eggheads

Barry enjoys Adolescent Sex

CJ used to be my favourite egghead. Man of many great shirts. He admitted though the other day that he doesn't listen to or buy music thus becoming the villain egghead. Some of the other dudes know their stuff though. Pat got a question about Black Flag the other night and Barry answered correctly a question on Japan and even named an LP Adolescent Sex as one his particular favourites. There was even a question about who was the lead singer/songwriter/guitarist behind The Mighty Wah! & Wah! Heat. The answer of Pete Wylie however was not forthcoming. Once a question was asked "What Beatles LP is actually called The Beatles?" The challengers were given 3 choices of which they replied Sgt. Pepper & not you know, the right answer. There's obviously a music freak in the question research department. It definitely keeps me watching to see what weird music question is next and leaves me slightly disappointed when the music category does not appear in an episode.

Pat gets the Hardcore questions.

This parallels Gilmore Girls which I used to watch. The writers must have been big music fans and in the end I think I was just watching to see what kind of music esoterica they could smuggle into such a mainstream show. Slint once got a mention and I thought wow how are they gonna top that? One of the main 2 characters was named Lorelei. This would always put me in mind of the great Cocteau Twins track from the classic Treasure LP.  Surely she was named after that.

One More Time

Beaches - Granite Snake

I is Ignoramus!

"You know Mick one day you will play on an LP by an Aussie
band called Beaches and even you will shine amongst these
Godesses!"

Michael Rother of Neu fame actually plays on, aforementioned in previous post, song by Beaches Granite Snake. I is not up withe me Pitchforks and Mess & Noises.

NEU - NEGATIVLAND

The embryo for just about everything that followed in rock that was good!

The Greatest Track Ever?

I'm confused!

Doris Hays

I know the Internet is full of bullshit but I  was always under the impression Doris Hays was a pseudonym for Delia Derbyshire. It turns out this is not true! Is that true? Who should I trust?

Is this the above lady's LP or is it Derbyshire's?

Robin Crutchfield

Here's a great podcast from Minimal Wave featuring Robin Crutchield of DNA and Dark Day fame discussing his history and playing tracks of his and his influences with Veronica Vasicka from East Village Radio. So this is for all you No Wave/Post-punk/electro and acid folk...Fans. I can't find the track list but whatever.

Research Rock

*Research Rock I guess is the new Record Collection Rock. A continuation if you like. This time time though it's not based so much on music weeklies, magazines, fanzines, fusty second hand shops, eighth generation tapes, word of mouth, cool record collections and knowing taste makers but on your ability to connect threads from blogs, Web magazines, music history books/magazines (these aren't totally necessary as all research can be done online) and knowing the coolest virtual places to go for your info. Then collecting the correct files through your expertise of cool web navigation. Later you pick and choose from your downloads/files in your virtual record collection. Now you can do it overnight instead of years of gathering tid bits of esoterica to build the perfect record collection which your band can cut & paste into an amalgam of seemingly new soundz etc. (er...still thinking this through. I'll expand this another day when my brain is functioning in a less tired manner)

**This is a work/thought in progress.

Beaches - She Beats

When I write about an artist I usually try to evoke the sounds, ideas and feelings through words and not list influences. This is getting harder by the second particularly as we are now very late in the (rock) epoch.  I'm only a couple of listens in but I'm really diggin' She Beats. It's a guitar record. It's not really breaking any new ground but who is? My ears just love hearing those guitars and the melodies. They've definitely done stellar research*. Beaches belong the lineage of The Velvets/Stooges/Kraut/Hawkwind axis, the Paisley Underground, 80s Sydney Rock (The Church, Died Pretty) 80s into early 90s Flying Nun, Proto-Shoegaze (ie. Loop et al.) Shoegaze, 90s Kranky and  instrumental groups from the USA like Pell Mell & Cul-De-Sac and the more recent Yawning Man/Ten East. I have to say though with Beaches It feels more organic than that. This musical melting pot  has been brewing in their DNA for some time and can't help but ooze out of them when they plug in and play. As opposed to a group like Savages who seem to be mixing and matching influences like trying on clothes. IE. 'Does my Wire match my Siouxsie? Does my Banshee look big in this?'

Beaches still haven't captured the immensity of their live sound on tape and one wonders if they ever will. Someone should give them hundreds of thousands of dollars so they can create their very own Tusk or Starfish. They must be special if I'm willing to let a track like Granite Snake get past me as I swore a couple of years ago that if I heard another band being influenced by Neu (Neu are one of my all time favourite bands but does that mean every 2nd band should rip em off) I would smash the radio in. But Granite Snake blows my fucking mind, it's incredible  Who'd have thought we'd be listening to a band in 2013 that reminded us of Opal, The Pale Saints or the 3Ds? Possibly the best record of its ilk since Yawning Man's excellent Vista Point from 2007 (yeah yeah I know Vista Point is a compilation of records made in 2005, whatever).

Now I don't think this is real.

These guys seem to have taken the blogosphere by storm. Everywhere I look people are pointing me in their direction. More art man.

The Dadacomputer

Loving this cover.

I thought this was some kind of made up/prank reissue type of deal but no this is an obscure tape from Britain in 1981. The track I heard was not bad either sub-Cabaret Voltaire electronics. That cover is art man. That should be in a gallery and going for 3.4 million pounds at a Southerby's auction.

eMMplekz

I'm in 2012 now

Whilst waiting for the new Boards Of Canada & The focus Group LPs I find my self still engaged in 2012. It's nearly bloody May. What's going on? I missed the eMMplekz LP IZOD Days when it came out, not getting it till after Xmas. This could possibly have been my record of the year had I heard it before the festive season. I don't recall it in any end of year lists at all. IZOD Days is my most played record of 2013 by far. This album has given me a renewed interest in Mordant Music. I loved Dead Air which I see as the key wake for rave album. Dead Air is an endlessly listenable record. When Symptoms (the follow up to Dead Air) came out though I was Perplexed and thought they'd gone all rock, you know, with vocals and shit. On Dead Air there was a track Fallen Faces which was quite incongruous as it had vocals and rock like sounds. I thought why did they put that track on? When Symptoms was released I saw that that's where Mordant was heading. Symptoms was quickly turfed but now I want to hear it again along with any other Mordant Music releases that followed.

Ekoplekz, who can keep up with this guy? It's similar to James Ferraro 3 or 4 years ago when every time you'd turn around he would release a new tape or cdr. All the Ekoplekz material I've managed to track down is quality. Nick Edwards aka Ekoplekz is definitely an artist going through an unstoppable purple patch.

This collaboration between Baron Mordant & Nick Edwards is totally inspired! A musical match made (I was about to say heaven, but that's not quite right) in late capitalist dystopia. It's the perfect blend of both artists. They both shine equally. Usually in these projects one artist has more influence over the other or both collaborators sleepwalk through the recording. There's a track that I think might be a love song to an Automatic Teller Machine. Some of the language I don't quite understand. Is some of it made up? What the fuck is an IZOD Day? I hope this is not a one off performance but a continuing entity.