Young Thug - Quarterback

I don't think I posted this before but it's a toss up between this and the previously posted Best Friend for best tune of the year for me I think. Young Thug should do a whole album of tunes with the vibe of those two tracks, that'd be the best LP of the 2010s don't ya reckon? Barter 6, Slime Season 1 & 2 have 53 tracks. I've made a mixtape featuring the best 29 songs from those three releases called 2015 THUG, if he'd released that it would have been an all time classic. Then there's all his features including 5 on Gucci's Brick Factory 3 and that Metro Thuggin mixtape bootleg and so many more I didn't include. You could probably make another classic mixtape of the best of all those, I'm sure I've missed a bunch too. Does anything recorded go unreleased? Beatking on his closing monologue from 3 Weeks calls it 'the mixtape grind'. I kinda don't get it. Do the rap guys feel they have to keep pumping out so much stuff just to remain constantly visible? Anyway over 29 top choonz in a year is pretty bloody impressive. 

Abundance Of Stuff

Well it's been quite a couple of weeks for new releases, a bit like the old days when you didn't know which releases to get because there were so many that you wanted to hear. Now though the ones you don't buy you can just download, I suppose, plus many are free downloads anyway. Beatking and Young Thug releasing new albums/mixtapes in the same week is a good week which ever way you look at it. God I'm still getting my head around Thugga's Barter 6 and the first volume of Slime Season and now we've got Slime Season 2. His new mixtape Slime Season 2 (after only a couple of listens) is quite possibly up there with his two classics Black Portland & 1017 Thug. Young Thug also has a collaboration mixtape with Migos about to drop at any moment plus another official solo LP. He's the new James Brown ie. the hardest working man in show business. Beatking's 3 Weeks is his third album of the year as well and his quality control is usually the highest in the rap game only rivalled by Kev Gates. Beatking has signed with Sony and he made an LP for them in 3 weeks. It's not as dementedly bangin as something like Gangster Stripper Music 2 from last year but he's still funny, profane, non PC and hey it wouldn't be a Beatking release without a version of Kiesha, surely this is the 17th time this tune has turned up, I expect a version on all his albums till he retires now. Is earnestness starting to sneak in to his array of aesthetics though? He may be stupid but Beatking's not dumb so naming this album 3 Weeks feels to me like a disclaimer as it's probably the lesser of his three releases this year. He's letting you know this was chucked together very quickly. Hopefully I'll have some further thoughts on this stuff once my mind has processed it all. Boosie Badazz (some of this sounds outstanding, after one initial listen), Zuse and Amber London have released worthy new material in the rap zones too in the last week or so. Recently Gangsta Boo, Skipper, Ty Dolla Sign and Lil Herb have put out mixtapes worth listening to as well and I reckon I've probably missed a few too.

In electronic zones Rustie creator of possibly the best record of the 2010s (well at least one of the top 9), Glass Swords, has a new album called EVENIFUDONTBELIEVE and it sounds really bloody good compared to last year's disappointing Green Language so that's exciting news as I was ready to write him off. Arca and Mark McGuire have new LPs plus I just discovered Steve Moore's synth soundtrack The Guest that was released earlier this year. That Visionist album Safe still has me transfixed and slightly perplexed as I can't quite pinpoint why I like it so much. Then there's the archival box from Harmonia which I guess is really only of interest as it includes the previously unreleased Documents 1975. I believe this is getting its own separate release which I can't wait for, in fact I'm gonna have to download that right this second I think.

Then I discovered That Bret Easton Ellis does podcasts. I've checked out the episodes with Kim Gordon, Ariel Pink and Doors drummer John Densmore, which are all worth listening to. This guy can talk and then talk some more. Sometimes I wonder if he needs guests at all. His epic intros are gloriously verbose. It's all about Bret and it's fascinating as is his obsession with LA.

Finders Keepers Radio did an excellent Halloween special although their shameless self promotion is starting to wear thin. These guys are obviously massive music fans but business and marketing are starting to cloud their vision slightly.

Last but not least I've discovered the dudes from the legendary but now dead sharity blog Mutant Sounds have started doing podcasts as well. They've done two episodes so far of Mutant Sounds Radio. If you loved the Mutant Sounds blog you'll know what you're getting here ie. Seminal music from subterranean fringe dwellers brought to public consciousness by counter obscurism.

Oh and one last thing......I was going to post this tune last week as I've been getting into the 2003 Ricardo Villalobos LP Alcachofa and then I noticed this has been issued on a 12" recently which is weird. Anyway me love this tune a lot.

This is on the other side of the 12" and is the opening track from Alcachofa and it might even be more awesome than Dexter. Legendary.

Oh then there is more stuff..... this time in Hauntological zones......maybe next time......