Showing posts with label Swans. Show all posts
Showing posts with label Swans. Show all posts

Tuesday 12 December 2017

Best 80s Albums

tactics

Yesterday on twitter somebody asked what was the best LP released between 1980 & 1989. I thought I won't do my obvious pick. So I did a little year by year list that didn't include Talking Heads, The Fall, The Birthday Party, Prince, The Church, The Triffids, The Smiths, Sonic Youth, My Bloody Valentine or The Pixies.

My pick in the end was My Houdini from Tactics but it could have been any of these or like a hundred others. Ever since I started this blog I've been meaning to write an article in praise of My Houdini. Maybe the time has come to finally put pen to paper about this undervalued post-punk/new wave classic.


1980- Out Of The Tunnel - MX-80 Sound



1981- My Houdini - Tactics




1982- Ice Cream For Crow - Captain Beefheart & The Magic Band



1983- Head Over Heels - Cocteau Twins



1984 - Let It Be - The Replacements



1985- At Home With You - X (The Australian band not the inferior one)


1986Three Virgins - Axemen




1987Children Of God - Swans




1988Sixty Nine - AR Kane




1989Max Q - Max Q

Tuesday 29 April 2014

Gira & Cyrus


I listened to the Swans new 2 hour epic album last week To Be Kind. Initial response is its not as good as The Seer their previous 2 hour opus but still plenty of laughs to be had. Some epic journeys into sound ie the 34 minute Bring The Sun/Toussaint l'ouverture really brings the noise and is worth the price of admission alone. I even thought a bit of (proto)grunge was creepin in on one or two tracks, you know, like Helmet-esque riffs and Scratch Acid type of cacophony. Sure those groups were probably influenced by the Swans. Anyway those particular trax just didn't seem as classy as Swans of old. Actually in my wife's car the other day Wrecking Ball by Miley Cyrus came on the radio and gave me the same kind of sonic pummelling thrills I expect of Swans. Does this render Gira and crew redundant? Strange days indeed!


Saturday 29 June 2013

The 80s Again....

It doesn't get much better than this.


Here's a Top 100 LPs of the 80s list that isn't the usual rock-crit consensus. FACT certainly do their own thing and good on them for that. Good to see one of my all time favourite records Julee Cruise's Floating Into The Night getting some recognition, although I thought it came out in 1990 but no the date on the label on the vinyl says 89. Steve Roach's ambient masterpiece Structures From Silence, which is an endlessly listenable LP, doesn't usually make these lists so that's a pleasing surprise. Rapeman's LP makes another 2013 appearance which has surely pushed it into cult LP territory. The Cocteau Twins and Felt make it but AR Kane and Siouxsie And The Banshees miss out. The cult of Coil continues its ascendancy, with Horse Rotorvator making an appearance. This list is so hipster it doesn't include This Heat but has a This Heat side project! The same goes for Swans, no Children Of God but (World Of) Skin's 1st LP makes it. This is definitely a 2013 look at the 80s which FACT acknowledge. It's funny what's seen as hip or worthy from the 80s by the kids of 2013 (some of these writers were maybe there in very mini form). Virgo come in at no. 2 with their self-titled LP. Who the fuck are they? More music to discover from the 80s who'd have thunk it? Hang on no Birthday Party! What? No MX 80 Sound! Perhaps it's a joke list....

Ministry over this?! Naye.
Ministry over Pat Benatar?! No Way!

Thursday 13 December 2012

2012-A Look Back Part 1

2012
Possibly my worst year as a human being. I did become an Uncle again twice! Yin & Yang. Anyway on with the lists. Well you probably know how much lists get on my nerves by now, so c'mon here's your chance to whinge about mine. Leave a comment. Be nice. Be offensive. Be whatever you want to be. These are not ranked you know, it's not sport. This is just 20 of my favourite Albums of the year.

The Top 20+

The Fog Signals - The Ghosts of Bush House
Resonant reverberations. Who would have thought you could make a compelling record from a building? You can really picture this boffin with mini tape recorder and mike in hand saying "Quick lets get the sound of that floorboard on tape.' Creaks, horns, voices, rusty lifts, wind, squeaks all chime for Mr Fog's tape recorder. Excellent gear.

Ix Tab - Spindle & Bregnut Tree
erie, dank, majickly psychedelic and enchanting. It's getting dark in the forrest, you've become disorientated. Are you gonna make it out?

Swans - The Seer
Does it get any better than Swans in full epic flight?
No.
At their peak again.
Who would have tipped they'd be making the best record of 2012?
No one.

Scott Walker - Bish Bosch
Incomprehensible drunk, incomprehensible madness or incomprehensible genius?
Or all of the above. He has developed his own musical language and is honing it to almost accessible listenability.

Pye Corner Audio - Sleep Games
Just when people were ready to write off GhostBox (the record label) along comes a record to say that isn't going to happen. This one creeps up on you like a stalker (the one it's soundtracking). Then it's in your albums of the year. Perhaps more horrological than Hauntological.

Fabulous Diamonds - Commercial Music
Awesome drones, the coolest drumming and words I don't think I really wanna know. This has a cult like vibe. There is something deliciously wrong (so right) about Commercial Music.

Dave Graney & The MistLY - You've Been On My Mind
Just when you thought rock was dead and gone, unexpectedly Dave makes a rock album. Not only that, it's fuckin great. The soundtrack to wandering empty country town streets alone at 1.30 am and driving in the Australian summer at dusk with the windows down.

Outer Space - Akashic Record (Events: 1986-1990)
For those of you not diggin the new Emeralds record. No need to fear John Elliot's other group went out onto Saturn's rings and bought this back for your pleasure.

BEBETUNE$ - inhale C-4 $$$$$
I don't know if this is a mixtape, plunderphonics or all new material made by James Ferraro. 5th world soundz from a futuristic metropolis. This maze of plastic, neon, digital and HD is all put through the Ferraro warp machine for one bad trip that keeps you coming back for more.

Panabrite - Soft Terminal/Blue Grotto/The Baroque Atrium
This trio of albums was in my life to soothe, calm and rejuvenate me with its Utopian vistas and wombedelia. Then put these records at a loud volume and they can be quite the opposite ie. dark, strange and slightly dread inducing. Then through headphones they reveal that this ain't no ambient/new age dross. The compositions are put together with great thought and care. This isn't synth music on autopilot. Subtly sublime.

Bataille Solaire - Baal Shamash Et Son Char Celeste
They remained a mystery to me. I didn't come across one article on them or seek one out. I liked the mystique. Church organs and synths drifting through labyrinths and wormholes. Soundz from the cosmos that drift into black holes, through the asteroid belt and back again. This was a voyage to strap yourself in for. Hynagogia lives.

Lazerhawk - Visitors
This album had similar sort of influences as Daft Punk's Discovery. You know like AOR, funk, disco, metal, 80s soundtracks etc. Add a little horror and you are almost there. But unlike Daft Punk they didn't put it through the now/house/trance ringer, they just left it as is. Fun, good times and neat tunes. Retrolicious.

Gary War - Jared's Lot
This was like the world had blown up in 1982. Then in 2012 aliens landed. In an old bunker they found a bunch of records including Kraftwerk, Chrome, Ilitch, ELO & Durutti Column. They also salvaged a malfunctioning turntable and ELO's robot. When these aliens got back to their planet they started a groop. Their repertoire was retro electro human rock. The little aliens loved it. The robot sang on a couple of tracks but his batteries were running low. They thought it was great anyway.

Human Teenager - Animal Husbandry
See above.

Ariel Pink's Haunted Graffiti - Mature Themes
More deliriously addictive pop from the pint size pop master. He's made the pop album of the year again.

Lee Gamble - Diversions 1994-1996
Deep spacious electronics leaving an emptiness that is evocative of the aforementioned era without actually sounding like the jungle pirate tapes that are apparently the source material. Memoredelia.

Dolphins Into The Future - A Star Maker, Strange Dreams & Clairvoyance
Dolphins come back strong in 2012 with some of their most out there music to date. I can see/hear scuttling sea creatures, palm tree jungles, underwater song, neon squids and mysterious deep sea disco fish. Put on The Blue Planet: episode 2, The Deep, turn the sound down and crank up the Dolphins. With a little help from your friends, the good times will roll.

Ekoplekz - Intrusive Incidentalz Vol 2/Mildew Riddims/Skalectrikz
Mutant machine music. How can all of this be so good? Three and a half hours of deliciously deranged dubby electronic noise for the end of dayz. Clank, clatter and squelchy splatter. 

Motion Sickness of Time Travel - Motion Sickness of Time Travel
MOTT make immersive echoing electronic drift from the heavens. Sometimes this aquatic pulsating music has a womb like vibe and at other times it's a little ominous. Ethereal vocals send this into almost holy territory. In 2012 it didn't get more beautiful than this.

Sand Circles - Motor City
It's 2am....you fill in the rest. Choose from these words - driving, cruising, cityscape, lonely, bewildered, lost, lights, tunnels, urban, roads etc. There is something allusive about Sand Circles soundtrack for night city cruising that sets them ahead of the pack. Totally irresistible.


The other bewdies
  • Umberto - Night Has a Thousand Screams
  • Miami Nights 1984 - Turbulance
  • LX Sweat - Sweat, Sweat, Sweat
  • Mark Van Hoen - The Revenant Diary
  • Actress - RIP
  • Dolphins Into The Future - Canto Arquepeligo
  • Belbury Poly - The Belbury Tales
  • Geoff Barrow & Ben Salisbury - Drokk
  • Inner Tube - S/T
  • Bassnectar - Vava Voom
  • Moon Wiring Club - Today Bread, Tomorrow Secrets
  • Future - Pluto

Tuesday 4 December 2012

What's On The Hi-Fi Lately.

Having had a lot of time off I've had a chance to listen to heaps of music and even do some reading too. Some of which I've already mentioned Swans, Scott Walker, Pye Corner Audio and that great mix by Ix Tab. Ix Tabs mix had me going back to old Coil records. Coil always seem to turn up on these mixes which is indicitive of their continuing influence on the underground of the 21st century.   I've also gotten around to some less new things like a Dolphins Into the Future tape from 2008 Plays Themes From Voyage which is from the golden era of that kinda gear so I'm loving it along with their 2 fine releases from this year.


Just had a couple of listens to Lee Gamble's Diversions 94-96. which is hitting all the right notes apparently he has another one just out too. Minimal, spacious electronics that are kind of empty but evocative of the mentioned era without being retro. I also caught up with Kemper Norton's Collision/Detection v6 from earlier this year and that's a rip snorter of an ep that put me in mind vocally of the recently discussed Disco Inferno. Hard to describe Norton, kinda folky, pastoral post industrial. A rustic farmer kind of vibe but quite creepy and wintry. Sounds like a bloody press release. Right enough cliches.















I finally got a copy of Moon Wiring Club's Somewhere A Fox Is Getting Married only on digital though (thanks bookmat). I think it was like a royal wedding commemorative album. I don't think it got in any best of 2011 lists, an overlooked classic perhaps. I reckon it might be the best one since their debut An Audience Of Art Deco Eyes. I like it more than the other record they did last year Clutch It Like A Gonk. That Bleep43 mix is also killer! Possibly my favourite of their mixtapes but as I've said before they're all gold. I totally recommend both of those way over 12 months since everybody else probably raved about them. Whatever. Still looking forward to the new CD & LP.

Was it really only last year that Will & Kate got married?
That can't be right can it?
I feel like Pippa's arse has been with us longer than that!



Wednesday 28 November 2012

Swans - The Seer


This convalescing thing does have its upsides. I may end up in The Guinness Book Of World Records for being the first and only person in the world to have listened to the Swans Triple LP from start to finish in one sitting. Twice! Of course post op pharmaceuticals don't hinder this kind of behaviour. The Seer goes for 1 hour and 55 minutes. So it was great to finally get to grips with the record as a whole. Instead of listening to snippets while out walking, on the tram etc. I wasn't even going to attempt a review or whatever this is because I thought I wouldn't be able to do it justice. Anyway fuck me what an epic it is in all senses of the word. It should be listened to as a whole. It makes more sense and really is how it is supposed to be listened to. People sit in a cinema for 2 hours to watch a film. Why can't we do the same with triple LPs. Now I wouldn't be saying any of this if it wasn't any good. Believe me it's up there with their other epics like Children Of God,  Soundtracks for the Blind etc. The previous LP was ok but that was just a warm up for the true power and brilliance of this magnificent ensemble's new masterpiece. There is less singing, perhaps his voice isn't what it used to be but it's still pretty darn strong, intimidating and powerful. Gira is also doing new things with his vocals. Swans could be the best reactivated band ever. 30 or so years on they are at some kind of unexpected peak. The instrumental passages which really make up most of the album are incredible, sometimes dark at others beautiful. There is psychedelia, repetition, electronics, noise, menace, prog, No Wave remnants and light but what we most want is that Swans intensity we all know and love. There's plenty of that too. It wouldn't be a Swans record without absurdity, perversity, experiments, hilarity and some going OTT. This is impeccable orchestrated noise of the highest order. My only qualm, and that's impressive for a triple LP, is Karen O(h no), why not Jarboe? I can always skip that track. Jarboe does however feature on many tracks. This is a real band effort and they are in rude form. This is unmistakably the Swans the same yet different.

Like the previous post about Mr Scott Walker I love how Mr Gira is still fearless and uncompromising. He's not getting soft or complacent in his old age. That's what your bores and Bobs are for. Still experimenting and lookin' for intense kicks. Gira's Laurels are in an envelope outside the boundaries reaching new edges.

Mick was always fond of a hat even when they weren't cool.
Looks like a fun party.





Thursday 16 August 2012

RE: Swans

Funnily enough playing at Melbourne's ATP heritage/vintage rock festival alongside the reactivated Swans are a band made up some people who were paying very close attention to Swans in thier final days and copped most of their moves from them in this era, Godspeed You Black Emperor! Do they still exist? or are they a vintage act too? It might get a little awkward around Mr Gira .Godspeed's first couple of records were good until that Skinny Fists one and the one after that I couldn't dig either of those at all and then well I lost track of them. They're probably sepulchral as well.













Anyway the dude from Snog is one David Thrussel and is an interesting guy. His radio show had it all Country and Western, Spaghetti Westerns, Soundtracks, electronic music, conspiracy theory and much more. In recent times he's been running the fabulous reissue label The Omni Recording Corporation. They've put out some good gear including Jack & Misty compilations as well as a series of Moog masterpieces including Bruce Haack's classic The Electric Lucifer and Gil Trythall's Country Moog: Switched On Nashville and many other rippers. Well worth checkin out the catalogue, long lost gems everywhere.


Like Nancy & Lee with wah wah and Moog.
One of my favourite discoveries of the last 10 years.
Recorded between 1967 & 1973.


Wednesday 15 August 2012

Swans


Mick & Jarboe back in 94 waitin to be hip again, only
15 years to wait.
 Seeing Swans without Jarboe to me would be like seeing The Mac without either Buckingham or Nicks (well Nicks really) Wasn't she integral? She was to me & I loved Swans right up to Soundtracks for the Blind, you know when no one else was listening to them anymore except that dude from Snog who used to have a fuckin great show on PBS. So their resurgence has been quite baffling to me. People my age who'd never heard of 'em/couldn't have cared less about them back in the 80/90s all of a sudden knowing about Swans in the 2010s is a bit weird....... the younger ones I can understand...... anyway whatever the internet makes everyone an instant expert these days and eventually we'll all have the knowledge of the world inserted into our brains and we'll probably have a choice of whose opinions we'd like as well. Soundtracks For The Blind is probs my equal fave LP of theirs along with Children of God. Apparently Jarboe did some backing vocals on a couple of tracks on the new record but she's hardly rejoined the band.

Friday 13 July 2012

BEBETUNE$ aka Jimmy Ferraro

BEBETUNES
Inhale C - 4 $$$$$

This is another pseudonym for James Ferraro. I'm diggin this way way more than his LP as Bodyguard Silica Gel which I am struggling to like at all. As one of the tracks says on this record 'It's everything time'. That about sums it up. All channels open, whatever blows in, passes by, nothing off limits, an endless sea of flowthrough. Quite a trip. This is crazy there's track that sounds like I dunno Usher or someone of that ilk and prime Jarboe in band era Swans.  Fucking deranged but Jimmy does it again and remains an enigma. I don't read interviews by musicians, I find them tedious-let the music do the talking. Which makes me think he must be pretty interesting. I don't wanna ruin it by finding out he's a big tool but sometimes you have to be to create/channel art. Also lovin that cover. Track this one down it's a gas man.

Wednesday 8 February 2012

Miserable/Funny Songwriters

I was going to bang on about New Zealand music and why the 80s to about 91-92 were a golden era etc. and not just the popular Flying Nun bands but the weirder ones plus xpressway etc.  Another time perhaps or maybe look elsewhere on the net for such information.  I remember a pretty good article on Flying Nun at the Stylus Website. There is also a good doco on the youtubes about Flying Nun RecordsPopwatch fanzine once had a terrific piece on the xpressway label. 

I was thinkin' about funny singers and songwriters.  It used to be, people would say 'Nick Cave was a bit dour.' and not see the funny side in the 80s into 90s, but now he's almost a fully fledged comedian so people are comin' round to the idea.  There also used to be "How can you listen to The Smiths? They just moan!" Of course as soon as anyone said this you knew that they hadn't truly listened to the band.  Morrissey was fucking hilarious!  Those Smiths albums still make me laugh.  Leonard Cohen too, what a laugh he was. Then there was the more obvious funny dudes like Robert Forster, Mark E Smith and Dave Graney. As well as hardcore like Flipper and Angry Samoans.

I had another category as well where it all seemed so serious surely they were havin' a laugh.  Maybe they were, maybe they weren't.  It didn't matter to me I thought they were a laugh a minute.  First example being Swans.  The darkness, the impotence, the serious delivery, the sickness etc. what a hoot!  Michael Gira possibly the funniest man on the planet.  Jarboe a bit funny too.  Joy Division were funny.  Add in Ian Curtis's dancing you got yourself a good time.  Primitive Calculators were great fun to me and my little sister when I was in my early teens.  Still one of the good time bands for me.  It turns out in recent interviews that indeed they had great senses of humour.  Einsturzende Neubauten with their crumbling architecture, wanting the world to end, the harshness, the screaming the mental illness etc. all good comedy fare.  Liabach, pretty funny as well.  Rollins too but I had to love the music as well so I don't know if he counts.

Funny songwriter or just a funny guy?



Anyway the whole reason I was thinkin' about this was because I was listening to The Drones for the first time in years and wondering where Gareth Liddiard fitted into this.  Sure on the telly he's a funny guy (RockQuiz a couple of times) but do I find his songs funny? I'm still not sure.  Steve Kilbey a recently hilarious dude was something nobody saw coming, well not from The Church's music anyway.  He might have always been a private card but I like the idea of him flowering late with his comedic prowess.  Gettin' loose in his old age.

Maybe all of this says more about me than anything else. Who knows?  Any thoughts out there ?


**That's a great painting of Gareth Liddiard (from The Drones)  from last years Archibald Prize Exhibition, which I managed to catch in The Yarra Valley.  That painting was also one of the strongest in the competition.