2017's Best Tunes

I forgot to post a favourite tunes of 2017 list. This list has been sitting in my drafts since mid December but it was only a top 5 or 6 anyway. I've added a handful of other tracks since the Christmas/New Year period. I didn't listen to the radio or watch any music video channels in 2017 but I did check out probably a couple of hundred singles/tracks on youtube. Not hearing them in a radio context doesn't allow for a tune to insidiously worm its way into your brain though. I thought pop's reign had halted and r&b, rap etc. were in poor shape. I still do.

I just couldn't hear any innovations in rap at all, at least not vocally. It all just seemed to be rehashing what Gucci Mane, Future and Young Thug had pioneered years earlier. In times like these sometimes that can be ok because often newer artists consolidate on what the pioneers have already blueprinted. However it just seems like every newcomer is rather pale by comparison to their forefathers. God, Young Thug & Future even did an album together which left not a trace in my memory, that was not a good sign. Jay-Z sounded tired. Geez Tyler, The Creator was even sounding fresh with his old school Neptunes/NERD shtick, it stood out because everyone else sounded the same. Too Much (Vocal) from v1984 was classic b-boys on E stuff plus I quite liked tracks from these new feisty rappers with potential Rico Nasty and Sheff G.

The beauty of hip hop a few years ago was the fact that somehow even in this post-geographical internet age a regional flavour still came through in a lot of leading artists material. So distinctive styles were developing throughout the different neighbourhoods of America. Now you get New Yorkers sounding like wannabe southern trappers, people from LA moving to Atlanta, Rappers from Brooklyn wishing they were from Chicago etc. Where are Rae Sremmunrd from? Cardi B? Vince Staples? Is Travis Scott from Atlanta?  Who knows anymore? It's probably a cyclical thing. I mean you did have g-funk coming out of all sorts of places in the 90s, not just LA.

I didn't think I'd heard any good pop/rock songs last year, not that I tried very hard or at all. However, I actually heard the infectious Imagine Dragons tune, Whatever It Takes, in Emma's car on Boxing Day which I thought was a state of the art soft-rock anthem for the FM airwaves of 2017. No apologies hipsters.

Indie rock is just plain embarrassing now. It's the trad jazz of the 2010s.

Most R&B and their inter-zones sounded staid but there were a couple of things that grabbed my attention. The obvious standout was Kelela's two singles and LP. Apparently there's a Steve Gurley dub of her Truth Or Dare floating around the internet too. Thundercat, SZA and NERD featuring Rihanna had their retro moments.

There were one or two disparate electronic things that caught my ear but they were mainly just little 90s nostalgia trips for me like Lanark Artefacts' Touch Absence, Bicep's Glue, Loft's Funemployed and a few others that have slipped my mind. Other track-y things like Your Kiss Is Sour by Parris and Ploy's Unruly had their charms while Objekt's Theme From Q was almost something new. Oh and I've only just realised Rudeboyz came back with an EP but I missed it.

So below is my belated best tunes of 2017 list.

BEST TUNES OF 2017
Frontline - Kelela
LMK - Kelela
Slippery - Migos feat. Gucci Mane
Blue Light - Kelela
Bodak Yellow - Cardi B (Zora Jones & Sinjin Hawke Bootleg)
Magnolia - Playboi Carti
Too Much (Vocal) - v1984
Goosebumps - Travis Scott feat. Kendrick Lamar
Dark Matter - Jlin & Zora Jones
Mask Off - Future
DNA - Kendrick Lamar
Lemon - NERD feat. Rihanna

Sex Drugs & Ratchet

DJ Mustard's still on the beat round these parts. Reynolds mentions a few more here This one I can't deny. I love that minimal spooky fade out at the end but Mustard makes spooky a 'subdued mood of depressive hedonism.'* That's the best description I've heard so far of this sub genre of a sub genre.

Mustard has turned me around on other things. I couldn't get into this at all when it came out. I knew the sonic production was v cool. I thought it was depressing though but now I get that downer euphoric vibe. Like painkillaz and alcohol. I'm not even sure what other drugs this relates to weed, ice? A heroin-y E maybe? Anyway it's a hell of a vibe. Only took me 2 years to get it. Jesus what next Drake?

Actually It was probably this tune that got me to go back and listen to Kendrick Lamar's Good Kid... cd. How is Mustard not on this beat?

I hated Gas Pedal when I first heard it, then hated it again when I gave it another go. I think it was Reynolds who said (and I agreed) it was just a rip off of Snoop & Pharell's Drop It like Hot but then he had it in his singles of the year. So I gave it another go, still hated it. 5 months later now I'm fully into it. The druggy vibe can't be too wasted because they still be horny dudes. The vibe of this song encompasses a panopoly of drugs and alcohol while being on the prowl for some tush (kids, that means booty).

Then there's magic! (I know this is a bit off topic but it kinda fits.) I get chills every time I hear this. I mean it's pop, it's got hooks and it's so fucking anthemic I can't believe it. And I hate that whole New York cultural tyranny thing, makes me never wanna go there. But this song is so good it doesn't matter what it's about. It could be about my dog doing a poo and I'd still get chills every time I heard it. Z does mention E's, well MDMA during this track so that gives you an idea of where the euphoria in this lies. I mean apart from the songwriting and musical arrangement which is enough. A bit like MBV's best tunes it's so euphoric it feels like your on drugs anyway. This is the sonic equivalent of Champagne and an E chased with a few lines of coke.

Also I think this maybe the best pop tune in history.

*That's me paraphrasing a Simon Reynolds quote.

Rihanna-Pour It Up

Love this tune. One of her best ever no doubt.

Loving this too. I've never paid much attention to this dude until I saw this video today. It's kinda like 70s Rod Stewart meets Prince (er.....that's meant to be a compliment). It's pretty pretty good.

Other observations after watching the top 50 on channel V today.

*Why do people insist on using ye olde microphones in their film clips? Its like they have to give us a visual representation of the fact that they are influenced by ye olde music. They've been doin this in music videos since at least the 80s. Anyway there was a slew of ye olde microphones in the top 50, I'm lookin at you James Arthur.  Which is funny coz all the songs in the top 50 pretty much sound the same. If one of these (see below) turns up in a video you know the song's gonna be shite. MK20 have 2 antique microphones doubling the shiteness of their song. Then there's 2 more in the Capital Cities video. James Arthur went for a triple shite threat!  Retromania gone wild.

*Bruno Mars also has a vintage microphone in his video but its kinda cool (late 60s/early70s, not like the above) so he gets away with it. 

*Ham's The Wire has got to be the worst thing I've seen/heard in a long long time. I can't even begin to describe that attempt at a song.

*Britney's new track has got a riff like a UK 'ardore tune from 92!

*I was shocked by all the Mumford wannabes.

*The dude from One Republic looks like Australian cricketer Michael Clarke a lot, it's weird.

*All you fogeys complaining about sex in videos need to redirect your outrage toward the Arcade Fire. Words like vile should be saved for discussions on the artistic merits of such a pop group.

*Who buys all these Jason Derulo tunes? He had like 3 in the top 50 but I can't remember how any of them go.

*Has GaGa run out of steam?

*Do they make pants for ladies in the 21st century?