Who Listens To The Radio?

That's what I'd like know. Well today it was me. Dave Graney & Elizabeth McCarthy's show Banana Lounge Broadcasting. It was great to listen to a radio show again. Many years ago in a job I could listen all day and I loved it. I knew when all different shows were on different stations every day. I miss it. First of all I learnt a lot from the adds er..sorry sponsorship announcements. Mick Taylor, Elvis Costello, The Sunnyboys, Nick Cave, Jo Jo Zep all doing the heritage touring circuit. That might be a little unfair to Nick but the rest you know what I mean. The most exciting touring news though was that Leon from Curb Your Enthusiasm is doing a stand up gig. I'm gonna have to get ticket. Then there was a terrific interview with The Pretty Things. They talked about the early days of art school with members of the Stones. New to me was their porn alias group Electric Banana recording for a library records company. I'd love to hear those. When talking about the old days of not having drums miked up reminded me of a time with my short lived  group. After the mixer spent half an hour on setting them up, she was then told by the proprietor to unmike them. Needless to say there was animosity in the room which eventually turned it into an enraged gig possibly our best. Side note: Why do the mixers get all the money?  Anyway back to the radio show. The guys from Pretty Things were a great couple of geezers and well they finally made it to Australia. This interview may end up on a podcast check the 3RRR FM website as it's well worth a listen for any 60s music fan. It was good to hear a new track from Paul Kelly, a tune by The Meters I'd not heard and even some MJ! I should listen to more radio and be less dependant on the Internet. Now I'm gonna get out some old blues.

 

 

 

 

What's On The Hi-Fi Lately.

Having had a lot of time off I've had a chance to listen to heaps of music and even do some reading too. Some of which I've already mentioned Swans, Scott Walker, Pye Corner Audio and that great mix by Ix Tab. Ix Tabs mix had me going back to old Coil records. Coil always seem to turn up on these mixes which is indicitive of their continuing influence on the underground of the 21st century.   I've also gotten around to some less new things like a Dolphins Into the Future tape from 2008 Plays Themes From Voyage which is from the golden era of that kinda gear so I'm loving it along with their 2 fine releases from this year.

Just had a couple of listens to Lee Gamble's Diversions 94-96. which is hitting all the right notes apparently he has another one just out too. Minimal, spacious electronics that are kind of empty but evocative of the mentioned era without being retro. I also caught up with Kemper Norton's Collision/Detection v6 from earlier this year and that's a rip snorter of an ep that put me in mind vocally of the recently discussed Disco Inferno. Hard to describe Norton, kinda folky, pastoral post industrial. A rustic farmer kind of vibe but quite creepy and wintry. Sounds like a bloody press release. Right enough cliches.















I finally got a copy of Moon Wiring Club's Somewhere A Fox Is Getting Married only on digital though (thanks bookmat). I think it was like a royal wedding commemorative album. I don't think it got in any best of 2011 lists, an overlooked classic perhaps. I reckon it might be the best one since their debut An Audience Of Art Deco Eyes. I like it more than the other record they did last year Clutch It Like A Gonk. That Bleep43 mix is also killer! Possibly my favourite of their mixtapes but as I've said before they're all gold. I totally recommend both of those way over 12 months since everybody else probably raved about them. Whatever. Still looking forward to the new CD & LP.

Was it really only last year that Will & Kate got married?
That can't be right can it?
I feel like Pippa's arse has been with us longer than that!

Bagpuss

Just discovered this tune. This one goes out to Emma, Holly & Belle. An old VHS found it's way into my life many years before the H-word. Is this Proto-Hauntological. What a weird kids show. Did Taid (is that how you spell it? I'm not up with my Welsh.) think Australian grandkids in the 90s would dig this? It's a classic and all but at the time of Teletubbies there was no contest. Bagpuss the show is what the Mrs would call brown. One day I'll get her to contribute to my blog to explain this theory. Actually when I first heard about the H word it made me think of her theory. Not necessarily a theory more of a feeling.

DJ Burnz

Bagpuss

199?

Friday On My Mind

Todd Terry Remix in 89 for Michael Hutchence and his motley cru.

Zero 2.0 

Max Q

Concrete

Max Q

My fave along with the Todd Terry remix of Ghost of the year but thats not

up on the youtube.

From the same era: Humanoid - Humanoid stakker
But this time from the UK

There are so many versions of this track and some are

completely different but I think this might be the

original 7". Who knows?

2am Driving Music For The City's Lost Souls

Another Emeralds review with and I quote 'a little more cruising the lonely cityscape at 3am' over at Tiny Mix Tapes. This time I suspect that this is perhaps a little deliberate baiting from Mr Parker. Pre-review I told him to add Dire Straits to their list of influences. He didn't know if I was joking or not, I wasn't. Otherwise it's a very fucking weird coincidence or he nicked it from that Wire writer. I'm going for the original idea. Anyway James didn't add the Straits alongside Ash Ra Tempel and Tangerine Dream in the similar to category.

Mark McGuire's favourite band?

*Just a side note on a completely different topic but still with Tiny Mix Tapes. Hey Ed Comentale was I supposed to read that whole Scott Walker review? I mean it was actually longer than the record!

Scott Walker: Prevaricator.

Enigmatic? You think?

In a recent interview by Mike Barnes with Scott Walker I read today Scott admitted being prone to prevarication. I thought I've never heard that word ever in my entire life and I've read some lofty shit and communicated with many users of unnecessary words just because they can. What was once called a showoff, you know before building ones self-esteem was invented. Now it'd be oh aren't you a clever little thing using such big words.  Anyway I looked it up and it means 'One who walks crookedly.' & 'One who departs from duty.' Now this could be taken as an oblique way of saying he's still quite hedonistic (although somewhere else in the article he said he doesn't drink as much as he used to) or just lazy when it comes to work. Or Both. I know that he is quite a keen traveller. He doesn't give much away and nor should he. Who cares what he does in his private life. Or is it part of some sort of mystique building?  I doubt it as he comes across as an affable and private gentleman. He's quite funny too as you would imagine because some of his songs are hilarious.

The above video was mentioned in that article. Wow it's dated badly or has it? Listen to it a couple of times. This could have been a subversive hit. In another dimension this is being played on Classic Trax FM. I love it. How about that quintessential 80s lead break! Now that's funny. In career overviews they always leave out a track he sang on the soundtrack of the Film To Have & To Hold directed by John Hillcoat.  Ironically it was written by Bob Dylan.

The Arrangement was done by Barry Adamson and produced by Bargeld, Jones, Harvey & Cave. I remember it being better. It must have been a thrill for those guys to work with Scott as I'm sure they are huge fans. Strange that this was recorded around the same time as Tilt. He is a massive film buff so I'm sure that's why why he did it. Not that it's bad but his head was in a totally different space for Tilt. Maybe this was the aforementioned producers projecting their version of Scott onto Scott & somehow they convinced him/got away with it.

Couldn't resist this great picture of the original
existential hipster heartthrob.

Ghost Box

I noted somewhere Ghostbox was getting a bagging possibly because it's old news or is it because that guy from LCD System is now rocking an old skool Librarian/Geography teacher look. I only just let Jarvis get away with it or did I? It was a bit weird after many years of beard wearing and being sometimes bespectacled that people started saying 'oh you look a bit like Jarvis.'  Maybe that LCD guy is gonna do a Hauntological album, then you'll know it's time to move on. If those GhostBox Study Series of singles, Belbury Poly's The Belbury Tales and that new Pye Corner Audio record are anything to go by GhostBox are in fine shape! I can't wait for a new Focus Group record.

*Also in other things related there is this new mix over at Pontone by IX Tab who I only found out about today. Choice cuts in this mix. Pontone have done it again by getting these guys to do a mix. Best Pontone Mix in ages.

**Also while in the ball park I found an old  Moon Wiring Club mix I'd somehow missed along the way. I've talked about all the other 4 or 5, so this was a nice surprise. It's called Bleep 43 or something? Click on the link. There's loads of film, radio and telly dialogue amongst the op shop records, library music and like minded artist's trax.

This is another fantastic Moon Wiring Club track. I've not seen that record anywhere in Melbourne and It's not on i-tunes. Was it only a limited thing? Maybe I'm gonna have to start ordering things via the Internet. Have I reached that phase in human evolution? Perhaps. On a similar note I haven't seen a GhostBox record in Melbourne since Synathsesia shut up shop years ago.

Omni Trio

Shadowplay from The Deepest Cut (1995)

Just because. I cant beleive I neglected Omni Trio's beauty for 17 years.

         This was my favorite track back then and it remains so today. Something about 

the production is just so unique. It has something to do with the silences

I think, you know a bit like in dub which I guess jungle was heavily

influenced by. Anyway this track really is like no other in jungle or in

anything. 

Swans - The Seer

This convalescing thing does have its upsides. I may end up in The Guinness Book Of World Records for being the first and only person in the world to have listened to the Swans Triple LP from start to finish in one sitting. Twice! Of course post op pharmaceuticals don't hinder this kind of behaviour. The Seer goes for 1 hour and 55 minutes. So it was great to finally get to grips with the record as a whole. Instead of listening to snippets while out walking, on the tram etc. I wasn't even going to attempt a review or whatever this is because I thought I wouldn't be able to do it justice. Anyway fuck me what an epic it is in all senses of the word. It should be listened to as a whole. It makes more sense and really is how it is supposed to be listened to. People sit in a cinema for 2 hours to watch a film. Why can't we do the same with triple LPs. Now I wouldn't be saying any of this if it wasn't any good. Believe me it's up there with their other epics like Children Of God,  Soundtracks for the Blind etc. The previous LP was ok but that was just a warm up for the true power and brilliance of this magnificent ensemble's new masterpiece. There is less singing, perhaps his voice isn't what it used to be but it's still pretty darn strong, intimidating and powerful. Gira is also doing new things with his vocals. Swans could be the best reactivated band ever. 30 or so years on they are at some kind of unexpected peak. The instrumental passages which really make up most of the album are incredible, sometimes dark at others beautiful. There is psychedelia, repetition, electronics, noise, menace, prog, No Wave remnants and light but what we most want is that Swans intensity we all know and love. There's plenty of that too. It wouldn't be a Swans record without absurdity, perversity, experiments, hilarity and some going OTT. This is impeccable orchestrated noise of the highest order. My only qualm, and that's impressive for a triple LP, is Karen O(h no), why not Jarboe? I can always skip that track. Jarboe does however feature on many tracks. This is a real band effort and they are in rude form. This is unmistakably the Swans the same yet different.

Like the previous post about Mr Scott Walker I love how Mr Gira is still fearless and uncompromising. He's not getting soft or complacent in his old age. That's what your bores and Bobs are for. Still experimenting and lookin' for intense kicks. Gira's Laurels are in an envelope outside the boundaries reaching new edges.

Mick was always fond of a hat even when they weren't cool.
Looks like a fun party.

The Church - Heyday

It was the Heyday for those shirts.

So this is the fourth Church LP, which also means it was their fourth classic in a row. What a winning streak they had going in the 80s. Heyday was then followed up with Starfish another classic. The winning streak was then interrupted by the follow up to Starfish. Anyway I'm talking about Heyday because of those recent Scott Walker posts. It is an impeccably produced record with great songs and arrangements. It was Scott walker's main man Peter Walsh at the desk. This is the sound of 80s Australia in the best possible sense. I could bang on about the coolest sounding lyrics ever, the dual guitar interplay of Koppes and Wilson-Piper and the wonderfully intuitive drumming of Ploog. Also saying Ploog is great. Richard Ploog the coolest rock drummer ever! Anyway you've probably heard all that before what I want to highlight is the production and arrangements and how well Walsh and the Church got it so so right.

Night of Light

The strings and horns are arranged here by both Steve Kilbey and Peter Walsh. Can you believe this wasn't even a single. Incredible arrangements, so mesmerising up there with the strings and horns on Forever Changes.

Youth Worshipper

Horns and strings by SK alone this time. Some really weird and unexpected changes in this track. It starts off all nice and jangley then goes down some strange paths. Those horns are so fucking cool the whole thing still amazes me to this day. A high water mark in a career already filled with peaks. These are two of my favourite tunes from this classic album. I wonder why The Church never worked with Peter Walsh again? It's not like the results weren't outstanding or anything.