Horror Soundtracks Part 13

  Released for the first time soon. Can't wait.

They love a list over at FACT and here's another fabulous one. This time it's the 100 best horror soundtracks. Although having this posted at Halloween time kind of cheapens it a bit. So I've left it till now to talk about it. I'm not just into horror soundtracks at the end of October. I like them in December, May...... 25 of these I don't own, mainly the more recent ones. But that means I'm into 75% of the list. I didn't realise what a horror soundtrack buff I'd become. Although I have occasionally written about them here and there. For me it all started in the 90s with Morrricone, Spaghetti Westerns and Italian composers really. Discovering later that many of these Spaghetti Western guys also did scores for horror movies which were just as good if not better. Then also discovering that these Italians composers also did a lot of library music as well but that's another story. Having said that the quintessential Italian guy, with the best name in the biz, Allessandro Allessandroni comes in at number 9 with his classic score to The Devil's Nightmare. Everything this guy touches seems turns to gold, whether it's Spaghetti Westerns, Horror or library music. Next I got into Goblin and well it all spiralled out of control from there. So of course my top 100 would be top heavy with Italian composers and hey there's quite a few here including such favourites as all of the previously mentioned plus Fabio Frizzi, Libra, Bruno Nicolai, Giuliano Sorgini, Pino Donaggio, Stelvio Cipriani, Walter Rizzati, Francesco De Masi, Franco Micalizzi, Carlo Maria Cordio, Riz Ortoliani and probably a few I missed.

My only revelation here is Martin (both film and soundtrack) a 1977 film by George A Romero with a soundtrack from Donald Rubenstien. Watched the film on the t-box for $3.99 and enjoyed it. The soundtrack was excellent too. I've tracked down a copy and it hasn't been off the stereo since.

The list contains many recently reissued classics (tilting the list somewhat, but hey its 2014 nobody cares) like Creepshow, Surf Nazis Must Die, Witchfinder General, Zombie Flesh Eaters, Last House On The Left, Blood On Satan's Claw, Canibal Ferox, Re-Animator, House By The Cemetery, La Frission Des Vampires, Street Trash, Possession and many others of which I can vouch for. You can thank Trunk, Finders Keepers, Death Waltz, One Way Static, Waxwork et al. for reissuing these thus making them heard and in turn put on this list. There are a few obscurities though that haven't been re released or even released such as Carlo Maria Cordio's Rosso Sangue (Absurd), Klause Schulze's Next Of Kin, Burial Ground scored by Elsio Mancuso & Berto Pisano and Let's Scare Jessica To Death by Orville Stoeber. I'm not sure if the Lets Scare Jessica To Death OST has ever been released. I have a funny fan made mp3 of it which goes for like 17 minutes. I would have downloaded it from one of those old horror score blogs like Inferno Music Vault. I have this rubbish mp3 version of Absurd with like faulty tracks three quarters of the way through, the music's good though. I've never been able to find the Next Of Kin OST in any form and it's an Australian movie. Surely Burial Ground will be released by one of these Horror OST specialists, the bootleg and the fan made mp3 have eluded me so far.

The Hauntological Parish are represented on the list with the pagan, magikal, clunky and occult sounds of Basil Kirchin, Delia Derbyshire & Brian Hodgeson, Paul Giovanni, Mark Wilkinson and Paul Ferris

It's good to see OST gems in the hiding in plain sight category such as Nightmare On Elm Street by Charles Bernstein (How good is that one?), Rosemary's Baby from Krysztof Komeda (Tres creepy), Evil Dead, Harry Manfredini's Friday The 13th (love that), Amittyville Horror and I guess the one that started the modern era Berrard Herrmann's Psycho. Psycho would have to be the most influential and recognisable horror film score ever, still being referenced by composers today. All the cultiest post-Goblin/Tangerine Dream Carpenter-esque synth scores are here Chopping Mall, Slumber Party Massacre, The Boogey Man, Maniac, The Deadly Spawn, Inseminoid, X-Tro and The Entity.

Bruno Nicolai makes the cut with All The Colours Of The Dark but at least 3 others in his horror canon could have just as easily been here La Coda Dello Scorpione, The Case Of The Bloody Iris or Nightmares Come At Night. Pino Donaggio's Tourist Trap is a classic but many would think his uncanny score to Don't Look Now was even better. Stelvio Cipriani is in with Tentacles but he has many other horror greats like Incubo: Sulla Citta Contaminata, Bay Of Blood, Un Ombra Nell Ombra (the one he did with Goblin's Claudio Simonetti) and Solamante Nero with Goblin. Nico Fidenco's here with the cult soundtrack Zombie Holocaust but I reckon Porno Holocaust is just as good or even better. Donati and Maglione's Eaten Alive didn't make it but their equally brilliant Cannibal Ferox did. Riz Orloliani's Cannibal Holocaust is here but he has other classics that always get overlooked like Nella Stretta Morsa Del Ragno and Non Si Senzia Un Paperino. Morricone appears with Spasmo but could have surfaced with half a dozen classics including Four Flies On Grey Velvet, Cat O Nine Tails, The Bird With The Crystal Plumage, A Lizard In A Woman's Skin, The Exorcist II etc. Franco Micalizzi is here with the score to The Visitor but it could well have been the superior Chi Sei?.

Never Seen Sorority House Massacre II but love the score

Some omissions that would have made my cut include Terminator composer Brad Fiedel's over the top and ghastly Fright Night, Masahiko Satoh's choice Belladonna Of Sadness, Angelo Badalamenti's Nightmare On Elm Street III, Joe Delia's Driller Killer, Giorgio Morrodor's disco horror Cat People and Chuck Cirino's delightfully doomed Sorority House Massacre II. I'm sure if I saw the actual movie it would ruin it for me. Killer Clowns From Outer Space is an alarming and strange soundtrack like someone tracing over hardcore math rock with a horror synth. If Susan Justin's Forbidden World is on the list I don't see why Tom Pierson's haunting Quintet OST to Robert Altman's dystopian nightmare flick couldn't be included. Madeline: Study Of A Nightmare by Maurizio Vandelli is a pearla featuring a 70s euro pop smorgasbord along with eerie synth and spooky ethereal lady vocals, sorta proto 4AD/This Mortal Coil at times. Nekromantik doesn't make it. No Messiah Of Evil! Gene Moore's sinister and evocative organ score to Carnival Of Souls is one of my all time favourite soundtracks. I think Carnival Of Souls would have been the first soundtrack I bought purely on the music having not seen the film. That trend would continue. I probably haven't seen half of these films. Perhaps the more recent Oculus (which I did see) OST from the Newton Brothers could have been included too.

The most seriously experimental and intellectual work included would have to be Howard Shore's Videodrome which sounds like it could have been made today. Not forgetting Mr Glass and his score to Candyman. Richard Einhorn, a graduate from Colombia Princeton who studied under the legendary Vladimir Ussachevsky, appears with the unheard (by me and most people) Shock Waves. I am eagerly awaiting that reissue which is apparently on its way. He also did the awesome 1979 sounds for the movie Don't Go In The House.

Phantasm is one of the all time great horror soundtracks, which I pointed out should have made that other excellent FACT list 100 LPs of the 70s. Good to see this spectacular yet underrated gem made the list. The collaboration between Fred Myrow and Malcolm Seagrave was a one off I believe which is a real shame. I know Myrow worked with Alan Howarth (John Carpenter's right hand man) on the Phantasm sequel. Seagrave was apparently a professor and a serious composer (classical & Opera) as well as a rock producer. Anyone heard of Aviary? Well he produced them. Myrow composed the OST to Soylent Green amongst others. He was also a serious composer and conductor working with the New York Philharmonic Orchestra and did some recordings for the prestigious Nonesuch label. He even worked with Jim Morrison on an abandoned film project.

Jerry Goldsmith is one composer I have never been able to get into. He's recorded hundreds of soundtracks. People rave about Planet Of The Apes and he's got two scores on this list Poltergeist and Alien. Well you can't be into everyone I guess. He's for other people to listen to. 

No Love - August Alsina Feat Nicki Minaj

Just saw this. Me like a lot. Slow jam this time from Alsina unlike the bangin Numb. It's so good though. You could make an awesome compilation of Minaj guest spots couldn't you? She kills on these verses. Below could be her best one. What's that about an oven mitt? Me likey the black hair better though. In depth analysis from Space Debris!

She's got the Midas Touch.

Uh.....hang on this could be her best feature. The coolest Guy and Gal in the game. How could you lose? 

Black Ballerina - Ariel Pink

Just one of the outstanding tracks on Pom Pom.



This is the second single probably wouldn't have been my choice. I'd have probably gone for Dayzed Inn Daydreams or Lipstick or White Freckles but anyway there you go. Not a bad tune by any means but it just doesn't stick in my head like the catchy Not Enough Violence or Dayzed In Daydreams. Video had me racking my brain about what it reminded me of. It finally twigged - LA artist/photographer Cindy Sherman am I right? It's been a few years since I've seen her work though.

*These are the only two youtube things I could find from Pom Pom as well as the previously posted Put Your Number In My Phone.

Pom Pom - Ariel Pink

I had this for over a week (on my mac while I wait for the vinyl to arrive) and couldn't bring myself to listen to it. Was my appetite for Ariel Pink dwindling? He of 8 classic albums in a row, without doubt the best artist of the 21st century! What was going on in my mind? This is something I thought would never happen. I finally put it on and I guess it was a bit like putting on an old pair of slippers in a way. In another way it's Pink at his most wacky, quirky and comic, I thought. Some of it reminding me of Lincoln era They Might Be Giants, King Missile, even Ween. "Has he jumped the shark on this one? Maybe? Time will tell." These were my initial thoughts but now I'm coming round(& round). I mean there's always been Ariel Pink tracks that have annoyed me but then later they become my favourites such as Schnitzel Boogie.

Starting an LP with a track I don't like usually isn't a great sign. Pink Raincoats is a bit too 'look at me I'm doing psychedelia'. Of course that means it'll be my favourite in 10 listens time. But then all is forgiven on the next four tracks which are classic Pink. White Freckles is prime Pink. Ariel Pink does Ariel Pink. Only Ariel Pink sounds like this. Four Shadows has got the best synth (Moog?) sounds since_______insert favourite weird synth tune. He's heading towards demented glam/goth rock opera zones on this one and here that's a good thing, a very good thing. Lipstick is like hearing Ariel Pink for the first time again, you know, it makes your heart go funny. You feel ecstatic and confused all at once. You also feel a little bit too close to this guy's mindtank which he has transposed into sound like nobody has ever done before. Listening to it feels a bit wrong but like seeing a car crash you can't avert your eyes, well your ears in this case. A kind of queasy rapture. Nebulous. Not Enough Violence is where he does his best goth voice ala Pete Murphy and it's bloody hard to resist the delight of it all. In particular the synth drums which really get a workout in the bells & clocks passage. Then Ariel is at his mightiest when he's singing 'penetration time tonight.'Then maybe 'When we power plant bodies.' Followed by a glorious chorus where I think he's yelping 'Fertiliser'? at least I hope he is. The blurred backing vocals and harmonies are incredible if undecipherable. This is fanfuckintastic! I'm conjuring in my mind a bizarre super group containing the aforementioned Murphy plus members of Killing Joke and Mike Mills from REM. Who knew that was my idea of pop heaven? Thanks Mr Pink. Then it's Put Your Number In My Phone which left me cold upon first hearing it but has now insidiously wormed its way into my brain with it's enchanting West Coast melodies. It made me homesick for Melbourne even though I never ate from the taco truck, they had one, which was highly rated. Nude Beach A G-Go is an absurd Beach Party film re-imagining that puts me in mind of Ohio's Nudge Squidfish. You think it's totally daft at the start but by the end you're thinking genius. Goth Bomb is grunge meets goth meets metal meets space rock meets scuzz. This is killer rockin Ariel Pink, up there with his previous rawk classics Butt-House Blondies and Trepanated Earth! Next is Dinosaur Carebears which is a bit like Chrome meets Residents meets King Tubby meets The Specials meets Cleaners From Venus and that's just for starters. A concoction of which you may well ask 'what for?' But I reckon you should ask "Why not?' The key to Ariel Pink's success as an artist is that he can mysteriously transcend mere pastiche.

Negativ Ed is next and it's synth-glitter-punk noise which had me laughing when he sings "Negatory, negatory". Sexual Athletics is a melancholy porn boogie-funk psych jam, aren't they all? Jell-o is throwaway funky bubblegum pop but it's not that simple is it with Ariel Pink? It starts to end in a blast of noise but then it's back again to the bubblegum to finish. This is not unlike a tune from 90s electro pop group Regurgitator. Black Ballerina is classic Ariel Pink, how do you describe that again? Well here goes, it's smothered in dense catchy choruses with a lurid interlude featuring a nerdy teen, a stripper and an English bloke. Then we're back to the jam packed and blissfully murky pop again. Or something like that. Picture Me Gone has me conjuring The Beatles doing an 80s power ballad, or hang on, perhaps something totally different. Like say a rough demo of a Lindsey Buckingham track circa Tusk similar to That's All For Everyone, that never made it to the LP because the rest of Fleetwood Mac thought it was too fucked up and maudlin. Exile On Frog Street is a psychedelic fairy tale where I think Ariel is the frog prince. Complete with frog and er..duck sounds. There you go all you little girls, kiss the right frog and you'll end up with one Ariel Rosenberg as your Prince Charming. Who knew? Pom Pom closes with Dayzed Inn Daydreams which starts off in disturbingly dark territory 'I died unknown, still born one morning.' Whether to take that line literally or as a writer's block analogy is a bit hard to discern as the song becomes more puzzling as it continues. It then transforms into the absolutely lovely with a divine chorus that's a euphoric deluge 'I used to dream, dream away, hide in the dark, fade into grey, I used to pray, now I scream (or is it 'now ice cream'), god help me, no more daydreams.' This is another highlight of the album and his best song in this vein since Round and Round,  Bright Lit Blue Skies etc. Dayzed Inn Daydreams also gives The Bewlay Brothers and Gouge Away a run for their money in the best ever final track of an LP stakes. Probably his best album since Worn Copy and that's saying something as the last two weren't too shabby.

I like.
So that's 9 in a row then.

Que Fresco - Que & Mike Fresh

Dunno who they are or where they came from (all I know is Mike Fresh guested on a Zuse tune this year) but this has got instant classic written all over it. It's a rap mixtape that's totally of it's time ie. not that dissimilar to their contemporaries except they nail every track with total conviction (hey that's bloody rare in the rap mixtape scene) and bring their own shapes and flavas, particularly their singing. Que & Fresh keep it tight with twelve tracks at 40 minutes. I reckon that's about the perfect length for any type of album. Keep in mind Illmatic by Nas ran at this length. Unlike the previously reviewed Kool John Presents... $hmopcity, this tape does have djs the hood rich monopoly people and such. I'm so used to misogyny, casual violence, homophobia and whatever else in rap, I don't know if their song Gas Station is racist or whether or not to give a shit? It's sung in an Indian accent and is sort of about running a gas station. For all I know Que or Mike might be of Indian heritage. People still rate the film The Party with Peter Sellers so who knows? Apu in The Simpsons - Is anyone outraged by that stereotype? The Indian guy who just served me at the Petrol Station, does he care? Anyway that song is so damn catchy it could be a novelty hit which could destroy their career but then again the world needs one hit wonders. Doncha think there's too much longevity in pop now? GaGa, Robbie Williams and bloody Beyonce should have fucked off by now. Longevity was for Frank Sinatra, Bing Crosby and Neil Diamond. I don't know if I get what Que & Mike Fresh are on about on every tune but hey I love Young Thug, what's he on about?  

Uno Dos Tres opens the mixtape with talk of molly, strippers, designer spex and something about being a pimp like Johnny Depp? Hooks and eerie synths galore. Ahora is some kind of homage to Speedy Gonzalez and rapping about splitting an avocado which could be about guacamole or sex, perhaps both. The 'Ahora' chorus which is sung has a brilliantly strange and irresistible melody What Part Of The Game is a sledge aimed at rappers who sell out and sycophants who claim to know you when you become someone. More hooks, more catchy tunes. Yes Men follows the former's themes and this is all played out over a minimal askew gamelan sample and awesome spooky organ sounds. By The Way claims to be a hit and its off kilter ratchet/trap plus the 'By The Way' hook should make it one. Next it's the aforementioned Gas Station which is sung in poptatstic fashion. This is the kind of song you wanna learn all the words to, just because you love it so much. Tricky's all about flippin a brick er..I think that's selling like a key of cocaine or is it money laundering? I dunno I ain't no gangster. The bpm count is up this one, it's fast and clever. These guys don't mess around, they get in and out quick smart with no dilly dallying. Dope Boy Dress Code is a song with rapping and is quite possibly the tune of the year along with Ahora. This is so addictive. Que & Mike have incredible pop smarts. These guys are future stars if they aren't already. Oh My God is more hooks rapped and sung (is that a little two part harmony?) with wicked beats, I love that symphonic drum fill. You gotta love songs about food. Soul Food's about 'damn good chicken, damn good greens, damn good cornbread, damn good beans.' all sung in a scrumptious manner sprinkled with little mentions of molly & lean here and there. FKI's on the beat on the final track I'm Tired and what a beat with these strange piano rolls and like a mental octopus drum machine. Toward the end a dj yells 'another mixtape masterpiece man!' Well that statement is hard to disagree with.

You Might Also Like - eMMplekz

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Kool John Presents...$hmopcity

Now somehow I missed this one a couple of months back. This could very well be the mixtape of the year.  Kool John's part of the Bay area posse HBK Gang. So there's plenty of his mates here particularly IAMSU! as well as Skipper, Sage The Gemini, Jay Ant, P-Lo, YP $poelstra (who's also in contention for mixtape of the year along with Skipper), Dave Steezy, Young Bari etc. This is a hell of a gang with such high quality tunes and productions. This is more like a proper album with no dj throughout, which seems to be a trend in mixtapes. I know it's on i-tunes as well as LiveMixtapes but I don't know if it's made into to physical form.

RNS is a prime example of ratchet's deceptive simplicity with its claps, heys, classic 80s bass and little eerie piano refrain along with laconic yet catchy singing and raps. Wobble is a standout in a tape full of highlights. Horror piano, anthemic strings and a banging hook, would surely make Wobble a possible number 1 on the hit parade. Next Day is about girls, being purped up, having too much cash etc. Okay is a haunting tune with a menacing lyric delivery and a killer bassline. Scary and hair-raising! Just as I'm thinkin Okay is very John Carpenter/mid 90s Memphis the next tune is Smoked Out which contains a sample from Triple 6 Mafia's mixtape Smoked Out, Loced Out from 94. Layin Low In The Cut is a paean to smoking da weed with an insanely upbeat catchy chorus. Do Ya Dance is a sonic tour de force with it's weird manipulation of the background vocal sample, slowed deep frightful male voices, a female hook sung by Chi'ma and other queasy sonic detritus. Ready's keyboard is the most gorgeous sound I've heard this year making this one hell of a smooth sex jam, R&B in excelis. Bang Bang changes up the vibe from sex, drugs and materialism to that old hip hop chestnut violence, just to let us know not everyone's oversexed and chilled out on Lean, Weed & Molly. TBT has some incredible rapping from Sage & Show Banga about, you know, booty, coochie and woody's. Shmoplife Party closes proceedings with grim synths and the most mental bassline of the tape. It's an odd ode to hedonism. But it's a classic laid back party choon California stylee, a little reminiscent of prime Dre & Snoop. 

Sage The Gemini, IAMSU!, Skipper and YP $poelstra have all released excellent albums/mixtapes this year. In YP's case two excellent collections Heat Vol 1 & 2. Now you can add Kool John's $hmopcity to that list and this may be the best of the lot. This is a run only comparable to Wu-Tang's run of solo records from Tical to Ironman. High praise indeed.

Rich Gang - Tha Tour Part 1

I must admit I kept looking at this on Datpiff and wondered 'To download or not to download? That is the question.' It looked like it would be a bit like last year's Boss Yo Life Up Gang mixtape which was Jeezy, Doughboyz Cashout & YG. It had a few good moments ie. DJ Mustard's trax but the rest hasn't stuck with me, maybe I'll have another listen to it actually. Mixtapes are free and hey this has got Young Thug on it, so surely it's a no brainer plus Rich Homie Quan's Still Goin In Reloaded mixtape from last year was one of the finest. I finally downloaded it. I was enjoying it a lot, until I realised this phrase 'Rich Gang' was being drilled into my head, like every 15 seconds. This started to gnaw away at my brain to the point that 5 or 6 listens in I couldn't take it anymore and had to switch it off. It was a bit like havin someone with Tourette's Syndrome yelling 'Rich Gang' at you for over an hour! Hey Birdman I know it's free and all and I don't want to seem ungrateful but surely the point is to get us to listen to the tape, not turn it off. The 'Rich Gang' phrase was used to the point of overkill. Maybe less should have been is more in this case. Having said all that I was enjoying Tha Tour. Flava's got a great spooky theremin going throughout, makin it a hell of a tasty track. I Know It 's beat is a dub-meets ratchet vibe that's irresistible, surely it could be a hit single. Throw Your Hood Up had me going back to and reassessing DJ Mustard's neglected (by me) 10 Summers as it has a tune with the same title. Imma Ride, Bullet, Who's On Top, 730, War Ready and Pull Up also stood out at this point of listening.The rest was probably gonna grow on me but if I return to the tape, I fear, I might get pushed over the edge by the 'Rich Gang' chant. Which is a real shame. Maybe these tunes are elsewhere, or on i-tunes, without that repeated phrase. Hope so.

er....this wasn't on the tape! Tune of the year?
Only 2 subtle Rich Gang mentions.

Juicy J - Low

Just saw this. How old's Juicy J now? He's still rappin about rubbers! Nicki Minaj gives it up to her influences ie. Three 6 Mafia and southern rap in general but not for the first time she also appeared on J's 2010 comeback mixtape Rubba Band Business just before she became a superstar. Actually didn't she do a pre fame mixtape with Lil Wayne, another Southern rapper? She also used to call herself the female Weezy (aka Lil Wayne). Anyway Young Thug obviously couldn't make it to the video shoot and Lil Bibby looked like he needed to do a wee throughout. I love that minimal outro, that could go for another 15 minutes I reckon. I like....late contender for tune of the year!

Rap Avalanche

A Quick Squizz At Recent Rap and R&B

Just when I was starting to think 'gee it was all happening earlier this year in the rap, ratchet, trap and R&B zones, but what's happened?' I was going back to hardcore, jungle and speed garage etc. (Reynolds has more on breakbeat garage here, loving that Ruff Da Menace track 2 F In Ruff (So What)). Then a bunch of new releases appear! Mostly free mixtapes but some albums too.

Now this is something to get excited about. Houston's Beatking, creator of 2014's best mixtape Gangsta Stripper Music 2, teams up with Three Six Mafia's Gangsta Boo for Underground Cassette Tape Music. Who would have expected this collaboration? Gangsta Boo & Skinny Pimp did feature on Gangsta Stripper Music 2 though. Gangsta Boo along with The Scarecrow aka Lord Infamous were my favourite 666 Mafia rappers. Female rapping really suited that 90s Memphis style. It's funny because Beatking is one of the few rappers who sonically doesn't owe an obvious debt to Triple Six Mafia like so many current artists do. This is like Beatking goes on a 90s Memphis ghostride with Boo as his guide ie. this is some creepin shit. It's more Boo's game this one. Beatking's rave-esque Club Godzilla side is toned down slightly here but it shows he's versatile and willing to experiment. Gangsta Boo is in fine form here and hey I'm a sucker for anything reminiscent of the Memphis rap underground from the mid 90s.

Next is Ain't Nothin Bigger Than The B. King Kev turns up with Bread Winner Kane on this collaborative effort. Kevin Gates plays the sidekick to Kane on this mixtape which is weird and a bit wrong as he's the King. It's a bit like Elvis playing sidekick to Barry Mannilow. I don't think Kane is Kev's heir but there's plenty of kicks here although this tape is long and I mean bloody long like a Swans album. I was thinkin gee this tune MYB is great and a little familiar and it turns out it's from Kev's very own classic Stranger Than Fiction from last year. I don't really understand how mixtapes work, like how do they get paid, why are old songs reused? Who are these hood rich people? etc. Perhaps we could all edit this one down by about half.

Tinashe's album proper has dropped (what I'm sayin that now?!) after last year's mixtape Black Water. Aquarius contains the choice hit single 2 On. The thing is there aren't any other DJ Mustard productions here which was initially disappointing but I'm gettin used to it now. We've got some luscious tunes on this album and some that stray a little too close to the overtly but slightly bland pop side. She's at her best when it's post-millennial R&B, better than Beyonce and almost up there with Cassie. Tinashe's still at street level and is givin us the real edge that we want on All Hands On Deck which is v Mustardy ratchet. On one tune it sounds like Dave Gilmore shows up doing an absurd guitar solo(?).

Rome Fortune's back. He has the best album/mixtape covers in the game and this cover is probably his best so far. I'm totally lovin that beard too. For this mixtape he takes an opposite approach to his previous tape Beautiful Pimp 2 where he used only one producer, Cito, for it's entire 11 trax. On Small World he's got every man and his dog on production duties including Fout Tet(?). It's a testament to Rome's vision that this all hangs together so well and might even be as good as Beautiful Pimp II. A metal riff shows up on one tune and strangely doesn't seem that out of place. The pace has picked up a notch or two on this tape. There's even a song, ie. with singing not just rapping, Friends Maybe, which is a collaborative jam with I Love Makonnen. Rome Fortune is Atlanta's most intergalactically smooth dude, still doin his own thing, you know, haunted, intimate and whispered raps combined with trippy future hip hop.

*Haven't checked out the new ones for Gunplay, Lil B(?), Rich Gang, Key! & FKI, Que & Mike Fresh, The Church or Billy Idol yet. They all came at once! Well maybe I wasn't paying attention.