I know I use the youtubes a little bit too much. Growing up as a kid in Australia though it has always been a dream (along with thousands of others I suspect) to one day programme Rage. Rage is an all night Music show on the ABC on Friday and Saturday nights. On Saturday night they have a guest programmer for the first 3 or 4 hours. Name any Australian band/artist or any international touring artist and chances are they've probably been a guest. The most memorable for me being Steve Kilbey in like 1992, Johnathon Donahue in the the late 90s, Michael Hutchence had a go and more recently filmmaker Richard Lowenstein was a fabulous guest. I've missed hundreds and probably some of them were probably my favourite bands/artists. Anyway I'm just playing Rage fantasy guest host a lot of the time.
*NOTE: Probably best not to play The Birthday Party's Nick The Stripper or Love Will Tear Us Apart by Joy Division as they get played every week. There's probably plenty of guest bits up on Youtube.
I've never been a completist. The Pixies and early 90's Mercury Rev were probably my most complete collections. I collected all the singles and extra bits of Mercury Rev's first few years but then they released a rarities record Lego My Ego. So what was the point if they were just gonna show up neatly collected at a later date anyway. The Pixies LPs plus the B Sides collection (what was the point of collecting all those 12"s) is all you need innit? You could maybe chuck in a live record but do you really need it? So I still don't have The Purple Tape but one day I'll see it and go great and get it and go I can't believe I never had this.......So what I'm saying is I don't mind having holes in my record collection, in fact I'm kinda proud of it. It's probably healthy too.......you know less obsessive. Has anyone ever listened to that triple CD set of Nick Cave & The Bad Seeds' b sides and rarities in its entirety? I actually pulled out of a purchase of that one, put it back on the shelf. The Smiths are probs my favourite British group ever but I don't have the complete discography. At the moment I don't own a copy of Meat Is Murder. I had it once but I never thought it was any good. Was it poorly produced? Bad songs?.......can't really remember. Anyway since it disappeared (several robberies, ex girlfriends, friends, sharefucking houses-take your pick) many years ago I haven't bothered to get it again. Maybe I should get it...........
Anyway the reason I'm bangin' on about this is because I bought Pulp's Separations this week and I'd never heard it in full ever before. Now Pulp were probably my favourite British pop band of the 90s and I'd had all their 90s records one way or another but never this one. Had the CD of His n Hers, had a taped off a friend copy of Different Class on tape, an ex had Intro, had a VHS of The Park Is Mine, I burnt a copy of We Love Life from the library blah blah blah.............Anyway Separations is fabulous, can't believe I never had it for all these years. This is the record where it all started to gel. You could still hear hints of Gainsbourg, Ferry, Walker and Cohen but with added disco and sexy monologues a la Hayes/White. This is where Pulp become Pulp. On their following records you wouldn't spot an influence-it was just Pulp. It's hearing the moment of a band coming together and hitting on something great. So thanks to Owen Hatherley who wrote the previously mentioned (on this blog) Uncommon. This fantastic book has sent me on this path. Uncommon is about the records of Pulp and the world contained therein. Not a tedious biography interviewing Jarvis' next door neighbour from when he was in Infants 3 (er.....that's grade 3. The Mrs is Welsh) or Russell Senior's mum's best friend before he was born etc.......
