2013???

While still kinda waiting for 2013 to happen I'm going back through some old and some not so old music. 2013 isn't even throwing up many good archival releases. The only ones I've come across are Atomic Forrest's Obsession on Now Again (but the date on that says 2011) and a couple from Strut Records (I'm still waiting for their arrival in the post). Apart from those Cairo Liberation Front mixes (I've got 3 check Soundcloud for them) good mixtapes are also few and far between. The first six months of 2013 have got to be the thinnest musical times since oh I don't know 2004, 1944 or take your pick of history's lame musical years. It can't be as bad as it seems can it?

On The Hi-Fi Part 62

sunshine Superman (1966)

Mellow Yellow (1967) 

Totally diggin these 2 LPs (and on the lookout for those that followed). Why was he so maligned I wonder? Sure he wrote some naff lyrics but it's not like The Beatles, Incredible String Band or Nick Drake were immune to to this. Donovan was still being derided in the late 80s, I recall, in the pages of Melody Maker. He was psych's whipping boy in much the same way The Clash were punk's (I guess someone has to take the heat). This is some of the best 60s production this side of The Doors catalogue. Sunshine Superman's got funky psych-pop, sumptuous medieval vibes and meandering folk jams swathed in sitar. While Mellow Yellow's more of a stripped back folk pop vibe tinged with jazz and blues.

Clube De Esquina (1972) - Milton Nascimento & Lo Borges

I'd seen this record cover a million times before in record shops but didn't realise until now that it was a hidden gem hiding in plain sight (thank you interweb). Clube De Esquina is without doubt some of the most beautiful music ever recorded. Bossa nova, samba & South American folk are mixed with rock, orchestral arrangements, heavenly harmonies and drenched in reverb. It's all created by a group of musicians who all lived together in a house for six months, Trout Mask Replica stylee, at the beach before recording this classic.

Gene Clark's No Other

The Best LA LP of The 70s?

What I've been tryin to get to for a while now is this: Gene Clark's No Other. Here's another record I don't really need to talk about as some of the greats have written about it here and here. Anyway this is a record that is still building its cult. It'll probably be 5 to 10 years before he gets to that stage that, I dunno, someone like Nick Drake ended up in 10 years ago. A sort of saturation point where you've gone from cult figure to everyone who's ever gonna know about you knowing about you. I guess Rodriguez is reaching this position now, sure a doco helps! As does an Academy Award for said doco. Anyway David Geffen apparently pumped a hundred grand into Clark's magnificent 1974 opus and upon receiving it in the flesh promptly chucked it in the bin in a hissy fit because it only had 8 songs. Geffen refused to promote the LP and it came and went in a flash. Clark's career never recovered and he allegedly became a tragic figure until he died in 1991 before the No Other cult had gained much momentum. This LP is up there with the best 70s West Coast records by Fleetwood Mac, Steely Dan, Sly Stone and Dennis Wilson and could possibly be the best of the lot. I reckon we definitely get our $100,000 worth. It's lush. It's sublime. This album is the perfect amalgamation of songs, performance and production. It does not get much better than this if indeed it does at all! There's something intangibly magic about this LP and framing it in Gram Parson's term 'Cosmic Americana' doesn't do it justice. This ain't no hippy hillbilly record. However there is a dichotomy at work here. Clark wrote this album during a deep spiritual time but then recorded it in the grips of out of control cocaine use/abuse. An interesting footnote to Australian readers is that Venetta Fields, yes she of John Farnham's band, sings backing vocals on the trax Life's Greatest Fool & Some Misunderstanding.

I is diggin those 1974 threads man.