More on Movies Part III

RECENTLY RE/WATCHED MOVIES

Blokes You Can Trust (2013)
Drove me up the wall I ain't no spider! A documentary on underground Australian rock legends The Cosmic Psychos. More of a cult of personality doc than an analysis of their music. Pretty entertaining.

Siege aka Night Warriors aka Self Defence (1983)
Very crafty siege thriller. A police strike causes Nova Scotians to take the law into their own hands. An armed right wing gang walks into a gay bar then the drama unfolds. Fabulous minimal electronic score too. Canuxploitation rules!

Annihilation (2018)
A sci-fi trip out or a complete load of shite? If I watched it off my head perhaps it would have been the former instead of the latter.

A Clockwork Orange (1971)
Havn't seen this for years. Got the Blu-Ray but can't bring myself to put it on.

Walking The Edge (1985)
A revenge movie with Nancy Quan, Robert Forster, Joe Spinell, a high body count, the mean streets of 80s LA etc. A Shambolic film, not without merits though. This one's for the cult film enthusiasts looking for deep cuts.

Sherman's March (1986)
A directionless yet fascinating sometimes bloody boring doc about a self absorbed American wanker who travels around America's south not making his intended documentary. He's led from town to town by his penis as he courts a bevvy of women. For a an uncharismatic man he does quite well for himself. It's amazing what over-confidence and a camera can do for you. Mental actresses, mormons, self sufficient counter-cultralists, doomsday preppers, libertarians, anti-nuclear protestors and even Burt Reynolds all feature in this meandering time capsule of a film.

The Witch (2015)
Fuck this is the most overrated and boring horror film. Horror podcasters/writers are starved of good content so a film like this ends up being highly rated to try and keep their so called subculture alive, hang on to advertisers etc. despite how underwhelming it is.

Cold In July (2014)
This thriller/urban western/revenge film's got Michael C Hall with a mullet, Don Johnson as a cowboy, a bit of ultra-violence & a brilliant soundtrack. Good times.

Sharky's Machine (1981)
Burt Reynolds directs and stars in this weird crime thriller/cop movie set in Atlanta. Drugs, hookers, politicians, murder and romance included. The cult builders are trying to put this strange film on the map, with good reason. Perhaps Reynolds missed his calling as he may well have become an incredible film director.

Man From Hong Kong (1975)
Aussie chop-socky flick that should have had at least half an hour left on the cutting room floor. It's alright though due to several set pieces that are masterful and stunningly visceral.

Vigilante (1983)
An urban vigilante masterpiece. This movie's got the lot - Seedy vibes, gunned down kids, violence against the disabled, car chases, prison shower violence, people thrown off buildings, car bombs & an excellent Jay Chattaway score. The early 80s New York cesspool captured perfectly on film.

Assault On Precinct 13 (1976)
Great siege movie that's in the past, of its time and timeless all at the same time. Best theme tune right here folks.

Rubble Kings (2015)
Brief doco on the roots of the roots of hip-hop. What was happening in NYC during the 60s & 70s before the rise of Herc, Grandmaster, Bambaataa, bloc parties and Style Wars? Well...a whole lotta violent gang war shit. Interesting side note: they couldn't afford what they originally had as the soundtrack so only one tune survived. Highly recommended.

The Cruise (1998)
Documentary about Timothy Speed Levitch. This film is a portrait of an eccentric New York bus tour guide with a gift for prosaic speech. It all begins rather charmingly and funny. Towards the end you realise that perhaps his mental illness is taking its toll, not just on the subject but the audience as well. I felt like I just spent 25 minutes too long on this bus trip. This curio needs to be experienced at least once though.

The Hidden (1987)
Here's an underrated movie. A shoot 'em up sci-fi thriller starring Kyle Maclachlan as a pre Cooper/Dougie FBI character. How I missed this at the time is something I don't understand. This is a quintessential 80s film. The Hidden would go good on a double bill with 1986's Night Of The Creeps. 

Bad Timing (1980)
Nicholas Roeg at the peak of his powers right here. He gets great performances out of some inconsistent actors Art Garfunkle, Theresa Russell and Harvey Keitel. Grim psychodrama magnificently executed. Not a joke in sight.

BRUCE DERN IN FIVE 70S CLASSICS
The King Of Marvin Gardens
The Laughing Policeman
Family Plot
Smile
The Driver

THE BEST IN FILM PODCASTERS/CRITICS/COMMENTATORS
Heather Drain
Samm Deighan
Kat Ellinger
Daniel Bird
Stephen Thrower
Kier-La janisse
Adrian Martin
Amanda Reyes
Justin Kerswell

Mort Garson - Black Mass Lucifer

I was listening to this the other day through the computer which was transmitting to a stereo system via bluetooth. The bluetooth wasn't functioning so great with interference, static, clicking, distortion and kept cutting out. Before I got around to pairing the computer to the stereo again I kept listening. If I'd just walked into the room and heard these sonic textures I would have asked 'Is this the new Ekoplekz album?' so I just listened to the rest without fixing the bluetooth connection.

Ekoplekz might be a fan of this for all I know. It's got all that pre-industrial electronic stuff going on and I guess it's not that far removed from your industrial/pre-post-punk of Cabaret Voltaire, Throbbing Gristle, Residents etc. This is the sort of stuff (Egisto Macchi, Moggi, Bruce Haack, Gyl Trythall, M Zalla etc.) I was heavily into in the mid/late 00s via sharity blogs. Later, reissues started popping via The Omni Recording Corporation and a bunch of other record companies. Anyway amongst Garson's catalogue are a couple of other classics, specifically the pastoral loveliness of Mother Earth's Plantasia and the mischievous sinister sounds of The Unexplained: Musical Impressions of The Occult under the pseudonym Ataraxia.

*This has been reissued in the last month according to discogs.

Tropical Fuck Storm - You Let My Tyres Down

Sometimes it's hard to deny a great rock song innit? Best thing since this beauty below from 2005.

That Tropical Fuck Storm tune is new. Gareth Liddiard formed this new group last year with fellow Drones member Fiona Kitschin. Other members include Lauren Hammil (High Tension) on drums and Erica Dunn (Palm Springs) on guitar and other stuff. Their new debut LP A Laughing Death In Meatspace is more immediate, experimental and varied than The Drones. Oh and the chemistry! The drumming is the best I've heard since Per Byström (Ooga Boogas), there's great girl/boy vocals and the guitar interplay is astonishing at times. The song structures are impeccable while they may appear chaotic they never fall apart. It's a pretty fuckin' good record.

To top it all off it comes in the best album cover since.....I dunno... a time when LP covers were good and an integral part of of the whole musical artefact. #MakeAlbumArtGreatAgain.

Models - Cut Lunch

Confusingly this 1981 EP/mini LP Cut Lunch made both the singles charts and the albums charts.

RIP Brian Hooper

This might be Brian Hooper's most triumphant moment. One of the best rock bass-lines ever and he wrote it. I was trying to find that footage of him talking about coming up with the bass on this but I can't find it on youtube. It's probably from the Autoluminescent documentary anyway he instantly knew it was fucking great.

Brian Hooper also co-wrote this classic tune with Rowland or did Rowland just nick the bass-line from Where The Action Is by Hooper's band The Voyeurs and give Hooper a writing credit? I'm not sure if he played bass on the finished recording of this song (?). Mick Harvey recently tried to explain this convoluted story on Melbourne's 3PBSFM but he was a bit confusing about it all. Somebody out there has the correct story. Anyway whatever the story, Hooper created that incredible bass-line. That Voyeurs tune is not on the youtubes.

 

Hooper co-wrote and played on this demented Kim Salmon & The Surrealists gem. I must have seen Kim Salmon & The Surrealists 15 to 20 times in Melbourne during the early/mid 90s. They were a fucking powerhouse live group. Three memorable gigs stand out, one at the Punters Club in 92 or 93 and two consecutive nights at The Club in 93 or 94. All gigs packed to the absolute rafters and frighteningly overcrowded but you didn't care because these were essential events you had to be at. Rock'n'Roll electricity.

Another fucking classic co-written by Hooper with Kim Salmon & Tex Perkins this time. Rock & Roll brothers and sisters! He could play the bass doncha reckon? You had to be good in Australia because you had the legacy of Tracey Pew (The Birthday Party) and contemporaries like Ian Rilen (X) and Martyn P Casey (The Triffids, The Bad Seeds, Grinderman etc.).

There is footage on youtube of Brian Hooper just last Friday night playing this tune at The Prince Of Wales Hotel in the Melbourne seaside suburb of St Kilda with a reformed Beasts Of Bourbon. Hooper was brought on stage in a wheelchair by 5 or 6 nurses who had him plugged into an oxygen tank. At the end of the song lead singer Tex Perkins leans in and gives Hooper a hug. It's all too emotional, less than a week later cancer would take his life away.

He went solo out of necessity, he explained once fifteen years ago, because Rowland wasn't doing enough and Kim Salmon wasn't talking to him or something like that. I Get Up Again is a slice of primo noise rock in the tradition of his old bands The Surrealists & The Beasts.

Vigilante OST 1983 - Jay Chattaway

I don't get why the soundtrack reissue record companies haven't tracked this one down for a release. I reckon it's Chattaway's second best score behind his minor masterpiece Maniac from 1980. Vigilante  the film is a classic too, capturing the early 80s NYC cesspool with beautiful cinematography. Not to forget the dramatic action and nasty revenge violence.

Unengaged in 2018 Semi-Rant....

It's always hard to listen to any new music in the first few months of the new year because all I can listen to is the usual Christmas offering from Moon Wiring Club. Tantalising Mews/Cateared Chocolatiers was a double cd and an LP, almost 3 hours of music. Then I end up going back through their entire back catalogue as well as as their sterling batch of DJ mixes. That's a hell of a lot of music, all of it terrific.

It's not like there are a bunch of new records lining up to be heard though. All I know is Migos and Judas Priest have new LPs. Readers please feel free to recommend an album to me that you think I may have overlooked. I'm not really holding my breath for any upcoming releases as far as I can recall.

The only thing I can think of that would excite me is if eMMplekz ever get around to recording something new. I actually can't believe eMMplekz aren't part of the semi-popular consciousness like The Fall were in the 80s. They should be highly anticipated heroes on the festival circuit. If the fucking Sleaford Mods can crack the top 20 with their bollocks, fuck, eMMplekz should be hitting the top 10 with Baron Mordant's lyrics that capture the crap going on in all our heads in this over stimulated digital age. He's an astute observer of the current absurdity in which we all live our lives. Are they most underrated music project ever? I guess people are so fucking people. I once wrote a piece on eMMplekz and how they are a conduit of our internal thoughts and external expressions in this current maddening age not to mention the exposed malignant electronics Mordant's vocals are paired with but I lost my notepad (I should come back to this topic at a later date).

The only other thing I'm keeping an eye on is the electronic avant pop ladies ie. Holly Herndon, Katie Gately, Laurel Halo etc.

Strangely enough I just did a google search after writing the previous sentence to see if anything was happening out there in the world of music that might interest me and well, yes, Ekoplekz have a new release Impressionz. This is an archival collection containing 10 unreleased tracks recorded in 2014 during the sessions for the classic Reflekzionz LP. I can't find any indication of a forthcoming eMMplekz album though. In fact something on bandcamp hinted that their 2016 LP Rook To TN34 may indeed be their 'swansong'.

Movies....again

RECENTLY RE/WATCHED

Blood Beat  (1983)
As the Americans like to say this movie is 'batshit crazy'. Fucking strange Christmas slasher/rural horror with a sexual samurai ghost. Probably best watched under the influence of something.

There Will Be Blood (2007)
Pretty Amazing. Surprisingly compelling for such a long movie. Probably not enough jokes though. Does Daniel Day Lewis have to be slightly unhinged to be able to portray such an awful character?

Prime Cut (1972)
Mental Irish mob gangster flick. Drugs, prostitutes, meat packing and a whole lotta wrongness. Stars legends Sissy Spacek, Lee Marvin and Gene Hackman. Look out for crazy chase scene involving a homicidal maniac on a grain harvester, wow!

Race With The Devil (1975)
Mid 70s American classic of Satanic rural horror/action. Peter Fonda, Warren Oates & Loretta Swit star in this genre hybrid. Camping, car chases, boozing and a chilling ending. How could you go wrong?

Atlantic City (1980)
Neo-noir crime/romance. Burt Lancaster and Susan Sarandon star. Directed by French bloke Louis Malle. Really good little story. One of the best movies of the 80s which is really a 70s film innit?

Jurassic Park (1993)
Bad script, horrible music and cheesy acting nearly destroy this movie but it's saved just by the horrifying nail-bitting action. Oh...It's got Dinosaurs.

Freebie & The Bean (1974)
Pioneering buddy cop action car crash extravaganza comedy movie set in the always scenic San Fransisco. James Caan and Alan Arkin are the two bantering dickhead cops while Loretta Swit and Valerie Harper play their girlfriends. Some of the most iconic 70s car chases, shoot outs and er...racist dialogue, hey it was 1974.

Lost In America (1985)
Albert Brooks comedy co-written with Monica Johnson. A yuppie (ha I got to use the word yuppie) married couple played by Brooks and Julie Hagerty quit the rat race to travel America in a motor home. Guess what? Things don't turn out so good. You would have to think that one Larry David was a big fan of Brooks.

Death Wish 2 (1982)
Can't say much about this except that it makes the first one look like a masterpiece. I must have fallen asleep in it as I don't know what happened in the end. Apparently Death Wish III is  highly rated by the VHS nerds but I don't think I can go any further.

Paris Is Burning (1990)
Fascinating doco that chronicles the ultra underground drag and transvestite scene in mid/late 80s New York. This is quite a time capsule that explores the intricate social detail of drag balls as well as AIDS, poverty, prostitution, voguing, race and murder.

Into The Night (1985)
Like a companion piece to After Hours & Something Wild only not quite as good as those two. Directed by John Landis and starring Jeff Goldblum & Michelle Pfeiffer. Oh so quirky like only 80s so called comedies can be. Worth watching though for David Bowie in menacing supporting role. Never saw this in the 80s.

Party Monster (1998)
Doco about a bunch of degenerate (not in a good way) fuckwit empty vessels with no talent called the 'party kids'. If this wasn't real you'd swear it was a mockumentary written by Bret Easton Ellis.

10 To Midnight (1983)
Stop the presses! I liked a Charles Bronson movie. To elevate a police procedural movie above the standard tv fare they have added more blood, boobs and bent cops. How entertainment. Excellent electronic score too. The sort of thing you'd wish would be on telly in the middle of the night when you can't sleep instead of reruns of fucking Walker Texas Ranger.

The Devil's Honey (1986)
Unforgettable opening sex scene involving a saxophone, followed by an unforgettable sex scene with lipstick then one on a motorbike. Lucio Fulci's unknown 1986 film surprised everyone last year when it got a blu-ray release. Funny how some people (podcasters) say 'I'm a big Fulci fan' yet many were not even aware of this film. Do you reckon 'a big Bob Dylan fan' isn't aware of every recording he did in 1986?

NEVER SEEN
Texas Chainsaw Massacre II & III
Poltergeist II & III
Exorcist II & III 

PODCASTERS/CRITICS/COMMENTATORS I CAN'T STAND
(ie. Why does film criticism attract such wankers and try hards?)
Mark Kermode
Nick Pinkerton
Violet ??? from film comment

No Rest For The Wicked

1976. Here's an LP that is amazing. Power trio shit up there with Blue Cheer, ZZ Top, Rush and whoever. This group is sometimes so in the pocket I can't believe it. I'll analyse it later but for now just enjoy. Sometimes it even reminds me of Television, perhaps it's just the guitars they use I dunno. Rock on!

Mondo Rock is Best Rock

The melody of this (above) top 10 tune entered my mind at 3AM yesterday morning. I reckon I haven't heard it in over 25 years. It's a hell of a tune from an underrated band. They're not cool but they're consummate pop craftsmen who designed the right kind of ear candy for the early 80s Australian radio airwaves. Mondo Rock's double platinum 1981 LP Chemistry produced another 3 hits (below) all of which I loved as a kid.



Synth-y new wave blue eyed soul schtick, which is nice. Ariel Pink would get into this I reckon.






I guess this one's a bit Cars-y. This top 10 hit was a staple of the 80s airwaves. Old wave into new wave. For non-Australian readers singer/songwriter/producer Ross Wilson was in the legendary Aussie 70s act Daddy Cool.



It was a party night 
It was the end of school

This for me is Mondo Rock's all time classic though. I remember being in Melbourne and hearing it on 3XY. It's from 1984, right at the time girls got very interesting. It's full of the excitement of oncoming adolescence with a hint of menace. The lyrics are a bit dodgy though aren't they? Are they?

I've always wondered which beach this clip was filmed at.

Anyway Come Said The Boy only made it to number 2 on the charts. No 1 in my heart, right up there with other early/mid 80s radio classics Don't Change, Boys Of Summer, Ship Of Fools, Out Of Touch etc.

1971: Heavy Psych/Prog Jams

Now this is what I'm talkin' 'bout. Heavy-psych/sludgey-acid-prog-blues man. This is pure early 70s gold. Get out yer bong or drop some acid, you decide.



Moog driven heavy space prog jam. If there's similar shit like this out in the world please let me know. Sometimes I think 1971 is the best year in music ever. That's probably not a very cool thing to say but I don't give a fuck. This tune blows my fucking mind man. This band is a band. Everyone's contributing good stuff. The rhythm section is cookin' while that keyboard goes mental. The singing and guitars are perfectly complimentary too.



Now this one gets pretty far out into almost drone territory in the middle. Then they pick up the momentum and it comes back into an amazing heavy psych-prog climax with a bass sound from outer space. Incredible shit. I don't think this even got a mention in Japrocksampler as far as I recall(?)

Dio & Metal & ....

There is something very business like about certain metal. The way they trade singers and guitarists like it's a fucking football draft. The bands don't necessarily feel organic or like a gang.

Somewhere on the internet the other day someone mentioned the lead singer of Whitesnake had been in Deep Purple. I always just thought they were an American poodle hair metal band. I did only know a couple of 80s Whitesnake music videos featuring scantily clad ladies. My metal knowledge is somewhat lacking. I guess I'm more into your 70s hard rock, proto-metal, heavy prog and space rock with huge blind spots when it comes to conventional heavy metal and NWOBHM. I've never been able to get into Iron Maiden or Judas Priest like I have with say the likes of Blue Oyster Cult, Truth & Janey, Thin Lizzy, Motorhead, Scorpions or Venom (maybe one day but I'm not holding my breath). Where the hell do bands like Accept and WASP fit in? I guess I need to do some research. Actually I've watched all those Banger docos so I suppose I've just forgotten about the shit groups that I don't care about.

I like Deep Purple (LPs like In Rock, Machine Head, Live In Japan etc.). I only really started to recognise their charms when I got old. They do tend to get overlooked as metal pioneers in favour of your Led Zeppelins and Black Sabbaths, particularly these days. It's weird that I know fuck all about them except maybe they recorded once in a castle in Germany and it burt down or something or nothing (?). I guess I know more about the post-Deep Purple activities of Richie Blackmore because I quite liked Rainbow due to several live videos that used to get played on Rage in the late 80s when I was a teenager. Their 1976 LP Rising is a classic.

Then there was Rainbow's Ronnie James Dio who later joined Black Sabbath for a couple of albums in the early 80s. Not that I know much about him either. I was somehow aware that his first couple of solo records were rated by metal heads and then Henry Rollins once mentioned him in a stand up comedy routine in the early 90s.

Anyway what I'm trying to say is the stories of these people David Coverdale (singer of Deep Purple and Whitesnake), Richie Blackmore (guitarist of Deep Purple and Rainbow) and Ronnie James Dio (Vocalist extraordinaire of Rainbow, Black Sabbath & solo) are all relatively interesting. Why don't Mojo and the like cover this sort of stuff instead of going over and over the minutiae of Bob Dylan's motor bike spokes (Sure I haven't flicked through an issue for years but I assume....)

Maybe I have to start reading the metal equivalent to Mojo or maybe a history of metal. Any recommendations out there? I did read that Chuck Eddy book on 500 metal albums but that was hardly an overview of orthodox metal. More like one dude's trip into heavy music that pissed off many an orthodox metal head.

Scorpions, they were German. They also rocked.

INXS Invented Hauntology by accident!

I was a kid into INXS and knew all their experimental B-sides but I'd never heard this one until today, I think.. Perhaps it wasn't the Australian B-side to The One Thing or maybe I've just totally forgotten about it...er maybe it's coming back to me. I think I just hated it so I rarely played it. Anyway I'm thinking Moon Wiring Club might dig this. INXS invented hauntology by accident in 1982.

RIP Mark E Smith

Go to my twitter for more tributes to the great man. I'm trying not to double up on the stuff I've already posted there. I also don't wanna use all those same words that have been used to describe Mark E Smith and The Fall over and over again throughout their existence. So here are just a handful of tunes and videos from the first ten years of The Fall's recorded output.

M.E.S.

1957 - 2018

Recorded in 1977 and released in 1978.

1979's Rowche Rumble is the 3rd Fall single and what a cracker.

B-side to Fiery Jack. The Fall's B-sides were often as good as the A-sides and usually didn't feature on the LPs.

Single number 6 which was also not included on their album of the time. This is why Fall compilations are such an integral part of their discography. Is Totally Wired The fall's finest moment? It's fucking exhilarating. Has a song title ever fitted a song's sound so literally? 

My Favourite Fall LP (well for today anyway, interchangeable with about seven others), released in 1980 on Rough Trade.

Another great stand alone single from November 1981. This is peak period Fall right here folks.

This was the B-side to Lie Dream Of A Casino Soul from 1981. You got bang for your buck with Fall 7"s back then. I guess these were more like double A-sides, doncha reckon?

The B-side to another non-LP single Look Know from 1982. Just to clear up any confusion it was later included as a bonus track on the expanded cd version of Hex Enduction Hour.

C.R.E.E.P from 1984. Another mighty era for The Fall. This is when Brix Smith became an indispensable member of the mid 80s Fall line-up. The shiny new Fall now had boy/girl vocals, hooks galore and rhythms for the dance-floor.

Cruisers Creek a 1985 single. V dodgy vhs transfer of the film clip. Remember when youtube was just a bunch of old shonky vhs tapes?

LA is quite possibly the coolest tune in rock history. It's all happening here: the band, the production, the inspiration, the synergy.....spellbinding! They were not only top of their game, they were top of THE game. Taken from 1985's musical triumph This Nation's Saving Grace. LA is also AA-side to Cruiser's Creek.

1987 single which was a cover of an old 70s tune, maybe a Northern Soul or Motown number. I remember hearing the original on a soul radio show 10 years ago and freaked out because I always thought it was a Mark E Smith tune.

There were a bunch of versions of this ecstatic dance-floor anthem. Which one is this? I dunno. Hit The North should have been a global No. 1 with a bullet. 

*There is so much more to The Fall than just this motley selection of tracks. I could go on for days. I haven't even posted any live numbers or Peel Sessions. If you really get into The Fall it can be a captivating passion. 

2017's Best Tunes

I forgot to post a favourite tunes of 2017 list. This list has been sitting in my drafts since mid December but it was only a top 5 or 6 anyway. I've added a handful of other tracks since the Christmas/New Year period. I didn't listen to the radio or watch any music video channels in 2017 but I did check out probably a couple of hundred singles/tracks on youtube. Not hearing them in a radio context doesn't allow for a tune to insidiously worm its way into your brain though. I thought pop's reign had halted and r&b, rap etc. were in poor shape. I still do.

I just couldn't hear any innovations in rap at all, at least not vocally. It all just seemed to be rehashing what Gucci Mane, Future and Young Thug had pioneered years earlier. In times like these sometimes that can be ok because often newer artists consolidate on what the pioneers have already blueprinted. However it just seems like every newcomer is rather pale by comparison to their forefathers. God, Young Thug & Future even did an album together which left not a trace in my memory, that was not a good sign. Jay-Z sounded tired. Geez Tyler, The Creator was even sounding fresh with his old school Neptunes/NERD shtick, it stood out because everyone else sounded the same. Too Much (Vocal) from v1984 was classic b-boys on E stuff plus I quite liked tracks from these new feisty rappers with potential Rico Nasty and Sheff G.

The beauty of hip hop a few years ago was the fact that somehow even in this post-geographical internet age a regional flavour still came through in a lot of leading artists material. So distinctive styles were developing throughout the different neighbourhoods of America. Now you get New Yorkers sounding like wannabe southern trappers, people from LA moving to Atlanta, Rappers from Brooklyn wishing they were from Chicago etc. Where are Rae Sremmunrd from? Cardi B? Vince Staples? Is Travis Scott from Atlanta?  Who knows anymore? It's probably a cyclical thing. I mean you did have g-funk coming out of all sorts of places in the 90s, not just LA.

I didn't think I'd heard any good pop/rock songs last year, not that I tried very hard or at all. However, I actually heard the infectious Imagine Dragons tune, Whatever It Takes, in Emma's car on Boxing Day which I thought was a state of the art soft-rock anthem for the FM airwaves of 2017. No apologies hipsters.

Indie rock is just plain embarrassing now. It's the trad jazz of the 2010s.

Most R&B and their inter-zones sounded staid but there were a couple of things that grabbed my attention. The obvious standout was Kelela's two singles and LP. Apparently there's a Steve Gurley dub of her Truth Or Dare floating around the internet too. Thundercat, SZA and NERD featuring Rihanna had their retro moments.

There were one or two disparate electronic things that caught my ear but they were mainly just little 90s nostalgia trips for me like Lanark Artefacts' Touch Absence, Bicep's Glue, Loft's Funemployed and a few others that have slipped my mind. Other track-y things like Your Kiss Is Sour by Parris and Ploy's Unruly had their charms while Objekt's Theme From Q was almost something new. Oh and I've only just realised Rudeboyz came back with an EP but I missed it.

So below is my belated best tunes of 2017 list.

BEST TUNES OF 2017
Frontline - Kelela
LMK - Kelela
Slippery - Migos feat. Gucci Mane
Blue Light - Kelela
Bodak Yellow - Cardi B (Zora Jones & Sinjin Hawke Bootleg)
Magnolia - Playboi Carti
Too Much (Vocal) - v1984
Goosebumps - Travis Scott feat. Kendrick Lamar
Dark Matter - Jlin & Zora Jones
Mask Off - Future
DNA - Kendrick Lamar
Lemon - NERD feat. Rihanna

'ardcore Smokey Joe

Gotta love hearing some early 90s rave-y hardcore that has never crossed my eardrums before. Thanks to Simon via Energy Flash for alerting me to this Red Bull article on ridiculously overpriced rave records. Some of these tunes I'd not heard until today.
.
I love me a bit of kitchen sink hardcore: Breaks, scratching, Italo piano riffs, more breaks, synth riffology, chipmunks, hoovers, cheesy 80s synth samples, pitch-shifted divas, squelches, references to rushes etc. Kiss My Neck has got the lot.



Then there's this, a stone cold 'ardcore classic! Boomzabang, which is less cluttered than Kiss My Neck, has got fabulous beat science, riffs built on rhythms, time-stretching and melodic beats then the hardcore hoovers move in at 3.40 and by 4.20 it's mentastic. Next the track delves into dark lulls with a sampled diva, closing out on a classic break that could go on forever. How I've not come across this before is astounding because this is superior 92 into 93 hardcore slipping into darkside.

Smokey Joe is bringing the joy to my fuckered back and this sweltering heatwave.

Ryo Kawasaki - Mercy Of The Dragon

God only knows how I got here. This is from a 1982 LP by Ryo Kawasaki confusingly titled Featuring Concierto De Aranjuez. The centrepiece of side 2 is Hawaiian Caravan along with Mercy of The Dragon (see below). All of side 2 is good 80s Japanese cosmic stuff. Mucho custom guitar synthesizer action.

Mnemonics III - Pauline Oliveros

Damn fine electronics from the 60s. I have heard this one before...er... maybe it's on a different record to this one though or a different cover. Muchas Gracias to the late Pauline Oliveros for these alien frequencies sent from her swirly transmitter. Joy. Ha...I've just realised she was another faculty member of Mills College. Quite a coincidence or is it not one at all? Perhaps my brain was subconsciously playing Alvin Curran and Oliveros deliberately. That does not explain the Xenakis played in-between however. Anyway...

The silver lining to your back going out is the psychedelic unison of the drugs and the music.

A Perspex Town

New music from Jon Brooks aka The Advisory Circle. Lovely stuff. This video and LP cover art are courtesy of Ian Hodgson from Moon Wiring Club. A Perspex Town is taken from Applied Music: Vol. 2 - Plastics Today. This is some kind of faux library music album which is released on Friday.

Canti Illuminati - Alvin Curran

Had not heard this until the today of now. Loving it. Rzewski's old pal/collaborator from MEV, Alvin Curran makes amazing masterpiece released in 1982. This is desert Island stuff. Curran was also a Mills College Professor, they had quite the faculty didn't they? If someone hasn't done this already someone should, that is write a book about the great musical minds that were staff and students of Mills College, Oakland, California. Legends such as Morton Subotnick, Terry Riley, Pauline Oliveros, John Cage, Robert Ashley and Luciano Berio were amongst the prestigious staff. Some of their distinguished students were Steve Reich, Laurie Anderson, Dave Brubeck, Kevin Blechdom, Joanna Newsom and their most recent star Holly Herndon.

I've done me back and cannot move, the painkillerz have kicked in big time and Canti Illuminati has arrived from nowhere to entrance me. Thanks interweb gods and not forgetting Alvin too. Wow! Muchas Gracias!

Best of 2017

LPS/TAPES
Tantalising Mews/Cateared Chocolatiers - Moon Wiring Club
Dust - Laurel Halo
Take Me Apart - Kelela
AZD - Actress
The Ghost Of Hope - The Residents
Cassettera - Ekoplekz
When It's Time To Let Go - Lo Five
The Saddle Of The Increate - Sun Araw
async - Ryuichi Sakamoto

HNDRXX - Future

Dedicated To Bobby Jameson - Ariel Pink
Dulce Compañia - DJ Python

Maredidt - Myrkur
Lack - Pan Daijing
Reassemblage - Visible Cloaks
Rock Bottom - Rangers
Ambient Black Magic - Rainforest Spiritual Enslavement
Mnestic Pressure - Lee Gamble
Bioprodukt - Ekoplekz
Insert Genre Here/Epson's Bladder Salts - Ashtray Navigations
New Age Sewage - Robedoor

I've been trying to put this list together for over three weeks now. This morning I just thought 'Bugger it I won't do a list.' Then later this afternoon I thought I'll just write a small paragraph about a handful of records I didn't mind but didn't necessarily love to death and leave it at that. Listening to Moon Wiring Club's latest epic 2CD & LP combo I thought 'Well...they need a place to go don't they because they're fucking outstanding as usual.' So now I've put this together but I'm still not a hundred percent convinced about it.

Should it just be a top 3, a top 6 or maybe a top 8 list?....

Anyway many of my usual favourites did not make the list. I didn't hate the records by Ariel Pink, The Focus Group, Gas or Omar Souleyman but I didn't love them either like I usually do or wanted to. I mean that Ariel Pink LP is a bit lightweight innit? Yet It's also pretty good but it's just not in the same league as The Doldrums, Worn Copy or Pom Pom is it? It was still my most played LP of the year though so... The best film score was from Oneotrix Point Never for the crime movie Good Time. Toi Toi Toi and Migos just missed out, Chino Amobi was (oh so) interesting (not), Tyler The Creator, SZA & Thundercat were alright, Kaitlyn Aurelia Smith was way overrated and that Zomby record just did my head in. Then there was my usual hip-hop entrants (Future, Young Thug, RJ, Beatking) whose LPs just didn't leave lasting impressions on my mind. I'd have been happy to make a top fifty list if there were fifty excellent albums released this year. I listened to a lot of stuff including black metal, even shoegaze and drum'n'bass plus a whole lot more rap but it just wasn't innovative, exceptional or consummate enough for me to write about.

REISSUES/ARCHIVES/COMPILATIONS
Selected Classics - The Mover
Frontal Sickness - The Mover
Final Sickness  - The Mover
Afternooners - Patrick Cowley
U-Men - U-Men
Voyage Cerebral - Didier Boquet
Un Rêve Sans Conséquence Spéciale - Heldon
Interface - Heldon
Stand By - Heldon
Fetus - Franco Battiato
Pollution - Franco Battiato
Sulle Corde Di Aries - Franco Battiato
Miracle Steps: Music From The 4th World 1983-2017 - Various
Pop Makossa: The Invasive Dance Beat Of Cameroon 1976-1984 - Various

TELLY
The Deuce
Sure The Deuce isn't as good as The Wire but it's fine entertainment.
The Crown
Sure The Crown isn't anywhere near as cool as The Deuce but season two was ten dramatic mini-movie masterpieces in a row. I can't explain it, just watch it. Who would have thought twenty hours (two seasons) of television about the bloody Queen could have been this amazing?
Curb Your Enthusiasm
Sure they didn't really need to do another season but it still had me laughing out loud a lot.
Twin Peaks - Episode 8
Sure I kinda preferred it when BOB was just a mystery. When BOB just was. Anyway this is a pretty cool episode that was all about early, experimental, cult & avant-garde cinema and much more. Exquisite. The other 17 episodes weren't a patch on this.
Black Mirror: Hang The DJ Episode
That was romance.
Line Of Duty
Best cop show since                    or perhaps ever. Season 4 was probably the finest so far with incredible performances from Thandie Newton and my current favourite actor Adrian Dunbar as Superintendent Ted Hastings. Gotta wait 'til 2019 for the next episode, sheesh!

see ya 2017

My dog loves this one. More Marc Acardipane for your soundtrack to 2017.

Best 80s Albums

tactics

Yesterday on twitter somebody asked what was the best LP released between 1980 & 1989. I thought I won't do my obvious pick. So I did a little year by year list that didn't include Talking Heads, The Fall, The Birthday Party, Prince, The Church, The Triffids, The Smiths, Sonic Youth, My Bloody Valentine or The Pixies.

My pick in the end was My Houdini from Tactics but it could have been any of these or like a hundred others. Ever since I started this blog I've been meaning to write an article in praise of My Houdini. Maybe the time has come to finally put pen to paper about this undervalued post-punk/new wave classic.

1980- Out Of The Tunnel - MX-80 Sound

1981- My Houdini - Tactics

1982- Ice Cream For Crow - Captain Beefheart & The Magic Band

1983- Head Over Heels - Cocteau Twins

1984 - Let It Be - The Replacements

1985- At Home With You - X (The Australian band not the inferior one)

1986- Three Virgins - Axemen

1987- Children Of God - Swans

1988- Sixty Nine - AR Kane

1989- Max Q - Max Q

Problem Child - ACDC

Rick Rubin summed up AC/DC here. Amongst other things he wrote:

A great band like Metallica could play an AC/DC song note for note, and they still wouldn't capture the tension and release that drive the music. There's nothing like it.

The essence of Malcolm Young.

RIP Malcolm Young

Malcolm Young.

The Centre,

The Core,

The Engine,

The Backbone.

The Heart & Soul,

A riff machine.

The essence of AC/DC is the rhythmic guitars and the minimalist groove.

Malcolm was the fucking essence of AC/DC!

Marc Acardipane - See You In 2017

2017 Gloom/Doom-Core

The atmosphere on these tracks is just so....now. Is World War III really going to be about a couple of drama queenz having a bitch fight in the sand pit about who's old, short or fat? Ye olde cartoons were smarter than that. Kim & Don are are the dim wit kids in grade one you felt sorry for. This here is the soundtrack for the schoolboy/world leader dust up which was made in 91/92 with a vision to 2017. I'm worried Marc Acardipane is some sort of Nostradamus type figure. I mean like Nostradamus (as in a psychically freaky fortune teller for the ages) and not just into him as Simon Reynolds mentioned at the beginning of the year on my blog. These aren't even Marc's most pulverising beats, It's all about the blackest gloomiest synths and sound generators. Some of these beats are almost quite fun. Music for the surviving cockroaches, ants and mutant sea creatures to joyfully bug out to while the ghost of humanity looms in the post-apocalyptic air.

*All of these tracks have been remastered and reissued in digital form in 2017. Frontal Sickness, Final Sickness and a compilation called Selected Classics have been part of Acardipane's reissue campaign by Planet Phuture. So far it's been all about The Mover and Mescalinum United, I wonder if any of his other aliases will be getting the remastered treatment?

Obscure Darkside Mix - DevNull

You can always depend on Pete DevNull to come with something fucking cool around Halloween for lovers of the darkside of the hardcore continuum and this year is no exception. This fabulous mix, that was posted a few days ago, is some of the most shadowy old school jungle you'll ever hear. According to Blog To The Old School some of these tunes are mega rare white labels and unreleased trax from back in the day. I reckon I only recognise 3 or 4 of the platters in this set. You know the score!

If you love the darkside I suggest you go through the BTTO archive of mixes. One year (2012?) Pete did an epic 3 hour set for Halloween which is one of my favorite all time dj mixes. There's a bunch of fantastic darkside sets from DevNull that should keep you going out of your brain for some time.

Umberto Lenzi Movies For Halloween

Watch Eyeball in tribute to the late great Umberto Lenzi. Ocular violence is probably my biggest fear so this gets to me despite how funny the whole movie is. It's very disturbing to me.



Lenzi did like 7 or 8 Gialli and Spasmo is his most triumphantly mental. Just go with it and forget about a cohesive narrative for the duration. I'm sure you'll enjoy it. There's actually a better version on youtube Posted by Giallo Realm which won't embed here. So maybe search for that one. Happy Halloween.

Halloween

Friday The 13th goes to an early 80s disco, 1982 to be precise. Love that synth bass.

Remember when Howard Shore was awesome? Particularly when he was scoring for Cronenberg.

Ambient to noisy electronic delirium and back again.

Francois De Roubaix was a French film composer. I think his mind was quite free of constraints when it came to making music. You can hear it all here in just 3 minutes. He covers a lot of ground but it doesn't sound forced or shoehorned, it's just wonderful. As far as I can tell only two tunes from the soundtrack to the 1971 Belgian film Daughters of Darkness were ever issued. Les Dunes d'Ostende was on one side of a 7" released by French label Barclay.

Keeping with the horror theme, De Roubaix died in his mid 30s in an accident whilst diving off The Canary Islands in 1975. He is pictured on the cover of one of his compilations in scuba diving gear which I thought was rather macabre.

HORROR MOVIE PODCAST - FACULTY OF HORROR
If you can get past how impressed this duo are about their scholastic achievements and are a horror movie fan this could be a podcast for you. The hosts Andrea Subissati and Alexandra West take an analytical look at one or two films per episode which are thematically linked. They've covered ye olde classics like Night Of The Hunter, Witchfinder General, Black Christmas, The Exorcist, Texas Chainsaw Massacre, Shivers, Halloween etc. Plenty of 80s and 90s movies like The Shining, Sleepaway Camp, Friday The 13th, Fright Night, Gremlins, Lost Boys, The Crucible, The Crow & The Cube have been featured. Films of the new Millennium are not shied away from either, like they are in many other casts of pod. Wolf Creek, The Loved Ones, Elle, The Descent, Trick'rTreat, Calvaire, Martyrs, The Babadook, Cabin In The Woods & Drag Me To Hell have all been picked apart by the faculty. Alexandra West wrote the book Films Of New French Extremity and has a new book due soon about 90s teen horror.

I've never seen this movie but it's apparently a cross between Carnival Of Souls and Messiah Of Evil. Which sounds like it would be right up my street. The full version on youtube is unwatchable but it was issued by Arrow on dvd & blu-ray last year though. Looking forward to tracking it down.