Lexicon Devil: The Fast Times & Short Life of Darby Crash & The Germs

I don't really know what prompted me to finally pull this off the shelf and start reading it. Perhaps I was in need of a dose of punk after reading about dinosaurs Led Zeppelin. I must confess I'm not really into rock Biographies. I think the only two I got through ever were the Mike Barnes Beefheart book and Heroes & Villains: The True Story Of The Beach Boys by Steven Gaines like 17 years ago. The Gaines book particularly shitted me because I don't even think he liked their music. I got halfway through Patti Smith's book Just Kids and hey that was beautifully written..... I guess I'm more into music analysis, cultural/social impact and just the magic of music without all the blah blah. All my friends tell me to read you know the bio on Neil Young, Motley Crue, Keef, James Freud, various Guns & Roses folk etc. etc. I'm more into documentaries like the Classic Albums series one on The Mac's Rumours, 30 Century Man on Scott Walker, Made In Sheffield: The Birth of Electronic Pop,  End of The Century on The Ramones, It's A Long Way To The Top, the 6 part ABC series on the history of Australian Rock and The Story Of Anvil. I even avoid most of those. I never watched the one on The Pixies or The Minutemen. Mainly I like it when the focus is on the music not the gossip or the hangers on/groupies/business people. I like the mystery. I don't wanna know if Black Francis is a cunt or not.

Then there are the movies where they supposedly dramatise real life events of scenes and groups. I loathed 24 Hour Party People despite being a a massive Factory Records head with Peter Hook being one of my all time cult heroes. Even the great Steve Coogan couldn't save that shite. I've steered totally clear of Control, the movie based on Joy Division. I don't want these fake images in my head ruining what my imagination has come up with. After watching the Joan Jett movie I now picture Joan as the girl from Twilight. Ray Manzarek became Coop in a wig once I'd watched Oliver Stone's The Doors. IE. Kyle Maclachlan who was currently playing Agent Cooper in the Twin Peaks tv series put on an absurd wig and came across as nothing like the Manzarek we encounter more often than you might think.

Anyway I'd thought I'd get about 30 pages into Lexicon Devil and then give up. About 15 years ago someone made me a copy of The Germs GI record and I was massively surprised that they weren't total shite. I was never big on X and about 94% of the LA hardcore that followed in The Germs Wake. The only other thing from that era in LA that I liked was The Screamers who had this mental bootleg around that same time (as when I got GI) called In A Better World. As far as US proto-punk/punk/post-punk was concerned Detroit, San Fransisco, New York and Ohio were where it was at.

The Screamers

I pretty much knew nothing about this LA scene except for some of the main bands music - The aforementioned X and The Screamers as well as The Weirdos, The Urinals & The Go Gos. From the get go this book had me hooked. It was written oral history stylee. The stories of Darby's fucked up LA alternative schooling were totally bizarre. This was the 70s, this was LA, this was very experimental schooling and education. These school experiences along with Darby's studies of Scientology and brainwashing informed the rest of his short life. Who knew he was a budding cult leader in the making? So there were lots of drugs, booze, squalor, violence and oh yeah punk rock! Mainly though most of the people/hangers on/groupies in this book were total fucking arseholes. Lexicon Devil is an expose on repression, perversion, violence, manipulation, murder, mental Illness, depravity, suicide and wasted youth.

There isn't much talk about the importance (for want of a better term) or the cultural affect of some of the seminal records being released by bands included in this scene and book. As you can probably guess by it's title Darby's life begins to escalate into a drug and alcohol fuelled mess and finally tragedy. Legendary rock writer Richard Meltzer was quoted thus "Lexicon Devil is pure and Simple, the finest volume on punk to see the light of print."

Belinda Carlisle, Genesis P Orridge, Lee Ving, Kid Congo Powers, Jack Nitzsche, Kim Fowley, Gary Panter, Joan Jett, Tomato Du Plenty, Matt Groening, Jello Biafra, Phranc, The Quick, Mike Watt, Greg Shaw and many others make cameos in the book. Mainly though it's The Germs, Weirdos, Go Gos and X members along with the little gangs and cliques that congregated around wannabe cult leader Darby Crash that make up the story.

The Germs - Forming

What's missing though is the fact that The Germs Forming 7" is one of the greatest debut singles by any band ever (in all its lo-fi glory) and their GI LP is a fine record that still stands up to this day. Maybe it's even still influential today? Hello UV Race. You could do worse than having The Germs as an Influence.

Lexicon Devil

Darby Crash Punk Rock Poet. Hey!, Pat Smear, Don Bolles & Lorna Doom were pretty darn good too.

**Further listening Black Hole: California Punk 1977-80 released in 2010 on Domino.
**This features all the previously mentioned groups plus The Dils, Black Randy & The Metro Squad and The Flesh Eaters. There's even some bands from San Fran like Crime, The Dead Kennedys and The Sleepers.

Laughing Clowns - New Bully In The Town

Drummage: A Reprise

New Bully In Town

Laughing Clowns

The drums on this track are the hook, the...fuck let's face it they are the whole song. How did I miss the post-punk drummer of all post-punk drummers in the original Drummage blog conference/party started by Mr Simon Reynolds at the end of last year? Listening to the Ghost Of An Ideal Wife LP from 1985 the other other day New Bully In The Town stopped me in my tracks while I was doing the er... dishes. The drummage swings like mad and blew my mind and not for the first time. You could put more than half of the Clowns catalogue on here but this'll do for now. According to Ed Kuepper this is a humorous song influenced by 2 old songs. One was an old hillbilly instrumental and the other a 1920s blues track. Laughing Clowns 2 main players were Ed on guitar & vox and the incredible Jeffery Wegener on the drums with a revolving line up of other instrumentalists. Wegener even once played in a later/near the end line up of The Birthday Party, after Phil Calvert was no longer required, for some final live dates in Europe. Wegener even played in an early version of The Saints. If I recall this correctly early on at Laughing Clowns shows Wegener and his Kit would be front and centre of the stage. That's how important/integral Jeffery was to the band.

*Writing about drumming is really hard particularly if you're not a drummer. I had a few lessons at school in grades 5 & 6. I even once had to fill in at a rehearsal for my brothers band. I was in year 7 and they were all  form 6ers doing their HSC (year 12). Eventually though they got fed up as I really couldn't keep time. 

Broadcast

Broadcast In Shindig Magazine Shock

On a rare pop in to a newsagent I checked out the music magazines like I used to when I was a teenager (I thought this would pass eventually but er...no). Pink Floyd were on the cover of Mojo again, some other old cats on the cover of Uncut and I think it was Led Zeppelin on the cover of Rolling Stone. I didn't bother flicking through any of those. Even Wolf Eyes on the cover of The Wire struck me as a bit retro. Then I glanced over and saw Broadcast on a magazine cover. I thought 'great there must someone finally giving The Wire a bit of competition.' But no they were fronting the cover of would you beleive Shindig. Shindig caught my eye about 5 or 6 years ago. I thought it was like a cross between Mojo and Ugly Things. I thought that perhaps they were now going down the path that I thought Mojo might have taken by now after they'd surely run out of stories (Mojo that is) on The Beatles, Stones, Hendrix, The Who, Eric Clapton, Beach Boys, Pink Floyd, Bowie, Sex Pistols, The Smiths, Nirvana etc. etc. Sadly this was not to be. I thought by now Mojo would perhaps be havin Black Widow, Heldon, Simply Saucer, The Electric Eels, Cabaret Voltaire, The Homosexuals, The Minutemen, The Cocteau Twins, LFO or even Omni Trio on the cover. Hey that's not gonna sell large quantities is it?

'Cor blimeyI can't believe we us haven't been on the cover of Mojo!'
The Homosexuals

Anyway I once bought a copy of Shindig with articles on The Pink Fairies, Dennis Wilson, Mad River, Love and The West Coast Experimental Band adorning the cover. I dug it. Sure they didn't have the name writters of Uncut, Mojo etc. but they had enthusiasts/lovers of music, not paycheck journos.

So it was a surprise to see Broadcast there on the cover. Is this Shindig broadening its horizons and entering a new bold age? They always have current music reviews but usually of the most retro groups. Lee Gamble or Raime aren't gettin a review here. Of course Broadcast do have that Retro-Futurism thing going on but at the same time they always struck me as a very modern band. I must say it was slightly haunting (no pun intended) seeing Trish Keenan on the News stands, God rest her soul. Contained within this latest issue of Shindig are ye olde types such as Sweet, Donovan, Mike Herron and Gene Clark but there's even an article on the Ghost Box label. Sure it's ten years or so after their inception but that's nowhere near the 40+ years since Donovan did records. Hopefully this isn't just a one off flirtation with modern music. Maybe Ekoplekz will be on next months cover! Here's hoping.

Stephen Malkmus does Can's Ege Bamyasi?

What the fuck? What's the point? Can you improve on perfection? Is this further proof that the ideas well in music has dried up? Does this prove Stephen was never that original in the first place? This is like some kind of joke to add to Simon Reynolds Retromania book, particularly the retroscape section. Will we file this alongside Jo Mitchell's re-enactment of the infamous Concerto For Voice and Machinery at the ICA in London, where they re-enacted the gig/riot that included Einsturzende Neubauten, Throbbing Gristle and Fad Gadget members originally? IE. how fucking pointless considering how spontaneous that riot was. Can were the same on Ege Bamyasi. Can's records were improv/jam sessions where usually the editing would retain the telepathic magic and dump whatever was not so happening. That's a big part of the feel and attraction of Ege Bamyasi as well as the incredible chemistry between the 5 members. I doubt they ever played a song the same way twice. This was music summoned out of the air. How the fuck are you gonna replicate that vibe when your vibe is the total opposite. You get the feeling Malkmus has missed a very important point here. Maybe he's not as cluey as he/we thought.

Anyhow any excuse to get into a bit of Can and dig out the old 1989 reissue cd of Ege Bamyasi which perhaps wasn't the best remaster ever to see light of day. It's like someone leaned on the volume levels during the process leaving a very quiet cd that really has to be pumped twice as high on the volume switch as anything else I own. There have been several reissues since so maybe it's time to reinvest in one of the greatest LPs of all time.

3 of Can's tunes that really could have made them international pop stars.

Spoon

Can's best attempt at pop fo shizzle!
This was actually a top 10 hit in Germany and a theme tune to a German TV crime show.

Vitamin C

Could be my fave pop Can Song.
This was used in another TV crime series.

I'm So Green
Can at their most pop again albeit idiosyncratic can pop!

Is anyone actually gonna buy that Malkmus LP?

'Which Was Nice' Shots I

Led Zeppelin IV - Eric Davis

I finally read this book in the 33 1/3 series after hearing those Zep trax in the films Argo and Silver Linings Playbook. Surprisingly I got through a book of 170 pages written about 1 LP. Surprising as my favourite template for LP reviews is Greil Marcus's appendix to Stranded. The appendix is basically 2 sentence reviews of hundreds of records that didn't make into the main body of the text. He once noted he loved doing that but perhaps prior knowledge was required to fully understand them. Considering we're in the age of info-overload this seems like a perfectly valid way to analyse Albums today. The kind of information in a normal media review is usually padded out with this type of background/prior knowledge anyway, so who needs another one. Every time Nick Cave puts out a record I have to wade through his immense history, usually in the Sunday supplements, before we get to the few words about his new LP. This has got to the point where I just scan to the new info or sometimes I just give up all together. So Eric Davis you've done well to get me through your 170 pages. Admittedly I didn't know that much about Led Zeppelin, their history and what they were on about.

I don't need to say anything about Led Zeppelin IV except I cant believe how much I enjoy it. For a large part of my life they were the enemy, everything worth hating about rock. This stance of course was residue from the punk/post-punk/new pop eras. I guess this all started to erode in the late 80s. I was very confused when Thurston Moore of Sonic Youth in a Juke magazine (Aussie equivalent of NME, MM & Sounds) article said he was re buying old Led Zep LPs. I think though I started to cross the line when I could no longer deny how fucking great Jane's Addiction were and bought their classic Ritual De Lo habitual. Some how I could put it down to their mix of Zep rock and post-punk/hardcore/pop flavas. I was yet to be convinced that you could listen to a Zeppelin LP in all seriousness though.

I didn't really like the more trad Zep influenced bands like Soundgarden etc so it was ok. My Phobia & denial continued despite kinda digging the Dazed & Confused film clip which was frequently played on Rage from the late 80s onward. 6 or 7 years ago I thought 'if i can be massively into the first 4 Black Sabbath albums surely I can let go of my Led Zeppelin prejudice. They must be bloody good'. In a record shop I found II, III, IV and Houses of the Holy for 5 bucks each. II was the one for a couple of years. Then III & IV took my fancy then the levee broke and it was all over. I was finally emancipated from the narrow minded anti dinosaur dogma.

Buffalo - Freedom

One More For ANZAC Day

Buffalo

Freedom

9 minutes of slow burning hard rocking boogie oz rock stylee from 1971. I can smell the booze, smoke & exhaust from here. Taken from the classic LP Volcanic Rock. Rock on Sydney!

JPS Experience

ANZAC DAY

JPS Experience Inside Out

Absofuckinglutely gorgeous tune from an underrated Flying Nun band. Recorded in 1988.

JPS Experience Get My Point

From one my favourite Flying Nun records of all time The Size of Food. This is a fucking incredible intense psychedelic track. I love how he's losin his mind at the end. More gold.

The Eastern Dark

ANZAC Day

The Eastern Dark

Julie Is a Junkie

Wow I cant believe how great this is every time I hear it. I can't put my finger on what it is about this tune. From 1985 this is their only 7" before singer/guitarist James Darroch died in a car crash en route from Sydney to Melbourne for a tour. There was an EP recorded prior to his untimely death released posthumously. What could have been? More mid 80s gold from when Sydney was the place to be.

La Femme - Chelsea Kids

ANZAC DAY

La Femme

Chelsea Kids

Glitter punk into New Wave from 1979. I love this song.  Can't deny classic status for this track. The godfathers of Eddy Current doncha reckon? Frankston area scuzz.

On The Hi-Fi Part 22

Forest Of Evil II - Frank Reidy & Eric Allen (De Wolfe)
This would have to be in my top 5 library LPs of all time. Splendid Haunted Arrangements from 1981. Strings and electronics. Perfect for days like these. The title says it all. Class and quality all the way. This shit should get a reissue, can't recall where I found this though. I've been tryin' to track down Volume 1 for years now but to no avail.

Cold Nose - Franco Falsini
For fans of mellow kosmiche. Laconic atmospheric guitar and electronics from this Italian chap recorded in 1975. Reissued last year on the fine Spectrum Spools label

Tellus #13 Power Electronics - Various Artists
Downloaded this from UbuWeb and wow what a revelation. Only a couple of familiar names here for me Merzbow, f/i and Rhys Chatham. The rest ?? But the rest are fucking great. Who'd heard of Merzbow in 1985? The guys at Tellus were certainly documenting the cutting edge. I'm loving the track excerpt from between Space by Psyclones which is prime space rock electronics with radio and turntable manipulation by the sounds. The Heaviest from Master/Slave Relationship is a gas that sounds like it could come from the current cassette underground. Joseph Nechvatal's track How To Kill is an Oswaldian deconstruction of Janet Jackson's Nasty Boys. There's even a Christian Industrial band, Blackhouse, amidst these nihilistic fiends. Anyway that's just the tip of the iceberg. There's plenty more. Controlled Bleeding are here who once did a split LP with Maybe Mental who also feature with 2 tracks.  A lot of these bands recorded for the Ladd-Frith cassette label which was run by Brian Ladd of Blackhouse & Julie Frith of Psyclones. Other labels connected to these groups include Sub Rosa, Subterranean, Staalplat, RRRrecords etc so you know it's quality. F/i finish the set with the most er... rock (if you can call it that) track which sent me on this mission of rediscovery....

Space Mantra - F/i
This is classic space rock from 1988. Space Mantra is possibly the greatest scuzz psych/space rock LP of the 80s. Who else was doing anything remotely like this in the mid to late 80s? These are sonic transmissions from amongst the space debris. Occasionally stopping off in clangorous ethnic tribal colonies. This deep space rock drifts into black corridors then blasts itself out of the vortex. This is all driven by these Galaxian rockers F/i from er... Milwaukee. Then there are the rest of their 80s records The Split LP,  Why Not Now?.... Alan,  Paradise Out Here and The Past Darkly compilation which are all gold (More on those another time).

BBC in the Desert

On a recent trip to the semi-arid zone of Sunraysia district for a family wedding during the late throes of an Indian summer, I found myself listening to Delia Derbyshire (music & documentary), BBC Radiophonic Workshop, Ekoplekz, eMMlpekz and an audio book of JG Ballard's first novel from 1962 The Drowned World etc. A couple of the tunes from the eMMplekz record Izod Days surprisingly fit the draining summer heat, eMMplekz Theme and Bocanet particularly. I was going for that incongruity thing.

Later smoking out in my sister-in-law's backyard I heard the Dr Who theme (arranged & cowritten by Derbyshire) tune wafting over from a neighbour's TV set and thought 'yeah, right, that sounds perfectly normal to me. It's from my childhood and I spent that time in this geographical zone!'

The Drowned World I thought would be incongruous too, but as I thought about it; not really. As this district I was in was once part of an inland sea. Despite now being 500km from the sea, remnants of that inland sea remain - massive sand dunes, sand bars along the Murray River give the river that weird beach-like vibe, without the waves of course and the salinity problems in the soil. Post apocalypse stuff fitted too, considering Mad Max I and II were filmed a few hours north of Mildura and contain similar features to the terrain of Sunraysia. Man made disasters from damming once great rivers, now drying up  and salinity problems caused by over-irrigation and so on. All this stuff on my ipod seemed well, normal, and quite fitting. Blue Monday on the wedding dance floor - natural - as Joy Division/New Order were part of the soundtrack of my youth here.

Funnily enough, the most incongruous music moment happened back in Melbourne in an inner-city suburb. At 4.30 in the morning, a party started up next door, full of 18-22 year olds where they were singing Billy Joel's Uptown Girl at the top of their lungs, followed by a bunch of early '90's mainstream alternative tunes. Weird? This also parallels recent footage of a friend of a friend's 16 year old daughter being dragged on stage at a recent Springsteen concert in Melbourne to dance the Courtney Cox part during Dancing in the Dark.

It made me think of the atemporality of the times. The kids don't own their own times like they used to. My dad dragged me to an Everly Brothers concert as a young teen. As a protest, I pretended to go to sleep. The Models and INXS were playing a concert in Melbourne that night and there I was at the Everly Brothers, how naff. Now, of course, I think I was being naff by being an obstinate brat. But you had that rebellion to make a generation gap and to have your own soundtrack to your life.

BBC Radiophonic Workshop

More BBC Radiophonic Workshop gear here. This time it's a video documentary produced by the BBC called The Alchemists Of Sound from 2003. This is an hour long doco and features Oliver Postgate, John Baker, Delia Derbyshire, David Cain, Wendy Carlos, Sonic Boom & a dude from Portishead.

Delia Derbyshire

BBC Radio documentary here on Delia Derbyshire the BBC Radiophonic Workshop composer and member of White Noise at the fabulous UbuWeb.

Darkside Mix

Been diggin this Darkside mix from Blog To The Oldskool I Can't Believe How Dark It is. Heaps of great gear here for old and new converts. This genre is fast becoming one of my top 5 eras of music ever. On the evidence here, I also still have much to learn and that excites me. I missed a lot of this stuff first time around, only being aware of the major playerz. More treasure from Blog To The Oldsckool. Onya!

Hang on...... more dark science dropped here for Halloween last year at Blog To The Oldskool.  Two & a half hours, 70 + trax of prime Darkside gold for your pleasure.  With a classic section half way through featuring the panic attack trax Ricky, Scottie & Johnny. Can you handle it?

RIP UNCLE MONTY

100 Secret Rock Albums of the 80s

I've got to say I'm Impressed by Woebot's 80s list. There are 10 artists I've never even heard of. Of the 33 records he specially recommends I only own 9. There is one worry in the Goth category, that's Sisters Of Mercy's Floodland. Is that a joke? Then there is Thin White Rope's Moonhead which is in the highly recommended category. This is an LP I expected to love when I heard it, maybe 3 years after it was released and was shocked that I couldn't stand it. I must admit I've recently thought I should give it another go. Hey Woebot how secret can a Police LP be? Is this in the hiding in plain sight category. Hey Man Without Shame Rapeman's Two Nuns And A Pack Mule gets a recommend. Is it becoming a cult internet record all of a sudden? It's had 2 mentions in 1 week!

Here's the unknown 10 (well as it turns out only 5 are unknown artists).

??? Just saw this was produced by Philip Glass!

Turns out this is Charles Hayward's post This Heat
project. Who knew?  Gotta check this out.

Turns out this is Gil Trythall who I do know and actually
own a few of his records including the title track of this
 LP which I think was recorded in 1973. 

Bill Laswell & Rammellzee. Bootsy on da bass on
one track.

This is a Bill Laswell project with Manu Djbango
amongst others.

Electronic Canadians apparently.

French bloke.

Arthur Russell plays cello on this and Pete was the
trombone man on many of Russell's trax.

Disco dude.

I wanna hear this one 

Woebot

Funnily enough I was looking through some old emails and came across this last nite.

Which I barely recall coming out but it was an answer to my question on my blog from sometime last year. What happened to the Woebot archives? Where can I access them? So he'd taken down his blog only to later on sell it in electronic form. Sure it's only $10 so who cares? Anywho last night I was downloading a kindle app so I could read that and this

Then this email turns up today from woebot with another list. This time it's the 100 Secret Albums from the 80s which can be found here

m b v - other uses

I'm leavin m b v in its box for now.  I had an idea to perhaps exhibit or collect everyones unwanted copies to make some kind of statement concept art stylee.  Perhaps it would be about a redundant cultural artifact now becoming of use as it's included in some kind of intellectual discourse on redundant cultural artifacts.

Then there would be the whole Schrodinger's Cat thing. You wouldn't be allowed to peak inside so how would you know if it was in there or not? At one stage I must admit that I thought the whole website and ordering of mp3, cd and vinyl may have been a scam. I half expected this package to not arrive. Funny that in the end I didn't care if it arrived or not.

If this conceptual art jam were to take place though, would it not make these mass produced artifacts more valuable than the rubbish they were destined to be? Then you would have the situation where perhaps you would have to start verifying whether or not the said lp was inside the box. Wouldn't peeking inside the box kill the concept? Maybe instead of a physical exhibit you could have a virtual one where everyone posted a photo of their box onto the blog/website.

*er...re:Shrodinger's Cat. Would there be a dead cultural artifact and an alive one at the same time? I would presume yes. The dead would be the recorded music which could be seen as a dead/failed piece of pop culture and the alive would be its rejuvenated self that is now part of a living/relevant artistic concern ie. the exhibition.

Ian Svenonius, Shite Endings & The Replacements.

Got this the other day. I bought it because I thought I was gonna hate it. Having a quick glance though, it looks really funny. I dunno why I thought I'd hate it considering I didn't hate the Make Up and I really enjoyed some of those Weird War records. This guy's got the gift of the gab. I don't necessarily agree with everything Joe Carducci has to say but fuck I love the way he writes. So Mr Svenonius is probably a similar case. We'll see.....

*Worst non ending to a film I've seen recently would have to be the Australian film Wish You Were Here. How about an ending guys. Grrr...Thanks a fuckin lot.... another couple of hours I can't get back.

**Were The Replacements an indie band?  Talk about a band in the wrong situation. There was nothing cool or fashionable about The Replacements They were as anachronistic as Tom Petty Or The Georgia Satellites and yet they were seen by rock crits as an integral part of the 80s musical landscape. They would have been better off being sold in a more rock Sunset Strip kinda way doncha think? They probably should have been a mainstream band (like the bands they influenced Green Day, Nirvana, ugh! Goo Goo Dolls).  They were just as rockin and catchy as Bon Jovi or The Boss! They weren't willing to play the game though. I guess that made them outsiders.  One of them I noticed ended up in a later version of Guns & Roses. That makes total sense to me.  If Robert Christgau starts liking your band is it time to start dismantling your group.

Ya think Kurt Cobain liked this track?

Umberto - Confrontations

What's lost is now found. This is the 4th Album (well I've got 4) for one of my favourite groups of the last few years Umberto. I was gonna try and write about them without mentioning Dario Argento, John Carpenter or Goblin but hey that's absurd. On this record though I could probably chuck in Giorgio Morroder. The cover says it all really: Nite driving with an alien invasion. Italo-Disco meets Italo-exploitation with added hand claps. This could be my favourite of their releases so far. I could listen to this all day and all nite, er.... that's what I've been doing. Something tells me these aliens aren't gonna be that nice and might be wearing hockey masks but you kinda want them to land anyway.

Faust, Bono & Benedict Cumberbatch

Wake me when all the bad nows have turned to good nows. Listening to Faust's Faust on my ipod reminded me 'Did I need to get that Can triple cd I think it was called the lost tapes maybe....It's probably awesome....must get that tomorrow I think...That'll have some good nows and some good thens.

'We've arrived in the 70s again man.'

Reading about Scratch Acid yesterday on the interweb on a man without shame reminded me that The Drones sometimes remind me of them along with a band I barely recall The Laughing Hyenas, am I right? Who the fuck knows? Tried to watch 2001 the other day on the digital telly thinkin yeah this'll be great. Half an hour in I wanted to smash in the screen. Watched the new HBO show VEEP and thought it was just tryin to be an American The Thick Of It. Watched The Newsroom as well. It was so cheesie i almost liked it. Am I like CJ from Eggheads? He likes all the same stuff as me. Five shirts arrived from London yesterday and I haven't even opened them all.....CJ would probably like them. I've lost the new Umberto album. 2013 seems like the least yeary year in my life. Are the 2010s the 2010s or the tens or has everyone given up on decades. I loved decades but they must have been a 20th century thing. What about female popes? When are we gonna have one of them? Can I become an Ecclesiastical Tailor? That's an impressive job title! Dug out Just Keep Eating pretty funny....Hey man without shame! Rapeman were a top band.... Is Game of Thrones good or a pile o shite? I like the sex and violence but I'm not so sure about the supernatural stuff and well c'mon dragons... I'm not 5.  Do I need to be more of a geek? Hey I've watched the first two seasons though. Where is dvd of season 5 part 1 of Breaking Bad mofos?? m b v turned up on my doorstep tonight. What shall I do with it? It's just sittin there mocking me saying "Gee that's $42 well spent." I was nearly over it and it turns up on a Friday nite! Benedict Cumberbatch ....

Saigon Rock And Soul

Dug out this classic compilation the other day after watching Apocalypse Now Redux. This LP was only released in 2010 and contains Vietnamese trax from 1968-1974. Sublime Frequencies is the excellent excavation label it was released on. This label is run by American Alan Bishop and some other dude. Bishop would be known to underground music lovers as a founding member of Sun City Girls. SCG played warped exotic avant rock and existed from the 80s right up until around 2010.  This treasure trove has got the lot! (like pretty much all the releases on said label). Who knew previous to this release that there was such a happening scene in Vietnam during this era? While watching Apocalypse Now the other day I was struck by the lack of any non-western music in the film. Imagine  if some of this shit was used. This archival package features Asian fuzz rock, sultry divas with slinky rhythms,  psychedelic jazzy soul with horns, forays into acid rock, female pop singers swathed in twang and wah wah and incredibly funky beats all lovingly compiled by Mark Gergis. Some of this music puts me in mind of French style beat pop of the era and other Asian styles of the time like Thailand's Luk Thung and Molam genres. Perhaps the Vietnamese style here is a bit more western influenced than those Thai genres, probably due to the presence of the American army and French colonials during this compilations timeframe.  Like the Thai music of the time though, this was a fleeting and ephemeral pop culture that has taken a long time to be collected and showcased to a Western audience. On this LP is some of the most vital, tantalising and far out pop/rock from any time and place.

*Here's an ABC radio documentary Saigon's Wartime Beat which features interviews with some of this compilation's musicians and its compiler that I discovered after writing this.

This guy was on my bus today

Did he fake his own death only to
wind up living in Box Hill?

Spoiler Alert

Two movies in 2 days featured the tunage of Led Zeppelin. Firstly there was When The Levee Breaks in a scene in Argo. This film was set in 1980 and once you got past most of the characters giant spectacles, it was quite convincingly set in its time. It looked like an American film from the late 70s/80. I wonder if this was a vibe they were going for. It's a pretty good idea to put people in mind of the greatest era of American film making (late 60s through to 80) in your 2010s film. This may have subconsciously put it into the minds of the awards voters. Also it's an incredible story. The producers were given a gift with this true story about the CIA getting American citizens out of Iran during the hostage crisis. Well they may have paid a lot of money for this story but the script would have virtually written itself. It would have been pretty hard to fuck up this tale. To make this heroic story more palatable and not make it look like American propaganda they've made the USA look pretty bad in the context of the Iran-USA conflict. This in turn almost makes Ben Affleck's character an anti-hero but not quite. He still saves the day and gets the girl. Anyway Ben Affleck turns in one of the most minimal acting performances ever put to screen. You can feel the fear and tension of the 6 embassy officials who need to be rescued. This is superb film making. My only gripe was at the end where they seem unable to resist a dash of cheese. Affleck's character reunites with his wife who he's been separated from. This appears to be for no reason as I doubt she would have been allowed to know the case he was involved in and what had transpired. The truth was not released to the public about this event until many years later. You get the feeling the studio execs put Affleck, director of the film, up to this saying "Hey this will double your audience. All you need to do is put this minutes worth of footage in your film otherwise we wont bankroll you."

Led Zeppelin's What Is & What Never Should Be features in a chaotic scene in the film Silver Linings Playbook. This is a love story about 2 people who have had a rough time and experienced varying amounts of mental illness. There is no doubting Jennifer Lawrence's magnetic star power. The camera absolutely loves her like no one I've seen in recent memory. For Lawrence to be the standout, in a film with Robert De Nero in career best form, is a testament to her presence and talent. She looks set to dominate the movies and their awards ceremonies for the foreseeable future. Bradley Cooper is also convincing and compelling as Jennifer's love interest and fellow fuck up in this romantic comedy. De Nero is getting better, Jackie Weaver's late blooming continues and the rest of the ensemble rises to the task. My favourite scene is when Cooper's character throws a Hemmingway book out of a closed window in the middle of the night.  I thought: It's about time someone took a stand against tedious literature that is forced upon us. Fuck the cannon! It's a curious thing that now for me (and many others I presume) to accept a love story it has to come from a very twisted, fairly sad and dark place. This was also a very funny film though.

Ex Cops

Barry Divolla from Australia's Who Magazine(Aussie equivalent to USA's People) writes this week about Ex Cops. Ex Cops are some new band probably from Brooklyn. Barry says if The Chills, early REM, Velvet Underground, The Feelies, The Smiths and Galaxy 500 mean everything to you then check out Ex Cops' LP True Hallucinations. All those bands I love (the first 3 REM LPs are gold and so are their 5th & 6th) so I wont be checking out this new record. Why the fuck would I? I'll just listen to those old records. The late 60s and the 80s are a long time ago. I can't really imagine this band being anywhere near that league of bands. That league is the highest water mark in underground guitar pop/rock ever. At this late stage it's hard to imagine anyone coming close to those epochal legends.

I wanted the Murmur version of Pilgrimage but couldn't 

find it. This is just as good anyway!

Yay!

More Yay!

Jesus they were really cookin' with Craig Gannon

on 2nd guitar. This fucking rocks!

How good?

Gotta have another!

'Listen to the Byrds sing on the tape recorder.'

The Zoo Is Cool

Couch Flambeau

The Zoo Is Cool

Great stuff from Nowheresville USA in 1985. Pretty unique I guess and a little bit funny. Saw this on the interweb about 5 years ago when I'd never heard of em.  Like J Mascis's  funny dork of a cousin  who was into MX80.

Peter Shapiro and Philip Brophy contribute to this months Wire. Shapiro does a primer on US Hardcore. It's one of those scenes that's got a lot of naffness and Shapiro isn't shy in pointing that out. It's the stuff with a bit of wit that really stands out. I mean Black Flag embody the scenes good/bad qualities. On the same record they would have something funny in a trashy yob rock stylee like TV Party then a woefully whingey track like Depression or Damaged II. Shapiro is one of my favourite music writers of all time but I have to pull him up on one sentence where he claims Husker Du didn't "devolve into emo's woe is me whining." Hmmm.... I'm not so sure about that. No Angry Samoans in the feature either, were they a little too homophobic? Not hardcore enough?

That previously mentioned Nuts & Co. LP from France in 1982 has been getting a fair airing around these parts. Kangourou is a lost treasure of post-punk. Young Marble Giants minimalism crossed with The Residents warp factor and you're about half way. Towards the end it goes into an almost communal demented exotica zone that you wouldn't have expected at the start. This record has had me going back to post-punk and experimental stuff like the label M Squared's a Selection and the Innocent Label compilation New music 1978/79 which have definite parallels as well as Der Plan's Geri Reig, Minny Pops' Drastic Measures, Drastic Movement,  2+2=5's Into The Future and Duck Stab & Eskimo by The Residents.

666

As stated previously I've just discovered this late psych rock gem from 1978. I know nothing about Marcus but I'm loving this LP From The House Of Trax. Ween and Ariel Pink must be fans.

Got a theme going here. I was first introduced to Black Widow about 10 years ago whilst getting my hair cut at a hipster's barber shop. This was being pumped full volume throughout the shop while the barbers sang all the words. I couldn't believe I'd never heard this fabulous record before. The entire Sacrifice LP is classic. Funky progressive satanic rock!

What's Goin On?

These are the main reasons I've not been posting much this year. I have a computer that's busted. I have 2 cd players that aren't working and a turntable that needs a new stylus. I can play tapes and my i-pod through the stereo but that's about it. I'm not in the zone for writing about music and culture. It doesn't feel right doing it on another computer where all my files aren't. I have the new Umberto album but I can't find it so no comment there. I've been listening to Trick Or Treat, the LP Ariel Pink did with VDO (some Mutant Sounds folk) under the name Shits & Giggles pre 4AD signing. Also just discovered Marcus's 1978 LP From The House Of Trax. Another new discovery is Nuts & Co's Kangouruo LP from like 1984. I have to thank the awesome Mutant Sounds once again for alerting me to these last 2. They do have their problems over there though with Rapidshare and stuff which I hope gets all sorted. I tried to download 6 things but I only got 2. They're still the best! I even started reading David Toop's Ocean Of Sound which has been on my shelf for years and I've never been in the mood to read it!  Hopefully Cardrossmaniac2 (ab)normality will be resumed soon.