Abundance Of Stuff

Well it's been quite a couple of weeks for new releases, a bit like the old days when you didn't know which releases to get because there were so many that you wanted to hear. Now though the ones you don't buy you can just download, I suppose, plus many are free downloads anyway. Beatking and Young Thug releasing new albums/mixtapes in the same week is a good week which ever way you look at it. God I'm still getting my head around Thugga's Barter 6 and the first volume of Slime Season and now we've got Slime Season 2. His new mixtape Slime Season 2 (after only a couple of listens) is quite possibly up there with his two classics Black Portland & 1017 Thug. Young Thug also has a collaboration mixtape with Migos about to drop at any moment plus another official solo LP. He's the new James Brown ie. the hardest working man in show business. Beatking's 3 Weeks is his third album of the year as well and his quality control is usually the highest in the rap game only rivalled by Kev Gates. Beatking has signed with Sony and he made an LP for them in 3 weeks. It's not as dementedly bangin as something like Gangster Stripper Music 2 from last year but he's still funny, profane, non PC and hey it wouldn't be a Beatking release without a version of Kiesha, surely this is the 17th time this tune has turned up, I expect a version on all his albums till he retires now. Is earnestness starting to sneak in to his array of aesthetics though? He may be stupid but Beatking's not dumb so naming this album 3 Weeks feels to me like a disclaimer as it's probably the lesser of his three releases this year. He's letting you know this was chucked together very quickly. Hopefully I'll have some further thoughts on this stuff once my mind has processed it all. Boosie Badazz (some of this sounds outstanding, after one initial listen), Zuse and Amber London have released worthy new material in the rap zones too in the last week or so. Recently Gangsta Boo, Skipper, Ty Dolla Sign and Lil Herb have put out mixtapes worth listening to as well and I reckon I've probably missed a few too.

In electronic zones Rustie creator of possibly the best record of the 2010s (well at least one of the top 9), Glass Swords, has a new album called EVENIFUDONTBELIEVE and it sounds really bloody good compared to last year's disappointing Green Language so that's exciting news as I was ready to write him off. Arca and Mark McGuire have new LPs plus I just discovered Steve Moore's synth soundtrack The Guest that was released earlier this year. That Visionist album Safe still has me transfixed and slightly perplexed as I can't quite pinpoint why I like it so much. Then there's the archival box from Harmonia which I guess is really only of interest as it includes the previously unreleased Documents 1975. I believe this is getting its own separate release which I can't wait for, in fact I'm gonna have to download that right this second I think.

Then I discovered That Bret Easton Ellis does podcasts. I've checked out the episodes with Kim Gordon, Ariel Pink and Doors drummer John Densmore, which are all worth listening to. This guy can talk and then talk some more. Sometimes I wonder if he needs guests at all. His epic intros are gloriously verbose. It's all about Bret and it's fascinating as is his obsession with LA.

Finders Keepers Radio did an excellent Halloween special although their shameless self promotion is starting to wear thin. These guys are obviously massive music fans but business and marketing are starting to cloud their vision slightly.

Last but not least I've discovered the dudes from the legendary but now dead sharity blog Mutant Sounds have started doing podcasts as well. They've done two episodes so far of Mutant Sounds Radio. If you loved the Mutant Sounds blog you'll know what you're getting here ie. Seminal music from subterranean fringe dwellers brought to public consciousness by counter obscurism.

Oh and one last thing......I was going to post this tune last week as I've been getting into the 2003 Ricardo Villalobos LP Alcachofa and then I noticed this has been issued on a 12" recently which is weird. Anyway me love this tune a lot.

This is on the other side of the 12" and is the opening track from Alcachofa and it might even be more awesome than Dexter. Legendary.

Oh then there is more stuff..... this time in Hauntological zones......maybe next time......

Dead Blogs

Norm Chambers AKA Panabrite once ran one of my favourite blogs Lunar Atrium. This was a great place to find the weird and wonderful. I got to listen to many library and obscure electronic records that will never see a re-release. I don't know what happened but he started blogging less frequently and then bang all his files and critical comments were gone. Now it's like a ghost town blog with just it's header and zero content. Thanks Norm for the heads up on a lot of records I would never have known if it wasn't for your old/dead blog. Where else was I gonna hear Claudio Rocchi's classic Suoni Di Frontiera along with many others?

Another excellent blog on the more funky tip of library records, Funky Frolic, has called it quits too. This could possibly be the source of where I first heard Alan Hawkshaw's legendary Oddball! Another one bites the dust.

I could go on about many others who are disappearing by the minute. Then there's others who have slowed to a crawl like Pontone & Exp Etc. and the great Mutant Sounds. Many file sharing blogs are still online but in spectral form with most links no longer alive. Is the well drying up? Or are the authorities taking control? A golden era of obscure record sharing seems to be coming to an end and that's a shame.

What's Goin On?

These are the main reasons I've not been posting much this year. I have a computer that's busted. I have 2 cd players that aren't working and a turntable that needs a new stylus. I can play tapes and my i-pod through the stereo but that's about it. I'm not in the zone for writing about music and culture. It doesn't feel right doing it on another computer where all my files aren't. I have the new Umberto album but I can't find it so no comment there. I've been listening to Trick Or Treat, the LP Ariel Pink did with VDO (some Mutant Sounds folk) under the name Shits & Giggles pre 4AD signing. Also just discovered Marcus's 1978 LP From The House Of Trax. Another new discovery is Nuts & Co's Kangouruo LP from like 1984. I have to thank the awesome Mutant Sounds once again for alerting me to these last 2. They do have their problems over there though with Rapidshare and stuff which I hope gets all sorted. I tried to download 6 things but I only got 2. They're still the best! I even started reading David Toop's Ocean Of Sound which has been on my shelf for years and I've never been in the mood to read it!  Hopefully Cardrossmaniac2 (ab)normality will be resumed soon.

Mutant Sounds

I have been lookin' at Mutant Sounds this week and remembering how good it is. We are so lucky to have a resource like this available to every man & his dog. I could spend the rest of my life downloading stuff from here and not go anywhere else. The cult of the new still holds sway with me though. I buy records, tapes, cds, dvds and digital downloads of new and old stuff. I always will. Mutant Sounds has introduced me to some great stuff I never knew about though, like the French Cosmic prog of Spacecraft and Archaia.

 It has also given me the chance to listen to things I've never been able to find like Smegma's Pigs For Lepers and Nino Nardini's Musique Pour Le Futur.

 This week I'm into Static Effect who I'd never heard of last week and I'm diggin' their tape (well mp3) Dead Game in Any weather. 'Fourth World gone malarial' is how they described it. How could I resist?

 I think it is the best sharity blog I've come across. I'll have to have a little think about who the runners up are. I also think, apart from their great music, part of their appeal is they only upload stuff that is no longer in print unlike many other blogs. I'm also amazed at the knowledge  they possess about the most subterranean of artists. They are giving the world a parallel history of music which really makes rockcrit consensus stale and lame. I really like the idea of these underground artists reaching all these people they never could have imagined. Particularly those who recorded and made 20 copies of a tape/record in the days before the Internet.