Fridge Trax Plus - General Magic & Pita

What's On The Hi-Fi Part 41

FRIDGE TRAX PLUS- GENERAL MAGIC & PITA

Never had this one back in the day. I saw Pita live once that was odd and I had that General Magic album Frantz. So this 2015 reissue features both the original Fridge Trax (95) EP plus the Live & Final Fridge (96) cd. These sounds originate from microphones in fridges. It really compliments my recent Conrad Schnitzler and Ekoplekz listening. My own fridge sometimes sounds like it has got a groaning man inside and on other occasions it sounds like there's a party going on in there. Maybe I should record it as a tribute to these Mego guys. Anyway they fucked with the fridge source recordings and made two classics of 90s electronica (for want of a better term). 90s electronic abstract goodness. Delve deep into the ambient, rhythmic, almost funky and strange droning netherworld of fridges. This is pretty awesome stuff.

FRANTZ - GENERAL MAGIC

All this of course has led me back the aforementioned debut cd from General Magic, Frantz. I even found an old Farmers Manual cd I'd pretty much forgotten about, FSCK. On this mission I also came across more old cds made by Germans in the 90s like Oval, Lithops, Pluramon. Wabi Sabi, Hecker, Microstoria and Mouse On Mars, but i haven't listened to those yet except one. Anyway Frantz is surprisingly a great listen today. I can't stand the use of the word abstract in music writing. Sometime in the 90s its usage became overused and lost its meaning in the process. In the 90s Frantz and Fridge Trax would both have had this term applied to them ad nauseum by the critics of the day. Anyway General Magic are coming from abstract 70s Schnitzler zones whether they were aware of him or not. This is low key electronic ambient soft noise with added randomness. 90s technoid vibes mix with historical electronic music flavas here. General Magic play with these soundz to a microscopic degree giving it a peculiar scientific almost muzak vibe 90s stylee. This cd is hard not to like, in fact I think it has risen in my estimation since 1997. Frantz has gone from forgotten little gem to a classic of 90s electronic zones.

IT ISO 16191975 - HECKER

This is the other 90s German thing I did give a little listen to. Florian Hecker, who I also saw live once and I vaguely recall it being a pretty good show with lots of visual glitchy super 8 film sort of stuff. The visual element really added to the soundz. Listening to IT ISO 16191975 today without any visual accompaniment is a strange experience. I can't really recall what I made of this cd at the time but I guess that glitch aesthetic was all the rage back then before it got totally overdone a couple of years later. I was left a little flummoxed by it all yesterday, I must say. Hey that's probably a compliment if art is still doing that 17 or so years after its creation. It starts out with +1 which is 7 minutes of barely audible hums and drones. +2 is slightly louder with its minute drones, miniature oscillator feedback and subtle short wave sounds that are manipulated glitch stylee. +4 could be rain or static for the first two minutes then a dub glitch vibe ensues with sound sources untraceable. Maybe there's a note from a keyboard in amongst the rumbling silence. Pop music this sure ain't. This is difficult listening that could also be ignored unless you really pump up the volume high on your sound system. Get flummox reward points here.

ELEMENTS OF CHANCE - IAN BODDY

Jonny over at Die Or DIY? (see right hand side Other Stuff) alerted me to this classic tape from 1981 by Ian Boddy. Boddy was a UK analogue synth chap doing Kosmische electronics past their use by date, some classic early drum machine action plus a bit of minimalism too. Elements Of chance takes in new age type vibes and dark ambient noises as well. You could slap a Panabrite label on here and I would be none the wiser. I mean that in the best possible sense for everyone mentioned! This is very good stuff. There is another Boddy tape posted over there as well, looking forward to listening to that.

O.M.M.I.O.2 - RJ
DRILLUMINATI 3 - KING LOUIE
INTROVERSION - STARLITO

I don't know what has happened to my appetite for rap? I thought this one might get me back into the swing of things from the mean streets of the USA but I'm not fully diggin II but it certainly has many a fine moment. It opens on a particularly high note with Blue Face Hinnids where the sounds of Mustard, HBK Gang & Larry Jay are becoming so intertwined I don't even know who's on the beat here, it could be someone else entirely? It's probably not RJ's fault that my vibe has migrated away from these zones. II sounded like a fuckin masterpiece (well it's kinda 3/4 of one really anyway) next to King Louie's new one Drilluminati 3 and he's been one of my favourite rappers of the last few years. I was a fan of Drilluminati (1) so it's hard to believe I immediately deleted this but that's what happened. Free stuff eh? See maybe if Drilluminati 3 wasn't free I'd probably have bought it and then spent more time with it due to the financial investment. This may not have improved the actual contents but it may have given it time to grow on me. Having said that I've just had one quick listen to Starlito's new Introversion and it sounds alright. Two out of Three ain't bad so maybe I'm not done just yet with the rap game.

Rap Mixtapes - Influx Inertia

They were counting down the days by the second at Datpiff for the release of Luca Brasi 2 by Kevin Gates and I got caught up in the anticipation too. I think I ended up downloading it in the middle of the night. I mean I didn't set the alarm or anything, it just so happened I couldn't sleep. I was looking forward to it though. I still don't get why such quality releases are free. I guess it's hard to stop the pirates so why not? Some of these free mixtapes are for sale as well. In my list of best LPs/Mixtapes of 2014 sixteen of the thirty six were given away free via Datpiff, Live Mixtapes etc. They have become such quality documents I decided to put them along side the proper album releases. I think it was Lil Wayne who started the trend of making mixtapes of such high standard. He even used to say the accompanying mixtapes released around the same time as his proper LPs were better than the official releases.

I've still got around 20 mixtapes in my 'inbox of new mixtapes' playlist that I haven't had enough time to give proper listens to. They're just the recent 2014 ones I've downloaded. A stack more await downloading but it's starting to get ridiculous. Then there are the recommended classic mixtapes as well from like the past 15 years or so. I only got into this scene in the last few years so I've got a bit of catching up to do. I went off hip-hop post Ironman for some reason. I love Ironman so it was probably Wu Tang Forever that stopped me in my rap tracks.

It's starting to get a bit like DJs who I used to see in the specialist dance record shops in the 90s who'd play 20 seconds of a track and have to decide yay or nay, right then and there. I used to think they must miss heaps of good shit especially in the hardcore/jungle scene where the best bits might not happen until 2 or 3 minutes in. Anyway I've had to say nay to Salva, Blanco Huslah Kokane and Og Maco recently so they've been deleted. They may have grown on me but I feel I have to be ruthless. I've said Yay to Kevin Gates Luca Brasi 2, Travi$ Scott's Days Before Rodeo, Zuse's Illegal Immigrant, King Louie's Soprano and YP Spoelstra's Heat Vol 3. Those five artists have good track records though. So once they get the yay they have to await proper evaluation at a later date. Then we've got "the I dunno?" category which is kind of a purgatory for mixtapes. Starlito's Theories, WhoKid Woody's R.E.A.L, Archive Nation a compilation hosted by Lil Silk, AD's Comptonfornia 2 and Dej Loaf's Sell Sole all sound alright but they have to wait until their time comes after the Yays have had their proper listening time. By the time I get around to "the I dunnos" though a whole new batch of mixtapes will be vying for my attention as well as proper rap releases (like Starlito's Black Sheep Don't Grin which sounds pretty good!) and non rap zone releases (The Moon Wiring Club parcel finally arrived). So they may not get a second chance. Hey they are just the ones I've given a go! Still waiting in the wings we've got Archibald Slim, Cheif Keef, Boogie, Future, Sauce Twinz, The Guys, Goldlink, YG, Lil Herb, A$AP Ferg and the list goes on and on some more.

As good as Bullet?

So I can't even give proper reviews to Kevin Gates (sounds good so far, a bit of a cleaner sound but I dunno if it's up there with his past 3 classics: The Luca Brasi Story, Stranger Than Fiction or By Any Means. I mean that's a pretty hard task right there innit?) or Zuse (I don't know if it's as good as Bullet yet). I have finally given King Louie's Soprano a good listen and can say it's the goods. More like a trad rap companion to the more futuristic Tony. That's as deep as I can go at this point.

More good shit from King Louie.

It all reminds me a bit of that story (Sartre maybe?) of the guy who decided to read an entire library but by the time he died he was only up to the authors beginning with the letter E or something like that. This is just a microcosm of the information overload age. I have other interests too (er..well other types of music obviously, footy, wildlife documentaries, philosophy &....well that's about it really) but....

Swamped, inundated, overwhelmed!