Pick Up The Phone - Young Thug & Travis Scott feat Quavo Perky's Calling - Future The Face In The Mirror Is Not Mine - Assembled Minds Why You Always Hatin' - YG feat Drake & Kamaiyah So High - Beatking feat Gangser Boo Eat Shittake Mushrooms - Let's Eat Grandma That Part - Schoolboy Q feat Kanye West OOOUUU - Young M.A. Starboy - The Weekend feat Daft Punk Guwop - Young Thug feat Quavo, Young Scooter & Offset Awake Awake/The Split Ash Tree/May Carol/ Southover - Shirley Collins Wolves (Balmain Campaign) - Kanye West feat Sia Webbie - Young Thug feat Duke Low Life - Future feat The Weekend Lazarus - David Bowie 50 On My Wrist - Sonny Digital Black Beatles - Rae Sremmurd feat Gucci Mane Do Ya Mind - DJ Khaled feat Nicky M, Chris B, August Alsina, Jerimih, Future & Rick Ross Bad & Boujee - Migos feat Uzi Vert
This is taken from the Soul Jazz comp Venezuela 70 which was released this year. I don't think I'd ever heard anything from Venezuela before. I have many records from Brasil, Columbia & Peru but this is a new territory for me. The above tune is the outstanding one for me on that collection - South American space synth jam dedicated to Klaus Schulze.
This one's on Venezuela 70 as well.... pretty good too. Details about Rada on the web are v sketchy. He was in the band Gas Light then went solo. He studied music in Germany in the 70s. That's about it.
Wow...this tune is not on the Soul Jazz compilation but is incredible. Upadesa puts me in mind of an even stranger Illitch if that's possible. This is fabulous lost Kosmische synthesiser music. A musical revelation to the eardrums. So all of the above tracks were on Angel Rada's record Upadesa released sometime in the 70s (???). This is the kind of thing that would have been posted on Mutant Sounds back in the day. Is there more unheard gold out there?
I think Schizophrenia, which opens Sister, was the first Sonic Youth song I ever heard. This was on a visit to the big smoke in 1987 and it was played on either 3RRR or 3PBS in Melbourne. What an introduction to a phenomenal band. I’d listened to the Primitive Calculators, The Birthday Party and Cosmic Psychos before but who knew you could make noise beautiful? This is probably the Sonic Youth album I’ve played the most. The cover was perfect. This is the sound of skyscrapers, cows. suburbia and intergalactica all rolled into one. Cotton Crown still sounds unbelievable today with its girl/boy vocals and those swirly out of tune guitars then when that change where the bass goes bezerk Sonic Youth elevate rock to one of its loftiest peaks. This band were on an outstanding roll that had begun with the two previous LPs and would continue for their next three records. Then as elder statesmen/women of art rock they had a terrific late re-flowering and issued a classic trilogy of albums that began with 2002’s Murray Street. Sister = Awesome!
We're not talking about Kool Herc or The Bronx here. This doc tries to set the record and history books straight on who the real innovators in hip-hop were. Founding Fathers presents an alternative narrative to hip hop's past that shines a light on a bunch of forgotten cats who were involved in block parties from other boroughs of NYC other than The Bronx. It's all about turntables, big sound systems, DJs, Bigger sound systems, park jams and really big sound systems. Chuck D narrates. I wouldn't post it if I didn't think it was excellent.
One of Morricone's lesser known scores but it's another fucking cracker. I only came across this one last year and it blew my mind a little bit, couldn't believe my ears. Kick off your festivities with this cranked on the hi-fi. This is the score to a 1972 Giallo directed by Massimo Dallamano which features saucy female students, sleazy teachers, nudity, abortions, girls on bikes and murders. What did you expect?
Now this has to be one of Morricone's most underrated horror scores. If you're dropping acid at your festivities tonight this will be the perfect soundtrack! I've never watched the film but the sounds here get pretty insane, perhaps I'll finally watch it tonight. They even made an Exorcist III ...who knew?
Ooh...I just found this. It's a collection of tunes from a bunch of Ennio's Giallio scores, nothing new to me here but looks like it'll be a great creepy mix. Tracklist below.
COSA AVETE FATTO A SOLANGE? (TITOLI) from “Cosa avete fatto a Solange?” 00:00
1970 from “Il gatto a nove code” 02:37
NEBULOSA PRIMA from “Il segreto” 11:17
VALZER from “La corta notte delle bambole di vetro” 16:49
SEGUITA from “Gli occhi freddi della paura” 19:07
OSTINAZIONE AL LIMONE from “Cosa avete fatto a Solange?” 22:21
IL SERPENTE from “Il serpente” 24:48
BAMBOLE DI VETRO from “La corta notte delle bambole di vetro” 31:24
SPASMO from “Spasmo” 38:07
OLTRE IL SILENZIO from “Il diavolo nel cervello” 40:04
EMMETRENTATRE from “La corta notte delle bambole di vetro” 43:32
LE FOTO PROIBITE DI UNA SIGNORA PER BENE from “Le foto proibite di una signora per bene” 47:45
TRIO INFERNALE from “Trio infernale” 52:23
INSEGUIMENTO E FUGA from “Revolver” 56:30
SENZA MOTIVO APPARENTE from “”Senza movente” 01:00:15
LA RAGIONE, IL CUORE, L'AMORE from “Il diavolo nel cervello” 01:04:38
EVANESCENZE from “Gli occhi freddi della paura” 01:08:04
L'ATTENTATO from “L'attentato” 01:11:25
NINNA NANNA IN BLU from ”Il gatto a nove code” 01:16:04
Don't ya just love this cover. Eyeballs, eyeballs, eyeballs. Eyeball goodness. Eyeball art! Below is a review I once did on this soundtrack.
Gli Occhi Freddi Della Paura - ENNIO MORRICONE
Now this was another 1971 soundtrack but it didn't get a release until 2000. I didn't miss this one. I think it has been reissued again in the last year or two. So Morricone recorded this with his improv band Gruppo Di Improvvisazione Nuova Consonanza. This score is not only one of the best soundtracks ever, its also one of the best albums ever. I guess people into AMM, Nihilist Spasm Band, Spontaneous Music Ensemble or Miles Davis in the 70s should take a special interest here. This is some top notch improv jams under the direction of the one and only Bruno Nicolai. Produced by none other than Gianni Dell'orso. We've got fuzz guitar duelling with jazz bass and electronics. That's just for starters. This LP is so unpredictable you never know where it's heading next. There's many a clank and a scrape to be heard amongst other haunting sounds. The group had been going since 1964 and are considered one of the pioneering collectives of experimental composers. It was by no means Morricone's band. Other members included Egisto Macchi (library music legend), Walter Branchi and Franco Evangelisti. I think it was Evangelisti who got the whole thing together. They were aspiring to a new form of composition through improvisation and other methods such as (like John Cage) chance. Apparently they sometimes used the game of chess as an inspiration. Anyway the credits on this one go to Morricone but that seems arbitrary as surely everyone contributed to each tune. Fabulously free percussion mixed with of sour sax/trumpet(?) and textural keyboards play their part on this recording. More than anything though its not the separate sounds that make up the music, its the sound of the unit itself. This is an incredibly switched on unit comparable to Can and the ensembles Miles Davis put together in the 70s. Half the time I don't know what's making the sounds anyway. This doesn't sound like any other soundtrack I've ever heard. Most of the time you forget this incredibly fluid music even went with images as the tangent of where the hell they'll go next has you so engaged. You start to feel that your own ear is also an integral part of the unit as well. This is a hell of a strange trip that never gets old. They have other albums as well, maybe I'll discuss them another time. Its quite hard to believe a film director just saying 'yeah sure' to this mental project. This is a unique record that could have a special place in your heart if you give it a listen. Like Harmonia's Deluxe this is an unheralded classic of 20th century music that deserves a better status.
REWIND THIS (2013 DOCUMENTARY)
Here's another doco on VHS culture and another excellent cover/poster. This one is a bit all over the place but it is watchable as opposed to Adjust Your Tracking from the same year (more on that another time). It feels like they're trying to cover too much of video culture all at once though. As if they were in a rush to cover a little bit of each part of the dying, ephemeral culture of video stores and VHS before any other filmmaker got there first. Rewind This was at least compelling enough for me to make it through to the end of the film.
They could have really made 4 or 5 in depth documentaries covering certain aspects of video culture because there is some great subject matter here ie. Cover/poster art, nostalgia for video libraries, how B-grade and horror videos got their foot in the door ahead of studio/hollywood stuff, the bootleg trade/grey market and who the hell is going to preserve straight to video videos. Speaking of straight to video videos, any form of a convincing case isn't really put forth that there is any greatness worth preserving. There however will always be people who are willing to archive and preserve anything no matter how crap or inconsequential it may be because 'it's all relative man.'
Here's some of the soundtrack to the 1968 Giallo film Death Laid An Egg. Why doesn't somebody reissue this classic. I have to thank Kat Ellinger and Samm Deighan of The Daughters of Darkness podcast for introducing me to this film and in particular this fucking great soundtrack. They referred to it as 'noise-core chicken jazz'. I think a lot of the noisy chickeny bits have been left off here just leaving the score, which is great on it's own anyway. Bruno Maderna was a serious conductor but he composed as well. He did 10 soundtracks and this was his last.
Speaking of great soundtracks, we've been waiting for a reissue of Messiah Of Evil for years but to no avail. Some odd gems are getting attention though like Richard Einhorn's Shock Waves OST which got issued last year. Einhorn's other great one Don't Go In The House remains out of print. Releases of film soundtracks like Let's Scare Jessica To Death, Deathdream and Slaughter Hotel would be most welcome. Some of these may have used library music though...er...haven't done much research into them.
Anyway check out this creepy movie. It stars the very beautiful Marianna Hill and Anitra Ford. Don't go looking for a cohesive narrative here. I see at it more like a series of disturbing surreal scenes, many of which are unforgettable. It's in the public domain so here's a download link.
HORROR PODCAST The Hysteria Continues
I missed this podcast in my recent set of podcast posts. This must have been introduced to me by Bill Ackerman of Supporting Characters. This is the best horror movie podcast I've come across. We've got 4 chaps in three different countries (England, USA & Ireland) discussing their favourite genre of film - slasher movies. They've got the balance just right. Nobody talks over anybody else, they don't speak too fast, they're knowledgable, passionate, funny and have a good formula.
I'm not even what you would call a slasher fan. Sure I like Black Christmas, Halloween and Slumber Party Massacre plus some of the influences on slasher like Peeping Tom and Psycho as well as many Giallo movies. But as I've mentioned before I missed the whole 80s video thing due to boring parents. The Hysteria Continues has had me watching the likes of Happy Birthday To Me, Mortuary, Funeral Home, My Bloody Valentine, House On Sorority Row, Pieces, Slaughter Hotel, Prom Night, The Burning, Chopping Mall and Terror Train. The hosts have also been kind enough to make me avoid many slasher titles which sound like total and utter shite.
The Hysteria Continues have occasionally covered proto-slashers, quasi-slashers and Gialli too. They don't just talk about slasher related things though, they go through general horror films and television in their 'recently seen' segment and often veer off into conversation about other things. Who thought anyone would be talking about Toyah in 2016? There's a great segment on 'top 3s' covering such topics as best final girls, best theme music, best death scenes, best killer masks etc. One of the hosts Justin Kerswell wrote The Slasher Book aka Teenage Wasteland as well as running the website Hysteria Lives. The websiteThe Body Count Continues is/was(?) run by one of the American co-hosts....see what they've done?...er...combined the two website names and come up with the podcast name. If you can handle puerile humour coming out of the mouths of grown men and love your genre cinema this comes highly recommended.
*Finders Keepers Radio have done a Halloween podcast here.
**FACT have done a Hip Hop Halloween mix where each tune contains a horror movie sample here.
After listening to a lot of movie podcasts I've decided to have a little look at some documentaries that have passed me by in the last few years. A plethora of documentaries on VHS culture, horror movies, collectors, censorship, video nasties etc. have been released in the last 5 or so years. I've finally caught up with many of these titles and will do a mini review on a few that I've watched. Here's the first.
Slice & Dice: The Slasher Film Forever (2012 Documentary) Slice & Dice is hardly a revolutionary documentary. It's not particularly insightful or comprehensive about its subject matter. Even for the casual slasher fan there isn't anything particularly exciting or noteworthy to learn about the genre here. To combat the staid talking head formula they've framed each head inside a slasher motif ie. a cabin window or a rear view mirror. The most entertaining interviewee is Corey Feldman. I don't really know much about him or his role in slasher pictures, I think he appeared in one or two of the later sequels to Friday The 13th. He is entertaining despite or maybe because of coming across as someone who's been through some kind of trauma and/or addiction though.
The documentary makers go through a bunch of cliches such as the rules of surviving a slasher and how to be a final girl, like none of us had ever seen Scream. They didn't exactly enlist the sharpest of horror commentators for this film either, making analysis of the genre rather half arsed. Like a lot of the videos/films they are talking about here the best thing about this doc is the cover/poster (see above). I guess what kept me watching was the excellent slasher greatest hits clip show that runs throughout. Here's 75 minutes to pass the time or depending on how you look at it, waste it.
