Hawkwind/Rave...it's all connected right?



What can I say?

Stumbled upon this last night on the Youtubes  Hawkwind doco ! Dodgy old VHS tape made it even better I reckon. Heaps of stuff I didn't know, pretty bloody good. What a trip they had- Drugs, guns, grenades, naked dancers, roller skates, mental illness, links with terrorism, a million ex members, regular sackings, sabotaging their own career and everything else in between. Didn't one of the Chrome guys join them once?, there was no mention of that. Just to mention everyone who went through the band would have taken up half the film. Who knew Samantha Fox guested with them once?! Ofcourse it made me dig out some Ye Olde Hawkwind to put on my ipod. How has Lemmy, who was in good spirits in the film, not got lung cancer? He's chain smoking in every interview I've ever seen him do. I guess he's up there with Keef in that regard. They're so hard. Apart from my Roxy Music fest I've also been diggin' this mixtape Slave To The Rave from Woebot. Which is an old school Rave mix and it's awesome. I missed this one a while back so it was a good find. Good gear up there with his others Brick Door Mix, Ambient Jungle Mix and Dr Wo Mix. Check Woebot at Soundcloud for these. I guess I got to that from listening to some New Skool Rave or is that nu skool rave or is it new old skool? I'm confused! ie. Skrillex's Bangarang EP, which has got some great stuff on there, almost as good as that Rustie LP from last year (midlife crisis or just awesome bangin' tunes?). I couldn't care less if this is cool or whatever. I like it! I guess I got to that by listening to this other Old Skool Mix 91 from Dara-blog to the old skool, this could be the best old school mix I've ever heard, (er..google that one) which is a fuckn' mental mix of Rave Trax from well 1991. I think the times we are in now culturally are perhaps akin the the Australian Aborigine concept of time, which if memory serves translates to something like 'everything is happening now.' IE. past, present and future are all happening at once! (feel free to let me know if I have that wrong)



This sounds awesome
on my ipod



Slave To The Rave
Woebot Mix





Roxy Music

Any reason to mention Roxy Music is a good reason. Their debut LP is 40 years old. Here's a recent article over at The Guardian by Simon Reynolds. I don't think I can add anything really that I haven't already. I like that Eno supports what I said about that first record being insane. Phil Manzanera supports this view as well saying "The whole of that first album sounds so weird. It's such a mish-mash of stuff."

The Bob
from Roxy Music

err....how could I resist?!

Vic Reeves & Co doing Virginia Plain!

but they blew my mind

wow!

from For Your Pleasure

Later Greatness!

Same Old Scene

Stereolab

Just been gettin reacquainted with Stereolab quite obsessively. At the moment the period of 1992 - 1996. What a run they had going. Space Age Bachelor Pad music, Refried Ectoplasm, Transient Random Noise Bursts With Announcements, Mars Audiac Quintet, Emperor Tomato Ketchup etc. Nothing to say that hasn't already been said by the groop themselves really. John Cage Bubblegum, French Disko, Nihilist Assault Group,Tomorrow is Already Here, Metronomic Underground, Avant Garde MOR, Analogue Rock, Tone Burst, Exploding Head Movie, International Colouring Contest, Farfisa etc. They made reviewers redundant. Pop perfection. I wasn't sure I would still dig. Me dig! Me dig more than ever, I do believe!

The long version of this still astounds me to this day 18
years or so later. A Mind blowing Peak!

It all started withe the reading of that Pulp book by Owen Hatherley. I went back to The Smiths, Sex Pistols, Roxy Music (first 3 LPs) and then onto at one time contemporaries to Pulp- Stereolab. In the early 90s they were using a similar sonic palette and funny archaic instruments which Pulp started to use less of later in the 90s which was kind of a shame. I mean they were still good and all but imagine if they'd gone more arcane and retro futuristic. Moot point really just a thought to entertain you know how it is? When I first heard, well I saw their video clip on Rage, Stereolab I thought man they Sound a bit like NZs Snapper who I knew were into Suicide, maybe Neu and The Velvets obviously but I thought that maybe for Stereolab they may have been inadvertent influences, know what I mean. I guess heaps of groups had that whole Velvets/Stooges/Roxy/ Kraut/Hawkwind/Suicide axis of influences at the time. Anyway they were much more than that. That was just one facet of a multifaceted band. I love that artwork too, the only others in the league of artwork being the equally fab Broadcast and the Ghostbox label. I think they are all in someway connected anyway, the Ghostbox guys were originally cover designers I'm pretty sure. It's been a surprise rediscovery.

RE: Being ruthless



I dig UV Race

 I was thinking about that former post where I asked about The Flying Lotus album and whether I'd missed anything. I don't really have any anxiety there. There are hundreds of top records out there. I can't listen to all of them. So it doesn't really bother me when I get rid of something or don't give something much of a chance. Maybe if someone exposes me to that Dick Diver record more, I might come around but I can't see any reason to seek out another listen of my own free will.



It's what makes you go back to something that interests me. Like why do you do it. Records I don't understand when I first hear them is a pretty strong reason for a repeated listen like when I first heard Slint, Thinking Fellers Union Local 282,  Mars, New Kingdom, Sly Stone's There's A Riot Going On, early Roxy Music, Chrome, The Fire Engines, This Heat's Deceit, The Axemen or Royal Trux's Twin Infinitives. Had to keep playing them, to in some way try and figure out what was going on or what was making it interesting even if it was just plain bafflement. But when I got it  fuck I really dug it. Then there are some things that are more immediate that you're just gonna dig no matter what, like when I first heard Kraftwerk, The Fall, Prince, Neu, The Clean, The Pixies, MBV and Boards of Canada. I love these bands just as much today as the above bands.

This is a mental LP.

Wholesome family fun by a couple
of lovely boys.

I don't really care to analyse why I reject things. Usually they're just shit or I've heard it all before. Some things just seem gross or wrong. Sometimes it's just not my bag alhough I have e very open mind when it comes to music. Don't get me wrong I like cheap and nasty as much as drug fueled over budget/production.

God I don't really get this and I've been a fan of James Ferraro for many years now and pretty much enjoyed everything I've been able to hear of his, which is over 30 releases (I think there maybe twice as many I haven't tracked down) This new release however under the name of Bodyguard I can't seem to grapple with. I don't really get it but I'm not sure I want to listen to it for the 4th time. I must say he's had a bloody great run over the last 6 or 7 years so one disappointing record is hardly going to ruin his reputation with me. Will I give it another spin or is life too short?

best song ever

The best song ever

Roxy Music

Virginia Plain