Farmer In The City
From Tilt
Be warned if you've never heard this prepare to
have your mind blown. Surely one of the
greatest songs of the 20th century.
"I'll punch a donkey in the streets of Galway"
Jolson & Jones
From The Drift
It's all happening now. Scott Walker has a new LP out 5 years early. I'm still processing/getting used to The Drift. Geez man give me some time. He must be going through a creative period I mean The Drift was only released in 2006, The one before that Tilt was '95 and if memory serves Climate of The Hunter was like 1984. Slow down man you'll give yourself a heart attack! Anyway I've had a quick listen to Bish Bosch and well it's what you would expect. How do I describe that? I'll get back to you on that. There did seem to be little cracks of light here and there. One track almost had a groove happening. Another had a little Bossa Nova/Tropicalia/Samba? interlude going on. Hang on am I sure? Diehards don't be disheartened these were very brief moments if they happened at all. It's the usual esoteric Walker walking into a future like no other. Some choice lyrics are 'Nothing clears a room like the removal of a brain' and another where he compares himself to a 'Wildflower Garden, an English Garden'. There are even some rock like textures on Phrasing with 70s metallic riffs popping up randomly amongst other little surreal psych bits. One track Pilgrim has this great percussive backing while he he sings about a room full of mice and blowing bullfrogs with a straw. Then he sings about staring into the bullfrogs eyes before they burst, you know the usual kind of of lyrics for a song. On The Day The "Conducator" Died (An Xmas Song) the final track, the backing could be Slint on really strong painkillers with sleigh bells for percussion and then there is a mini Jingle Bells riff on the bells right at the end I love these people who get more hardcore and don't become complacent and boring in their old age. It's definitely worth aspiring to this being an awkward renegade who doesn't give a damn what anyone thinks. I can imagine him now in his old age still drinking a truckload in the company of sophisticated women with maybe a little something else on the side to get himself going/not going, know what I mean. Or I can see him as being a quiet, solitary, studious and creative man in his abode occasionally going for a walk in the park. Maybe he's somewhere in between which could explain a few things.
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| Havin' a little sip old skool stylee. |
Scott has a secret weapon in Peter Walsh his producer who also accompanied Walker on production duties for Pulp's underrated but tremendous final LP We Love Life. Walsh has been with him since The Climate Of The Hunter. If I have this right he also produced one of the greatest Church LPs ever Heyday from 1985. That was such a beautifully produced record that it is much to my amazement they never used him again. I always thought Heyday was produced by The Apartments Peter Milton Walsh until today. Anyway i thought both Peters were the same Peter so it made no difference to me. Maybe Peter Milton Walsh should get Peter Walsh to produce the next Apartments LP.
Boy Child from Scott 4
Couldn't resist some old School Scott from '69.
Who else was doing shit like this back then?
