Controversy

Created a bit of discussion over at Mess&Noise with my thoughts on the new Total Control album. Someone called me Space Dickhead which I liked, might even change my name to that. Big ups to Anok, checkers, MelonHCST, Seahunt, __v & amazinglyblended.

You can check out my love here for Mikey and his cohorts Ooga Boogas, here as well!

I'm not sure what the Mess&Noise meant by linking that Tinashe remix, by Drake, in the forum though (If it was sarcasm it didn't come across. They're a bunch of writers though surely they understand that sarcasm doesn't work in written text) As much as Drake might come off as a winging rich arsehole in his music (which I'm not even sure I really like) he does have some sense of the now and not just the resigned retro now. His tune Marvin's Room/Buried Alive is undeniably a milestone in rap culture whether you like it or not. My point on that post was how pointless are remixes (well 99.9% of them)? Having said that I love the original version of 2 On by Tinashe, that's a 2014 killa.

Random thoughts: What the fuck is the difference between trap and ratchet? Do I need to know? Should I care? C'mon all you micro-genre nerds what's lowdown?

2 On -Tinashe, Drake & Other Remixes.

This is pretty much a Drake version of 2 On and it's pretty good but not really bettering the original. After the first minute of Tinashe's original he takes it over and makes it his own for the rest of the tune.

Then there's this which is pretty odd but this stays Tinashe's track. Although the whole vibe of the tune is moved to somewhere else not as compelling. The rap ain't anywhere near as good as the original Schoolboy Q cameo though. What was Vado thinking? How on earth was he gonna top one of the great rap cameos of all time? He shouldn't have even bothered. I imagine Schoolboy Q being not too threatened by its lameness. I love that string loop thing though, nice. Remixes: What were they for again?

The Original and Best Version. 2014 Classic!

Gangster Stripper Music 2 - Beatking

Here's another killah tune from Beatking's mixtape Gangsta Stripper Music 2. Echoes of Darkside Hardcore, Gabba, Marc Arcadipane and more. This could be the tune of 2014!

Similar influences here as well as a bit of 90s Dutch, Belgian and the omnipresent 666 Mafia.

This one is incredible too. Haunted, disorientated and faded!

Rome Fortune

Well the backing track is like Kraftwerk, then there's a Moonshake(the group)-like sample followed later by a Pole-esque unskank at the end. It's an incredible production whether the producers are hip to these references or not.

More haunted soundz similar to Burial ala Drake, Schoolboy Q etc. The sound of sweet emptiness.

Total Control - Typical System

I'd already decided to review this LP before I'd heard it. I liked their previous record Henge Beat from 2011. I guess they are a side project band but I can't tell these days what the main bands are for these people and what the side projects are. So I guess you have to take them all on their own merits. Hey I'm a fan of Eddy Current Suppression Ring, Ooga Boogas and UV Race some of whose members are in Total Control. I wasn't however expecting to be so disappointed by this record. Sure Total Control show they have fabulous taste in punk/post-punk/synth music but is that enough at this stage of the game/epoch.

It all kicks off with Glass a Suicide/Numan/Foxx pastiche. Then Expensive Dog which is just like a Wire song. Flesh War is better like a new romantic Eddy Current tune. A chorus you're not expecting turns up and you're in pop heaven for a moment and the previous two tracks are forgotten. The guitars and synth intermingle perfectly. In fact you can't help thinking why didn't they go over the top with the production on this one to give it a chance at being a top 10 hit in the pop charts! Systematic Fuck is next, in my notes it says systematically fucking boring, huh? Liberal Party starts off promising with synths, drum machines, maybe a sax and an insidious guitar line. Then you're thinking well this could have been made in 1981 by The Makers Of The Dead Travel Fast. Nothing modern, now or futuristic is happening here or anywhere else on the record. There is no attempt to use the attitude/manifesto's that caused their influences to create such visionary work. Total Control are content to reproduce the sounds of trailblazers but not attempt anything revolutionary/innovative themselves, not even really attempt to extend on their heroes ideas. Are they/we just resigned to repeating the past future over and over. Nietzsche has been mentioned as an influence on this record but that feels like a cop out and a little too convenient doncha think?.

Two Less Jacks is a bit like er.....Gang Of Four. Black Spring is a bit more organic. It's a trippy psych gem (If you're in need of another one of those that's up to you I guess). I'm trying not to say Black Cab or Spaceman 3 but I just did. The Ferryman follows and it's synth noodling for 2 minutes & 42 seconds that's not unpleasant. Hunter is weird electronic goodness that I wish Typical System had more of. The keyboards & guitar seem barely controlled. The vocals have a desperation and the sweet girl backing vocals add an unexpected juxtaposition. Safety Net is more Numan/Foxx/Human League in indieland schtick with Mikey Young's unmistakable guitar which gives the tune an odd vibe. But then I just can't help wishing it would turn into an Eddy Current Suppression Ring song with Brendan takin over the microphone with his fingerless gloves and the rest of the Eddy Current boys kickin out the jams in their unique style. Instead Safety Net just plods into inconsequence to end the record. Probably not really what the world needs now. Flesh War & Hunter are the standout tunes and I really wanted to love the rest of the record as much as those tracks but....

Kevin Gates ...Again

More Kev! Anything that mentions Patrick Swayze but spelt wrong has gotta be good. Add in Whoopie Goldberg and it's pure gold. I find this hilarious and don't even understand it.

Well this one reminded me of Lick My Nuts (below) which was made by Kev's collaborator here Juicy J . Kev tellin it like it is. He is the new King right?

Lord Infamous, DJ Paul & Juicy J - the early 90s Memphis rappers/producers who are more influential today than they ever have been.

4.30 AM .....they just keep comin from King Kev and there's way way more check out these as well.

This one from 2013 as well

I think he's been in prison but he's managed to
 release this 2014 jam. He's on a roll.

I first heard this track on the Badmuthas: 18 Original Black Movie Hits compilation (not a dud on that by the way) and it blew my mind. Sweet yet bleak soul soundz a bit like a lot of the rap and R&B now. This is like a fine aged single malt whiskey....mmm......yeah.

Kevin Gates/Beatking/Dizzy Wright

Only just heard this track from last year and OMFG! How good is it? I know what to call it - Magnificent!

Now this is some tripped out ratchet that seems to have gone over the edge. What about that absurd drum machine. 2014 Digital psychosis!

Anthemic tune from Wright's 2014 mini album State of Mind.

Caustic Window

From the new 'old' Caustic Window LP ie. it's from 94 and never got released. Makes you remember where a lot of your favourite music came from, doesn't it? Aphex Twin aka Richard D James aka Caustic Window had a great patch of, well, most of the 90s when he could do no wrong. This puts him back into historical perspective. Also Caustic Window is a great now album.

Fingertips.

Now this is a weird one it could have been made 5 years earlier (back then) with it's acid squelches and lovely piano riff but he puts this strange feeling over the top of it. Which gives the tune, that usually would have been upbeat, a melancholy vibe. Years ahead of Ratchet's 'downer euphoria' or Hauntological's uncanny zones. Can't finish post dog annoying me....

Oh Happy Day!

This turned up in the post today just after I'd been to the dentist and had a filling. It feels like I've been waiting for over a year for this to come out. Was Fisher trying to recreate old skool anticipation of pop culture with its delayed release? Can't wait to read this. Mark Fisher as K-Punk was one of the original music bloggers alongside Woebot, Gutterbreakz and Blissblog. I think out of all the Zero Books I've read this one has the most pages at a whopping 232!

Then I discovered this! Only been waiting 20 years. Aphex Twin's alter ego Caustic Window finally has this LP available to the public. I'm sure this was reviewed in Melody Maker in 93 or 94, but it never got released. It has since gained mythical status. Anyway here it is and man it sounds bloody good so far. I'm in the 90s now.