Monday, 3 January 2022

BEST OF 2021


Dagara: Gyil Music of Ghana's Upper West Region - Dagar Gyil Ensemble of Lawra
Winter Visit - Sulk Rooms
The Superceded Sounds of​.​.​. The New Obsolecents

After those three outstanding recordings there were several others I enjoyed such as The Only Cat Left In Town & Ghost Party Delirium from Moon Wiring ClubSpringtime by Aussie improv supergroup Springtime, Carnage performed by Nick Cave & Warren Ellis, God's Waiting Room plus the Superdank cassette by Lo Five, Toi Toi Toi's VagantenThe Hall Of Counterfeits by Steve Kilbey & The Winged Heels plus Nick Edwards, the artist formally known as Ekoplekz, had at least four nifty releases Landfill Electronikz volumes 1 & 2, Beyond The Corner & Not For The Trees


New Long Leg - Dry Cleaning

Florence Shaw is obviously a fucking charismatic superstar...

...along the lines Mr Baron Mordant of eMMplekz (in)fame...

...but it’s like she’s in the wrong band who play the overdone, over-revived retro post-punk to 90s post-hardcore pastiche of influences game ie. Gang Of Four, Magazine, The Wipers, The Banshees, Wire, SY, Polvo, Unwound ad nauseam. All me absolute favourites but c’mon!

It’s kinda incongruous. If they had to be post-punk her vocal delivery would be more suited to a post-punk sound with more spaciousness for her delicious words to shine like PIL, Talking Heads, New Age Steppers, Fatal Microbes, Young Marble Giants, Homosexuals, Annie Anxiety, ESG et al....

...really though she might be better off in an entirely different less tired genre...

...Like Bjork being way too good for The Sugar Cubes, hopefully she’ll realise her band are holding her back and go solo next year...

...still it’s pretty hard not to like because Shaw is so awesome & by the time of the final track they’ve struck cohesive in the red noisy gold.


Disco Se Aagay - Nermin Niazi and Feisal Mosleh
Sweet Stuff - Sylvia
Under The Influence Vol. 9: A Collection Of Rare Funk & Disco - Various
Wamono A to Z Vol. II - Japanese Funk 1970​-​1977 - Various
Wamono A to Z Vol. III - Japanese Light Mellow Funk, Disco & Boogie 1978​-​1988 - Various
Saturday Night: South African Disco Pop Hits-1981-1987 - Various
Greg Belson's Divine Funk: Rare American Gospel Soul and Funk - Various
Silk Road: Journey Of The Armenian Diaspora 1971-1982 - Various
Fine Anyway - Rogér Fakhr
Grauzone - Grauzone
Peel Sessions - Clan of Xymox
Fiori Chiari, Fiori Oscuri - Alvin Curran
Habibi Funk 015: An Eclectic Selection From The Arab World Part II - Various
Instrumental Modal Pop of 1970's Egypt - Baligh Hamdi
Giant + Guitar - Omar Korshid
With Love - Omar Korshid
Cameroon Garage Funk - Various
Super Somali Sounds from the Gulf of Tadjoura - 4 Mars
Tezeta - Hailu Mergia
High Tide - Eddie Suzuki New Hawaii
Trujillo: Perú 1971​-​1974 - Manzanita y Su Conjunto
Navarro con Polenta - Jorge Navarro
De Las Colonias Del Río De La Plata - Viejas Raíces
Cat - Hiroshi Suzuki
Ai Ga Nakucha Ne - Akiko Yano 
Esperanto - Ryuichi Sakamoto
Kenka Oyaji - Hoodoo Fushimi
DJ Notoya Presents Tokyo Glow - Various
Magical Nights: Saigon Surf Twist & Soul (1964​-​1966) - Phương Tâm
Unforgotten Sessions S1/S2 - Miro
The Most Famous Unknown: Expansion Packs 4/5/6/7 - Marc Acardipane
The Revenant Tapes - Ekoplekz
Interval Signals - Ekoplekz
Dirty Workshop Magick - The Assembled Minds
Scared Famous​/​FF>> - Ariel Pink's Haunted Grafitti

Nermin Niazi and Feisal Mosleh's delightful 1984 LP Disco Se Aagay is one of the best records I've heard ever so this is my highlight of the year old or new LP wise hands down!. New wave Hindustani synth pop disco by a teenage British-Pakistani brother and sister duo. Like if Human League were fronted by a 14 year old Pakistani girl from Birmingham with incredibly sophisticated Asian disco-pop melodies and heritage. So thanks to The Discotan label from Los Angeles for rediscovering and reissuing this gem!

An infectiously audacious folky singer-songwriter with tinges of acoustic pop, jazz, soul, country-psych etc. in the vein of a mid 70s Californian troubadour except this was recorded in 1977 in a Beirut basement (the bonus tracks in Paris during 1978) by the legendary enigmatic Lebanese musician Roger Fakhr. Although it’s sung in English so there’s barely a hint that it comes from a Lebanese artist. Fakhr has collaborated with other legendary Lebanese musicians such as Fairuz, Issam Hajali & Ziad Rahbani.

It’s got glorious hooks galore. Some tunes are melancholy while others are jauntily upbeat. The instrumentation is pretty spare: mainly acoustic guitar & reverbed vocals with the occasional backing vocal harmony, tambourine, flute, piano & hand drums. 

On a couple of the bonus tunes from the Paris recording he even gets positively funky & electric with the guitar, bass, psych FX, keyboards, wah wah & even the use of a drum kit! 

Suffice to say the entire LP is melodically exquisite with beautiful accompanying arrangements.

It’s absurd to think that most of this great record was only ever released during the 70s in a very small quantity of hand copied cassettes with a rudimentary but quaint texta designed cover.

So we have to thank the wonderful HABIBI FUNK RECORDS for their persistence in getting this album out into the world in 2021 as Fakhr originally declined a reissue several years earlier.

Habibi Funk had a couple of other noteabble releases Habibi Funk 017: Chant Amazigh from Majid Soula plus Habibi Funk 015: An Eclectic Selection From The Arab World Part II a compilation from Various Artists.

Z Records have done it again with their 9th instalment of the Under The Influence series. Alena Arpels compiles this one whoever that is but Alena has done a stellar job of compiling little known obscure gems that were apparently "originally pressed on vinyl in very small quantities between 1970 & 1983. Many of the tracks included in this compilation were never commercially released but given away by the artists to family and friends instead." So we get a whole lotta funk, boogie, funky soul, disco, jazz-funk etc. It's partay time folks! 

Great labels such as 180G, Cultures Of Soul, Terrestrial Funk & We Want Sounds continued in 2021 to take care of our disco, funk, soul, jazz-funk, boogie and funky gospel needs. Praise the Lord!

Ostinato Recorords killed it again this year with the unheard, to western ears at least, compilation of tunes from 4MarS. How the fuck do you describe the music of 4MarS??? Well it's big and it's got the lot: Big African reggae (Not really like Jamaican Reggae at all) with African choral singing, Middle Eastern psych synths, brass sections, Egyptian type rhythms and funky Asian flavoured flutes which all meld together for this snazzy soulful masterpiece of East African music from the Gulf of Tadjoura

Analog Africa released one of their greatest African compilations in 2021. This time it was the untamed funky sounds from 70s Central Africa, Cameroon Garage Funk. This contained wild raw free funk that just has to be heard to be believed. This is right up there with 2008's African Scream Contest. Although I shouldn't be shouting out to them at all after bad business practices during the pandemic ie. not refunding damaged goods due to unreasonable return time limits when basically trade had come to a halt in Australia. So up yours Analog Africa! 

Hailu Mergia & the Walias Band had another ye olde stone cold classic cassette reissued in 2021. Tezeta (1976) on the Awesome Tapes From Africa label is more choice Ethio-Jazz that any Ethiopian music aficionado needs to wrap their ears around.

The Egyptian guitar pioneer Omar Khorshid originally put this LP out in 1974, while living in Beirut, on the VOICE OF LEBANON record label.

He had been in Egyptian guitar groops, pop singer backing bands & orchestras but wanted to fully explore the potential of his electric guitar & other electronics. His roots were still firmly Arabic just with added psych-funk, fuzz & synth. A deliciously brilliant style developed & is on display here!

This year the fabulous WE WANT SOUNDS label from France reissued it on vinyl.
Perhaps i'll write about some of the other great reissued records in this list at a better mood in time.......



At the start just as you're getting into a tune by Stevie Wonder or Chambers Brothers the film-makers cheapen the astounding music by interrupting it with interviews and social context etc. Put the interviews in-between the tunes! It's not that hard and it wont frustrate the shit out of the viewers. Hopefully there'll be a blu-ray box set of just the raw concert music footage. I have no problem with the historical content, the triumphant musical tales, civil rights battle stories, gritty realism newsreels etc. but I just wanted the concert, not snippets of greatness. I mean this is some of the best music of the 20th Century... anyway... it's still a hell of a television event. The threads, the swagger, The funky psychedelic soul, Mongo Fucking Santamaría, Ray Barretto, Abbey Lincoln, Max Roach, Sonny Sharrock, Hugh Makesela, Nina Simone and Sly & The Fucking Family Stone.

C'mon Disney what about 8 hours of this stuff uninterrupted! It is way more innovative and exciting than George Harrison having a little tantrum about god knows what?!

The final season was fantastic and heartbreaking.

I still loved it but is that it?

Still the best 86 hour movie ever made. 


*Not quite understanding everyone telling me how to live and what to think in the current political climate. I'm fine thanks I have a brain. 

**Not digging the rise of authoritarianism coming from all political angles here in Australia and the seeming acquiescence to it.

***Understanding even less: The people who have weaponised compassion but are then calling their fellow human beings idiots, scum and vermin!


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