Controversy

Created a bit of discussion over at Mess&Noise with my thoughts on the new Total Control album. Someone called me Space Dickhead which I liked, might even change my name to that. Big ups to Anok, checkers, MelonHCST, Seahunt, __v & amazinglyblended.

You can check out my love here for Mikey and his cohorts Ooga Boogas, here as well!

I'm not sure what the Mess&Noise meant by linking that Tinashe remix, by Drake, in the forum though (If it was sarcasm it didn't come across. They're a bunch of writers though surely they understand that sarcasm doesn't work in written text) As much as Drake might come off as a winging rich arsehole in his music (which I'm not even sure I really like) he does have some sense of the now and not just the resigned retro now. His tune Marvin's Room/Buried Alive is undeniably a milestone in rap culture whether you like it or not. My point on that post was how pointless are remixes (well 99.9% of them)? Having said that I love the original version of 2 On by Tinashe, that's a 2014 killa.

Random thoughts: What the fuck is the difference between trap and ratchet? Do I need to know? Should I care? C'mon all you micro-genre nerds what's lowdown?

2 On -Tinashe, Drake & Other Remixes.

This is pretty much a Drake version of 2 On and it's pretty good but not really bettering the original. After the first minute of Tinashe's original he takes it over and makes it his own for the rest of the tune.

Then there's this which is pretty odd but this stays Tinashe's track. Although the whole vibe of the tune is moved to somewhere else not as compelling. The rap ain't anywhere near as good as the original Schoolboy Q cameo though. What was Vado thinking? How on earth was he gonna top one of the great rap cameos of all time? He shouldn't have even bothered. I imagine Schoolboy Q being not too threatened by its lameness. I love that string loop thing though, nice. Remixes: What were they for again?

The Original and Best Version. 2014 Classic!