Australia Day Melbourne Special

Total Control are a current Melbourne supergroup. You Know people from 'The Melbourne Bambino Music Mafia' This one is so much good, it was in my best choonz of 2014. Rock's not fully dead yet!

This tune was from Ooga Boogas excellent LP from 2013 Ooga Boogas. Guitarist Mikey Young is in the above Total Control rock group as well as the Eddy Current Suppression Ring rock band. Leon Stackpole singer, guitarist and keyboardist is an enigmatic man walking the earth and bringin back his casually odd tales for you to enjoy with an incredible backing band of course.

Now this is a Melbourne (Is there a Geelong connection? I don't know. Danno why don't you let us know?) smash from 1987. I think the members of God were all teens at the time of this recording. They did an LP too but nothing can compare to the teenage kicks of My Pal. I cannot believe how fucking good this song is to this day! That intro, that riff, that singing man, those words, this song. Similar themes to the previous Sunnyboys tune I posted but this friend doesn't even like him. Members went on to be in bands Hoss, Powder Monkeys, Tendrils, Philistines, Bored and more. My Pal would always be the best thing they would ever be involved with despite how talented they were/are or aren't. Two of the members of God have now passed away both, I think, of heroin overdoses in the early 2000s. The Melbourne rock scene loved their heroin, hello Birthday Party. RIP Tim Hemensley & Sean Greenway. 

The title tune from Dave Graney's awesome solo cd, Knock Yourself Out, from 2009 is so great. So Dave tells us how fucking great his songs are and how great he is in true boxing/hip-hop narcissistic boasting sylee and it's infectious as hell. Then there's that great bit where he sings in French, Belgian or Dutch I don't bloody know but i can't get enough of that bit. Knock Yourself Out makes you wanna get out all the great tunes of his that he mentions during the song like There He Goes With His Eye Out, Night Of The Wolverine, I Got Dimensions etc. The video kind of fades out though when there's still like 2 minutes of the track left which is a shame. You gotta see the film clip though coz it's so Melbourne hipster it's hilarious. Then there's Mr Graney the one and only charismatic star who, as the rap kids say now, 'is in his own lane'. What's this look he's got goin? Some kind of double leather or hang on is it triple because of the hat? Wait are his shoes leather too?, if so that'd be quadruple leather. That would be Avant-garde couture almost would it not? Jesus I was just getting used to double denim as a concept. It's a bit Melle Mel meets Lou Reed 70s heroin chic in a Belgian sailor's bar. The full version of this tune is below because it's such a great song. You should also check out the entire album as it's a peak in his incredible career. Possibly his finest.

Phew that's it for Australia Day now. Jesus there were some odd selections there, huh? Strange. Well what did you expect? Did I post any Church? I've been listening to them all day anyway........ so....oh well next time.

Oh...... here's the full version of the tune Knock Yourself Out. Dunno 'bout the video.

Controversy

Created a bit of discussion over at Mess&Noise with my thoughts on the new Total Control album. Someone called me Space Dickhead which I liked, might even change my name to that. Big ups to Anok, checkers, MelonHCST, Seahunt, __v & amazinglyblended.

You can check out my love here for Mikey and his cohorts Ooga Boogas, here as well!

I'm not sure what the Mess&Noise meant by linking that Tinashe remix, by Drake, in the forum though (If it was sarcasm it didn't come across. They're a bunch of writers though surely they understand that sarcasm doesn't work in written text) As much as Drake might come off as a winging rich arsehole in his music (which I'm not even sure I really like) he does have some sense of the now and not just the resigned retro now. His tune Marvin's Room/Buried Alive is undeniably a milestone in rap culture whether you like it or not. My point on that post was how pointless are remixes (well 99.9% of them)? Having said that I love the original version of 2 On by Tinashe, that's a 2014 killa.

Random thoughts: What the fuck is the difference between trap and ratchet? Do I need to know? Should I care? C'mon all you micro-genre nerds what's lowdown?

Total Control - Typical System

I'd already decided to review this LP before I'd heard it. I liked their previous record Henge Beat from 2011. I guess they are a side project band but I can't tell these days what the main bands are for these people and what the side projects are. So I guess you have to take them all on their own merits. Hey I'm a fan of Eddy Current Suppression Ring, Ooga Boogas and UV Race some of whose members are in Total Control. I wasn't however expecting to be so disappointed by this record. Sure Total Control show they have fabulous taste in punk/post-punk/synth music but is that enough at this stage of the game/epoch.

It all kicks off with Glass a Suicide/Numan/Foxx pastiche. Then Expensive Dog which is just like a Wire song. Flesh War is better like a new romantic Eddy Current tune. A chorus you're not expecting turns up and you're in pop heaven for a moment and the previous two tracks are forgotten. The guitars and synth intermingle perfectly. In fact you can't help thinking why didn't they go over the top with the production on this one to give it a chance at being a top 10 hit in the pop charts! Systematic Fuck is next, in my notes it says systematically fucking boring, huh? Liberal Party starts off promising with synths, drum machines, maybe a sax and an insidious guitar line. Then you're thinking well this could have been made in 1981 by The Makers Of The Dead Travel Fast. Nothing modern, now or futuristic is happening here or anywhere else on the record. There is no attempt to use the attitude/manifesto's that caused their influences to create such visionary work. Total Control are content to reproduce the sounds of trailblazers but not attempt anything revolutionary/innovative themselves, not even really attempt to extend on their heroes ideas. Are they/we just resigned to repeating the past future over and over. Nietzsche has been mentioned as an influence on this record but that feels like a cop out and a little too convenient doncha think?.

Two Less Jacks is a bit like er.....Gang Of Four. Black Spring is a bit more organic. It's a trippy psych gem (If you're in need of another one of those that's up to you I guess). I'm trying not to say Black Cab or Spaceman 3 but I just did. The Ferryman follows and it's synth noodling for 2 minutes & 42 seconds that's not unpleasant. Hunter is weird electronic goodness that I wish Typical System had more of. The keyboards & guitar seem barely controlled. The vocals have a desperation and the sweet girl backing vocals add an unexpected juxtaposition. Safety Net is more Numan/Foxx/Human League in indieland schtick with Mikey Young's unmistakable guitar which gives the tune an odd vibe. But then I just can't help wishing it would turn into an Eddy Current Suppression Ring song with Brendan takin over the microphone with his fingerless gloves and the rest of the Eddy Current boys kickin out the jams in their unique style. Instead Safety Net just plods into inconsequence to end the record. Probably not really what the world needs now. Flesh War & Hunter are the standout tunes and I really wanted to love the rest of the record as much as those tracks but....

Bambino Melbourne Music Mafia

I was gonna go on an all Aussie trip with the bassists and there did seem to be a particular Australian style but the youtube's  annoying me. Maybe another time. Sorry Grant McLennen, Chris Walsh, Ian Rilen, Mark Lock, Mark Ferrie & Brian Hooper.  Geez how's that for a list. They will all eventually be members entered into my Aussie bassplayer phonebox of fame

A few years ago now I don't remember the exact year (2008?) but it seemed like Melbourne rock was really goin' great guns with top records by Beaches, Eddy Current, Ooga Boogas, Witch Hats, The Drones, Fabulous Diamonds all in the same year. Not forgetting the old garde Mr Cave & Mr Graney as well, who delivered the goods too. It seemed like it was gonna go through the roof in the following years but it didn't. Anyway no need to dwell on such ideas. Looking forward to new records from Ooga Boogas and Beaches if they still exist
.

Anyway it seems like there is a bambino Melbourne music mafia now. Twerps, Toatal Conrol, Eddy Current, Dick Diver, UV Race etc. You know they're all playing on one anothers records or producing them. Like the old Melbourne Music Mafia. The bambini have their own scene/quasi sylee/monopoly of cool/uncool now. Anyway I'm also even enjoying a Lost Animal track at the moment. The UV Race have become my favourite post Eddy Current Suppression Ring Band and I mean that as a compliment. Maybe the Melbourne scene will eventually go bananas like the old days, I hope so there seems to be some great talent about. The Bambini Rock (well some of em do).

The UV Race of the Bambino Melbourne music mafia with country connections.