Ex Cops

Barry Divolla from Australia's Who Magazine(Aussie equivalent to USA's People) writes this week about Ex Cops. Ex Cops are some new band probably from Brooklyn. Barry says if The Chills, early REM, Velvet Underground, The Feelies, The Smiths and Galaxy 500 mean everything to you then check out Ex Cops' LP True Hallucinations. All those bands I love (the first 3 REM LPs are gold and so are their 5th & 6th) so I wont be checking out this new record. Why the fuck would I? I'll just listen to those old records. The late 60s and the 80s are a long time ago. I can't really imagine this band being anywhere near that league of bands. That league is the highest water mark in underground guitar pop/rock ever. At this late stage it's hard to imagine anyone coming close to those epochal legends.

I wanted the Murmur version of Pilgrimage but couldn't 

find it. This is just as good anyway!

Yay!

More Yay!

Jesus they were really cookin' with Craig Gannon

on 2nd guitar. This fucking rocks!

How good?

Gotta have another!

'Listen to the Byrds sing on the tape recorder.'

2012 - A Look Back Part II

Reissued/Archival/Compiled etc..

• Time To Go-The Southern Psychedelic Moment: 1981-1986 - Various.  One of the coolest rock scenes ever.  Post-Punk psychedelic mayhem from the Antipodes. It doesn't get much better than underground music from NZ in the 80s.
• Down Under Nuggets: Original Artyfacts 1965-1967 - Various.  It doesn't get much better than this for a rock era. Troglodyte and wild. Get out your winkle pickers folks!
•  EPs 88-91 - My Bloody Valentine
• Complete Singles Collection - AR Kane
• 5 EPs - Disco Inferno
• Separations - Pulp
• Smell My Finger - The Hard Ons
• Livixiation - Suzanne Ciani
• Dancing Time - The Funkees
• Cold Nose - Franco Falsini
• Orion 2000 - Peter Thomas
• The World Won't Listen - The Smiths
• Short Stories For Pauline - Durutti Column
• Voix - Egisto Macchi
• The Aberrant Years - feedtime
• The Oram Tapes Vol. 1 - Daphne Oram
• Electronics Without Tears - FC Judd

The Short Ones ie. EPs

Skrillex - Bangarang EP
It's party time folks!
Knife Party - Rage Valley EP
The party continues!
LA Vampires - Freedom 2K EP
Amanda Brown gets all sexy. If only all house was this cool.
Kemper Norton - Collision/Detection v6 EP
Spooky farmer's sonic documents of wintry West England!

Bin Worthy/Indifferent/Perplexed
Laurel Halo - Quarantine
Didn't see the fuss.
Holy Balm - It's You
?
Maria Minerva - Will Happiness Find Me ?
Not with this self help drivel!
Black Dice - Mr Impossible
??
Bodyguard  - Silica Gel
er... a bit Shite, no?
Nite Jewel - One Second of Love
???

*With the reissues I just put in the ones I didn't already have. I never had a copy a copy of The World Won't listen, I had Louder Than Bombs which was a mess of a comp really. So there's no Cleaners From Venus, Pyrolator, John Carpenter, Eraserhead OST or Porter Ricks or whichever records/tapes/cds I already have. No Laurie Spiegel as I think that may be coming my way at Xmas time.

Buying LPs In The Old Days

First of all you had news of a record coming out sometimes many months before. You'd usually pre-order it. You would probably go into the record shop to see if had arrived yet. Then once I had the vinyl I would take it home and play it full bore on dad's Marrantz Hi-Fi. The vinyl would then be put onto a tape so I could listen to it in my bedroom as I didn't have my own turntable, just a crappy mono tape recorder. Which is featured in this video at the 2.55 minute mark.

Anyway I had it for many years till I saved up for an upgrade. Which I believe was some kind of Panasonic ghetto blaster. None of this double tape deck shit so I couldn't even dub other tapes. But hey it had detachable speakers. Wow - the spaciality of stereo.

Then there was the records. You'd put so much time and thought into your purchase so the odds of it being the goods was in your favour. Through those teenage years LPs went, I think from around $10.99 to $17.99 so that was a lot of money and you didn't want to waste it. So if an album sounded rubbish on first listen, you would give it another go. Then you would give it another go, then another and another up till at least 20 times. Usually the biggest disappointments were bands with a previously great track records so you didn't give a second thought about laying out the dollars for their new record. An example of this was The Models follow up to Out of Mind, Out of Sight which was Models Media. I really really wanted it to be good and probably played it over 25 times before I had to concede it was rubbishola! $16.99 down the drain.

Hoodoo Gurus 3rd LP Blow your Cool did have some great tracks (that Models one had about none) on it but over half was shite. So the endurance of putting up with that other half got annoying in the end. Should have known as the previous record Mars Needs Guitars was only 50% classic. I guess now you would just uncheck the shite songs on i-tunes. This is what I did with that Salem album King Night a couple of years ago. I love about 50-60% of the tracks that I kept checked and couldn't give a fuck about the unchecked ones.

With some groups you knew when to get off the fan wagon instinctively or if the first single off the forthcoming LP was lame. Thus no more INXS post Kick or Midnight Oil post Blue Sky Mining. Hey I was young & impressionable. Probably could have got off earlier with those two groups.

Then there were times when the investment music policy paid off. Take The Triffids final LP The Black Swan which I thought was the worst piece of crap I'd ever laid my ears on. Especially after the over the top, over produced and over budget classic Calenture. These days I'd just delete the file after maybe one or two listens in but due to my investment I played it many times. It is now one of my favourite LPs of all time.

I don't hate Strangeways Here We come by The Smiths but that would have been in the recycle bin straight away. Giving it the investment time made me like it more. Still I find it inferior to the rest of the catalogue, the runt of the litter. Still a good record mind you.

Royal Trux Twin Infinitives is a later example (not really in the timeframe of ths article anyhow) which was on CD but I paid good money at import prices for it. At first maybe for a year and I'm no stranger to noise I found it perplexing and annoying. I would come back to it intermittently after months at a time. Then one day years later it made perfect sense. The perfect noise.

My investment listening music policy couldn't help records which were no good. Jesus & The Mary Chain's Automatic had 2 great singles Head On & the real beauty Blues From A Gun. The rest of the LP however...Gold Afternoon Fix The Church's follow up to the classic Starfish couldn't be helped by repeated listenings. That Petrol Emotion's Chemicrazy very bad indeed.

Maybe recent albums by Black Dice, Maria Minerva and Laurel Halo would perhaps have benefited from the investment policy. James Ferraro's Bodyguard project got a fair airing around here but me no likey so goodbye!

I have touched on this before in a previous post. These are different times and we may now miss out on some things but you know what it's inconsequential as there is so much other stuff out there. Why would I care? No use wasting your time! You don't have that much.

Friday Night-The Smiths

One of the best Smiths songs ever!

You Just Haven't Earned It Yet Baby

underrated!

Stereolab

Just been gettin reacquainted with Stereolab quite obsessively. At the moment the period of 1992 - 1996. What a run they had going. Space Age Bachelor Pad music, Refried Ectoplasm, Transient Random Noise Bursts With Announcements, Mars Audiac Quintet, Emperor Tomato Ketchup etc. Nothing to say that hasn't already been said by the groop themselves really. John Cage Bubblegum, French Disko, Nihilist Assault Group,Tomorrow is Already Here, Metronomic Underground, Avant Garde MOR, Analogue Rock, Tone Burst, Exploding Head Movie, International Colouring Contest, Farfisa etc. They made reviewers redundant. Pop perfection. I wasn't sure I would still dig. Me dig! Me dig more than ever, I do believe!

The long version of this still astounds me to this day 18
years or so later. A Mind blowing Peak!

It all started withe the reading of that Pulp book by Owen Hatherley. I went back to The Smiths, Sex Pistols, Roxy Music (first 3 LPs) and then onto at one time contemporaries to Pulp- Stereolab. In the early 90s they were using a similar sonic palette and funny archaic instruments which Pulp started to use less of later in the 90s which was kind of a shame. I mean they were still good and all but imagine if they'd gone more arcane and retro futuristic. Moot point really just a thought to entertain you know how it is? When I first heard, well I saw their video clip on Rage, Stereolab I thought man they Sound a bit like NZs Snapper who I knew were into Suicide, maybe Neu and The Velvets obviously but I thought that maybe for Stereolab they may have been inadvertent influences, know what I mean. I guess heaps of groups had that whole Velvets/Stooges/Roxy/ Kraut/Hawkwind/Suicide axis of influences at the time. Anyway they were much more than that. That was just one facet of a multifaceted band. I love that artwork too, the only others in the league of artwork being the equally fab Broadcast and the Ghostbox label. I think they are all in someway connected anyway, the Ghostbox guys were originally cover designers I'm pretty sure. It's been a surprise rediscovery.

Rolling Stone Top 500 Albums

The Last truly Great rock band if not the greatest.
Nirvana wish.

Fuck me Rolling Stone have put out a Best 500 albums magazine and geez I'm gonna boil over & end up in the Loony Bin. I've just skimmed through it in a hurry and it's the sane old jive. I thought 'wait I'm gonna spend $10 on something I'm gonna hate, no I will not'. Now thinking that would have been worth it just to write about. God I think I've still got 6 records to go in my Glaring Omissions (on Australian Rock) series at least. So The fucking Clash make top 10 but where are The Smiths, somewhere way down the back. Nevermind is better than Doolittle yeah sure. I even believe they had The Bends and OK Computer above Loveless??? That's pretty funny!  The Clash over the Sex Pistols, I didn't realise Americans were so hilarious. Hotel California over The greatest LP of all time Love's Forever Changes. A Moby Grape LP over The Byrds at their absolute peak on Younger Than Yesterday. Highway 61 Revisited I like but you know what Sonic Youth's Daydream Nation is way fuckin better than that. Pavement's Fall tribute LP Slanted & Enchanted but no Fall albums. Nine Inch Nails but no Skinny Puppy haha... These yanks need to loosen up. Sly's There's a Riot goin on at 99, what about at 9.

Like RadioFuckhead are anywhere near as good as this!

It is quite a skewed list when you get further down. The Velvet Underground's Loaded LP comes in way higher than the two more superior records White Light/White Heat and The Velvet Underground (or 3rd). Who knew Eric Clapton had so many projects and that Americans (well RS writers anyway) loved every single one of them. Tracey Chapman's there, but seriously who's listened to that LP in like 20 years. I am coming from an Australian perspective so maybe there's some cultural thing I'm missing. Anyway who really likes Van Morrison or Randy Newman? Oasis made it in somehow but other great British 80s into 90s bands missed out. No Happy Mondays, Pulp, Spiritualised or Stereolab here. Then there were the fab America 90s psych/pop bands like Mercury Rev and the Flaming Lips who don't appear. The 2 strangest entries are The Zombies who come in very high with Odyssey and Oracle who I really like and Peter Wolf with his record Sleepless (who outside The US even knows what this is? Was he the dude from J Geils band?). Things like Alexander Skip Spence's OAR or The Monks: Black Monk Time don't turn up let alone other great stuff like Karen Dalton, Silver Apples or The United States of America. Electronic music forget about it, There is one Kraftwerk LP as a token.

I remember a list like this in the magazine, maybe from 1988 and the first 50 have not changed bar about 3.It's like it's been set in stone and they have to have a Vatican council meeting for the slightest change to be made It's weird, old, way too rigid and no fun. U2's Joshua Tree comes in ahead of The Doors first LP. The anomalies just keep coming. Weezer's debut ahead of the Pixies Surfer Rosa. Here's a ripper Guns and Roses Appetite For Destruction comes in ahead of these 3: Led Zeppelin II, ACDC's Back in Black and Zep's Physical Graffiti. Then there's 3 inferior later Roxy Music LPs that come way ahead of their all time classic For You Pleasure. Joy Division's Closer makes it but where's Unknown Pleasures. Green Day come in ahead of Lou Reed's Transformer with Dookie. They've got token country, jazz Reggae & even trip hop. The most recent LP I think is The strokes debut. It's not like it's all shit music quite the contrary. Maybe they shouldn't number them, you know it's not sport, just put 'em in alphabetical order or chronologically. Oh but then they have to have a secret ballot and get the pope to smoke his pipe through a hole and then a cardinal will have to interpret the smoke for the decision to be made.

Some bands that missed out that perhaps should have been considered - The Residents, The Ventures, OS Mutantes, The Insect Trust, Comus, The Incredible String Band, The Seeds, America, Goblin, Pere Ubu, The Gun Club, The Saints, X-Ray Spex, The Feelies, The Wipers, Can (but they're not American or British uh oh), Cluster, ESG, The Meat Puppets, Burzum, The Dream Syndicate, Vanity 6, Throbbing Gristle, Chrome, Cabaret Voltaire, The Birthday Party, Cocteau Twins, Scott Walker, Donna Summer, Gong, The Groundhogs, Jimmy Castor Bunch, Booty's Rubber Band, Chic, Siouxsie & The Banshees, Flipper, Talk Talk, Dinosaur Jr, Boredoms, Slint, Royal Trux, Aphex Twin, Marc Acardipane, Boards Of Canada, Ariel Pink's Haunted Graffiti, Burial..........I could go on forever.

I've made up a different top 10 from the top 500 just off the top of my head and in no particular order.

ZZ Top's lunch. That cheese is gonna be a problem

• Tres Hombres - ZZ Top 
• Dirty Mind - Prince
• Marquee Moon - Television
• Suicide - Suicide
• Double Nickels On The Dime - Minutemen
• Stand - Sly & the Family Stone
• Paranoid - Black Sabbath
• The Queen is Dead - The Smiths
•  Look-Ka Py Py - The Meters
• Let's Get It On - Marvin Gaye

Now that's a bloody great top 10 and it's not the same old SGT Pepper, Blonde on Blonde etc. These records are just as good if not better than the actual top 10. I'd rather listen to this one actually.So why is this not the top 10 then?

Is there a need for this list now in this day and age of access all areas and Internet flux? No and we're not buyin it. We make our own top 500s now It's 2012 the times belong to the Ariels, Gang Gangs, Ferraros, southern hip hop etc. Then there's 70s Afro psych/beat/funk, Indonesian 70s rock, Chica/Cumbia from Peru, 70's Hungarian Funk, Swedish psych from the 60/70s, Thai genres like Luk Thung & Molam, 60/70s Anadolu pop from Turkey etc. to listen to so why the fuck would I want to listen to Radiohead, Green Day, Pearl Jam, Eurythmics, No Doubt or Coldfuckinplay!  It's kinda a little bit sad that the old farts (nothing too modern here please, like from the last decade or anything unless it sounds like something from a previous decade and keep it American or British, nothing too exotic please. Where did I leave my walking stick? Christgau have you seen it anywhere?) at RS are hangin onto their James Taylor's, Janis fuckin Joplins, Linda Ronstadts & Vans.  Who cares?

In a word redundant!

The Wire magazine. What happened?

1993 was the year. Melody Maker and NME had been slowly starting to shit me from like 91 onwards. There was still good stuff happening over at Melody Maker at this time but it was starting to diminish. Maybe my tastes were changing too.......anyway The Wire was good because it was covering interesting (ie not this weeks fashionable pop group) stuff the weeklies were starting to ignore and they didn't have that kneejerk criticism/create a new scene every other week/backlash the next week blah blah... of the weeklies which was incredibly liberating at the time. The Boredoms, West African Tapes, Edgar Froese, Miles Davis, King Tubby, Mouse On Mars, Gamelan, High Rise, Method Man, Casper Brotzmann, AMM, Jungle, Tricky, Eddie Palmieri, Ambient, Thinking Fellers Union Local 282, Gunter Muller, Omni Trio, Prog Rock, Nirvana all rubbing shoulders together. This seemed quite rad at the time and perhaps it was. We might be a bit used to it all now in this post everything world. So for many years it was an essential read. All through the 90s it was great, but somewhere in the 00s it became less essential. I guess it didn't matter that much as music criticism on the blogosphere was peaking at this stage. Who needed to buy a magazine made of paper? How archaic!

In the last couple of years it seems to have picked up a bit though and there was always something to make you still at least check every month if there was something good in there. A Simon Reynolds article will get me in every time. Recently they covered Turkish Psych which maybe they usually would have done 10 years earlier when modern Turkish groups like Replikas and BaBa Zulu were making an impact on western audiences. Are they starting to repeat themselves? Scott Walker and Kraut/Kosmiche articles recently which were both covered extensively 15 years earlier. Old school NME narrow mindedness/bitchiness also seems to have kicked in as well as substandard journos who've got no fucking idea.

Nick Cave cops some knee jerk turds criticism for some of the greatest lyrics ever written.

An excerpt from Palaces of Montezuma by Grinderman

Psychedelic invocations of Mata Hari at the station 

A custard coloured dream of Ali McGraw and Steve McQueen

The spinal cord of JFK wrapped in Marilyn Monroe's negligee 

So Nina Power you look like a fool. In the same issue from September 2010 Nina's colleague Sam Davies calls electronic pioneer Bruce Haack dull. Guess what Sam you're fucking dull. Bruce Haack was a brilliant pioneer. Sam what did you pioneer? Being a dull music journalist pretending you've got something to say but really only being a try hard. Guess what Sammy that's been done before too. Tedious slagging was never part of The Wire thing so this is disappointing. Don't get me wrong I love a good slagging when it's smart, funny and justified. Mr Abusing/Agreeable anyone? Then they pulled the ultimate NME move in slagging a genre/movement they invented or at least identified and named ie Hypnogogic Pop. Time to move on I guess.....Simon Reynolds has an article in the bloody new one though.....

  

God Save The Queen

I was gonna go on a rant directed at the Poms about why they haven't had a revolution yet and got rid of you know who. But Australia can't even get rid of the fucking mole and the rest of the fucking inbreds!!!

Separations

I've never been a completist. The Pixies and early 90's Mercury Rev were probably my most complete collections. I collected all the singles and extra bits of Mercury Rev's first few years but then they released a rarities record Lego My Ego. So what was the point if they were just gonna show up neatly collected at a later date anyway. The Pixies LPs plus the B Sides collection (what was the point of collecting all those 12"s)  is all you need innit? You could maybe chuck in a live record but do you really need it? So I still don't have The Purple Tape but one day I'll see it and go great and get it and go I can't believe I never had this.......So what I'm saying is I don't mind having holes in my record collection, in fact I'm kinda proud of it. It's probably healthy too.......you know less obsessive. Has anyone ever listened to that triple CD set of Nick Cave & The Bad Seeds' b sides and rarities in its entirety? I actually pulled out of a purchase of that one, put it back on the shelf. The Smiths are probs my favourite British group ever but I don't have the complete discography. At the moment I don't own a copy of Meat Is Murder. I had it once but I never thought it was any good. Was it poorly produced? Bad songs?.......can't really remember. Anyway since it disappeared (several robberies, ex girlfriends, friends, sharefucking houses-take your pick) many years ago I haven't bothered to get it again. Maybe I should get it...........

Anyway the reason I'm bangin' on about this is because I bought Pulp's Separations this week and I'd never heard it in full ever before. Now Pulp were probably my favourite British pop band of the 90s and I'd had all their 90s records one way or another but never this one. Had the CD of His n Hers, had a taped off a friend copy of Different Class on tape, an ex had Intro, had a VHS of The Park Is Mine, I burnt a copy of We Love Life from the library blah blah blah.............Anyway Separations is fabulous, can't believe I never had it for all these years. This is the record where it all started to gel. You could still hear hints of Gainsbourg, Ferry, Walker and Cohen but with added disco and sexy monologues a la Hayes/White. This is where Pulp become Pulp. On their following records you wouldn't spot an influence-it was just Pulp. It's hearing the moment of a band coming together and hitting on something great. So thanks to Owen Hatherley who wrote the previously mentioned (on this blog) Uncommon. This fantastic book has sent me on this path. Uncommon is about the records of Pulp and the world contained therein. Not a tedious biography interviewing Jarvis' next door neighbour from when he was in Infants 3 (er.....that's grade 3. The Mrs is Welsh) or Russell Senior's mum's best friend before he was born etc.......

 

Blur V Oasis

The winner was always Pulp.

Miserable/Funny Songwriters

I was going to bang on about New Zealand music and why the 80s to about 91-92 were a golden era etc. and not just the popular Flying Nun bands but the weirder ones plus xpressway etc.  Another time perhaps or maybe look elsewhere on the net for such information.  I remember a pretty good article on Flying Nun at the Stylus Website. There is also a good doco on the youtubes about Flying Nun Records.  Popwatch fanzine once had a terrific piece on the xpressway label. 

I was thinkin' about funny singers and songwriters.  It used to be, people would say 'Nick Cave was a bit dour.' and not see the funny side in the 80s into 90s, but now he's almost a fully fledged comedian so people are comin' round to the idea.  There also used to be "How can you listen to The Smiths? They just moan!" Of course as soon as anyone said this you knew that they hadn't truly listened to the band.  Morrissey was fucking hilarious!  Those Smiths albums still make me laugh.  Leonard Cohen too, what a laugh he was. Then there was the more obvious funny dudes like Robert Forster, Mark E Smith and Dave Graney. As well as hardcore like Flipper and Angry Samoans.

I had another category as well where it all seemed so serious surely they were havin' a laugh.  Maybe they were, maybe they weren't.  It didn't matter to me I thought they were a laugh a minute.  First example being Swans.  The darkness, the impotence, the serious delivery, the sickness etc. what a hoot!  Michael Gira possibly the funniest man on the planet.  Jarboe a bit funny too.  Joy Division were funny.  Add in Ian Curtis's dancing you got yourself a good time.  Primitive Calculators were great fun to me and my little sister when I was in my early teens.  Still one of the good time bands for me.  It turns out in recent interviews that indeed they had great senses of humour.  Einsturzende Neubauten with their crumbling architecture, wanting the world to end, the harshness, the screaming the mental illness etc. all good comedy fare.  Liabach, pretty funny as well.  Rollins too but I had to love the music as well so I don't know if he counts.

Funny songwriter or just a funny guy?

Anyway the whole reason I was thinkin' about this was because I was listening to The Drones for the first time in years and wondering where Gareth Liddiard fitted into this.  Sure on the telly he's a funny guy (RockQuiz a couple of times) but do I find his songs funny? I'm still not sure.  Steve Kilbey a recently hilarious dude was something nobody saw coming, well not from The Church's music anyway.  He might have always been a private card but I like the idea of him flowering late with his comedic prowess.  Gettin' loose in his old age.

Maybe all of this says more about me than anything else. Who knows?  Any thoughts out there ?


**That's a great painting of Gareth Liddiard (from The Drones)  from last years Archibald Prize Exhibition, which I managed to catch in The Yarra Valley.  That painting was also one of the strongest in the competition.