Just been gettin reacquainted with Stereolab quite obsessively. At the moment the period of 1992 - 1996. What a run they had going. Space Age Bachelor Pad music, Refried Ectoplasm, Transient Random Noise Bursts With Announcements, Mars Audiac Quintet, Emperor Tomato Ketchup etc. Nothing to say that hasn't already been said by the groop themselves really. John Cage Bubblegum, French Disko, Nihilist Assault Group,Tomorrow is Already Here, Metronomic Underground, Avant Garde MOR, Analogue Rock, Tone Burst, Exploding Head Movie, International Colouring Contest, Farfisa etc. They made reviewers redundant. Pop perfection. I wasn't sure I would still dig. Me dig! Me dig more than ever, I do believe!
The long version of this still astounds me to this day 18
years or so later. A Mind blowing Peak!
It all started withe the reading of that Pulp book by Owen Hatherley. I went back to The Smiths, Sex Pistols, Roxy Music (first 3 LPs) and then onto at one time contemporaries to Pulp- Stereolab. In the early 90s they were using a similar sonic palette and funny archaic instruments which Pulp started to use less of later in the 90s which was kind of a shame. I mean they were still good and all but imagine if they'd gone more arcane and retro futuristic. Moot point really just a thought to entertain you know how it is? When I first heard, well I saw their video clip on Rage, Stereolab I thought man they Sound a bit like NZs Snapper who I knew were into Suicide, maybe Neu and The Velvets obviously but I thought that maybe for Stereolab they may have been inadvertent influences, know what I mean. I guess heaps of groups had that whole Velvets/Stooges/Roxy/ Kraut/Hawkwind/Suicide axis of influences at the time. Anyway they were much more than that. That was just one facet of a multifaceted band. I love that artwork too, the only others in the league of artwork being the equally fab Broadcast and the Ghostbox label. I think they are all in someway connected anyway, the Ghostbox guys were originally cover designers I'm pretty sure. It's been a surprise rediscovery.
I've never been a completist. The Pixies and early 90's Mercury Rev were probably my most complete collections. I collected all the singles and extra bits of Mercury Rev's first few years but then they released a rarities record Lego My Ego. So what was the point if they were just gonna show up neatly collected at a later date anyway. The Pixies LPs plus the B Sides collection (what was the point of collecting all those 12"s) is all you need innit? You could maybe chuck in a live record but do you really need it? So I still don't have The Purple Tape but one day I'll see it and go great and get it and go I can't believe I never had this.......So what I'm saying is I don't mind having holes in my record collection, in fact I'm kinda proud of it. It's probably healthy too.......you know less obsessive. Has anyone ever listened to that triple CD set of Nick Cave & The Bad Seeds' b sides and rarities in its entirety? I actually pulled out of a purchase of that one, put it back on the shelf. The Smiths are probs my favourite British group ever but I don't have the complete discography. At the moment I don't own a copy of Meat Is Murder. I had it once but I never thought it was any good. Was it poorly produced? Bad songs?.......can't really remember. Anyway since it disappeared (several robberies, ex girlfriends, friends, sharefucking houses-take your pick) many years ago I haven't bothered to get it again. Maybe I should get it...........
Anyway the reason I'm bangin' on about this is because I bought Pulp's Separations this week and I'd never heard it in full ever before. Now Pulp were probably my favourite British pop band of the 90s and I'd had all their 90s records one way or another but never this one. Had the CD of His n Hers, had a taped off a friend copy of Different Class on tape, an ex had Intro, had a VHS of The Park Is Mine, I burnt a copy of We Love Life from the library blah blah blah.............Anyway Separations is fabulous, can't believe I never had it for all these years. This is the record where it all started to gel. You could still hear hints of Gainsbourg, Ferry, Walker and Cohen but with added disco and sexy monologues a la Hayes/White. This is where Pulp become Pulp. On their following records you wouldn't spot an influence-it was just Pulp. It's hearing the moment of a band coming together and hitting on something great. So thanks to Owen Hatherley who wrote the previously mentioned (on this blog) Uncommon. This fantastic book has sent me on this path. Uncommon is about the records of Pulp and the world contained therein. Not a tedious biography interviewing Jarvis' next door neighbour from when he was in Infants 3 (er.....that's grade 3. The Mrs is Welsh) or Russell Senior's mum's best friend before he was born etc.......
Currently reading two books, Greil Marcus's Mystery Train and Pauline Kael's I Lost it at the Movies. Greil's is what I expected and a little bit more. I always liked The Band's Up On Cripple Creek and King Harvest but I was still not convinced I would enjoy the whole of the 2nd LP. Marcus convinced me to reluctantly make the purchase and yeah OK it's pretty, pretty good. Whispering Pines lovely, I even like The Night They Drove Old Dixie Down now. Had to edit Rag Mama Rag off the I-pod though. I watched The Last Waltz several times in the last 10 years and went What?? This is supposed to be enjoyable?! Funnily enough at one stage he writes "Their music gave us a sure sense that the country was richer than we had guessed" Which I was gonna' write about The Band's music- that it was richer than I had guessed. Or had Marcus convinced me that it was. Anyway I'm not up to the Randy Newman Chapter yet. Elvis, Robert Johnson, Sly Stone and old R&B I've been big on for a long time so Marcus doesn't have to convince me of anything there but I can't see him converting me to Randy Newman. Newman to me at this moment is the type of guy I'd like to punch in the face. Can Marcus change my mind? Stay tuned.
A Zero that I read was Awkwardness by Adam Kotsko an American phd Knob. This was the most anticipated out of the 3, I guess because the subject matter is quite dear to me. It is an essay discussing obviously 'awkward' but in the context of TV and film comedy of recent times, The Office (British and US versions), Judd Apatow films (including 40 Year Old Virgin & Knocked Up) and my all time favourite US comedy Curb Your Enthusiasm. Underwhelming doesn't fully describe it. Kotsko tried some theories and arguments about awkwardness that me and the Mrs thought were so flimsy it didn't warrant publication. Words like lame and unnecessary, I think, are being kind. How the fuck did this non-entity get a phd. If this was an essay dished up to me I don't think I would have been able to pass it as it was was totally unconvincing. I should have known better, analysis of comedy has never been interesting or done well. Who needs it analysed. You either think something is funny or not. End of fuckin' story.
33 & a 3rds Greatest Hits Vol One edited by David Barker is another waiting in the wings. It's a collection of chapters from the 1st 20 books in the 33 & a 3rd series. I've always baulked at buying any of these individual books in this series. I thought if I read this it might recommend one of them to me. Entire books full of words about 1 LP is kinda the antithesis of my blog. I like one or two sentences to describe the sounds of a record and that's it. Anyway I read the chapter on Abba Gold by Elisabeth Vincentelli and fuck me it was like a sports statistician was given the job to do the Abba record or maybe a Librarian or some other kind of obsessive compulsive ie.tedieous. This does not bode well for the rest of the collection or books in the series.
