I'm leavin m b v in its box for now. I had an idea to perhaps exhibit or collect everyones unwanted copies to make some kind of statement concept art stylee. Perhaps it would be about a redundant cultural artifact now becoming of use as it's included in some kind of intellectual discourse on redundant cultural artifacts.
Then there would be the whole Schrodinger's Cat thing. You wouldn't be allowed to peak inside so how would you know if it was in there or not? At one stage I must admit that I thought the whole website and ordering of mp3, cd and vinyl may have been a scam. I half expected this package to not arrive. Funny that in the end I didn't care if it arrived or not.
If this conceptual art jam were to take place though, would it not make these mass produced artifacts more valuable than the rubbish they were destined to be? Then you would have the situation where perhaps you would have to start verifying whether or not the said lp was inside the box. Wouldn't peeking inside the box kill the concept? Maybe instead of a physical exhibit you could have a virtual one where everyone posted a photo of their box onto the blog/website.
*er...re:Shrodinger's Cat. Would there be a dead cultural artifact and an alive one at the same time? I would presume yes. The dead would be the recorded music which could be seen as a dead/failed piece of pop culture and the alive would be its rejuvenated self that is now part of a living/relevant artistic concern ie. the exhibition.
Wake me when all the bad nows have turned to good nows. Listening to Faust's Faust on my ipod reminded me 'Did I need to get that Can triple cd I think it was called the lost tapes maybe....It's probably awesome....must get that tomorrow I think...That'll have some good nows and some good thens.
'We've arrived in the 70s again man.'
Reading about Scratch Acid yesterday on the interweb on a man without shame reminded me that The Drones sometimes remind me of them along with a band I barely recall The Laughing Hyenas, am I right? Who the fuck knows? Tried to watch 2001 the other day on the digital telly thinkin yeah this'll be great. Half an hour in I wanted to smash in the screen. Watched the new HBO show VEEP and thought it was just tryin to be an American The Thick Of It. Watched The Newsroom as well. It was so cheesie i almost liked it. Jack whitehall does Bono have to apologise to you personally for tryin to make the world a better place? It's a fucked up world that belittles people trying to abolish poverty! Am I like CJ from Eggheads? He likes all the same stuff as me. Five shirts arrived from London yesterday and I haven't even opened them all.....CJ would probably like them. I've lost the new Umberto album. 2013 seems like the least yeary year in my life. Are the 2010s the 2010s or the tens or has everyone given up on decades. I loved decades but they must have been a 20th century thing. What about female popes? When are we gonna have one of them? Can I become an Ecclesiastical Tailor? That's an impressive job title! Dug out Just Keep Eating pretty funny....Hey man without shame! Rapeman were a top band.... Is Game of Thrones good or a pile o shite? I like the sex and violence but I'm not so sure about the supernatural stuff and well c'mon dragons... I'm not 5. Do I need to be more of a geek? Hey I've watched the first two seasons though. Where is dvd of season 5 part 1 of Breaking Bad mofos?? m b v turned up on my doorstep tonight. What shall I do with it? It's just sittin there mocking me saying "Gee that's $42 well spent." I was nearly over it and it turns up on a Friday nite! Benedict Cumberbatch ....
This Smart Bar Chicago 1985 cd takes you right to the heart of the beginning of Sonic Youth's reign as the premier American underground band. This is where the noise meets the rock and the rock is introduced to the pop. I dig Confusion Is Sex and Bad Moon Rising and even though most of the material for this live date comes from Bad Moon Rising, it's different. I always thought Sonic Youth progressed quite naturally but upon hearing this I started to think that perhaps Steve Shelley was the catalyst for a more accessible, fluid and rock Sonic Youth. He was not long in the band when this concert was recorded. He injects new life into these tracks (that were played on Bad Moon Rising by Bob Bert) and you can hear the future Sonic Youth starting to come together. Songs take on a (Can-esque) flow motion that was previously non existent. This is where the No Wave noise and post hardcore sounds begin to be sculptured into something more beautiful and sensual. This is exemplified here on an early version of Expressway To Yr Skull. 1985 was the first time I read about Sonic Youth in Juke magazine. In that article they were discussing Bad Moon Rising, the 60s, Charlie Manson and John Fogerty's comeback. The band were photographed with a scarecrow. This article/image stuck in my brain but it would have been 2 years at least until I first heard their music with Schizophrenia on the airwaves of RRR whilst visiting the big smoke.
Maybe it was the disappointment of m b v that made me buy Smart Bar Chicago 1985 and go back to MBV's original influences. Just before I dug out Dinosaur Jr's You're Living All Over Me, I listened to Isn't Anything. This LP immediately transported me back to the late 80s. Glory days I suppose. My Bloody Valentine were once raw and incredibly melodic. Their other unsung triumph was their wicked rhythm section that was sometimes at the forefront of a tune. There was light, shade, claustrophobia, ecstasy and surrealism. What happened? More to the point do I really care now? The mourning was done some time ago. We've got the old records and they're brilliant as are those of their contemporaneous influences. The aforementioned Dinosaur LP has been cranked up real loud over this last week and its blistering blissful vistas have had me ecstatic. What can I say? Wow! Geez I would love to have been writing at that time. It was so exciting and fertile. The great thing is that, that excitement is contained within some of those records still.
The live Sonic Youth cd has of course had me listening back to their Evol and Sister LPs. Is their anything left to say about those records? Except they still sound fucking awesome in 2013. I don't know where First Born Is Dead by Nick Cave & The Bad Seeds fits in to all this but I've been giving that a spin too. That was a fabulous and strange record! They were just a weird little four piece band then. Blixa, Barry, Mick (on drums) and Nick. It's such a sparse LP and so powerful!
All these groups were influences on the young My Bloody Valentine.
So if you ever wondered (I haven't until now) what Bad Moon Rising would have sounded like with Steve Shelley on the skins check out Smart Bar Chicago 1985.
Retromania moves in mysterious ways. I'm in the mid to late 80s now.
It just came out of the blue. If you can call waiting for 22 years for a follow up to one of the all time great albums out of the blue. What I mean is it was put out with little fanfare. Kevin Shields said the other day it might be coming out soon and then bang there it was on their website. Some people were paying attention though as the website crashed due to immense traffic. I heard one track on youtube Wonder 2 and got a little excited. The next day I'd bought the LP, cd and download for more than 40 dollars. So a nostalgic vibe took over. What was I really expecting though? Surely I wasn't expecting them to blow my mind at this late stage was I? Can they still make dizzy music to disconcert?
In 1996 I was still hopeful about the follow up to Loveless. There were reports of the tracks being jungle and metal influenced. This kept me interested for a few years. Eventually though I came to the realisation that it was never going to come out. Then I was of the opinion that perhaps this was a good thing. Retire at your peak. Nice. Have years of meltdowns, budget blowouts and scrapped half finished albums. This will all add to the mystique and they will become legendary well, more legendary.
22 years on from Loveless and the innovations have become common place. The radical normalised. 22 years of artists pillaging this treasure chest have almost(?) madeMy Bloody Valentine redundant. So what could MBV have to offer us now? When Loveless came out there were even a few people who said "Is that it?' The shoegaze brigade (Slowdive, Curve, Lush, Pale Saints, Boo Radleys et al.) had already started using and abusing MBV's legacy which perhaps made Loveless less startling than it should have been. Then groups like Seefeel, Flying Saucer Attack, Third Eye Foundation etc. expanded upon MBV's frontiers and perhaps took their blueprint to several logical conclusions. MBV kept being a name checked influence throughout the 90, 00s and 10s. I personally have failed to keep up with the new shoegazers. The last things I heard were from 10 years ago when Pluramon and M83 began exhibiting a heavy MBV influence. The lineage continues to this day apparently with Deerhunter and the like carrying the torch.
The (non) marketing of m b v caught me a little off guard and I was swept up in nostalgic momentum. Wonder 2 is probably the best track on the LP, well at the moment it's only actually an mp3. The first half of m b v has the hazy sweet languidity part of the Loveless equation but lacks the other half ie. the noisy and chaotic undercurrent. These two yin and yang elements are what make My Bloody Valentine so great. So it's nice but feels half finished. Where are the manic pop thrills?
Then along comes track six New You. I don't really know what to make of this track at all. It just feels wrong. Is this where I say nadir? Is it some kind of attempt at a MOR crossover? It just comes across like a bad Phoenix outtake. Next is In Another Way and thank god! It's a fucking MBV classic with all the elements that we know and love, but is it too little too late? Track 8 Nothing Is sounds like an attempt at a Meat Puppets instrumental?? Finally it's wonder 2. The album starts to really hit its stride with this dose of swirling and shape shifting psychedelia. Then the album's done. It's finished and you're left feeling a little bewildered.
m b v sounds like it could have come out in 1993 as a kind of follow up/companion piece to Loveless. What happened to the metal? Where's the jungle? Those recordings seem to have been scrapped and Kevin, Belinda, Colm and Debbie have gone for a Ramones/ACDC move ie. If it ain't broke don't fix it. They've settled on their bag of tricks and they've decided to sail in conservative waters. Was there nowhere else to go? Did others get there first? Was there too much second guessing? Were the scrapped recordings shite? How did that winning streak from the You Made Me Realise EP to Loveless come to such a bizarre end? Are these the questions that have plagued Kevin Shields' mind for the last 22 years?
I was about to write a post asking the question: Has 2013 started yet? A quick look on the internet made me go er.. maybe ....Ducktails have a new record...I should track that down. I was about to go to bed then I realised this
But I've left the computer cord at work and it's about to run out uuuurrrrrggggggg!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
