Edgar Froese - Epsilon In Malaysian Pale

I've been listening to this today for obvious reasons. It's Froese at his most serene and beautiful which is all I can handle at the moment. This was the second LP in his classic Brain trilogy that began with Aqua in 1974 and ended with Macula Transfer in 1976. I think I love these three LPs more than anything he did with Tangerine Dream. These were released on Brain the German label but I think Virgin licensed Epsilon In Malaysian Pale in 1975 for the British market. Parallel to this Froese purple patch was another for Tangerine Dream. During this same time frame Tangerine Dream released 3 classics too. They released 3 of my 5* favourite TD records. In 74 it was Phaedra and then in 75 they released two masterworks Ricochet and Rubicon. That's a hell of a few years for Froese. What a synthesiser legend. He was also pretty handy on the ye olde guitar. Thank you for the magic you created with your synths.

*The other two Tangerine Dream classics in my book are Zeit from 1971 and Atem which was released in 1973. Hey some of his soundtrack work was good too, solo and with Tangerine Dream. Stuntman was a great solo one. Tangerine Dream had some bewdies Sorcerer, The Keep and Thief were outstanding. Apparently he did a soundtrack for one of the very recent Grand Theft Auto's which I've never heard. Froese had a couple of other good solo records too in particular Ages (1978) and Pinnacles (1983).

I really liked it a few years ago when it was like everyone was influenced by Froese and Tangerine Dream. It was like the future had finally arrived and it was as Froese and co had predicted with those records by Emeralds, Oneohtrix Point Never, Mark McGuire, Panabrite, Steve Hauschidt, Outer Space et al. It was all really cool music. That must have been flattering for Froese.

I'll leave you with a quote from the Kosmische musician himself:
"There is no death, there is just a change of our cosmic address."

John Carpenter - Lost Themes

WHAT THE FUCK???

What a nice surprise to brighten the gloom of my past week or perhaps add to the gloom but that will make me happy. Why didn't someone think of this earlier? Just get John Carpenter the music composer to do albums without the films. The films, have been nowhere near as brilliant and influential as his scores. I don't necessarily hate his movies but I think his scores are 20th century masterpieces. I dunno if I've heard anything by him from this millennium, though. Anyway lookout Zombi, Pye Corner Audio, Drokk and Umberto the real deal is here to give you a run for your money as just a recording artist. I'm a little excited by this prospect I must say. Halloween 1, 2 & 3, Escape From New York, Assault On Precinct 13, Christine, The Fog and Prince of Darkness are among my favourite pieces of music of all time! I'm not the only one who thinks this. Check out industrial music, 90s Memphis Rap, Techno, Doomcore et al. as well as 21st century genres like Deep-Tech and Ratchet. I was only saying the other day right here on this blog that John Carpenter might be the most influential musical artist of the 21st century. His music is universally adored and held in high esteem. Let's hope this record lives up to our expectations. If not, don't worry there will be another Umberto record around the corner (I hope) and whoever else Carpenter is currently influencing like Xander Harris, Gesaffelstein, Shay & Sinista etc.

This sounds very good indeed. It more than makes up for the lack of a new Umberto album last year.

Rap Mixtapes - Influx Inertia 2

Lovin the cover! Surely he'll get sued?

This (above) is coming soon, looking froward to that. Future's just put out another mixtape. I haven't had time to check out the last one properly yet or his LP of last year. In a minute he's putting out anotherbloody one with Young Scooter. The Rap Mixtape Inertia continues. Boogie have finally been been given a listen and their Thirst 48 sounds pretty good so it's missed mixtape purgatory as has Goldlink's The God Complex. I came across RJ & Choice's Rich Off Mackin which has Mustard on the beat throughout so that could be good? Or maybe not. Chief Keef's at it again but I've barely been able been able to give the last two mixtapes a go let alone his LP. Then we've got a Rome Fortune collaboration with OC Maco Yep and yep I'll listen to it one day this year possibly. Now I feel like I need to reassess OC Maco because one of my favourite rappers, Mr Fortune, thinks he's worthwhile collaborating with! Lil Wayne makes a return with Sorry for the Wait 2 which I just read on twitter has been downloaded a quarter of million times already on Datpiff after less than a day. Cheddar Da Connect's Catchin Playz 2 is currently getting a hearing here.???. Piling up are Young Scooter, Rae Sremmurd, Lil Herb, Juicy J, Mike 'Will Made It', Young L, Drake and all the blah blah mentioned in that previous post. The Zuse mixtape Illegal Immigrant is becoming a 2015 favourite. There has been like over 30 mixtapes alone released at LiveMixtapes this week so far. Then there's a whole bunch of artists who I've never heard of and perhaps it should stay that way. Someone needs to stop the clock and let the future shock dwindle a little. Imagine being a Gucci Mane fanatic? How exhausting would that be? All I want is Club God 4! Where is it?

To Download Or Not To Download?

******* STOP THE PRESS *******

The ClubGodzilla himself informs me on twitter that Club God 4 will be issued on February the 3rd. I'm guessing as a free mixtape, probably on i-tunes as well. I dunno? Wouldn't a physical LP be cool? We'll see, I mean I saw Kool John did a cd of his classic free mixtape $hmopcity.

Steve Gurley/Foul Play

This one's is from 93. An all time classic no doubt. 4 horsemen was a Foul Play pseudonym. There's an unmistakable 4 Hero sample in there from Mr Kirk's Nightmare. The flipside We Are The Future is just as stunning.

This one from 92 co written and produced by Gurley and 2 High. Actually the other version Dub In U might even be better than this, might dig that out to compare.

Steve Gurley had a lot to do with 'ardcore and Jungle before he went Garridge. I'm pretty sure this was just him on the remix of Omni Trio's Renegade Snares (Foul Play remix). God I love Omni Trio. I never tire of them. They are a gift. What was it Kodwo Eshun said about Omni Trio? Something about them 'being so kind'. He's right they have been kind to me for creating such great music and giving me so much pleasure through the years.

The Future Is Dark - Redlight

I was going to continue on with Steve Gurley's history and more Garridge (that'll have to wait) but I came across this. What a bewdy. Somehow this has passed me by for 18 years. I don't even recall it on any mixtapes/DJ sets or even mentioned anywhere ever. I guess it's a slight anomaly with it almost being a 93 Darkside throwback but that bass (which is soo good) puts it firmly in 1996, the era of Jump Up and Tech-Step. So this was just before Garridge took over and Drum'n'Bass dwindled away into inconsequence. Many of Drum'n'Bass's motifs however would continue to pop up in UK Garridge, Grime, Dubstep etc.

Who are Redlight?

Is there more pre Garrdge gold to be discovered? I really did think I'd excavated everything up to the point of the UK Garridge paradigm shift. But perhaps not.

UK Garridge 101

Another tune I only just discovered from 1998, well identified, as I'm pretty sure I've heard it before and maybe it's in a mix I've got. The vocal version is good too. So Grant Nelson is apparently like the godfather of UK Garridge and was doing it long before everyone else. I read somewhere that Nelson is still doing his thing in House related zones. He was also Bump & Flex so this is him remixing himself.

Turns out Steve Gurley did a remix of Things Are Never by Operator & Baffled. I can't work out if it was his dub version in that previous post or not. Anyway this is a tune from 2000 he did and it's a cracker. One wonders if there is an actual vocal version of Hotboys though, because I've not been able to find one. Bloody hell! Steve Gurley was in 4 Horseman Of The Apocalypse and Foul Play. Then he became a leading producer of UK Garridge and a remix extraordinaire. Legendary enough for ya? I'm expecting him to show up at some point in the Deep-Tech milieu, if he hasn't already that is.

Simon Reynolds adds the Gurley remix of 'things are never' is so much better than the original - which is good - but it's incredibly baleful and rolling. but it's not on YouTube, which is odd, i remember it getting played a lot on the pirates, so obviously well loved. i might try to dig it out and digitize it and put it up myself.

Deep-Tech Is This Where It's At?

Found this excellent article over at Blissblog about the Deep-Tech scene in London by Dominic Morris (at a publication I'm reluctant to publicise after some shameful journalism last year. I'll make this one exclusive exception due to how much I'm diggin the shit he's talking about). Mr Reynolds has some thoughts too and both have an excellent selection of tracks from the scene. I tried not to double up on those. Morris too senses something in the air. I mean I knew nothing of the tensions in the scene until now but I can sense something has to give. I was also thinking how blank a lot of this stuff is and how Eno will probably show up any minute now saying something about the scene. My wife said Dance Muzak that she could ignore at low volume but get into the groove if it was boomin out of the speakers. I love that dichotomy. But for me with the volume lower it's just as mesmerising (if you're listening). It's like these tunes don't need any extraneous bits. The tunes have just enough in them to excite the punter who's invested in the music and is willing to get deep. I don't go to clubs anymore, hey I moved to the desert, but all club music gets road tested on my bike (you know my legs are moving, a bit like dancing) and going to sleep in bed (which usually includes some kind of drug of the drowsy variety, hey they're drugs). Deep-Tech has passed both tests, whereas say Gabber only really passes the bike test (but I'm not taking amphetamines to kill pain or sleep). Deep-Tech can be really trippy and hypnotic music as well as truly bangin. That's the secret to this music, I reckon, that precipice. A bit like Ratchet's 'deceptively simple' trademark, it might seem basic but it's architecturally sound and aesthetically pleasing at the same time. This precipice is probably way harder to achieve than you think.





One of the outstanding tunes from Audio Rehab Volume 1.

Here's another parallel that Deep Tech has with Ratchet and it seems loads of other musical styles - John Carpenter. You can hear it most definitely in the above track. Here's a thought/question/future essay 'John Carpenter: the most influential musician of the 21st century?' That's a whole other story but a tiny piece of the Deep-Tech puzzle.

Speed Garridge to Deep Tech (?)

Came across this tune last night, fuck it's good. This is a UK Garage tune from 1997 but it's the dub version. After listening to a lot of current 'Deep-Tech' music from labels Audio-Rehab, Definition Audio, House Ent., Mokujin etc., Things Are Never (dub) by Operator & Baffled kinda seems appropriate. I hear a lot of Garridge in the music from the artists on those aforementioned labels. Obviously house is a big influence on 'Deep-Tech' but it's all definitely coming from the UK with the bass and rhythm. Even the house inspiration in this 'Deep-Tech' genre (not lovin that name) seems to be predominately of the late 80s British Acid House variety though, doesn't it? But perhaps it's Bleep with it's lavishly clean production sounds, along with it's bass weight and depth, that informs this music most. Then there's, you know, bits of the the other stuff that Speed Garage stemmed from Jungle, Drum'n'Bass, NY Garage, R&B, Reggae and of course good ole Disco. Deep-Tech's even got a bit of old school Electro and Techstep in there at times, I reckon. It's good stuff. Probably the best thing since UK Garage really. Is it something new? (Is the Hardcore Continuum back on track?) Even if it's not, Deep-Tech has somehow captured my mind and body like Grime and Dubstep never did. This stuff for some reason* seems so much better than that of the acts producing genuine fakes of jungle, drum & bass, grime etc. I love this track Insomnia from Camo Crooks (below). They also had the outstanding tune Maestro on The Various Audio Volume 1 compilation on the Definition Audio label.

Bloody hell make up your minds already! Some are calling it deep house, others tech house, minimal, even jackin electro or just plain old house but it's 'Deep-Tech' that's really stuck. These genre names have been around the block several times already though and sometimes in a derogatory way. I mean I used to want throw up at the mention of deep house. The music of Theo Nasa, Nightshift, Hugo Massien, RS4, Camo Crooks, Ghost House Banton, DJ SKT et al. deserves better than that. Come on all you micro genre geeks here's your chance to give this stuff a new and better name! At the same time making a name for yourself. Will that then signal the genre's demise though? You get the feeling that something is going to happen very soon like a break off genre from Deep-Tech before a rebranding even happens. For more music from this London scene (I believe it's spreading. I mean "hi I'm in Australia") check out these two highly recommended (by me at least) compilations that were in my Best of 2014 list.

The Audio Rehab compilation has tracks from Hugo Massien, Nightshift, RS4, Mark Radford, Shay & Sinista, Carnao Beats, DJ SKT and so on.

*I wanted to post my fave Hugo Massien tune Mitte but it's not on the youtubes. These Deep-Tech guys seem really protective of their music. A lot of it can only be found in annoying snippet form online. I mean I payed for both of those compilations but maybe they want their scene slightly insular and only for the truly dedicated ie. patrons willing to pay for the music (those who care). The dilettantes and dabblers can fuck off which is kinda cool I suppose.

The Chainsaw - Rhythm Section

Was listening to this tune today on me computer and thought 'gee whizz that's a beauty'. This is from 93 and it's gold that rocks da house. It kind of predates Basement Jaxx don't you think? "Are Rhythm Section and The Rhythm Section one and the same?" I thought, and no they're not. The Rhythm Section were Belgian and had a tune I know called Can You Feel which I always thought was the British Rhythm Section who had sold out because it was like happy house. The Belgian group were doing more like nu beat/acid house in a happy stylee, whereas Rhythm Section were more yer UK 'ardcore because they were from the UK and did hardcore. You can check out these geezers below. Loving the guy with the cap, sunnies and mo combo. This tune's a bit darker and dirtier than their other tunes. Anyway The Chainsaw is a choice cut. It might have been their last tune, I dunno. I've seen a comp of theirs and it only goes up to 1992 so maybe they don't rate it.

"What are you lookin at? We're not Belgian you twat!"

Rap Mixtapes - Influx Inertia

They were counting down the days by the second at Datpiff for the release of Luca Brasi 2 by Kevin Gates and I got caught up in the anticipation too. I think I ended up downloading it in the middle of the night. I mean I didn't set the alarm or anything, it just so happened I couldn't sleep. I was looking forward to it though. I still don't get why such quality releases are free. I guess it's hard to stop the pirates so why not? Some of these free mixtapes are for sale as well. In my list of best LPs/Mixtapes of 2014 sixteen of the thirty six were given away free via Datpiff, Live Mixtapes etc. They have become such quality documents I decided to put them along side the proper album releases. I think it was Lil Wayne who started the trend of making mixtapes of such high standard. He even used to say the accompanying mixtapes released around the same time as his proper LPs were better than the official releases.

I've still got around 20 mixtapes in my 'inbox of new mixtapes' playlist that I haven't had enough time to give proper listens to. They're just the recent 2014 ones I've downloaded. A stack more await downloading but it's starting to get ridiculous. Then there are the recommended classic mixtapes as well from like the past 15 years or so. I only got into this scene in the last few years so I've got a bit of catching up to do. I went off hip-hop post Ironman for some reason. I love Ironman so it was probably Wu Tang Forever that stopped me in my rap tracks.

It's starting to get a bit like DJs who I used to see in the specialist dance record shops in the 90s who'd play 20 seconds of a track and have to decide yay or nay, right then and there. I used to think they must miss heaps of good shit especially in the hardcore/jungle scene where the best bits might not happen until 2 or 3 minutes in. Anyway I've had to say nay to Salva, Blanco Huslah Kokane and Og Maco recently so they've been deleted. They may have grown on me but I feel I have to be ruthless. I've said Yay to Kevin Gates Luca Brasi 2, Travi$ Scott's Days Before Rodeo, Zuse's Illegal Immigrant, King Louie's Soprano and YP Spoelstra's Heat Vol 3. Those five artists have good track records though. So once they get the yay they have to await proper evaluation at a later date. Then we've got "the I dunno?" category which is kind of a purgatory for mixtapes. Starlito's Theories, WhoKid Woody's R.E.A.L, Archive Nation a compilation hosted by Lil Silk, AD's Comptonfornia 2 and Dej Loaf's Sell Sole all sound alright but they have to wait until their time comes after the Yays have had their proper listening time. By the time I get around to "the I dunnos" though a whole new batch of mixtapes will be vying for my attention as well as proper rap releases (like Starlito's Black Sheep Don't Grin which sounds pretty good!) and non rap zone releases (The Moon Wiring Club parcel finally arrived). So they may not get a second chance. Hey they are just the ones I've given a go! Still waiting in the wings we've got Archibald Slim, Cheif Keef, Boogie, Future, Sauce Twinz, The Guys, Goldlink, YG, Lil Herb, A$AP Ferg and the list goes on and on some more.

As good as Bullet?

So I can't even give proper reviews to Kevin Gates (sounds good so far, a bit of a cleaner sound but I dunno if it's up there with his past 3 classics: The Luca Brasi Story, Stranger Than Fiction or By Any Means. I mean that's a pretty hard task right there innit?) or Zuse (I don't know if it's as good as Bullet yet). I have finally given King Louie's Soprano a good listen and can say it's the goods. More like a trad rap companion to the more futuristic Tony. That's as deep as I can go at this point.

More good shit from King Louie.

It all reminds me a bit of that story (Sartre maybe?) of the guy who decided to read an entire library but by the time he died he was only up to the authors beginning with the letter E or something like that. This is just a microcosm of the information overload age. I have other interests too (er..well other types of music obviously, footy, wildlife documentaries, philosophy &....well that's about it really) but....

Swamped, inundated, overwhelmed!