DJ Crystl: Dee Jay Recordings 1993

To me Dj Crystl is one of the great sound designers of the jungle era. Perhaps Pete Parsons aka Voyager, his engineer and right hand man deserves some credit here too. The tunes below display a producer at the peak of his powers going from strength to strength like Omni Trio, Foul Play, 4Hero and Goldie all were at roughly the same time. While Dj Crystl's 1993 was brilliant choon-wize and his 1994 was also pretty good, it was the following year things just did not blow up for him how they were supposed to as jungle ballooned into Drum & Bass. Crystl somehow missed the momentum and it felt like his potential was never fully realised. Like is there several albums worth of material that never got released? What happened? While that's probably an interesting story (that I don't actually know) I just want to point out here what a stellar set of releases DJ Crystl issued in 1993 on Dee Jay Recordings. 

Dj Crystl's three 12"s on Dee Jay Recordings and one 12" on Force Ten Records in 1993 make up one of Jungle's most sublime winning runs. If Crystlize, Deep Space, Meditation, Warp Drive, Sweet Dreamz, Your Destiny, The Dark Crystl and Inna Year 3000 were all put on one cd it would have been one of the top jungle albums of all time along with The Deepest Cut, Parallel Universe etc. Actually I can't believe somebody didn't have the foresight or hindsight to compile that (?). 

I suppose Dj Crystl was one of the original ambient jungle producers. I always think he's got a vague shoegaze vibe too with his walls of synth sound, drones and ethereal vocal science scattered amongst the jungle elements. I wonder if Kevin Shields or Seefeel were fans? or vice versa? Anyway his sides are a lot crisper than you might imagine or remember. They are immaculately put together with all sorts of microscopic detail. I imagine Dj Crystl spent a lot of time meticulously crafting each second of his tuneage while never losing sight of the big picture. The sound while fastidious however never appears to be too fussy, often quite the opposite and that balancing act is where his potency lies. Like Omni Trio there is an aura of splendid excitement, elegance and generosity in Dj Crystl's jungle.  

DJ Crystl - Crystlize

Swirls of synths, shapeshifting walls of sound, time-stretched drum opulence, alluring dark tunnels, ethereal vocal science and an uncanny rattling clang accompany the endlessly chopped snares into the Crystlized echo chamber.

DJ Crystl - Deep Space

Frantic intricate choppage that is somehow mellifluous. Those melodic snares are cushioned perfectly amongst the atmospheres of enchanting darkness. 

DJ Crystl - Meditation

Oceanic pools of sound and waves of delicate vocal science eventually make room for exquisite rhythm-ology. At  5.10 a dramatic halt to proceedings occurs to allow sonic waves back in before the beat momentum effortlessly picks up again. In the remaining couple of minutes it moves into mesmerising sparkling ambient snares. Peak ambient jungle.

DJ Crystl - Warpdrive

Dj Crystl's most in yer face moment in 1993. This is a deluge of chopped and stretched breaks that go euphorically haywire amongst ominous drones. Don't forget that gloriously dark synth at 3.12. while the breaks continue go more and more insane. The Best. 

DJ Crystl - Sweet Dreamz

Idyllic sounds of the seaside with heaven bound synths, a woman's soothing meditative voice and a beat much less frantic than most jungle. Sweet Dreamz is all space age tropical vibes of calm tinged with disorientation and darkness. Pretty psychedelic.

DJ Crystl - Your Destiny

Waves of miniature ambient delirium and disorienting backwards abstractions where the spirit of MBV circa Glider lurks. The rhythm stop starts until 2.53 when it gets fully rolling as the darkness encroaches with a spectral presence coming in and out of focus. Choice dubby bleeps add to the subtle elusive charms of Your Destiny. 

  

THE DARKSIDE OF RAVE II

Mega City 2 - Dark Child (1993)

From a 1992 dubplate that was eventually released commercially a year later on the Demon By Daylight EP.  A haunting girls choir sing hymn-like melodies, occult-y percussion, dialogue from Children Of The Corn, backwards beats, a Japanese flute, rave riffs, needle scratches and rattling breaks make this one spellbinding journey into darkness.

Jim Polo - Voyager (1993)

Insidious chopped divas, record scratching, brittle infected beat science, eerie stretched ring modulators, horror dialogue and pitch-shifted bells all blend into this darkness. Further dark points are added as Voyager was issued on Dark Horse Records, an imprint run by Jimi & his 2 Sinister bandmate Neil Vass. Dark Horse started in 1993, released just 7 records and by 1994 the label was done and dusted. 

The Invisible Man - The End...(Drug Induced Psychosis Mix) (1993)

An uneasy vibe is followed by sinister tones then whooshes of darkness while the riddim fades in as the creaky gloom continues, further tension is added with Goblin-esque horror soundtrack soundz, at 3.09 a wobbly hoover drone blasts in, then we're informed it's the beginning of the end as we head into oblivion. 

D.O.P.E. - When I Was Young (1993)

This starts out of the gate with Amen breaks, then a sub bass drop at 0.13. Just as you're thinking this is gonna be a nice lil' toe tapper the creepiness starts to take over and before long you are enveloped in exquisite darkness. That malignant pitch-shifted Supertramp Logical Song sample is so sneakily inserted into the track that you barely even notice it's there until the tune is over and it has seeped into your brain.

Rufige Kru - Manslaughter (Part 1 Runners Edge) (1993)

Goldie is probably the only jungle celebrity on the planet but don't expect this tune to conform to any kind of commercial or dancefloor standards. This is twisted abstract dark ambient jungle except it's knackered and the malfunctioning beat just won't get up off the floor to get you on the floor. This is impeccable sound design for song blueprints for the future. The time for Manslaughter (Part 1 Runners Edge) still has not yet arrived and possibly never will. This is beyond! 

ANDY C

Double Vision - Easy Does It (1993)

Double Vision is an Andy C alias. Easy Does it is a surge that goes so hard(core) it totally rocks da house! 

Desired State - Beyond Bass (1993)

Desired State is Andy C & Ant Miles from Concept 2, Elevation & Higher Sense. The vocal hook here is a sample from Humanoid's Cry Baby which is turned into an urgent skittering blur. Add Amen breaks that smash their way through the dark atmosphere and blissful ambience to create quite a buzzin' tune.  

Andy C - Bass Constructor (1993)

We get mental chopped up hardcore chipmunk vocals amongst the insane drum choppage, whooshing keys, atmospheric bleeps and a classic bass drop at 0.58. Dark, intense and sinister. Bass! 

Andy C - Something New Part 1 (1993)

Includes babbling speedy chipmunks, hands in the air ambience, racing rave riffage, delirious backwards drumz and a deep bubbling bass drop at 1.25. Something New is a stampede in one hell of a rush.

Desired State - Killer Beat (1993)

Killer Beat starts out with ominous bells, disorienting synth smears then vocal snatches rush by in a blur as a deep wobbling bass enters amongst all sorts of frantic alarming sounds to rattle your brain.   

Randall & Andy C - Sound Control (1994)

An Amen smasher with mucho time-stretched and frantic choppage along with sirens, bleeps and horror soundtrack vibez. 

Randall & Andy C - Feel It (1994)

Sometimes hardcore jungle tunes can resemble arty audio collage music. Amidst rave sirens, crazy hardcore breaks and deep dub bass we get a slew of vocal snippets featuring jungalist and movie dialogue. As the comments say this wasn't played out very often but it's a booming track to lose your mind to. Bubblin psycho-delic RAMology.

Origin Unknown - Valley Of The Shadows (1993)

Now let's finish with the Andy C track that everyone knows because it's probably the most unforgettable jungle tune ever and definitely one of the best. This particular Valley Of The Shadows yt clip has been watched over 1.4 million times. Andy C is joined in Origin Unknown by his RAM Records co-founder Ant Miles. This Darkside Jungle masterpiece never gets old. It was whipped up in just four hours with most of the musical elements coming from a sample cd given away with the February 1993 issue of Future Music magazine. Apollo 11's 1969 lunar module landing countdown from NASA's Jack King provides the "31 seconds" dialogue snippet. The haunting "Felt that I was in a long dark tunnel" dialogue sample comes from a BBC documentary about near death experiences. The delightfully eerie atmosphere created here makes this one of the most memorable jungle tunes of all time. Perfection. 

Excerpt From A Teenage Opera

Check out this sound of brown folks. Not just the sound but the vision too. I do not recall this being a hit in Australia but Emma assures me it was a big one in the UK. Hang on I wasn't born yet but you never hear this one on Golden Oldies Radio at least not here in. Totally disturbing video considering England's reputation with TV & kids. Actually I quite like the tune. Graet creepy children's choir...Grocer Jack Oh No...    

On The UK Prog Tip

MIRAGE - CAMEL (1974)
I'm no expert on UK prog, I know more about French, Italian, German, Australian and Swedish progressive rock. I've hardly checked out Pink Floyd post Saucerful Of Secrets since I was a teen. I know me King Crimson Larks' Tongues In Aspic/Red/Starless & Bible Black era due to my brother, some primo Van Der Graaf Generator and Gong (I guess they're more like an international prog supergroup) but that's about it. I've been totally diggin' Mirage though, every song's a winner. Some choice keyboard workouts and impressive wayward guitar parts. Very enjoyable.

IN THE LAND OF GREY & PINK - CARAVAN (1971)
I guess this one's still pretty psych innit but kinda jazzy with a great rhythmic sensibility, fey vocals and hints of pastoral folk. In The Land Of Grey & Pink is particularly delightful in that whimsical British sense. Hatfield & The North and Egg await.

ACQUIRING THE TASTE - GENTLE GIANT (1971)
This is an incredibly inventive album with intriguingly unlikely musical juxtapositions and haunting visions. One of Tony Visconti's finest production achievements. As the title suggests this is an acquired taste you'll either be seduced by this eerie madness or hate it with a passion....er...I'm in the former camp. I can imagine Scandinavian black metal bands diggin' on these ghostly medieval(?) vibes interspersed with heavy psych-prog guitar interludes, outlandish percussion and mysterious ye olde folk with jazzy undercurrents.

FRAGILE - YES (1971)
I can't believe how much I've been enjoying Yes. I was always led to believe that they were naff. I didn't realise how influential they were/are on the likes of Rush, 70s corporate radio rock, prog-metal and even some indie rock. Exceptionally surprising pop hooks amongst the proggy and neo-classical jams. Love the psych-fuzz and Wah-wah on The Fish.

The Dadacomputer

Again & Again &...

Whilst moving house recently a printed out image of the cover to this tape came out of one of my boxes. I'd printed it out a couple of years ago as I thought it was an incredible piece of pop art as previously mentioned. I'd only seen the cover and heard one of their tunes back then but a few months after that original post I found a cd in a second hand record shop in Melbourne. It was a little confusing though as it was credited to The Birth Of 5XOD. It was only like $6 so I bought it anyway. When I finally got home and did the interweb research I discovered it indeed was the same album Minimal Wave had reissued. I'd just never heard of 5XOD (or Five Times Of Dust) but I soon discovered they'd released 4 tapes in the early 80s and contained members Mark Philips and Robert Lawrence who were the original band Dadacomputer. Confused? Anyway it wasn't until blog Die or DIY? put up a file of 5XOD in 2014 that I ever heard them. Last year Johnny Zchivago of the aforementioned blog put up a whole lot of stuff from Mark Philips, Robert Lawrence and other associates of The Dadacomputer/5XOD and fuck that was like an avalanche of revelation. 

Getting back to the original Dadacomputer tape from1981, it has since become a cult classic at my home, on the internet, amongst electro fiends and.....er... hipsters and continues to grow in stature by the minute. So much so that a tune from the tape has been included on the 4 CD compilation of UK electronic music from 1975 -1984 Close To The Noise Floor. In fact it's the first track on that collection, as if the compiler was trying to make a statement about the merits of the band. There's also a tune from 5XOD included as well. Anyway The Dadacomputer tape is a classic of it's ilk. The primitive melodic electronics are like an unholy union created in the interzone of Computer World and 20 Jazz Funk Greats except it is fabulously unique. Which makes that description kind of deceptive. The contents range from computer-y disco to proto-house to trippy journeys into sound to minimal pre-IDM through to the just plain weird/normal. The Dadacomputer are neglected alien space babies lost inside el cheapo computers from 1981. On the surface it seems sonically rudimentary but on closer inspection it is perhaps sophisticated. Had enough paradoxes, oxymorons, confusion etc? Well I'll stop there.

Eventually I'll do a post on Map 7 which is an epic 10 tape series by Map (ie. Mark Philips 1/2 of The Dadacomputer) from 1981 because it is awesome.

The Munch Bunch & Other Kid's Telly Theme Tunes

Sounds like something off Ariel Pink's Pom Pom, I reckon. The Mrs has been singing this all day so I checked it out. I don't recall it at all...maybe it didn't make it to the telly screens of regional Victoria in the 80s. We only had two channels...

I vaguely remember this though.

This the only other one I recall. I'm pretty sure this show was actually French but dubbed into English. I would have been none the wiser back then though. The rest are a journey into Emma's childhood tv mind.

Loving Button Moon's theme. "I am the moon" "Howard Moon"... The Boosh guys must have loved this.