On The Hi-Fi (in brief) Part 43

Walberswick - Jon Brooks
Brooks is back just 6 months after Advisory Circle's 2014 classic From Out Here (which I'm still listening to on a weekly basis) with another bewdy. He's keeping up his batting average and getting better with each new release. This starts off in weird electronics mode with Mr Brooks I Presume before settling into synth ambience in excelis.

Songs Of Gold, Incandescent - Dolphins Into The Future/Lieven Martens Moana
Classic themes here from Lievens. This is actually a compilation of rarities from 2010-2014. I mean isn't all his stuff rare. We've got waves, bells, jungle sounds, Pacific Islander choirs, strange electronics, underwater soundtracks, Casio vibraphones, submarine drones and the inevitable scuttling sea creature soundz. Songs Of Gold makes you realise how much sonic territory Dolphins Into The Future have covered over the years without you even realising.

Machines Are Obsolete - Pye Corner Audio/Pathways - Pye Corner Audio & Belbury Poly
(Ghostbox Other Voices Series 05)
A-Side: "Easy listening dystopian sounds. 80s attempts at futuristic soundtracks."*
B-Side: "Future Sailor but not as good like Howard Moon has found the new sound but no he hasn't it's just an old one. It sounds like every single song from 1983!"*

*Special comments from Mrs Space Debris.

Pathways is reminding me of a John Foxx tune I can't quite put my finger on. Chuck in a bit of Kraftwerk and a Giorgio Moroder synth guitar lead break and you've probably got it in a nutshell.

Murder For Hire - Kevin Gates
I was really looking forward to this but there's just way too much screaming dj action on this one. Kevin Gates gets buried beneath all the extraneous racket here. I hope he didn't put any classics on this 7 track datpiff exclusive mixtape because I don't think I can put up with dj holiday for one more second in my life. Why does he have to show up on like every 4th rap mix-tape and why doesn't he shut the fuck up and let Gates do his thang.

Livonia - His Name Is Alive
Who would have thought that this would still sound good 25 years later? My 90s trip has gone back to my 4AD records and sure the 80s was 4AD's decade but they still had some gems in the 90s like their last Cocteau's record, Throwing Muses The Real Ramona, The Breeders Pod, The Pale Saints, Red House Painters and the first 2 LPs from His Name Is Alive. Livonia was their first record and yeah it's really pretentious but fuck it sounded good today. I was expecting to want to turn it off after 30 seconds but I played it twice in a row. This is a strange album. It's sort of outsider folk/loop-ology/random electronics and noise guitars. I wanted to play their 2nd LP Home Is In Your Head which I recall being even better but it's on tape and sadly me house no longer contains a tape deck!

Port Douglas

Okay, I'm back from a sabbatical in Far North Queensland. Whilst on holiday in the tropics I was listening to some 60s Australian rock. The Mrs then says "Sometimes rock and roll is a bit incongruous." Who was I to disagree? Once while visiting Mildura at the height of a gruelling Australian summer I remember going for a walk in the 35+ degree heat. On my i-pod I had The Kink's Something Else while sweating in the semi arid conditions. The incongruity of that was precisely the point. I loved listening to tales of 60s British suburban life, it didn't fit at all. When I saw The Trip with Steve Coogan playing Joy Division in the picturesque English countryside I thought 'Ah a like mind, with a perverse sense of humour.'

Anyway I thought about Emma's comment and thought okay let's see if I can match this scene of humidity, palm trees, insects, lagoons, jellyfish, The Great Barrier Reef and The Pacific Ocean. A quick check of the I-pod showed I currently had 3 Dolphins Into The Future releases synced. I put one on and immediately there was synchronisation between the world in which we were in and the sounds we were hearing. The funny thing is from our room with lagoon views in which you could see palm trees, gum trees, brightly coloured tropical birds, the Pacific Ocean etc. you couldn't open the window for fear of giant mosquitoes entering your space and destroying your pleasure. With that window being closed all you could hear was a low hum of the air conditioner. Putting on the Dolphins put the sound back into our room. It fit like a glove. In some way though this was just as fake, like a sound designer putting the environmental sounds retrospectively onto a film. It made me think that in some ways this is as incongruous as the rock. Anyway for the next week it was all Three Dolphins records as the soundtrack to our balmy holiday. The perfect soundtrack.

The only other album I put on the i-pod dock was Paul Shutze's New Maps of Hell III. This fit as well. I remember a critic once describing it as music from the pacific rim. This however was a slightly darker take on similar themes. I checked the title of one track, it was called The Rapture of Drowning. The next day while on a boat for a Barrier Reef snorkeling tour I couldn't get that kind of horror vibe out of my head. I thought if Radha Mitchell turns up and starts talking to us we're definitely doomed.

What's On The Hi-Fi Lately.

Having had a lot of time off I've had a chance to listen to heaps of music and even do some reading too. Some of which I've already mentioned Swans, Scott Walker, Pye Corner Audio and that great mix by Ix Tab. Ix Tabs mix had me going back to old Coil records. Coil always seem to turn up on these mixes which is indicitive of their continuing influence on the underground of the 21st century.   I've also gotten around to some less new things like a Dolphins Into the Future tape from 2008 Plays Themes From Voyage which is from the golden era of that kinda gear so I'm loving it along with their 2 fine releases from this year.

Just had a couple of listens to Lee Gamble's Diversions 94-96. which is hitting all the right notes apparently he has another one just out too. Minimal, spacious electronics that are kind of empty but evocative of the mentioned era without being retro. I also caught up with Kemper Norton's Collision/Detection v6 from earlier this year and that's a rip snorter of an ep that put me in mind vocally of the recently discussed Disco Inferno. Hard to describe Norton, kinda folky, pastoral post industrial. A rustic farmer kind of vibe but quite creepy and wintry. Sounds like a bloody press release. Right enough cliches.















I finally got a copy of Moon Wiring Club's Somewhere A Fox Is Getting Married only on digital though (thanks bookmat). I think it was like a royal wedding commemorative album. I don't think it got in any best of 2011 lists, an overlooked classic perhaps. I reckon it might be the best one since their debut An Audience Of Art Deco Eyes. I like it more than the other record they did last year Clutch It Like A Gonk. That Bleep43 mix is also killer! Possibly my favourite of their mixtapes but as I've said before they're all gold. I totally recommend both of those way over 12 months since everybody else probably raved about them. Whatever. Still looking forward to the new CD & LP.

Was it really only last year that Will & Kate got married?
That can't be right can it?
I feel like Pippa's arse has been with us longer than that!

Dolphins Into The Future

A Star maker, Strange Dreams & Clairvoyance

Also very diggin this. This could be my favourite Dolphins Into The future tape (well i-tunes download) ever. All sorts of alien bird calls and some kind of spectral communication via song. I don't know if it's coming from the depths of the earth's deep ocean or I'm hearing some intergalactic language. I can picture scuttling electric sea creatures from the darkest depths of an alien deep sea. Sometimes its eeriness is almost cute. I reckon kids would love it. The bands name for the first time makes perfect sense to me. At the start of side b there is some lovely soothing music of what sounds like Aboriginals or South Pacific Islanders with just their voices looped, which is three minutes of pure enchantment. Then it's back to the music of aquatic neon creatures having fun and games in the endless night. This is Dolphins most sparse, clear recording so far and an absolute peak. Bliss.

I take that back

The previously mentioned new Dolphins Into The Future record is not a disappointment at all. In fact it is up there with the Dolphins best tapes Mountains Saturnus, ...On Sea Faring Isolation, Wildlife Tapes etc.

Canto Arquipelago

Dolphins Into The Future

2012

Speaking of a lack of good new releases, there were a couple of top records I missed last year to keep me going in this drought. Tim Hecker's Ravedeath,1972 is a cracker. This is berserk drone heaven.

Keeping in drone territory are the digital drones with more of a club music influence on Laurel Halo's Hour Logic LP.

Last but not least is is Julia Holter's Tragedy which is apparently a concept LP but don't hold that against it, it's got songs and weird atmospheric interludes or is that weird atmospheres with song interludes. Anything which has a track that sounds like its a sacrificial cult chanting is fine by me ( ie. track 2). Tragedy is fairly unclassifiable, having said that Ivo Watts Russel  would probably dig it. Pop, Classical, Goth, Minimalism, Ambient, Psych Folk, Field Recording, Electro are genres it might be tinged with but really this is a work of its own and an incredibly accomplished/cohesive one at that. Outstanding.