Ekoplekz - Reflekzionz

Loving that artwork and the music contained within

A new month must have ticked over because hello we've got a new Ekoplekz release. I couldn't sleep, went on the interweb, saw Reflekzionz was coming out. By chance I checked i-tunes and they had it available a week or so early. I couldn't wait for the physical copy, being the instant gratification era and all, several clicks later walla! the album was sitting in my i-tunes and my earphones were sitting in my ears. How was I meant to get back to sleep after that? My excitement levels were high and 3 hours later Refekzionz was still swirling around in my brain. Thank god it wasn't a work night. Then I started hearing chooks. I had to give it a rest. These 12 trax at 54 minutes will be released on Planet Mu as a double LP. Something had to interrupt my Conrad Schnitzler obsession. Of course this recording led me back to current music in a very smooth manner as Nick Edwards aka Ekoplekz would probably be a big fan of Schnitzler's. While I mentioned in my article on solo 70s Schnitzler that he had an immense spatiality in his music, as large as King Tubby's, on the 1978 classic Con, that didn't mean Conrad was informed by or using similar techniques to Mr Osbourne Ruddock aka King Tubby. Mr 'Ekoplekz' Edwards however does come from from a dub lineage that was probably picked up from the likes of 70s Cabaret Voltaire who probably were into King Tubby and dub in general. I guess the feel here is more like post punk stylee dub filtered through German 90s dub-tech like the Pole/Basic Channel/Chain Reaction milieu. I guess they're interesting parallels caused by my own recent listening habits but funnily enough it's all fairly closely related in a coincidental manner to Ekoplekz and his new LP.

Opening tune A Caustic Romance continues Ekoplekz's foray into melodic idylltronic zones albeit over a gritty but almost cute clipped industrial-lite beat. Quakers Road Skank is awesome robotic electronics. Seduktion is radiophonica funk that sounds like it was recorded in the emptiest place in the universe giving it an uncanny hollowness. Repeater (How did it feel?) is as fucking good as classic ambient dub tech gets. Downtone is wintry technoid dub with amazing bass tones bringing the foggy darkness in close and those rudimentary beatz feel like their trying to warm up but their coal's running low and there's no 50 P's for the meter. The classic British isolationism, with extra synth squelches, of Midnight Cliffs is next and it couldn't have a more perfect title.

Tremulant is a slice of ye olde Ekoplekz with its alien warfare dub splatter but as has been recently noted Edwards now has his once outta control machines in line and almost compliant to his every command. Dubnium 268 is a dark techno ditty but kind of playful at the same time. On this tune and at several other stages during Reflekzionz I'm taken back to my Cologne days in the 90s. In an unusual moment of zeitgeist there has been an article over at FACT, I noticed, on the likes of some of my 90s Cologne faves ie. Mouse On Mars, FX Randomiz etc. Maybe Ekoplekz is trendy now. Canon's Marsh is is a marvellous piece of technoid minimalism with curious reverbed drones that leave you slightly mystified as to what that felling you've been left with is. That's quite a remarkable artistic achievement. Ominous transmissions create an insidious intensity on Black Calkz. The machines here sound as though they could run out of power any second as a power surge is imminent and the circuits feel like they're about to burst. Saturation (Full Rinse) is an Ekoplekz banger! Nick Edward's has been heading towards this zone for a while and perhaps he's finally achieved this goal ie. a tune that could get played out. Just as you're thinking that though his erratic machines, who have been acquiescent throughout the entire LP, seem to have a sinister plot to sabotage his plan, by being contrary and slowing the bpms right down toward the end. Day In May is glowing sunshine one minute and pastoralism gone awry the next which brings Reflektionz to a close.

Halfway through like the 2nd listen I was beginning to wonder if this was perhaps a concept album or some kind of tribute/homage to the 90s. Even in this review I've used the word classic several times. The thing is with Ekoplekz is he could never pull off a homage record, like say Urge Overkill's Saturation where they recorded brilliantly perfect facsimiles of some of their favorite 70s stadium rockers like Kiss, Cheap Trick etc., because with Ekoplekz it will always be Ekoplekz. You may have been able to detect Cluster or Cabaret Voltaire influences previously (probably still can) but it's never a straight copy because he's always reshaping sounds and experimenting. He uses their ideas as much if not more than their actual sonic artillery. That's probably not a good way to make millions of bucks but his idiosyncrasies will always endear him to original music fans. When I think of Ekoplekz I don't usually think of the 90s much, I mean sure a bit of techno but to me that's like 15% of his shtick. A reactivation of several 70s approaches to music but with a here and now experimental feel is how I have him pegged in my brain. Experimenting, moving along, not giving a fuck about fashion and well just making cool dub inflected electronic music is what Ekoplekz are all about. The first song A Caustic Romance could be a dead giveaway ie. Is this referring to his love for Aphex Twin's alias Caustic Window? I mean I'm sure he listened to some of the same gear we all did in the 90s like rock, house, bleep, hardcore, ambient dub, techno, jungle, trip hop, darkside, electronica, isolationism, gabber, trance, tech-step, speed garage, post-rock, pop and whatever else I can't think of right now. It just hasn't seeped through so much until this LP. Maybe next month we'll have a bizarre take on music from the 00s by Ekoplekz. Not sure he'll have much to work with there. Perhaps he could go back further to say the 60s. Anyway he's on quite a roll isn't he? This is his 3rd fine double LP in 12 months then there have been mini albums, EPs...

*On Twitter I got a reply from the man himself. See below.

Reissues/Archives/Compilations of 2014

Another great year for ye olde music. In this list are only things I missed first time round (or 2nd or 3rd or 17th) ie. it doesn't include Blue Bell Knoll, Doolittle, Spiderland, Cannibal Ferox, Cannibal Holocaust, Friday The 13th, Led Zeppelin Vols. 1, 2, 3 or 4 etc. Oh...and no Bedhead or Mogwai because they were..er...shite. Then there's the never really owned category ie. I've only ever had taped copies of The Sunnyboys and Since The Accident or crappy mp3s of Electricity, The Boogey Man, Forbidden World, Chopping Mall etc. so they're included. 2014 was a hell of a year for cult horror synth score reissues! It's like all the soundtracks I've been looking for were all released at once. Labels like Soundway & Finders Keepers continue to unearth fabulous music. Death Waltz, Waxwork, One Way Static, Luxury Products & Superior Viaduct are the new(ish) labels on the block giving us what we want from the esoteric archives as well. So here's 20 great old records.

Sunnyboys - Sunnyboys
The sound of my childhood and my older brother's record collection. One of The classic Australian rock debuts. The Sunnyboys were young, charismatic, troubled and so alive. Their first record is some of the most exciting guitar music from 1981 or any other year for that matter. It came with a bunch of bonus tracks but who needs em with an LP this fanfuckintastic?!

Axemen - Derry Legend
The Axemen reissue program continues. After their 1986 mangled pop masterpiece Three Virgins came the follow up Derry Legend which has been long out print. This LP has gained (Derry) legendary status in my brain. Derry Legend is The Spotlight Kid to Three Virgins Trout Mask Replica if you get my drift ie. it's a more accessible pop version of the band yet still retaining all their strange awesomeness. 80s NZ rock doesn't get much better than this.

Andrzej Korzynski - Man Of Marble OST
Groovy soundtrack from Poland 1977. A psych synth disco classic. Soo good....Finders Keepers have done it again!

Boards Of Canada - Hi Scores
Two years before Boards Of Canada released their magnum opus Music Has The Right To Children came the Hi Scores EP which is similarly awesome idylltronica.

Caustic Window - Caustic Window
Strangely unreleased but excellent LP from Richard James aka Aphex Twin from his golden era 1994. Why on earth did this get shelved? A timely reminder of where all your favourite electronica (remember that 90s term?) comes from.

Peter Jefferies - Electricty
He of classic underground 80s NZ group This Kind Of Punishment and Bruce Russell's right hand man at Xpressway Records. He's so idiosyncratic only Peter Jefferies sounds like Peter Jefferies and the world's a better (If slightly darker) place for it.

Severed Heads - Since The Accident
A key LP from Sydney's early 80s experimental scene. Still pretty much ignored here in their home country to this day. Wake up Australia!

Susan Justin - Forbidden World OST
The cultiest synth soundtrack of them all. Issued for the first time since Web Records released it in 1982! A one off unique blend of electronics, pop and soundtrack motifs. Death Waltz continue their roll.

Chuck Cirino - Chopping Mall OST
More cult Carpenter-esque synth soundtrack gold from the 80s. Waxwork Records is all about quality not quantity.

John Harrison - Creepshow OST
I finally got a copy of Creepshow after like it's 5th or 6th reissue. More 80s psycho synth sounds from 1982.

Ralph Jones - Slumber Party Massacre OST
Possibly the best of the post Carpenter cult Horror synth scores from 1982.

Tim Krog - Boogey Man OST
Now this one was rare until now. A much coveted 1980 horror synth score from Tim Krog, a UCLA film composing graduate. Horrortastic!

Bruno Nicolai - All The Colours Of The Dark OST
Italian Giallo score from the great Bruno Nicolai. Nicolai was a frequent collaborator with Ennio Morricone. It doesn't get much better than this for spooky Italian 70s soundtracks.

Bruno Nicolai - The Case Of The Bloody Iris OST
This is from 1972 as well (see above) and it's another slice of Italian horror soundtrack weirdness. Haunted yet bizarrely jaunty at the same time.

Hungry Man - Keyboard
More crazy keyboard action from West Africa in the late 70s. If you thought William Onyeabor was the last word in spazz synth psych afro funk you were wrong. Some of the best sounds ever squeezed out of a synth and put to tape. Is there more of this shit yet to be discovered? I hope so.

Various - The Sound Of Siam 2
A splendid second serving of Luk Thung & Molam tunes from Thailand. This time from 1970 through to 1982. Incredibly distinguished, beautiful and laconically groovy.

Heldon - II: Allez Teia
More tripped out 70s space frog prog from Richard Pinhas and co.

Pye Corner Audio - Black Mill Tapes
4 albums worth of horrorological atmospheres and old eerie synthesiser goodness. Perfect to while away wintry afternoons.

John McCallum - Surf Nazis Must Die OST
Classic 80s drum sounds, synths in overdrive and anthemic guitars. There's even a wayward noisy sax at one point. It even becomes poignant and a little melancholy at certain stages. Surely this is where Mark McGuire got all his ideas from.

Various - Suburban Base Records: The History Of Hardcore, Jungle, Drum & Bass 91-97
Hardcore you know the score and if you don't check out this compilation from one of the best labels of the era.

*Other Years
2013
2012
2011

Caustic Window

From the new 'old' Caustic Window LP ie. it's from 94 and never got released. Makes you remember where a lot of your favourite music came from, doesn't it? Aphex Twin aka Richard D James aka Caustic Window had a great patch of, well, most of the 90s when he could do no wrong. This puts him back into historical perspective. Also Caustic Window is a great now album.

Fingertips.

Now this is a weird one it could have been made 5 years earlier (back then) with it's acid squelches and lovely piano riff but he puts this strange feeling over the top of it. Which gives the tune, that usually would have been upbeat, a melancholy vibe. Years ahead of Ratchet's 'downer euphoria' or Hauntological's uncanny zones. Can't finish post dog annoying me....

Oh Happy Day!

This turned up in the post today just after I'd been to the dentist and had a filling. It feels like I've been waiting for over a year for this to come out. Was Fisher trying to recreate old skool anticipation of pop culture with its delayed release? Can't wait to read this. Mark Fisher as K-Punk was one of the original music bloggers alongside Woebot, Gutterbreakz and Blissblog. I think out of all the Zero Books I've read this one has the most pages at a whopping 232!

Then I discovered this! Only been waiting 20 years. Aphex Twin's alter ego Caustic Window finally has this LP available to the public. I'm sure this was reviewed in Melody Maker in 93 or 94, but it never got released. It has since gained mythical status. Anyway here it is and man it sounds bloody good so far. I'm in the 90s now.