Here's that tune Swagger Jacker from Cam'ron. It's more like a piece of heavy handed investigative journalism than a song innit? Sure this expose is a little biased but that's bias based in fact. One man's homage is another's Swagger Jacking it seems. Hip Hop culture is largely based on sampling, pilfering, homages, tributes and appropriations. So perhaps Cam'ron took umbrage at Z for not owning up to his pilfering and/or his sledging of other rappers?? Cam'ron had to sample Jay Z, Slick Rick, Snoop Doggy Dog, Biggie etc. to make his own song. I wonder if that irony was lost on him though?
Funnily enough as Simon pointed out hereSwagger Jacking used to be called biting. That's 'biting someone's style'. Jay Z is sampled in Swagger Jacker saying he's 'not a biter he's a writer' which is from What More Can I Say off Z's Black Album. As Cam'ron points out though he is a biter. Slick Rick says in The Ruler's Back from 1988 'They're bitin what I'm writin.' Thirteen years later Z bites what Slick Rick wrote on his very own similarly titled tune The Ruler's Back from The Blueprint. Hey Jay Z's pretty good at biting though as I've testified. Ironically Z spends the entire second verse of The Ruler's Back dissing rappers swagger jacking him, all in good humour of course.
*Unfortunately Jay Z's The Ruler's Back is nowhere to be found on the youtubes.
Reviving the revival or was it reviving the revival of the revival in 2000?
In the last week I've come across two new little phrases I've not heard. The first one is revival spiral , which is the perfect way to describe revivals of revivals and revivals of revivals of revivals and so on....I came across this quote from Lauren Cochrane from The Guardian via Retromania. Here she is referring to fashion mainly but this can be used in relation to music, architecture, art etc.
"The Pulp look means the 70s as seen by the 90s, tweaked by 2015. It’s the latest example of a revival spiral, but one that, like Pulp’s albums, we’ll no doubt be playing again and again."
Er....I wish I'd come up with that snazzy little phrase.
Also noteworthy over at Retromania was the New York Times Style Magazine's feature article - The Revival Of Everything. I thought this revival started somewhere in the mid to late 90s. The interweb was taking off. The Beastie Boys were making eclectic records like ill Communication that had funk, soundtrack, rock, jazz, rap, latin, reggae, world, punk and many other vibes. Grande Royale, The Beasties own magazine was getting into all sorts of things that seemed to not make sense at the time. All of a sudden in the streets it seemed like anything from any era was up for grabs and hey why not mix and match eras too in fashion, music, furniture etc. This is where today's atemporality was forming. Back then it seemed like it hadn't been done before in such a comprehensive manner though. Whereas everything being hip at the same time and eclecticism is now the norm. Is there a paradox forming here? I guess the trend of incongruity can only last for a certain amount of time before it becomes congruous. Then what are you left with?
The other new term, to me, is Swagger Jacker. After consulting the Urban Dictionary I've found that this term has been in use since at least 2006. Ha, I'm only 9 years behind. It was used over at FACT to describe rappers who mimic other rappers unique style, flow and, well, their entire vibe really. It appears that in 2006 Cam'ron had a tune called Swagger Jacker that was a comprehensive dis of Jay Z. Cam'ron juxtaposed Jay Z's lyrics and flow against the swagger of Biggie, Snoop & Slick Rick to make the point that Z ain't too original. In the rap world last year many seemed to be Swagger Jacking Young Thug. This year it'll probably be someone else. That's a great way of describing these less unique performers who can't shake off their hero's influence in their own work. Here's an excellent article over at Complex about the phenomenon of Swagger Jacking.
