The second Church album is where they really hit their stride. Steve Kilbey (singer, songwriter, bass player & slide guitarist) even describes it as ‘an unimaginable leap forward.’ The LP title says it all. It’s a Blurred Crusade. The production here is warm and puts The Church into a lush soft focus. What’s striking listening back to it today is how much keyboard action there is, pianos, harpsichord, hammond and even a Celeste, all played by Kilbey. Nick Ward was replaced by the phenomenal Richard Ploog on drums. Ploog freed up the band to be more spacious and fluid. So began the classic line-up of The Church which continued for the next 8 years. This LP hit the top 10 in 1982 and went double gold in Australia. It opened with the definitive Church song Almost With You, a top forty hitwhich had a fabulous spanish guitar lead break by Peter Koppes (lead guitar, backing vocals, tubular bells & percussion) very 1982. When You Were Mine was next and what a rocking epic it was. Marty Willson-Piper (electric, acoustic & 12 string guitars) describes it as ‘a snarling beast.’ The guitars here are metallic and driving while the keyboards are eerie and cold. Willson-Piper sings lead vocals on Field Of Mars despite the lyrics being written by Kilbey. This is a wicked haunted trip, complete with the usual jangle, bent lead breaks, otherworldly keyboards and even some bells to top it off. Apparently it’s about a graveyard where a deceased friend of Kilbey’s resides. God that’s just the first three tunes. We’ve got rockin toe tappers (A Fire Burns), almost cosmic country sweetness (Don’t Look Back), sumptuous romantic janglers (To Be In Your Eyes), Hallucinogenic psych outs (An Interlude), mysterious lullabies (Secret Corners) and 12 string workouts (Just For You). Then there’s the all time classic 8 minute epic You Took which contains the lyric that would become the album title and the best way to describe this song. You Took is a band at the peak of their powers resulting in an astonishing display of rock dynamics. While The Church had a few things in common with LA’s Paisley Underground like a love for psychedelia, The Byrds, The Velvets, 12 string guitars etc. they were much more than that. The Church also loved the pop end of prog, recent British music of the time like John Foxx (solo & with Ultravox), Be Bop Deluxe (?), Gary Numan, quite possibly the entire history rock and god knows what else. Most of all The Church were an incredibly distinct unit whose intangible chemistry could never be replicated so their music was always original, never mere pastiche. Glorious.
