Showing posts with label Thurston Moore. Show all posts
Showing posts with label Thurston Moore. Show all posts
Wednesday, 30 November 2016
Sister - Sonic Youth
I think Schizophrenia, which opens Sister, was the first Sonic Youth song I ever heard. This was on a visit to the big smoke in 1987 and it was played on either 3RRR or 3PBS in Melbourne. What an introduction to a phenomenal band. I’d listened to the Primitive Calculators, The Birthday Party and Cosmic Psychos before but who knew you could make noise beautiful? This is probably the Sonic Youth album I’ve played the most. The cover was perfect. This is the sound of skyscrapers, cows. suburbia and intergalactica all rolled into one. Cotton Crown still sounds unbelievable today with its girl/boy vocals and those swirly out of tune guitars then when that change where the bass goes bezerk Sonic Youth elevate rock to one of its loftiest peaks. This band were on an outstanding roll that had begun with the two previous LPs and would continue for their next three records. Then as elder statesmen/women of art rock they had a terrific late re-flowering and issued a classic trilogy of albums that began with 2002’s Murray Street. Sister = Awesome!
Saturday, 18 April 2015
Bad Moon Rising - Sonic Youth
I haven't been posting as much due to, you know, life and that but also because I've been doing some writing for a web site. This writing is eating into my blogging time, anyway whatever. So I've decided to include some of these writings here in a little series called Tim's Ultra Rough Guide To Rock. This first one is on Sonic Youth's Bad Moon Rising. I think I could write a major article by expanding this small piece or maybe being this concise is just right.
*This really is a concept LP which would have been very uncool at the time. How did it get past the taste police, I wonder? This has me thinking about a piece Simon Reynolds did a few weeks back about a Thurston Moore quote about 1985. The gist was that in 1985 Thurston thought it was quite radical to reference music from the rock no go zone of 1968-75, citing Green River as the catalysts for this move. Perhaps this double think allowed him to make a concept LP in 1985 as well.
*Bad Moon Rising got reissued a month or so back I've just noticed making this post quite topical and not as pointless as I thought.
*Then there's this (below) that everyone seems to be reading, even my Mrs who's not even a Sonic Youth fan (While she was a massive Pixies fan, she was more into your Guns & Roses, Temple Of The Dog, Mother Love Bone, Jane's Addiction, Soundgarden, Alice In Chains and Screaming Trees in your late 80s into early 90s rock period). I've only read the first paragraph and it's a fucking classic. She calls Thurston Moore a phoney. I sense it will be a great read with a start like that. She's has quite a gift for writing amongst her many other talents.
SONIC YOUTH - BAD MOON RISING
This is a weird album. Bad Moon Rising has a mysterious atmosphere that just hangs and engulfs all in its path. This is the most singular Sonic Youth LP making it unique in their catalogue. Like David Lynch did with Blue Velvet, Sonic Youth shine a light on the dark underbelly of the suburban American Dream. Perhaps coming to the conclusion that it may in fact be a nightmare. Sex, mental illness, hippie optimism and its ultimate disillusion, subversion, nihilism, death, transgression and power are all covered lyrically here. Sonically the clangs and the air of alienating dissonance mirror that of the urban sprawl and the squalor it entails. This LP moves at a creepy catatonic pace that parallels life in the sleepy suburbs. The pace only picks up with a burst of violence that is Death Valley 69. A bit like Charles Manson’s endgame to those dreaming of a hippie utopia throughout the 60s. *This really is a concept LP which would have been very uncool at the time. How did it get past the taste police, I wonder? This has me thinking about a piece Simon Reynolds did a few weeks back about a Thurston Moore quote about 1985. The gist was that in 1985 Thurston thought it was quite radical to reference music from the rock no go zone of 1968-75, citing Green River as the catalysts for this move. Perhaps this double think allowed him to make a concept LP in 1985 as well.
*Bad Moon Rising got reissued a month or so back I've just noticed making this post quite topical and not as pointless as I thought.
*Then there's this (below) that everyone seems to be reading, even my Mrs who's not even a Sonic Youth fan (While she was a massive Pixies fan, she was more into your Guns & Roses, Temple Of The Dog, Mother Love Bone, Jane's Addiction, Soundgarden, Alice In Chains and Screaming Trees in your late 80s into early 90s rock period). I've only read the first paragraph and it's a fucking classic. She calls Thurston Moore a phoney. I sense it will be a great read with a start like that. She's has quite a gift for writing amongst her many other talents.
Tuesday, 14 August 2012
ATP
So i got a text today saying you gotta go to the Melbourne ATP, MBV and Einsturzende Neubauten are gonna be there. First thought was I saw both of these groups over 20 years ago when they were in their prime. EN being probably the best thing I've ever seen. It was at the Old Greek Theatre in Richmond Melbourne. The place felt like it was gonna fall apart. I remember seeing some of the lights falling from the ceiling, not being able to breathe due to fog of hardcore Camel/Marlboro smokers, two chicks having sex in the toilet, hardly being able to walk due to empty beer cans piling up to my shins, blood in my eardrums and then there was the music. Which was the most astonishing thing I'd ever seen/heard. It was so physical, intense, noisy (in a controlled manner), loud, mental, expressive and sexy. That was unforgettable. It wasn't rock. It was totally rock'n'roll though.
I saw MBV twice at The Prince Of Wales, St Kilda on the Loveless tour. It's all a bit of a blur really. First show not so good and the other one was tops. I recall having Belinda's set list from one of the shows on my wall for a couple of years. Should I have kept that?
Anyway I guess what I'm getting at it is, it would be like seein The Stones in the 70's compared to like the Stones in the late 90s. Do I want that mind image? I don't know what else is on ie. there could be a bunch of modern stuff that I like like Gary War, Human Teenager, Rangers, Future, ekoplekz, Sun Araw or whoever on the bill but it was the heritage/vintage acts that were pitched toward me as ticketbait. This also happened several weeks ago when I was told Shellac and Moore/Ranaldo (of Sonic Youth) are playing at the Melbourne Festival soon. I saw Shellac around the time of their first LP. After Sonic Youth's Don't Look Back Daydream Nation show I thought that's the ultimate in this kind of thing, probably need to pull back a bit from the nostalgia now. Actually it was in an ad in a British magazine I had a little chuckle. I thought that Thurston Moore had gone a little too far by touring one of his 90s solo records Don't Look Back Stylee. Psychic Hearts is an ok record but were there people dreaming of that gig for years, say like I was for a Pixies (they never toured Australia in their original lifetime) or a Smiths reuion. I bet there are some great things on at the Melbourne Festival for all I know Gang Gang Dance are playing. Note to self see who's playing at these things. This whole Vintage/Nostalgia/Heritage Rock thing is startin to you know get a bit whiffy. As I said in my text though if they get Alan Vega & Martin Rev aka. Suicide out of the old peoples home I might come and see some Heritage Rock.
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