Australia Day Melbourne Special

Total Control are a current Melbourne supergroup. You Know people from 'The Melbourne Bambino Music Mafia' This one is so much good, it was in my best choonz of 2014. Rock's not fully dead yet!

This tune was from Ooga Boogas excellent LP from 2013 Ooga Boogas. Guitarist Mikey Young is in the above Total Control rock group as well as the Eddy Current Suppression Ring rock band. Leon Stackpole singer, guitarist and keyboardist is an enigmatic man walking the earth and bringin back his casually odd tales for you to enjoy with an incredible backing band of course.

Now this is a Melbourne (Is there a Geelong connection? I don't know. Danno why don't you let us know?) smash from 1987. I think the members of God were all teens at the time of this recording. They did an LP too but nothing can compare to the teenage kicks of My Pal. I cannot believe how fucking good this song is to this day! That intro, that riff, that singing man, those words, this song. Similar themes to the previous Sunnyboys tune I posted but this friend doesn't even like him. Members went on to be in bands Hoss, Powder Monkeys, Tendrils, Philistines, Bored and more. My Pal would always be the best thing they would ever be involved with despite how talented they were/are or aren't. Two of the members of God have now passed away both, I think, of heroin overdoses in the early 2000s. The Melbourne rock scene loved their heroin, hello Birthday Party. RIP Tim Hemensley & Sean Greenway. 

The title tune from Dave Graney's awesome solo cd, Knock Yourself Out, from 2009 is so great. So Dave tells us how fucking great his songs are and how great he is in true boxing/hip-hop narcissistic boasting sylee and it's infectious as hell. Then there's that great bit where he sings in French, Belgian or Dutch I don't bloody know but i can't get enough of that bit. Knock Yourself Out makes you wanna get out all the great tunes of his that he mentions during the song like There He Goes With His Eye Out, Night Of The Wolverine, I Got Dimensions etc. The video kind of fades out though when there's still like 2 minutes of the track left which is a shame. You gotta see the film clip though coz it's so Melbourne hipster it's hilarious. Then there's Mr Graney the one and only charismatic star who, as the rap kids say now, 'is in his own lane'. What's this look he's got goin? Some kind of double leather or hang on is it triple because of the hat? Wait are his shoes leather too?, if so that'd be quadruple leather. That would be Avant-garde couture almost would it not? Jesus I was just getting used to double denim as a concept. It's a bit Melle Mel meets Lou Reed 70s heroin chic in a Belgian sailor's bar. The full version of this tune is below because it's such a great song. You should also check out the entire album as it's a peak in his incredible career. Possibly his finest.

Phew that's it for Australia Day now. Jesus there were some odd selections there, huh? Strange. Well what did you expect? Did I post any Church? I've been listening to them all day anyway........ so....oh well next time.

Oh...... here's the full version of the tune Knock Yourself Out. Dunno 'bout the video.

Controversy

Created a bit of discussion over at Mess&Noise with my thoughts on the new Total Control album. Someone called me Space Dickhead which I liked, might even change my name to that. Big ups to Anok, checkers, MelonHCST, Seahunt, __v & amazinglyblended.

You can check out my love here for Mikey and his cohorts Ooga Boogas, here as well!

I'm not sure what the Mess&Noise meant by linking that Tinashe remix, by Drake, in the forum though (If it was sarcasm it didn't come across. They're a bunch of writers though surely they understand that sarcasm doesn't work in written text) As much as Drake might come off as a winging rich arsehole in his music (which I'm not even sure I really like) he does have some sense of the now and not just the resigned retro now. His tune Marvin's Room/Buried Alive is undeniably a milestone in rap culture whether you like it or not. My point on that post was how pointless are remixes (well 99.9% of them)? Having said that I love the original version of 2 On by Tinashe, that's a 2014 killa.

Random thoughts: What the fuck is the difference between trap and ratchet? Do I need to know? Should I care? C'mon all you micro-genre nerds what's lowdown?

Total Control - Typical System

I'd already decided to review this LP before I'd heard it. I liked their previous record Henge Beat from 2011. I guess they are a side project band but I can't tell these days what the main bands are for these people and what the side projects are. So I guess you have to take them all on their own merits. Hey I'm a fan of Eddy Current Suppression Ring, Ooga Boogas and UV Race some of whose members are in Total Control. I wasn't however expecting to be so disappointed by this record. Sure Total Control show they have fabulous taste in punk/post-punk/synth music but is that enough at this stage of the game/epoch.

It all kicks off with Glass a Suicide/Numan/Foxx pastiche. Then Expensive Dog which is just like a Wire song. Flesh War is better like a new romantic Eddy Current tune. A chorus you're not expecting turns up and you're in pop heaven for a moment and the previous two tracks are forgotten. The guitars and synth intermingle perfectly. In fact you can't help thinking why didn't they go over the top with the production on this one to give it a chance at being a top 10 hit in the pop charts! Systematic Fuck is next, in my notes it says systematically fucking boring, huh? Liberal Party starts off promising with synths, drum machines, maybe a sax and an insidious guitar line. Then you're thinking well this could have been made in 1981 by The Makers Of The Dead Travel Fast. Nothing modern, now or futuristic is happening here or anywhere else on the record. There is no attempt to use the attitude/manifesto's that caused their influences to create such visionary work. Total Control are content to reproduce the sounds of trailblazers but not attempt anything revolutionary/innovative themselves, not even really attempt to extend on their heroes ideas. Are they/we just resigned to repeating the past future over and over. Nietzsche has been mentioned as an influence on this record but that feels like a cop out and a little too convenient doncha think?.

Two Less Jacks is a bit like er.....Gang Of Four. Black Spring is a bit more organic. It's a trippy psych gem (If you're in need of another one of those that's up to you I guess). I'm trying not to say Black Cab or Spaceman 3 but I just did. The Ferryman follows and it's synth noodling for 2 minutes & 42 seconds that's not unpleasant. Hunter is weird electronic goodness that I wish Typical System had more of. The keyboards & guitar seem barely controlled. The vocals have a desperation and the sweet girl backing vocals add an unexpected juxtaposition. Safety Net is more Numan/Foxx/Human League in indieland schtick with Mikey Young's unmistakable guitar which gives the tune an odd vibe. But then I just can't help wishing it would turn into an Eddy Current Suppression Ring song with Brendan takin over the microphone with his fingerless gloves and the rest of the Eddy Current boys kickin out the jams in their unique style. Instead Safety Net just plods into inconsequence to end the record. Probably not really what the world needs now. Flesh War & Hunter are the standout tunes and I really wanted to love the rest of the record as much as those tracks but....

Ooga Boogas - Ooga Boogas

I was gonna write a review of Ooga Boogas by Ooga Boogas. But who cares about reviews anymore especially when they're writen about rock albums right? How passe!

Circle Of Trust starts off the LP in an uncharacteristically Wire-esque fashion but the drummer in Wire was never this fuckin good. This is the best Melbourne rhythm section since The Birthday Party and you know what they're probably better! Who cares right? rock is dead.

Archie & Me is next and well it's kinda close to my heart with lyrics like "We'll be pretty sore by the time we hit Red Cliffs. So we'll get Big Lizzie rollin again." Mentions of red sunsets and swaggys. Then there's "When we get downtime, When we get downsized, When we get out." Having lived just outside Red Cliffs as a child and planning a move back to the Sunraysia area I was shocked to hear those words. It was like did they just say what I think they said? Fuck yeah they know where its at. This song was speaking directly to me and urging me to use it as a manifesto or at least a theme tune for the big move from the big smoke, that doesn't want us, to the land of red sunsets where property prices aren't so offensive. I know this song is a fantasy and a pretty silly one at that but for me and the Mrs it's where we hang our hat, song or no song.

That drummer is fuckin cookin. This is real rock drumming like fuckin better than John Bonham. How does he get that sound like like he's a caveman bangin on the earth the most primordial beat ever. This beat is cavernous, it's gigantic. You gotta turn this right up and let your inner caveman/cavewoman out. And I've just realised they're called Ooga Boogas a very unPC nod to old ideas and visions native primitives. The funny thing is at the same time Ooga Boogas personify the urbane, the suburban, the hipster, the loser and the castrated.

FYI's next and this is some swingin noirish urban tale from the underworld with talk of coming back to the real world. Then Leon goes into this "fa fa fa for your information.." in a mock cockney tone and why wouldn't he? It's another nod to Wire but at the same time so Australian considering the cadence of the previous line.

Oogie Boogie is precisely what it purports to be. It's a fucking glam stomp with beats like axes to heads and filthy guitar licks that are loose and taut at the same time.

Mind Reader is a tale of male/female relationships and Stackpole is bringin the comedy in a voice occasionally reminiscent of Rob Forster of The GoBetweens. It's an urban, male & Australian voice and it concerns his condition. He's pissin off his woman obviously but he's not willing to see the clear as day reasons for this and snaps arguing back defensively "I can't read your fucking mind!" But this was a song about ice-creams right? That's what you thought!

It's a sign is a giddy love song about when everything's going good and you're happy and you're lovin it and you're proud you're not fucking up and your confidence is breakin through and it's about sex and your Mrs actually liking you and she's not puttin her knickers back on for a while and it's halcyon days and it's salad days and it's days of wine and fucking roses!

Sex In The Chill Zone is a creepy strut through what could be a dream or some kind of suburban spa party or just maybe being drug fucked and fucked at the same time. It's so damn hazy it's unclear.

Studio Of My Mind....and we're in Chrome territory or is it like a tribute to Whirlyworld or Primitive Calculators. I'm put in a very Melbourne soundworld but it could be San Francisco or Sheffield in 1979 or Iggy in Berlin. Then I'm thinkin this is definitely a nod to Ollie Olsen and a tune he did with NO, a forgotten late 80s Melbourne electronic rock band. They had a song about feeling "like a walking TV camera." Parallelling this tunes depersonalisation experience of being "locked in the studio of my mind." It's cold, scary and disturbing.

Ecstasy.... and then there's a country twang and your thinkin its The Captain by Kasey Chambers. Then you think that's fucked up having Chrome and Chambers conjured in your mind within the same minute on the same record and in this same sentence. The tune continues on with its strung out Sticky Fingers. It's a love song or a lament, probably for the drug and you're feeling the waste which is palpable in Stackpole's voice.

A Night To Remember....and it's a relief, it's good times. It's dancing into the void and spitting in the face of of it all with a laugh and a smile. The joy is put back into the meaninglessness and... it's a rock record!

Ooga Boogas

At A Nice Price!

If like me you've been unable to track down Ooga Boogas self-titled LP from earlier this year no need to fear here it is in digital format at bandcamp. Along with the aforementioned LP you also get their first record Romance & Adventure from 2008 plus the As & Bs of their 2 7's all for the low price of $5. Do yourself a favour. The Ooga Boogas LP introduces keyboards and some very funky (I guess they always had a good sense of rhythm) elements to their sound. You gotta love an album that mentions Big Lizzie. Not only that they have dreams of getting Big Lizzie rolling again on the tune Archie & Me. 

*More here on Big Lizzie

Beaches, Ooga Boogas...

Nothing much has been happening in 2013 and then all of a sudden there's an avalanche of releases. The new record She Beats from Beaches, the best live band in Melbourne, has been released today on Chapter Music. 3 guitarists no less. Hope they've captured their onstage magic in the studio on this their 2nd platter.

Then there's Ooga Boogas who I believe are a bunch of old Melbourne creeps. Don't let that cover fool you. Their Scuzzy debut Romance & Adventure from 2008 would be my favourite Australian rock record of The 21st century.

Both of these bands have not released new LPs since 2008 and both of those records were in my top 5 of that year. So here's hoping these are the shit! Is 2013 gonna happen after all? We'll see.

Bambino Melbourne Music Mafia

I was gonna go on an all Aussie trip with the bassists and there did seem to be a particular Australian style but the youtube's  annoying me. Maybe another time. Sorry Grant McLennen, Chris Walsh, Ian Rilen, Mark Lock, Mark Ferrie & Brian Hooper.  Geez how's that for a list. They will all eventually be members entered into my Aussie bassplayer phonebox of fame

A few years ago now I don't remember the exact year (2008?) but it seemed like Melbourne rock was really goin' great guns with top records by Beaches, Eddy Current, Ooga Boogas, Witch Hats, The Drones, Fabulous Diamonds all in the same year. Not forgetting the old garde Mr Cave & Mr Graney as well, who delivered the goods too. It seemed like it was gonna go through the roof in the following years but it didn't. Anyway no need to dwell on such ideas. Looking forward to new records from Ooga Boogas and Beaches if they still exist
.

Anyway it seems like there is a bambino Melbourne music mafia now. Twerps, Toatal Conrol, Eddy Current, Dick Diver, UV Race etc. You know they're all playing on one anothers records or producing them. Like the old Melbourne Music Mafia. The bambini have their own scene/quasi sylee/monopoly of cool/uncool now. Anyway I'm also even enjoying a Lost Animal track at the moment. The UV Race have become my favourite post Eddy Current Suppression Ring Band and I mean that as a compliment. Maybe the Melbourne scene will eventually go bananas like the old days, I hope so there seems to be some great talent about. The Bambini Rock (well some of em do).

The UV Race of the Bambino Melbourne music mafia with country connections.