RE: Straight Edge/Torque & any old crap

*Ian MacKaye of Minor Threat/Fugazi & Dego & Mac of 4Hero were both at the forefront of Hardcore lineages albeit very different ones but funny that they were both straight edge. I didn't even realise when I was writing that the other day. Also both had a Mac in the group. Can I somehow get a Fleetwood Mac connection here as well? I fuckin' doubt it as they were the antitheses of straight edge.....er....all 3 had great rhythm sections. If you can call what 4Hero had a rhythm section?

**After purchasing Torque, the compilation on No U Turn from 97, the other day I realised that in fact I knew most of those tracks either from the radio, clubs, a friend of mine-some kind of osmosis anyway and hey me likey very much.

***Discussions among a few different people recently has ended up in this question: What ever happened to R & B? That lineage seems to have come to a halt doncha think?

****What about Hip Hop? A lost cause or what?

*****Indie Rock? Any life left in that? I doubt it.

******What about Exotic-Retro Psych/Funk/Rock and its Hybrids? Those compilations seem to be arriving less & less. I think I've only bought 2 this year. One from Iran and one from West Africa.

*******Is there anything out there apart from Skrillex & K-Pop?

RE: Techstep

To listen or not to listen?

I got off the hardcore train before techstep it's true. There may be some good stuff I've missed and I'm lookin' at that No U Turn comp Torque thinkin 'Go on give it a go!' Anyway I couldn't get into stuff that followed either Speed Garage, 2 step, Grime and only really liked a couple of things in the Dubstep universe. I didn't hate Big Beat but that was hardly part of that hardcore lineage. I kept half an ear on the experimental side of things in the electronic world but even Mouse On Mars were makin crap by 2001. I didn't really get back into underground electronic music in a big way until Ghostbox and it's Hautological friends arrived in the mid 00s. Then the strange Hypnagogic stuff caught my ear and the new Kosmiche/Ambient skool. I don't really think I'll be delving into old school tracks of 2 step and Grime when their time comes back around though.

RE: Interstellar Martians

Kowalski liked both types of speed.

*When I said in that previous post that Jungle "was for hopped up martians going interstellar!" I meant that's who it sounded like it was for. The reality was it was for druggy young urban jungle dwellers going nowhere except oblivion in their brains. This thought reminds of the film Vanishing Point and its subtext of a need for acceleration, to pioneer, to hunt etc. So Kowalski has all this instinctual energy but nowhere for it to go. The worlds been mapped out, we've even gone into space, all our food is at the supermarket etc. Did any women make Jungle? So Kowalski fills his desires with the speed (meth & going fast) and chaos of the road and being chased across America by the authorities. He makes the road his home. With jungle, the makers of and their followers wander a similar path. They enjoy the endless horizon that awaits in the music and their minds (usually drug addled ones) to escape the urban jungle's drudgery of daily life at least for a little while.....er.....discuss. Have your essays on my desk by Friday kids.

 

 

Two more classics from the Reinforced label for speeding into endless chaotic wide open vistas and dark futures. Having said all that stuff above it is interesting to note 4Hero were as straight edge as Fugazi's Ian Mackaye. Weird huh?

RE: The Beach Boys & The Rolling Stones

*Don't get me wrong about the Beach Boys. Many LPs that followed after Pet Sounds are classics in my book and I do have a book. What I meant was the general rock crits concencuss of Pet Sounds. I read that book Heroes & Villians way back in the late 80s and a couple of times since. The author didn't rate anything after that at all. So I was quite suprised when I tracked down the latter LPs in the 90s to discover some underated classics. Sunflower and Surf's Up are just as good in my opinion. Not far behind would be Wild Honey, 20/20 and Friends.

 

 



**Sure The Stones had a run of classics leading up to Exile and some good ones after like Some Girls and Tatoo You. Anyway you know what I'm getting at doncha? 

The Sopranos/Nostalgia for the future

Funny that I mentioned Tindersticks in that last post. I've just started rewatching The Sopranos from season one and I'm gonna watch the lot. Anyhoo in an excellent episode towards the end of the first season  called Isabella The Tindersticks song Tiny Tears appears during one of Tony's meltdowns. I was surprised and thought 'yeah! they had some great songs and were a bit of a funny band.' I'm intending on pulling those first couple of records out of the closet maybe. The first one and that live one were pretty good stuff. Were they Boz Scaggs fans? Their other influences were pretty obvious though Hazlewood, Van Zant, Scott Walker, Nick Cave & The Bad Seeds, The Triffids etc. It was funny having this British group with all these Australian influences. I guess Gallon Drunk were a bit like that as well, you know sounded a bit like they could have been from Melbourne.

Good tunes for panic
attacks on the toilet!

The Dreamy Isabella.

                                                                                                                                                             

Been loving the music on The Sopranos. There were so many good songs used and put to good use as well. Kasey Chambers turns up on one episode where Ralphie becomes a captain with the song...er...The Captain. Her voice may sometimes be grating but there is no denying her talents as a formidable songwriter.

Anyway I'm still obsessed with the whole hardcore/darkside/jungle/ambient jungle etc.90s timeline thing. I must admit though I can't bring myself to listen to possibly my favourite record of the 90s Tricky's Maxinquaye. I think this was pretty much the only record I listened to in 1995. In Energy Flash's Trip Hop chapter Simon Reynolds waxes lyrical about the record and with good reason, it's fucking brilliant. It is a dark record though, dark times personally too and perhaps I just played it to death. It was a bit of a shame though that his debut was his Pet Sounds or Exile On Main St...... er ..... meaning his peak, his Masterpiece, his piece de resistance. Then again who cares it's one of the all time great records!

MAXINQUAYE
Best LP of the 90s?

After tracking down a bloody lot of the great tracks from the hardcore etc. era I'm now onto AOJ. Album orientated jungle. One of the few other records I did listen to in 95 apart from Maxinquaye was Omni Trio's The Deepest Cut and 4Hero's Parallel Universe (that was originall released on vinyl in 94 but the cd which I had didn't come out til 95). Also getting back into A Guy Called Gerald, Spring Hill Jack and Jacob's Optical Stairway. Jungle's twistedness was starting to be straightened out and I didn't go much further with it after that. I couldn't get into Roni Size/Repazeant and all that. Maybe I missed some things by getting off the train before tech-step. Now I'm supposed to mention MC Esher (no he wasn't a rapper) and how jungle parallels the impossibilities, confusion and illusions that he created. Kodwo Eshun summed it all up nicely with the often quoted "rhythmic psychedelia." K-Punk says "temporal delirium" What more can I add. This was in no way nostalgic this music (ironically talking about it now is), it was speeding into the future with no map or coordinates and with unprecedented vigour. This was twisted, elastic, sharp, slimy & shapeshifting music for hopped up Martians going interstellar.

Friday Night - Rowland S Howard

Old stuff better than new stuff?



Maria Minerva has a new LP Will Happiness Find Me?



There are all sorts of new records I would usually be salivating to to listen to by Maria Minerva, Emeralds & Sun Araw plus a new side by Oneohtrix Point Never and a new tape by Mark McGuire. I mean they are there waiting to be listened to but since reading Energy Flash I'm in some kind of British 90-95 timezone wormhole that has attached to my brain and will not allow anything else to get past my ears. This is no bad thing as I'm re/discovering exciting music from exciting musical times. It does however make me wonder if what's happening now is really quite inconsequential. Has that whole underground of above mentioned artists, James Ferarro, No Not Fun records et al. run its course? If hipsterhouse is the only thing on the musical horizon god help us. It could just be that I have read two books recently by Owen Hatherley & Simon Reynolds on 90s music so I've just naturally gone back and checked out the music. When the future of music looks barren I do usually go into undiscovered (by me) retro-zones though. I have musical zones waiting for such times like Musique Concrete, 20th century composition, Jazz, Early R & B, Disco, 70s AOR, Dancehall, Aboriginal Country, Doo Wop, ECM Records, Gamelin, NWOBHM, Anything from Finland, Country Soul  and general things I've just missed etc. etc. Worringly on Maria Minerva's new LP she sings on Perpetual Motion Machine "this goes out to the lovers of deep house" Forgive me if I'm wrong but whenever the term deep house first appeared (I dunno 90-91?) didn't that mean shit house. How much deeper/shittier has it got in the following 20 years god only knows.

Emeralds-Just To Feel Anything
Been waitin' 2 years for this but it remains unplayed!

Anyway I'm on this trip- The lineage (that would be a very crooked one) of 'Ardcore to Darkside to Ambient Jungle. Wow the times were moving then! A sort of hyper progression of culture that blasted into the future with the speed of light which was also reflected back into the music. I've been making ultimate mixtapes of hardcore, darkside and yesterday started one on ambient jungle. Had to dig out old Omni Trio, Foul Play and 4Hero tunes. A long time since I've listened to these records and they're great. This mix is already at nearly 3 hours. Someone on the blogosphere mentioned recently the Macro Dub Infection compilation released by Virgin in '95. I was getting massively into dub man in the early 90s like King Tubby, Scientist, Prince Jammy, Scratch, Augustus Pablo, Keith Hudson, Blood & Fire Records et al. This modern dub influenced collection on Virgin was great but out of the 4 tracks I could think of off the top of my head the other day (before I found it in my closet) 3 were jungle tracks. Omni Trio's The Half Cut, 4Hero's The Paranormal In 4 Form and a track by Spring Heel Jack. That just goes to show how outstanding jungle music was/is! There were only 3 jungle tracks on the compilation! I do have to mention the other track is one of the most astounding modern dub reggae tunes heard to this day. It was by Irration Steppas called Irration Steppas V Dennis Rootical (never found any of their records though). Anyway I remember playing Omni Trio on student radio and fuck me they were made for FM radio. Other tracks I recall from this one off night included The Beach Boys, Booker T and the MGs, My Bloody Valentine, Laika, The Beastie Boys and er....The Tindersticks. I have often thought my blog was a little too eclectic but clearly this is nothing new for me so I couldn't do it any other way.



Omni Trio strike more gold!



One of the greatest ambient jungle
 tunes. Which one???

planet rock

Friday Night

The Stones-Happy

How fuckn good?

The Specials-Ghostown
Best song ever?



Energy Flash/Hauntology

Here is a quote from page 164 of Energy Flash: A Journey Through Rave & Dance Culture written by Simon Reynolds and originally published in 1998 but this is a 2012 edition.

'Imagine the theme music for a 50s Government film about Britain's new garden cities: serene, symmetrical, euphonious, evoking the socially engineered for a post war New Order.'

Here Mr Reynolds was referring to some of the music that Aphex Twin was making early in his career. I wonder if Boards Of Canada were reading this but didn't they already exist? or if the GhostBox crew were taking notes because it sounds like Simon Reynolds invented Hauntology 6 or 7 years ahead of its time, well the theory and subtext to it anyway. When I first heard BOC I thought shite they remind me a little of Seefeel & Aphex Twin, which to me was in no way a bad thing! I wonder if Simon is aware of this portentous quoted passage or realises his complicity in the entire idea/genre? I know he is a big fan of the whole thing and has scribbled many words on the topic via his blog and in an article for The Wire magazine many moons ago.