Forgotten post-punk neo-psychedelic greatness from 1982. Hypnotic organ, a glistening fried guitar, a dark bass line and a rhythmic guitar all swirl in unison as mystic recalcitrant Martin Bramah philosophises blissfully over the the top, mesmerising.
Were Fire Engines the best band of 1981? Anyway this is where fellow Scots Meat Whiplash got their name from: The b-side to Fire Engines 1981 single Candyskin which was released on the Pop Aural label. While it's a nervy post-punk gem it fits in with these recently posted tunes because there's a weird phazed psych guitar bit amongst the noisey frenetic post-punk shenanigans.
While the entire 1985 LP Up On The Sun is a sun baked roadside cactus of serene funky psychedelic perfection, Two Rivers is where they go into the mystic with sublime results. Words are no justice for this splendour.
The greatest neo-psych jam ever. Perhaps the greatest OTT psych tune of all time too. I guess you can't really compare 60s psych to 90s neo-psych though because by the time of Mercury Rev there were so many more influences going into the music from prog, krautrock, space rock, punk, post-punk, goth, post-hardcore, noise-pop, shoegaze and whatever else I've forgotten. I was expecting this tune to have lost its lustre now it's over 30 years old but no it is still fucking astounding. Dave Baker era Rev is still the best. If you only know Mercury Rev due to 1998's Deserter's Songs chart success well let me tell ya...you're missing out. In 1991 the cult band released the outstanding sprawling kaleidoscopic masterpiece Yerself Is Steam and then followed it up in 1993 with the equally mind-bending hallucinogenic Boces. For these two LPs the mercurial presence of singer Dave Baker gave the band an unhinged quality that would disappear from the group after he left in 94.
If you know you know. 80s neo-psych classic from Sydney-siders The Moffs. I've heard this a million times and it still casts the same spell on me as it did the first time I heard it on Rage in the 80s. A tone like no other in a song like no other. As a teenager I assumed there would be or had already been more tunes like this but really this is a singular vision that was never repeated.
A primo slice of neo-psych from the Paisley Underground in 1983. Now if I recall correctly the singer and the guitarist from True West had both been in a band with Kendra Smith and Steve Wynn prior to the formation of Dream Syndicate. These guys coulda been contenders as they had some ace tuneage but it was the 80s and groups like this seemed to just fizzle out into inconsequence.
I've been listening to a lot of 80s/early 90s neo psych, noise pop and shoegaze that I have in my collection from back in the day, much of which has been pretty unspectacular. This tune however is surprisingly tops. I remember Radial Spangle were somehow connected to Mercury Rev...I think. Did maybe someone in the band also die? Anyway the energy, insistent beat, hyped up swirly guitar riff and multi-tracked vocals make this pretty infectious.
This is called Winona but I really couldn't say what it's actually about but it's an enjoyable slice of American shoegaze from back in the day. It was from the debut Drop Nineteens LP from 92 which I recall was half a top record. It's incredible to think that our Winona has been a pop culture icon five decades now. Sure I dunno what she did from 1994 to 2016 except for shoplifting...maybe she learned to act. Anyway there is no shortage of love out there for her, as I'd say she's the most sung about figure in pop culture ever....probably.
One classic single on Creation in 1985 and they were done. A forgotten gem that was a hit on the British independent music charts in 1985. I didn't hear this until a few years later though, on a Creation compilation. Apparently Meat Whiplash were from the same new town as The Jesus & Mary Chain. What they used to call noise-pop and a glorious encapsulation of that it is.
Very enjoyable racket from pioneering Japanese noise performance artist Maso Yamazaki aka Masonna: The rock star of noise. He's been doing Controlled Death now for 5 or so years. This is drone-y lo-fi psychedelic dark ambient goodness. It's got church-y organs and malignant synths that infect the already sinister tones for added infernal resonance. Music For The Death Cult Church was released exclusively on cassette in February in a limited edition of 99 with no digital download option. It's now sold out and copies go for 80 Aussie dollars on discogs so I'm very grateful to the youtube channel Rites Of Pestilence for uploading this. It's quite possibly the best work under Yamazki's Controlled Death moniker.
