GLARING OMISSIONS PART I
I don't know where to start with these guys, but this has to be one of the great unheralded classics in the history of Australian Rock ( the only time I've come across them being discussed is by Americans). I've been thinking how the hell am I going to describe this record and do it justice? So it's been weeks since I was originally going to include it. Suffice to say I don't think I've come up with much apart from 'This is a truly fuckn' unique record!' They could be influenced by X (the great Australian band) or Wire, but I don't know for sure. So they were a 3 piece from Sydney in the Eighties and this record was their first LP. feedtime's hypnotic harsh minimal approach could perhaps be considered post-punk but maybe not. I see them more on the outside of everything. By the sounds of stories I've heard they might have been. There is definitely something menacingly about feedtime's music and it could be one of the greatest drivin'/bikin' records ever made, along with Snapper's records, Loop's Fade Out or ZZ Top in their prime. Whereas Loop were hairily over the top psychedelia, feedtime were a tight monolithic machine of a band with tinges of psych and blues (bottleneck on the guitar). Sometimes their music reaches such machine-like states I wonder whether it's still music at all. I can't not think of Chuck Berry when I hear the lyrical dexterity of a track like Fastbuck: "I got a Pontiac, gasoline, grab the cash, split the scene." They also had that serious/funny thing goin' on too. This is an unrivalled original of an LP. Let the good times roll!
