Showing posts with label Jungle. Show all posts
Showing posts with label Jungle. Show all posts

Sunday, 5 August 2018

Jungle Mix



Pearsall from sonicrampage never lets you down with his jungle mixes. This one's called Rolled In The Jungle (Summer Ready Jungle Mix) All Killer No Filler. Just in time for a beautiful & unseasonably warm day in the North-West of Victoria down here in the Antipodes. Loving it...ooh that segue from DJ Krust's Poison to Origin Unknown's Mission Control, nice. Many a mid 90s legend here ie. Goldie, Foul Play, Babylon Timewarp, Tom & Jerry, Dillinja, Run Tings, Roni Size etc. Pearsall presents an Amen-free zone full of rugged soul, ambient drum'n'bass and tough breaks. He's mixing it up with some big tunes and a sprinkling of lesser known trax, all choice cuts. As the brief states Rolled In Sunshine is pretty much all rollers in that exquisite transitional zone before jungle splintered and either got too smooth, too harsh or too boring.

Big ups to Pearsall!



A sweet spot for me is when the jungle gets dubby and Poison certainly does that with a choice bit of sampled(?) reggae.  


The unmistakable sounds of Origin Unknown. Mission Control is pretty minimal and dubby too. A sumptuous trip into a long dark tunnel, know what I mean? 

Thursday, 13 August 2015

What's On The Hi-Fi Part $?


DJ Extreme - 1994 Jungle Volume 10
I can't seem to get out of 90s zones. This is a cracker of a mix. I've been working my way through DJ Extreme's mixes at Hardscore. Listened to all his 92 and 93 hardcore mixes and now I've reached Volume 10 of his 94 Jungle mixes. This is a fabulous trip into the 90s. We've got funky drummers, half-time bass lines, divas, ragga muffins, chipmunk traces, r&b dudes, sinister synth stabs, washes of ambience, drum splatters and just plain mental bass. This mix is worth it for the array of bass lines alone. You tend to forget that in amongst the euphoria of 90s hardcore a darkness lurked just as much. This mix contains big names like Dillinja, Ed Rush, Doc Scott and DJ Phantasy as well as 2nd and 3rd level playaz. Jungle was so good in 94 the B, C & D grade artists are fucking great too. The quality went deep and the beat science rewards were endless. Volume 10 isn't relentless with the beats, space has it's place here as well. Sometimes you think the darkness is going to envelope the whole set and the drums are going to conk out. That never happens though until the end, I guess. Big Ups to the Extreme.


DJ Extreme - 1994 Jungle Volume 9
Here's another DJ Extreme mix which is a bewdy too. This mix starts out with gold ie. DJ Dextrous & Rapid's Rapid. The House Crew, Tango, Marvellous Cain, Dillinja and D'Cruze all pop their heads up in this ace mix. I can't get enough of this shit and let me tell you there is a bounty of it at Hardscore. Time-stretching, remnants of hip hop, traces of 70s reggae, Ragga, Rave sirens, Amens, House, ethereal lulls, elastic booming bass, dubbed out divas, cymbal splashes, bleeps, mini ponds of euphoria, occasional swells of thick bass goo that leap into the drum n bass future and much more feature here. What's amazing is how different Volume 9 is from Volume 10 which is a testament to the genre's flexibility and breadth of vision and probably why the Hardcore Continuum would continue on for another decade before running out of steam. "They played that bloody Jungle music all night!" And why wouldn't you with choice tracks such as these.


The Church - Hologram Of Baal
Ever since Reynolds posted those Go-Betweens & Church film clips a week or two ago it has been hard to get out of these Aussie zones. You might have noticed I was/am quite the Church fan. I seem to have lost 1996's Magician Among The Spirits so I gave this another listen and wow what an underrated little gem this is. By 1998 they had probably lost at least half of their 80s fan base but that didn't mean they weren't still making legendary music. By this stage of the game we'd all ditched the paisley shirts and pointy shoes long ago but The Church continued on their merry way making druggy journeys into sound. I guess their only contemporaries at the time were Mercury Rev (a friend once described Yerself Is Steam as The Church meets Butthole Surfers), The Flaming Lips and Spiritualized. The Kranky label had been releasing psychedelic space rock for a while too by this stage but the Church weren't following trends. They just did what they did best and made one of their best LPs while they were at it. Hologram Of Baal is The Churchiest of 90s Church LPs. It solidified their 90s experimentalism while containing all of what made them great in the 80s making this an album of consolidation for the band. This LP is like a Church progress report of where they had come from, where they had been and where they were going. More gold.


BRICC BABY SHITRO - NASTY DEALER
Now this is a state of the art rap mixtape 2015 style. With most mixtapes you can usually tell which region of America it's coming from ie. Drill & Bop (Chicago), Ratchet (California) trap/weird (Atlanta/The South) etc. but Bricc Baby Shitro throws them all onto this mixtape making it hard to tell where he's emanated from. It makes sense then that he's from LA but now hanging out in Atlanta. Even though Bricc Baby's got a handful of producers here, the mixtape remains pretty cohesive. Having Young Thug on your mixtape is a blessing and a curse. Thugga will give your recording a higher profile but he's most certainly going to upstage you no matter who you are. That puts the starpower of Young Thug into perspective ie. no one in the rap game can come close to him and this has been the case since his 2013 classic 1017 Thug. Anyway this is a genre mixtape that considers the state of where hip hop is in 2015. You may not like having this plethora of rap sounds all in one place but it's almost definitive of the year or at least the decade in which it was made.

Friday, 20 March 2015

Jungle Gold


This is a bunch of jungle tunes I've only come across this year or at least ID'ed anyway. The jungle music jungle is vast indeed. I had a severe migraine earlier today so I was drugged to the eyeballs. After many hours the pain abated. I was still in a drug haze when I decided to listen to a mix I'd made earlier this year, before my computer crashed. I had found a stash of choice jungle tunes on the interweb I hadn't come across before but now I can't recall how or where I found them. Anyway it was a great decision to listen to this mix while I sunk into the bed finally feeling better and able to enjoy a snippet of life. The quality goes deep on these tunes. One thing I loved about hardcore and jungle was the amount of different sections to a song there were. If one bit wasn't doing it for ya it didn't matter because a new section would have probably arrived before you even realised. Tear Down is a bewdy. Total drum and bass science. These artists were so damn crafty, you have to admire their commitment and dedication. 


This is great mental jungle. Fucking crazy bass, kung fu samples, beats to die for, killer synth stabs and a lovely reggae vocal loop. What more do you need? You Must Think First is relentless.


This really sounds like music from a Jungle at the start. Then the beats roll in, followed by a diva, then killer bass and breaks. The drums on this are incredible. This was a culture on a high and Dubb Hustlers were bringing their A game because you had to otherwise you'd be fucked as everyone else was raising the bar as well. Shit two sport analogies in the same sentence, I think I need to have another lie down.


There's something comforting about the sirens in this tune. Junglist Soldier has passed both tests ie. the bike one and the bed one. The beatz are amazing on this and that 80s Prince-esque synth is fabulous and unusual. Perhaps amongst the choppage here is a Prince drum sample. I think I'm hearing Devo drums as well. Maybe they're just the same drum machines. I don't know. When you think all is said and done an unexpected mental bassline kicks in at the 4 and a half minute mark which is pure gold. You could say that bass was proto-dubstep but that would kind of cheapen it I reckon. This is prime jungle, dubstep doesn't come anywhere near this shit man. 


Lets face it music sounds better on drugs. Lets face it everything's better with drugs. Why do you think its such a massive worldwide industry. This sounds good when you're straight too. Its just that the last time I heard it (an hour and a half ago) I was off me head. Hoover soundz along with sweet soul vocals is a great combo as is bit of a chipmunk vocal, great keyboards, synth strings and a reggae sample. 

Wednesday, 11 March 2015

On The Hi-Fi Part 40


When I can get Luca Brasi 2 by Kevin Gates off the stereo I listen to some other stuff. This one is a snappy little 37 minute mix from Pearsall over at Sonicrampage. These are drum'n'bass tunes from 95 & 96. There's even one from 99 which is way past my usual cut off point of rarely venturing into or past 96/97. Anyway this is a little rollin' bewdy featuring just 4 different artists - Roni Size, DJ Krust, Bill Riley & DJ Die. The later 2 I'm not particularly sure I'm aware of. Most of these tunes are new to me. I love the little covers Pearsall makes and this one's no exception. Get 90s man.


Geez Mr Nick Edwards is one prolific musician. I think I may have missed a couple of Ekoplekz releases since Influkz. Entropic is just two long trax. Entropy Flash (neat title huh?) which runs at 13 minutes and Entropy Symphony that's around 16 minutes. This EP is more along the lines of his last mini album Influkz ie. it's a more subdued and subtle affair compared to his last two LPs. Then again that's a little deceptive because if you have it at low volume it seems quite nice but with the volume cranked it becomes quite intense and a little sinister. This is music from post-apocalyptic zones or is it outer space? Or perhaps its the landscape/headspace of Ekoplekz right now? Entropy Flash is repetitive almost funky technoid gear that occasionally has flourishes of melody amongst the darker drones and its damn fine as usual. How does he keep up the quality with so much quantity? Entropy Symphony is the swirliest swirly tune ever. It swirls and swirls until it swirls off into a vortex of epic oblivion. This has got to be one of the best Ekoplekz tracks ever. Me like a very lot.


I cannot recall how I came across this mix by Slimzee at Soundcloud All it says in my i-tunes is Truancy Vol. 111: Slimezee. Anyway its more jungle, this time more your 94/95 variety before it became drum'n'bass. Many a classic on here such as Hitman, Babylon and a very well worn copy of The Dark Stranger, why wouldn't it be? It's such a gem. An hour of jungle gold. This is some awesome DJing right here. Not loving that faux faded bollocks look of the virtual cover though. This guy was in Pay As You Go Cartel and pretty much invented Grime, I think. There you go, you learn something every day.


More good stuff from Pearsall. Not The Future We Were Promised... is more of your prime 94/95 jungle. He crams them in here. Thirty Five tunes in just over an hour and a half. It's one hell of a ride. Some classics and some lesser known classics whizz by so hold onto your hats. I guess at this stage you're either into it or you're not. This wouldn't be a bad introduction to jungle though. It would be hard not to be seduced by the 'rhythmic psychedelia' on display here as its soo darn great. This is when it was pretty much just jungle like the above Slimzee mix, post hardcore/darkside and pre drum'n'bass/tech-step/garridge. Huh, the future, it kinda went sideways then nowhere.


Last but not least is 10 Wanted Men's Wanted: Dead Or Alive which is Memphis Rap 1995 stylee. This features Memphis legends Tommy Wright III, Womack Da Omen and Princess Loco. Women in 90s Memphis rap are so fucking cool. They just really suit the vibe of this creepin shyt. Still getting my head around this one but fuck it sounds good so far. This is the real rap underground on absurdly lo-fi tapes. This ain't no backpacker shit! (RE: This article at FACT) Whatever the fuck that is? I have a feeling it means shite rap ie. rap that couldn't make the charts because it was shite so they tried to then pretend they were like indie or something, but in reality they were just a laughing stock. Obviously some people got sucked into their shtick though.

Monday, 9 February 2015

UK Garridge 101 - Part 2



This one is from 94 and is a gem. My files have disappeared and my computer is dead till I get someone to look at. I'm not hopeful though. I'm using the Mrs computer. I don't think I had this as an mp3 track, it was definitely on a mix though. So this is a Ray Keith alias and there is some Foul Play connection as well. I think they did something on the flipside. I don't know if Ray went onto garage or continued on with drum'n'bass.



Now this is Wookie from 99 and it's garridge gold. I don't think I knew this one at all. That organ sound plus the drums and bass seem so simple and that's what makes this so great. Then there's that cool serene outro, nice.... I guess it reminds me a little of some of those early hardcore trax that were really minimal like 2 Bad Mice but Wookie does it in garridge form.



Ha, now we're back to Steve Gurley who may or may not have had anything to do with that Renegade B-side at the top. I think I'm lovin the dub (below) even more than the vocal mix. Gurley did both of these versions. Gee he had a knack for this shit. The way he seamlessly went from hardcore to jungle to garridge is something to behold. Nobody probably did it better as far as I know (future topic perhaps?) He was born to do it......er...... wonder what the original is like?

 

Part of a discussion with Simon Reynolds, author of Energy Flash & Retromania, and me lifted from the comments box.

Simon
heard lenny fontana 'spirit of the sun (steve gurley remix)"? also tuuuuuuuuuuuuuune.

Tim
I found the 'Full Vocal Mix' on this mix at Soundcloud https://soundcloud.com/stevegurleyselectedvinyls/steve-gurley-selected-vinyls

This is a pretty cool mix from Revealomaniac, no relation.

The 'Full Vocal Mix' & 'Ballistic Beatz Dub' are not on i-tunes or Beatport. I don't get these guys and the way they treat their own archives?

Simon
yes the mix in that Soundcloud thing (which i downloaded last year now i recall) that is the same as the one described as 'Renegade Business Mix' - so i wasn't wrong all along after all. phew!

i suppose it's not an archival culture really, as much as there are fanboys clustered around all different stages of the hardcore continuum who track stuff like who engineered which jungle or hardcore tune and auteur trajectories of producers etc - the actual core of the culture is not archivally conscious. all these great tunes we fetishise were done as fast-money music, it was about getting the track out for the weeks or few months it was blazing on the pirates and making quite a lot of quick money for the label and the producer. they weren't thinking that far ahead and many would have gone out of business. i mean is the label that put out the gurley rmx even in existence any more? is there anyone with an active financial interest maintaining the archive? probably not. but you would think that the artist would want to keep their work out there in some form. however i got the sense that Gurley was burned in his business dealings, that's the story i heard from somewhere, that he was locked into something iniquitous. so perhaps the whole period something he wants to put behind him, or even doesn't own that music. i mean a remix is usually a flat fee payment for a service, the remix is owned by the original artist / label no matter how different the track is at the end of the process.

Tim
Lenny Fontana has Hundreds of trax on Beatport and Gurley even has a few. They're just not the one's I want. Maybe there are some issues like you say with certain tunes. Steve Gurley did acknowledge and recommend that Soundcloud mix though. It's a funny old world innit?


***Both Victor Romeo's Inside You and Lenny Fontana's Spirit Of The Sun were issued on Public Demand Records which I don't think has a current release schedule. Probably shutting up shop in the mid 00s by the looks after 2-Step and UKG were superseded by Grime and Dubstep. In 2013 there was some archival (I think?) audio file release activity from the label. They do have a twitter account.





Wednesday, 4 February 2015

Dolphin Tune - Aquarius


I'd heard this back in the day but didn't realise it was called Dolphin Tune. Is it really? Is this where the term Dolphin Jungle comes from? Is that even a term or do I just think it is? Or did it already exist so he was just taking the piss out of himself. I was a sucker for this stuff back then, the good tunes anyway, still am i suppose. This is a bewdy, I reckon. Perfect for my current headspace. It just seemed an unlikely hybrid that juxtaposition of ambient/new age and jungle beatz/choppage. Did someone say ambient jungle? The flip is fucking wicked too probably even better, especially if you get a couple of versions going at once like 40 seconds apart. When I first heard jungle I guess some time in 92 on RRR or PBS in Melbourne on a show called Roots, Ragga & Dub where they started having like monthly jungle specials, which I used to tape but those tapes are long gone, dammit! Anyway that's what I reckon they were doing playing the same track out of sync with at least two records possibly even more or other tunes entirely. It was like music being beamed into my crappy East Brunswick bedroom from a planet inhabited some super hyper spazzoid aliens. Don't let the fact that this is a Photek alias put you off. This isn't as methodical or detached as some his other material.



Forever grateful to the Professor of 'The Hardcore Continuum' Simon Reynolds who adds another contribution to my blog in the comments box:

"probably does come from that tune, but also Bukem was doing things like "Atlantis" and the whole sound of Good Looking / Looking Good is just aqueous isn't it?

there was 93 track by Nebula II on Reinforced called "Eye Memory' that actually has dolphin noises on it! The title is based on that idea that if a dolphin looks you in the eye, it'll never forget you."

I remember Atlantis but not sure I'm familiar with Eye Memory. Funds back in the day went mainly on gettin wasted so it was radio, tapes or clubs where you heard the music. Import 12"s were bloody expensive as were styluses. Loved those Nebula II trax on those Reinforced comps though.

Monday, 2 February 2015

Come Easy - Run Tings & Liftin' Spirits


Didn't Know this track until I bought that excellent Suburban Base Compilation last year. It just came up whilst I was on me pushy today. Gee there's some great choppage happening in there. Then you've got those strings which are just lovely and that quintessential female voice. Mmm.....me like a lot. Don't know anything about them except they, Run Tings, had a run of 5 or 6 records on Suburban Base. This did lift my spirits today. I don't know if it's like a split single deal or a collaboration. So I checked out the flipside (below) Invincible which is more your pure dolphin jungle but that's not a bad thing with me. I quite like it. There's a nice dark bit in the middle. It's hard not to resist that drummage, no matter how absurd and fusion e it is.

Saturday, 17 January 2015

Steve Gurley/Foul Play


This one's is from 93. An all time classic no doubt. 4 horsemen was a Foul Play pseudonym. There's an unmistakable 4 Hero sample in there from Mr Kirk's Nightmare. The flipside We Are The Future is just as stunning.



This one from 92 co written and produced by Gurley and 2 High. Actually the other version Dub In U might even be better than this, might dig that out to compare.



Steve Gurley had a lot to do with 'ardcore and Jungle before he went Garridge. I'm pretty sure this was just him on the remix of Omni Trio's Renegade Snares (Foul Play remix). God I love Omni Trio. I never tire of them. They are a gift. What was it Kodwo Eshun said about Omni Trio? Something about them 'being so kind'. He's right they have been kind to me for creating such great music and giving me so much pleasure through the years.

Thursday, 16 October 2014

UK Garage With Simon Reynolds

"Double 99 and Gant are just pure classic speed garridge. Deekline is sort of 2step turning into breakstep (breakstep really not a good development in my opinion, with a few exceptions - although he liked to call it Nu Rave, Deekline - sort of starts to merge into the nu skool breaks scene which you may nor may not recall - Rennie Pilgrem and others that my memory fails to dredge up. Stanton Warriors were the big breakstep act as I recall. But all of it -- speed garage, 2step, breakstep, proto-dubstep like Horsepower Productions, proto-grime like Pay As U Go Kartel, Oxide & Neutrino, and So Solid Crew - could be subsumed under the rubric "UK garage". Which runs from about 1996 in its earliest stirrings through to 2003-4 when grime and dubstep broke off as separate entities - so that's like an eight year period of great music and ferment in the UK dance underground, but also spilling into the charts. "I Don't Smoke" was a hit single."


*This was left by Simon Reynolds in the comments box of the previous post. Seeing as nobody clicks on the comments box I've put it here, hope you don't mind Simon.
As I've said, this is around the time I got off the Hardcore Continuum. I Don't Smoke went to number 11 in the UK chart for DJ Dee Kline in 2000, the year after it's original release. Horsepower Productions feature prominently in that J Rolla Proto Dubstep Mix with 3 tunes. Nu Rave & Nu Skool Breaks are familiar terms as I would have tuned into radio shows playing this music at the time but obviously got turned off by it. This is also around the time (99) I stopped going to clubs. I gave 2step a go but I just couldn't get into it. As far as Grime went I didn't hate it but I didn't love it (like I loved jungle) either, I guess that's indifference or at least tolerance, if it was within earshot. Having said all that it seems I'm open to reappraisals as some Speed Garage, 2step & Breakstep are now seeping into my consciousness in a very good way.
This is a beauty from 97.

Also from 97 and heading into 2step
.
This is a "Tune" from 97 as well.

Tuesday, 27 May 2014

Crunk Gabba & What (ever else)


DJ Snake & Lil Jon - Turn Down For What (via Energy Flash). I always like it when any kind of rave, hardcore or electronic vibe turns up in rap. Do these people even acknowledge Gabba, PCP, Cold Rush, Belgium etc. I know years back Timbaland being very cagey about his influences. Many people at the time were thinking it had to be comin from jungle, drum n bass etc. IE the UK. I don't think he ever owned up to it though. It's like Americans can't stand having to acknowledge anything European influenced. Like it's un-American or in some way or weakens their art. Funny considering Afrika Bambaataa's Planet Rock sampled Krafwerk in the very early days of hip hop (1982). DJ Snake is French though, I think, so he's kinda bringin the Euro vibe like Gesaffelstein did with Kanye last year.

Anyway I was thinking with one of the brands of Lean off the market now, (haven't done the research to see if there are still other brands still making it) what affect is that gonna have on the whole Ratchet/DJ Mustard scene. I guess the track above is one direction, kind of like a noise made for Meth-Heads. The pummel with surely appeal to people mixing alcohol & Meth & whatever else. Ecstasy and pot ain't goin nowhere though. Perhaps the downer euphoria will dwindle a little. Stay tuned.

Sunday, 21 October 2012

RE: Interstellar Martians

Kowalski liked both types of speed.

*When I said in that previous post that Jungle "was for hopped up martians going interstellar!" I meant that's who it sounded like it was for. The reality was it was for druggy young urban jungle dwellers going nowhere except oblivion in their brains. This thought reminds of the film Vanishing Point and its subtext of a need for acceleration, to pioneer, to hunt etc. So Kowalski has all this instinctual energy but nowhere for it to go. The worlds been mapped out, we've even gone into space, all our food is at the supermarket etc. Did any women make Jungle? So Kowalski fills his desires with the speed (meth & going fast) and chaos of the road and being chased across America by the authorities. He makes the road his home. With jungle, the makers of and their followers wander a similar path. They enjoy the endless horizon that awaits in the music and their minds (usually drug addled ones) to escape the urban jungle's drudgery of daily life at least for a little while.....er.....discuss. Have your essays on my desk by Friday kids.



 
 
Two more classics from the Reinforced label for speeding into endless chaotic wide open vistas and dark futures. Having said all that stuff above it is interesting to note 4Hero were as straight edge as Fugazi's Ian Mackaye. Weird huh?