etc. Of those Ride tunes I recall diggin the first four EPs Ride, Play, Fall (all from 90) and Today Forever (91) as well well as like three quarters of the debut LP Nowhere (90) but only a couple of tracks from the follow up Going Blank Again (92). I saw Ride play live a couple of times and they were a powerhouse wall of noise band (gee the drummer was good) compared to their more sedate recordings, I liked that dichotomy. What about the others? The Pale Saints and The Boo Radleys had their moments, Chapterhouse didn't. I didn't hate Lush I just didn't buy their records.

Then there was Curve whose first couple of EPs were terrific but I don't think you were meant to like them. They were the corporate machine co-opting the underground once again and perhaps signalling the end of the scene. The lead singer of Curve Tony Halliday was one of these Allanis Morrissette, Robin Thicke types who was signed to a major label, had a failed pop career then somehow got a second chance as a totally different type of artist. There was even a shoegazing band from Sydney called Jupiter who I saw once in a South Melbourne pub. They had a great tune Sense (note to self track down that EP). There was a time circa 90/91 when you thought this thrilling bliss would last forever. America even had a go with The Drop Nineteens whose record Delaware (92) was pretty good (I listened to it the other day) as was Medicine's Shot Forth Self Living (92) LP. Anyone remember Smashed Orange (very vague memory of them) or The Belltower's Outshine The Sun? Some kind of award should go to Lilys who sounded so much like My Bloody Valentine it was preposterous. They were so absurd you couldn't help but admire their commitment see their LP In The Presence of Nothing from 92. There were many more I don't remember but when a girlfriend at the time showed up with a record by Revolver (a C-grade Ride rip off) you knew the end was near. I never bought Slowdive's Souvlaki (93) or the follow up Pygmalion (95). Some people rate these highly maybe I missed out, maybe I didn't. Worth missing out on though were The Boo Radleys Wake Up (95), Ride's Carnival Of Light (94) and The Pale Saints had lost it by Slow Buildings (94). After the release of Loveless in 91 My Bloody Valentine went AWOL for the rest of the 90s and even Lilys changed their style mid decade. The spirit of MBV lived on with Seefeel, Third Eye Foundation, Moonshake and Flying Saucer Attack making excellent music in other genres during the 90s. There have been resurgences and revivals over the years....some current groups probably consider the original wave of shoegazers an influence.

Award winning genuine fake.

Too Hot part 2

This is Champagne comedy right here.

Skinny Puppy - Worlock (Rated R Version)

It's too hot to think up words to say about stuff........it's 43 degrees at the moment..... air con failing, sitting in the lounge with the curtains drawn watching things like this.......Uh oh.....this is the banned version of this classic 80s splatter video....great tune too.

Australia Day Part II

All of these tunes from 1980. A pretty fuckin good year for the Laughing Clowns wouldn't you say?

Australia Day

Australian garage classic. The Missing Links Wild About You from 1965 was their 3rd single.  Weird & wild. The Saints covered this on their first LP and there was a great rock book that used this title too. Sydney rocked.

More deranged garage from Sydney in the mid 60s. You're Drivin Me Insane was the 2nd single from The Missing Links. This has gotta be one of the greatest songs ever.

From the 2nd Saints album Eternally Yours (1978). Alright. Let's Shoot the professor. Yeah!

From The Saints 3rd LP Prehistoric Sounds released in late 1978. Rowland S Howard used to cover this live with his band These Immortal Souls. 

The haunting sound of urban summer in Australia. Even though this song is particularly about Brisbane under the Police State of Sir Joh in the 70s it has a universal sound of a lethargic, irritating, paranoid and unrelenting Australian summer. 

Reality Bath-Nice Strong Arm (1987)

Now here's a record that is truly lost. Nobody talks about it, it's forgotten. It's in my record collection and I've barely considered it as anything. I was reading a blog (sorry forgotten the name) the other day and there it was with a little spiel and a dead download link from like 7 years ago. In Melbourne in the early 90s I picked up a stack of records on the Homestead label for next to nothing in a bargain bin . Live Skull, UT, Great Plains etc. I'd heard or heard of those bands but I'd not heard of these guys, I bought it anyway (probably due to the cover). It sat alongside my Live Skull record as a good noisy LP but it couldn't really compete with you know...er... who could it? So it rarely got played. Well that's what I thought.

So I pulled out Nice Strong Arm's Reality Bath after over 20 years of ignoring it and guess what? It's a little lost gem from the 80s underground. They obviously loved their Joy Division and MX80 Sound. They didn't sound unlike their peers Flipper, Bailter Space etc. Nice Strong Arm also predate/influenced Pavement, Trumans Water, Unwound, Drive Like Jehu and in particular Polvo. Looking through what info I could find on the interweb, one common criticism aimed at the group was that their songs were directionless. Their songs are definitely not directionless. Like Throwing Muses circa mid/late 80s Nice Strong Arm's guitars just took a different route to the rest. The guitars turn down strange paths exploring uncharted nooks and crannies, then new harmolodic vistas open up seemingly out of nowhere. This is the most compelling aspect of the band. You get the feeling the critics and public alike (including myself) missed the point. Sure the name Nice Strong Arm has got to be one of the most pox names ever for a group, so that can't have helped their chances. They moved from Austin to New York after this album and recorded 2 more records before breaking up in 1990 which is all news to me. Reality Bath never got issued on cd and isn't even a cult record as far as I can tell.

Special Comments

I just recently had my 65 year old father in law from Wales come and stay at our house in the middle of an insanely hot Australian summer. Every night when he'd go to bed he'd grab a cd off my shelf to listen to on his DiscMan (no shit he had one). The following morning I'd get his thoughts.

The Insect Trust-The Insect Trust
"Ha haha ha ha ha yeah they're great musicians though"

Master Of Reality-Black Sabbath
"I listened to a very weak Black Sabbath album last night. It was poor. It wasn't heavy enough."

Pacific Ocean Blue-Dennis Wilson
"It went on and on and every time I thought it was over another song started. There was one fantastic song in the middle though, ahead of its time."

Funhouse-The Stooges
"I listened to the first 3 songs."

UHF-Hacker Farm
"I listened to an instrumental group last night. Hahaha it was just muffled noises wasn't it?"

Persona-Son

Persona-Son

Loving this cover from Brasil in 1975. 

Good record too, top shelf outre experimental psych.

New Wave Australiana Intros For The FM Airwaves

Here we go with atmosphere! I love a bit of Fairlight to get me goin. Then those synthy drums at 0.18 followed by that new wave bass just before Iva Davies goes into his Aussie Bowie/Numan shtick.

Now a bit of evocative didgeridoo before those cavernous drums kick in and that bendy bass. At 0.20 the best guitar lick Lindsay Buckingham never wrote enters before Shane Howard comes in with his right on lyrics at 0.32. Another song from my preteens that's a bit haunting. If I'd been older maybe I'd have found it cheesy but these songs stick with you.

Another one from 1982. Beautiful synth (I assume a Fairlight) soundz here that sets up the excitement for the rest of the song. Then that classic riff kicks in at 0.25 followed by some double snare hits and Hutch is at the mic at 0.48.

This ones a coupla years later and in a totally different class. Jill Burt on the oh so beautiful keys. Bass drums and high-hats from MacDonald. That "2, 3 ,4......" whisper from Dave McComb at 0.15 sends a a chill down my spine every time as does the accompanying  bass ever from the great Martyn P Casey. Then at 0.26 the drum rolls start and the song swells up with Dave's guitar, Jill's keyboards and Evil's pedal steel all chiming in just before the first verse at 0.39. Classic production from Gil Norton pre-Doolittle. The rest is awesome too.

Simon Says Intros

The new year's topic is intros see here. I'm just goin with my definition of an intro which is before the proper singin starts. First thoughts were Marquee Moon, The Stones, A Hard Days Night but I thought everyone would have those so here's my first one Teenage Riot from Sonic Youth. It starts so clean with just one guitar until 13 seconds in.  Then comes Kim's murmurs and whispers.  By the 45 second mark it sounds like about 5 guitars plus sporadic drums and I think Kim's chanting "speed desire." It's all very sensual until 1.22 when one of the great riffs revs up and by 1.47 it's in full flight along with Shelley's crackin drum beat. By 2.05 Thurston's at the mic and well the rest is pretty good too.

Then on the same record Daydream Nation there's Candle. This starts with some of the most lovely clean spidery guitar you are likely to ever hear. At 0.48 the drums kick in and the guitar takes an anxious turn down a dark lane. By 1.10 the vibe's picked up and the riff and beat's changed to a chug just in time for Thurston to step up to the mic.

Rock peaked here didn't it?

Can't Deny Mr Kim Kardashian

The Best Song of 2013 & The Worst
Which is which?........

And then there was the best thing on YOUTUBE this year. Cherry Moon On Valium was hipped to me earlier this year by a blog I've forgotten the name of now. Then FACT & Reynolds ran with it despite it being like 2 years old! I love the sound and vision. It's really hard not to watch the whole thing, I can't look away. So the soundtrack is a bunch of 90s Belgian hardcore and Gabba tunes but they are slowed right down. I think they got a bunch of original people from the Gabber community to do the old school moves, of course slowed right down to suit their age. Or were they dancing to the original speeds and the video's been slowed? The mum & dad dancers seem to have brought up their child with a healthy respect for gabber. This is a version of retro I can dig.

It's fucking gold innit?

2013 Best LPs

eMMplekz - Your Crate Has Changed
Semi lucid ranting over hallucinatory electronic dub splatter.

The Focus Group - The Elektrik Karousel
A spooky and disorientating trip out to melt your mind.  Psychedelia for now and never.

Ensemble Skalectrik - Trainwrekz
Transmissions from.....somewhere or nowhere.

Gesaffelstein - Aleph
Beautiful paranoid urban atmospheres, bangin streamlined EBM and cold rushes.

Primitive Calculators - The World Is Fucked
More confrontational than ever. Age has not mellowed Australia's greatest post-punk band!

Tim Hecker - Virgins
The ghosts of 20th century's monumentalism.

Umberto - Confrontations
The soundtrack to match the alien invasion movie in your mind.

Daft Punk - Random Access Memories
It was hard to resist those tunes on the back half of this album in the end. Get your singin & dancin shoes on.

House In The Woods - Bucolica
Rural isolationist journeys into sound.

Lieven Martens Moana - Music From The Guardhouse
Dolphins Into The Future's main man delivers another warped environmental electronic masterpiece. He's on an oceanic roll.

The others I also liked

Skull & Shark - Lazerhawk
Ooga Boogas - Ooga Boogas
New Dark Age Of Love - Xander Harris
Fire Funmania - The Horrorist
Cold Mission - Logos
Cortex Meridian - Panabrite
Devesham Dub - Ekoplekz
Earl Grey Whistle Test - Robin The Fog
Secret Songs Of Savamala - Howlround
The Harbinger Of Spring - Children Of Alice
She Beats - Beaches
Testpressings 1-3 - Demdike Stare
Watching Dead Empires In Decay - The Stranger

The others that I didn't

James Ferraro - Cold,
James Ferraro - NYC Hell 3am
Stellar Om Source - Joy One Mile
Grouper - The Man Who Died In His Boat

On The Fence

Tomorrows Harvest - Boards Of Canada
I dunno if this is great, just ok or a complete waste of time (and I love their other records).
A Fondness For Hats - Moon Wiring Club
Only got it today, I'll get back to you on that.
Night Slugs All Stars Vol. 2 - Various
It's good and all that but it sounds more like the recent past than the future (as many claim it to be). Then again it's good though....or is it?....
Living In The Past - Manix
Well the title says it all but when those mentasm stabs kick in towards the end it's a little bit awesome.
Empty Avenues - John Foxx & The Belbury Circle
A charming new pop direction for GhostBox or 'sounds a bit like Nik Kershaw singin over a crappy library record?'

Stay Away From My Eardrums Pleaz

Lorde
Lilly Allen
Arcade Fire
And most of what's on my Channel V ie. 10,000 of Mumford's sons.

Best Of 2013 - Archives, Compilations & Reissues

I think I'll start my end of year lists here as we are in the Retromania age.  I don't have to tell you 'new music in 2013 is just as good as in any era.' in a desperate tone to protect my brand so as to not lose my advertisers. I'll leave all that to those online magazine types. I guess it must be disheartening to be a youth in times such as these, you know, late in the epoch and atemporal etc. They have to try and make themselves believe that their culture is vibrant, alive and theirs because otherwise what have you got?  It's been a thin year for new musical output. Even in the experimental, dance and other usually exciting zones the good stuff is coming less and less. Hey I expected innovation and forward momentum in music to continue on until long after I was gone, I'm gettin ripped off too. So here's a list of great stuff from time.*

Conrad & Sohn - Conrad & Gregor Schnitzler (1981)

What the fuck is this? You may ask. Conrad the legendary German electronic pioneer did a one off LP with his then teenage son Gregor on bass and acid/sci-fi vocals and its fucking great. This is the best album you've never heard. (Yeah I know it's been kickin round the interweb for years but it never sounded this bloody good!)

Silber - Conrad Schnitzler (1974/75)
Another classic from my favourite German electronic guru. This is from the same era as the masterpiece Blau.

School Daze - Patrick Cowley (1973-81)
Porn soundtracks from the disco maestro who gave us the 16 minute extended version of Donna Summer's I Feel Love.

Purple Snow: Forecasting The Minneapolis Sound - Various
Sweet soul sounds and new wave funk of the late 70s/early 80s from the land of many lakes and er....Prince Rogers Nelson. Every once in a while a soul/funk compilation comes along and makes me think why would I listen to any other genre?

The Lost Tapes - Rodion GA (1978-83) 
Unreleased gold from Romania. These are the coolest Eastern European cyber-prog jamz you've n/ever heard.

Fragments Of Light - Sensations Fix (1974)

You gotta love a bit Italian space-prog from mid 70s Florence don't ya? Features Franco Falsini on guitar and synth.

It's You - Don Muro (1977)

Perplexing to say the least. Who'd have thought there was a missing link between Big Star and Tangerine Dream and that it'd be good?   

Celestial Music 1978-2011 - Laraaji (2013)

Every ones fave electronic zither player plays tunes for your spiritual enlightenment. 

I Am The Center: Private Issue New Age In America 1950-1990 - Various (2013)
Meet me on the astral plane.

Celestial Soul Portrait 1975-85 - Iasos (2013)
Meet me in the dimension beyond the astral plane. 

Re-Animator OST - Richard Band (1985)

Ever wondered what Bernard Herman would have sounded like with synthesised drums?

Solaris OST - Edward Artemyev (1972)

Awesome synthesiser score to Russia's most famous space movie. 

De Natura Sonorum - Bernard Parmegiani (1976)
20th Century French electronic composer gets his 70s classic reissued and then a few weeks later passes away. RIP.

GRM Works 1957-1962 - Iannis Xenakis (2013)

I've never heard a bad Xenakis record.

Kenya Special: Selected East African Recordings From the 1970s & 80s - Various (2013)

I thought maybe the 70s Afro/beat/disco/psych/funk/rock well may have dried up but no, Soundway move from West to East and bring us more unheard gold.

Who Is William Onyeabor? - William Onyeabor (2013)

Funnily enough I've been asking myself that question since Strut released that seminal Nigeria 70 compilation in 2001. That irresistible keyboard sound is total Guttertronics innit?

Half Dead Ganja Music - Vox Populi (1987)
Experimental ambient psychedelia from France in the 80s. This sounds like it could have come out of today's cassette underground and I mean that in a good way.

The Alchemist: The Best Of 1992-2012 - Goldie (2013)
Rufige Cru,  Metalheadz & Goldie give us drum n bass gold. Disc 1 in particular is da bomb.

⥋⥋⥋⥋⥋⥋⥋

Best 2013 Mixtapes/Mixes/Podcasts etc....

Electro Chaabi for Avant-Guard Lovers - Various @ Soundcloud
Egyptian revolutionary jamz & stuff. Mixed by CLF.

Ketchup - DJ Mustard with Various Artists @ datpiff.com 
The sonic document of 2013. Ratchet = the future of rap and R&B or at least the exciting present.

1017 Thug - Young Thug @ datpiff.com
The coolest and most bizarre rapper ever.

Up/Down - Various @ ASoundAwareness
2 Choice mixes of Italian Library/Soundtrack music from David Thrussel, the man behind Omni Recording Corporation.

The Gold & Silver Dream (1971-82) - Various @?
Tribute to Daft Punk's Random Access Memories.

I Can't Beleive How Dark It is - Various @blogtotheoldschool
Old school darkside mix from Dev/null.

Dawn Of The Synth - Various @ EdiaboliksWorldOfPsychotronicSoundtracks
Synth Soundtracks mix.

Fact Mix 380- Various @FACT
The Black Dog present old school bleep and beyond.

Midnite in Europe Mix - Various @?
Moon Wiring Club Mix of 90s electronica.

Orange Dawn - Various @SonicRampage
90s Tech-Step mix from Pearsall.

Actual Pirate Material - Various @SonicRampage
Mid 90s jump up jungle mix by Pearsall.

The Brood

I should be doing my end of year list thing which is usually fun to do and is actually popular. At the moment I can't be arsed with it. Maybe Its a mood or maybe its something more. I can't even be bothered analysing why. Hopefully I'll get around to it next time.

I watched David Cronenberg's The Brood for the first time the other day and was blown away at how good it was.  I love some of his other films Existenz in particular but also Videodrome & The End Of Violence.  The Brood had become quite a mythical film for me and I thought well I better watch it.  When my wife was a small child of around 5 or 6 she was exposed to this film.  She then had nightmares for a very long time following that, with good reason (The Brood is v demented). She never knew the name of the film but her and her sister referred to it as Alien Space Babies.  One day in a high school film studies class a clip of The Brood was featured.  Finally Emma knew what the film was.  Anyway it was many years later when she was working in a certain cafe in Richmond in Melbourne that she served a bespectacled gentleman with a Canadian Accent.  This man praised her coffee making abilities saying something like "That was the best coffee I've ever had in my life." Minutes later the cafe owner pulled her aside and asked "Do You know who that was?" She replied "No." Then he said "That was the film director David Cronenberg!" She was shocked that she was face to face with the man who'd traumatised her childhood and she didn't even know it was him.  Suffice to say she didn't watch The Brood with me the other night.

Spoiler Alert! The alien space babies wreak havoc on Candice's school teacher and granny after popping out of her mums tummy due to bad thoughts! Now that's entertainment. Cindy Hinds who plays Candice the 5 year old is particularly good as are the evil brood.  Oliver Reed's character, Psychotherapist Dr Raglan, is incredibly creepy. Also loved Robert A Silverman as the disturbed but right on Jan Hartog. Not forgetting the performances of Samantha Eggar and Art Hindle as Candice's parents. Don't ever be persuaded to have Psychoplasmic Therapy otherwise you may spawn a brood of killer alien space babies of your own.  I'm pretty sure they got the idea for Alien right here as well things like Childs Play.  Upon finishing viewing of the movie I referred to Leonard Maltin to see what his verdict was.  He gave it a rating of a bomb giving me new found respect for anything in his movie guide that's awarded this rating.  What should it have some shit about Rosebud or some trite message to get it its deserved 4 stars Leonard?  Fuck off Maltin!

It must be nearly Christmas....

Moon Wiring Club always release their albums just before Christmas which usually means I've barely listened to them enough to include them in my end of year round up. Last year's Today Bread, Tomorrow Secrets would have been in my top 5, fo shizzle, if I'd heard it more than twice. So this is the new one, cool artwork again. Two different formats, this time a cd and a tape which are the same but different or something....

One of the best songs ever.

INXS Were An Experimental Band

Weren't they?

I loved it when INXS got weird and experimental. The B-Sides in the 80s were always something to look forward to.  I reckon they were into Eno, dub, disco & maybe Cabaret Voltaire and The Residents. This is the other side of INXS, what could have been.....

Slumber Party Massacre

I was brought up a strict Catholic and it wasn't until late 1987 that we got a VCR.  So I basically missed the whole VHS horror thing. 1982s  Slumber Party Massacre is a classic of the slasher genre and along with the teenage kicks you get a feminist message.  Amy Jones was one of the few female T & A slasher directors and she makes the most of it. Way before Scream et al. she made a mockery of the entire genre.  Chicks win in the end and guys come off second best. This movie would have been great if you were a girl in the 80s havin a sleep over. I think it was Bitch Blog who led me to this film. The soundtrack is awesome too. Since watching the film and trying to track down the score I've become aware that this is a much admired item, you know, going for ridiculous amounts of doe on e-bay. Indeed Ralph Jones' soundtrack is up there with the best of the post-Carpenter school like Jay Chataway's Maniac or Tim Krog's The Boogey Man. Minimal and restrained eerie synth soundz for the psychopathic 80s.

Minimal synth tones to be stalked by

Chevrolet III

This is a 1974 LP from Chevrolet.  Listen here if you dare!
Thanks to Maiorov Simpleton's library blog.

Cabaret Voltaire - #8385 Collected Works

On The Hi-Fi In Nov 2013

Never ventured into Cabaret Voltaire's work beyond 1982.  From their inception in the early 70s to1982 they were one of the greatest bands on the planet. Cabaret Voltaire's paranoid clanky custom built low-fi electronic dub funk was an irresistible sound. It reflected, according to Richard H Kirk "Post-war desolation, unemployment and ugly urban landscapes."  I guess their move into more commercial/dancefloor friendly terrain after the departure of Chris Watson during the 2*45 sessions in 1982 always seemed a bit dubious to me.  New Order were already occupying that area with excellent results soon to be followed by Severed Heads. Previously Cabs could do no wrong on their winning streak of releases from 78-82 including classics like Mix Up, Three Mantras, Voice Of America, Red Mecca and their clutch of singles now compiled on The Original Sound Of Sheffield 1978/82. Cabs were also one of perhaps only 2 bands, the other being Devo, that arguably recorded their best work before they started releasing records.  Their pre-history recordings were only ever released to the wider public over 20 years later on Methodology 74/78: The Attic Tapes. That 3 cd set was the sound of a real homemade electronic garage band.

In 1983 with the release of The Crackdown they were reduced to the duo of Richard H Kirk and Steve Mallinder. Along with their change of direction came major labels, money and fancy 24 track studios. The music I'd previously heard from this era, mainly from late night tv, has always underwhelmed me so i'm venturing trepidaciously. When I first put on The Crackdown (disc 1 of 6 in this collection) I thought maybe this was a bad idea and that perhaps there was no need for me to pursue this avenue of exploration. I quickly moved on to disc 2 which contains the Micro-phonies LP and much to my surprise I am comin back to this record for more. Sure that doesn't mean its up there with The Attic Tapes but for anything to get a repeated listen, in this day and age, it must be doing something right. I have to look at them as The Cabs mk II, which they are, to get past the fact that no electronic squalls of dubbed out noise will be coming my way. Do Right, Spies In The Wires and Sensoria are the choice cuts here. The only other disc I've got to so far is disc 5 which has the 83-85 12" versions and is perhaps the best way to listen to this era of Cabaret Voltaire. Just Fascination and Crackdown (both originally from disc 1) are excellent here as is the aforementioned Sensoria.  These versions are beefed up for the disco dance floor and dare I say it make you wanna boogie, in a very white manner of course. This is as far as I've come so far but I'm a lot more positive about continuing on with the other 3 cds and then there's the dvds.....to be continued.....

Choice Cabs artifact.

*I missed that Wire article a while back, so apologies if you're bored of this subject.

Only A Shadow-Cleaners From Venus

Just coz it's like excellent and that.

So is this. Saxomophone....

And this...

Chevrolet II

Back cover to On The Move

Turns out that Chevrolet released at least 9 records including LPs, 7"s, even a 10", according to Discogs. These were for use in the dealer's showroom apparently.                                                                                                                                                                                           

Front cover for On The Move
from 1969.

Chevrolet

Haven't heard the record but I'm loving this cover from 1972. Building A Better Way To Seeing The USA Music by Richard Behrke released by Chevrolet! Looking forward to listening to it here or maybe not.

On The Hi-Fi

I Am The Center: Private Issue New Age In America 1950-1990 -

Various Artists

Totally diggin these mellow vibes man. Some of my/your favourite new age/ambient heroes are here like Laraaji, Iasos, Don Slepain, Constance Demby, Michael Stearns & Larkin. Then there's a whole bunch of fellow astral travellers I've not heard of like Judith Trip, Daniel Emmanuel... The best discovery for me here is Aeoliah who gives us 11 and a half minutes of cosmic ear candy, waves of plinky keyboards give way to moon desert guitar bliss to free your mind on the track Tien Fu: Heaven's Gate. That Constance Demby track is killer and indicates her influence on the neo-cosmic underground er.. hello Motion Sickness Of Time Travel. Actually this compilation probably would never have come out if its artists weren't such a big influence on the whole hypnagogic/vapourwave scene of the last few years. This once reviled genre (new age) continues its much warranted rehabilitation.  Fans of the excellent but now inactive blog Crystal Vibrations rejoice, your album of the year has arrived. 

Cosmic Machine: A Voyage across French Cosmic & Electronic Avant Garde (1970-1980) - Various Artists

When I read that an LP was coming out with that title I got very excited. I thought 'Yeah about time the French got their due in respect this kind of gear.'  I guess I was expecting to hear from the likes of Heldon, Spacecrft, Fondation, Patrick Vian, Illitch, Thierry Muller, Metal Urbain, Puzzle etc and maybe a bit of French library by Jean Pierre Decerf or Bernard Fevre. Anyway Fevre appears but none of the rest do. France's 3 most famous musical exports appear however ie. Serge Gainsbourg, Jean-Michel Jarre & Jean-Jaques Perry. I possibly would have used the word pop in the title like 'A Voyage Across French Electronic Pop.' but hey that's not gonna fit for the market they're aiming for though is it? Semantics aside this is a good survey of 70s electronic pop French stylee much of which I'm unaware of.

Bandidos OST - Egisto Macchi (1967)

Choice Spaghetti Western soundtrack from possibly my favourite Italian soundtrack/library composer. We all need more of this in our lives. We should all live like we're in a Spaghetti Western doncha think? I don't know even what that means. Oh dear.....

The Living Dead At The Manchester Morgue OST-Giuliano Sorgini

This tedious film had like 15 different names and it was set up north in the UK but it was Spanish! Sorgini is Italian and I'd previously heard his Under Pompelmo LP which was some funky shit from 1973 and also went under a different name, London Transport! That's all very confusing isn't it? This soundtrack however is one of the best Italian horror soundtracks ever. Its up there with Goblin's Suspiria and Profundo Rosso, Riz Ortilani's Cannibal Holocaust, Morricone's Argento trilogy, Libra's Schock, Nico Findenco's Zombie Holocaust er... and the list goes on. This soundtrack from 1974 has all the right spooky psych-funk vibes with strings, electronics and awesome drumming. The atmospheres are creepy with haunted organs and witchy woodwinds.  Sinister laughing and screams permeate the soundtrack and I loves it. 

Debris Pics 1

Me likey this one a lot.

These 4 photos (i-phone-no fx) come from the Sunraysia district in November 2013.

Two are from me backyard!

Steve Brule-Puppets

This is one of the funniest things I've ever seen. I can barely watch this, it hurts!

Girls & Menda

The Year My Voice Broke (1987)
Menda (left) and Taylor (right)

Menda in Girls

Noah in Game Of Thrones

I just watched the second season of Girls and hey that was weird wasn't it? Way less laughs in this season. It had me thinkin of Woody Allen doing Interiors after his early comic hits ie. Girls season 2 was really quite bleak and disturbing. Then in maybe the second to last episode my continuity/disbelief suspension was totally ruptured. Great Australian actor Ben Mendelsohn shows up as Jessa's dad! My viewing then switches from identifying with the kids/20 somethings to then having to readjust to relating to Mendelsohn's character's situation as he's only a couple of years older than me. Funnily enough it was not that dissimilar to mine as in he'd moved to the country and was watering the grass, something I'd never done until 2 days ago. I guess I relate to the characters in Girls in a retroactive kind of way. I watch them and see what they're up to and mainly think 'Thank god I'm not that age anymore'. I still relate to their more universal human characteristics though. Just like when I watch The Simpsons I still relate to Bart on a lot of levels but I'm also surprised how Homer-like I can be. Is this navel gazing? Anyway seeing Ben Mendelsohn put me in mind of a time in the early 90s when late at night after boozing on there he was in the same St Kilda kebab shop as me. I remember thinking 'He's from one of my all time fave movies (The Year My Voice Broke) and here he is just as drunk and in need of late night lamb sandwich as me'. Noah Taylor from that same movie turns up in Game Of Thrones but that wasn't nearly anywhere near as jarring as Menda being in Girls makin me feel well old. I guess also Taylor's appearance doesn't jar because Game Of Thrones is fantasy while Girls almost feels like Cinema Verite. Oh shit I'm in trouble now with the pretentious police for saying C..... V.....  Judy Collins, yes the singer from the 60s, makes an appearance too, looking quite frightening. Lena Dunham, Girls creator, has created some exceptional characters including Hannah played by herself. One wonders/worries how autobiographical Hannah actually is with her escalating OCD and Hypochondria. In Girls the boys are especially brilliantly acted. Ray, Charlie and Adam are confusing, complex, frightening, stupid and real. Then there's the ladies, Jessa is fabulous, Shosh is just weird and how much do you hate Hannah's mum and bloody Marnie? It's one of the few telly shows right now worth watching.

Ray. Service with a sneer.

Australian Landscape

 Classic Australian Landscape (I-phone pic, no fx).

RIP LOU REED

What can I say? You either know what this man means to music or you don't care. One word from me will do: Legend.

Jesus Christ, I forgot how good this tune is!

Rihanna-Pour It Up

Love this tune. One of her best ever no doubt.

Loving this too. I've never paid much attention to this dude until I saw this video today. It's kinda like 70s Rod Stewart meets Prince (er.....that's meant to be a compliment). It's pretty pretty good.

Other observations after watching the top 50 on channel V today.

*Why do people insist on using ye olde microphones in their film clips? Its like they have to give us a visual representation of the fact that they are influenced by ye olde music. They've been doin this in music videos since at least the 80s. Anyway there was a slew of ye olde microphones in the top 50, I'm lookin at you James Arthur.  Which is funny coz all the songs in the top 50 pretty much sound the same. If one of these (see below) turns up in a video you know the song's gonna be shite. MK20 have 2 antique microphones doubling the shiteness of their song. Then there's 2 more in the Capital Cities video. James Arthur went for a triple shite threat!  Retromania gone wild.

*Bruno Mars also has a vintage microphone in his video but its kinda cool (late 60s/early70s, not like the above) so he gets away with it. 

*Ham's The Wire has got to be the worst thing I've seen/heard in a long long time. I can't even begin to describe that attempt at a song.

*Britney's new track has got a riff like a UK 'ardore tune from 92!

*I was shocked by all the Mumford wannabes.

*The dude from One Republic looks like Australian cricketer Michael Clarke a lot, it's weird.

*All you fogeys complaining about sex in videos need to redirect your outrage toward the Arcade Fire. Words like vile should be saved for discussions on the artistic merits of such a pop group.

*Who buys all these Jason Derulo tunes? He had like 3 in the top 50 but I can't remember how any of them go.

*Has GaGa run out of steam?

*Do they make pants for ladies in the 21st century?

Arcon 2 - Liquid Earth

Loving this track. The opening 1 minute 15 seconds is Burial ten years early. The weird thing is I was listening to Burial's Untrue on my phone while I was surfing the net (that's a quaint term now innit?) and the album finished. 7 or 8 minutes later this tune came on. I thought 'er..this must be a secret track that I've never noticed before.' But I went to now playing and it said nothing was playing. I thought 'Gee that Burial is freakin me out with his ghost trax that aren't even playing.' Anyway by the time the drum and bass breaks arrive I realise something's up. So I scroll through what I was looking at on the interweb and it turns out I'd accidentally hit play to start this mix over at blog to the oldskool.  Coincidence or not?

Luke Vibert's Nuggets 3

Just discovered this on i-tunes today and couldn't wait for the vinyl so I downloaded it. This is Luke Vibert's 3rd volume of selections taken from various library music archives. Volume 3 is material taken exclusively from the Bruton Library vaults I believe. Volume I had tunes from Chappell, Southern, IM and PIL music libraries and was where i discovered such luminaries as Roger Roger and Nino Nardini. Further Nuggets was the second volume in this series and was my introduction to the likes of Eric Peters, Bernard Fevre and Roger Davey. Since the release of those two compilations over 10 years ago now, we are all a lot more informed about music libraries thanks to the many blogs that popped up specialising in this music. Many library classics and not so classics (there's a lot more of those) have been shared and heard thanks to the likes of Funky Frolic, Dusty Shelf, Val Verde Music, Retro-Teque, Library Music Rarities et al. Many of these blogs though have now closed down. Anyway thanks to those legendary bloggers I am well aware of the Bruton catalogue. Having said that many of the tunes on Nuggets 3 I've not heard.  Down-tempo crime funk, space age disco and car chase themes are the order of the day here. However there are some anomalies. Scratch City is as the title hints a scratching hip hop jam!? Adrian Baker & Ray Morgan give us the Beach Boy-esque In Close Harmony while Bill Campbell & Aaron Harry throw up (apt word for it) Galaxy a Reggae tune! Alan Hawkshaw and Brian Bennett both make several excellent contributions ensuring that this collection's status goes beyond mere novelty. The discovery for me though is these five tracks from Francis Monkman (The prog guy of Curved Air/Sky fame). These top synthetic noir funk jams sound like they could be coming out of today's underground. Now where are all those library music files.....