[1982]
If you didn't discover Konrad's delightful cult album Evil on music sharing blogs in the 00s here's your chance now. Don't let the cover fool you this ain't no satanic metal, it's actually an anti-evil synth-songwriter record. The sort of thing you might think John Maus was influenced by. While Evil is somewhat of its time it's also absolutely outside of time as well.
Along with the myriad of synth action you get some fx damaged vocals, acoustic guitars, more synths, jazzy pop, psych rock reimagined through an electro pop viewfinder, lite synthetic jazz-funk, a blue eyed soul tune, cosmic synth breaks and even reggae. A bit like a skewed survey of radio rock/pop of the era made in a bedroom by one fella and his arsenal of keyboards. Konrad: A one man genre that he also termed Ethereal Sequence which he described as "the sequence of the soul". This music scientist is an electro wizard.
Lyrical and theme-wise Evil is somewhat of a concept LP. After seeing a lot of violence and murder on the streets of NYC, the assassination of John Lennon was the catalyst for him "to build a non violent record where he could teach human beings not to be evil" Other topics include science, the cosmos, synchronicity, the matrix, alien intelligence and the drudgery of work.
Cult-y outsider music albums can often be a difficult listen or just utter crap but this is incredibly accessible pop music.
The unadulterated humanity here might just be the tonic you need in these spiritually bankrupt times.
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