On The Hi-Fi Part 39

An Ambient EP of loveliness from Loscil. Reminding me of the great Spectral Cassettes series that Pontone posted a few years ago. Those Pontone tapes were my gateway back into electronic music and current music in general. They can probably still be found at his ghost blog. Anyway For Greta is just what I need at the moment. Splendid aural serenity. This is soo good. Hey FACT is this 'power ambient' or just plain old ambient?

Never gone beyond the 70s with Baris Manco before but my GP who's from Turkey played me a track off this because I told him I loved 60s and 70 Turkish music. He asked me what my favorite Manco LP was and I said 2023 which he agreed is very good. He doesn't think the scene has been as good since the 80s and he's not an old guy maybe 40-45. So 'Retromania' goes on in Turkey too. He was also into Mogollar but not familiar with Bunalim, I guess they're obscure, whereas Manco was a big star. Sozum Meclisten Disari is an LP from 1981 and maybe his 6th album. I'm getting music recommendations from doctors now? Strange world indeed. Some good stuff on here. The title track includes lighting cigarettes, talking, pouring drinks, smoking, and what I assume is some sort of whispered words of seduction, a bit like a Turkish Serge Gainsbourg. Of course Baris Manco is a legend and musical innovator in his own right and needs no comparisons. I'd really like to know what the fuck he's saying in that tune. Gulpembe is irresistible Turkish prog synth gold with a hard riff and dark heavy bass. Funky 80s sounds with great keyboards and even a chipmunk choir are all put to good use on this recording. At certain stages during the album it's like Compass Point has been resituauted in Turkey and I mean that in a very good way. This LP contains a classic tune 2025 which is a top shelf cosmic Turkish prog funk jam. Donence the final track is an epic too, great space age synth and over the top guitars but with that unmistakable Anadolu vibe. Still getting deep with this one, however I reckon it's going to be another Manco classic to go along with his other three that I know and love. Thanks Doc, now about fixing these headaches...............actually I wonder if he has any other LPs he can recommend.

Came across this the other day. It's a 70s (1971?) library record on the Italian Leo label from Giuliano Sorgini. He recently came to people's attention due to the reissue of his soundtrack to The Living Dead At The Manchester Morgue on Death Waltz in 2012. Previous to that he was a renowned cult figure in the Library music scene. The one record I had back then was Under Pompelmo, from 1973, which actually got the reissue treatment this year on Italian label Cinedelic Records apparently. Percussioni In Crescendo is a drum heavy, dark, funky and an occasionally bombastic record. This LP can be Incredibly atmospheric and minimal at times. Percussioni In Crescendo's incorporates some good twanging guitars, quirky electronic tones and big big symphonic drums. A little library gem right here folks.

Digging this. Club Godzilla is back with Club God 4. You know what you're getting here songs about gettin booty and songs about getting booty, oh and songs about strippers and headjobs. The instant highlights are the Gangsta Boo contributions which are incredible. I can't help thinking there's too many features though and not enough of just Beatking on his own. Not sure what to make of Chedda Da Connect yet. Is he Houston's answer to Young Thug? Or is his flow way to close to that of Thugga's? He's only on one track so who cares? The rest is sounding v good. How To Make Love To A Woman is skit gold that had me laughing out loud as well as quite astonished at Beatking's audacity. Chamillionaire makes an appearance. I'm not really sure who he is is. He was someone in my hip-hop black spot area (98 to 2011*). Like was he good, cool or innovative? Beatking is really pushing taste boundaries on this release, which I guess is nothing new for him. Like he could give a fuck anyway! Particularly What Dat Mouth Do which is creepy but mainly really funny and probably the most pop tune on the album. Only got it on i-tunes yesterday so I'm still processing it all. I'll do a full review down the track.  It's getting a thrashing though. That's a pretty bloody good sign in this day and age, innit though?

WHAT I'M NOT LISTENING TO

Or the extended version of John Cage's 4.33. More like 4 hours & 33 minutes. Due to debilitating migraines I have to go into a dark room at the first sign of head pain and do nothing. No devices, people or books allowed. Just darkness, the sound of the house and its surrounds. Not as boring as one might think and kind of refreshing and definitely relaxing except for the headache part. Try it without a headache. Humanoid unplugged.

Where To Begin

There's been a stack of new things recently that I just haven't got around to listening to yet. There's been a batch of new releases from the west country noise farmers doing their mad cow diseased electronics and gumboot industrial ie. IX-Tab, Kemper Norton, Howlround, Ekoplekz but I think I've missed Hacker Farm's tape as it sold out before I even heard about it. Plus there's more on the way soon from their hauntological cousins The Advisory Circle and I assume the usual season's greetings from Moon Wiring Club. Some very old faves have been busy too The Church, Einsturzende Neubauten (must admit haven't listened to a new record of theirs since Ende Neu) and Scott Walker (no I haven't listened to it yet! Perhaps tonight's the night). Some slightly younger old faves Fennesz and Vladislav Delay (remember Multila?, he was also Luomo) have new records too. When the hell will I listen to all these? Mike Fresh, Vell, Future, Cheif Keef, Salva, Lil Boosie, King Louie and many others have new mixtapes over in the trap/ratchet zones. Then we've got Beatking Presents Houston Vs Everybody which is a compilation featuring Houston's finest plus Beatking's Club God 4 is on its way too! I can't wait for the new Kevin Gates album The Luca Brasi Story II which is also coming soon.

I've only just got around to listening to The Interweb Halloween bonanza of mixes. There were two from Death Waltz which I managed to download but I think you can only stream them now. They are both as you would expect excellent. Andy Votel from Finders Keepers put in a sterling effort as well with his Histoire Dhorreur Mix. I don't know if you can still download that but have a search. Then there was something a bit different over at Blog To The Old School. They usually do a darkside jungle mix at Halloween but this year they put together a compilation of recent jungle on the dark tip. Check it out if you get the chance, although they seem to be offline presently.

What Have I been listening to then you may well ask? Ariel Pink's Pom Pom is pretty hard to get off the hi-fi, i-pod etc. But when I do get it off I'm trying to figure out what the hell the attraction to Gucci Mane is. I've got a selection of like 10 of his recommended best mixtapes and I'm giving them a go. I have to say I don't think it's going well for me and Gucci so far. I can't really understand what he's saying but the beats are stellar. He only registered on my musical map after seeing Spring Breakers. Then I only listened to him this year because of his collaborations with Young Thug. These mixtapes with Mane & Thug were not a patch on Young Thug's 2013 mixtape 1017 Thug or Young Thug's brilliant 2014 collaboration with Bloody Jay Black Portland or even his more recent collaboration with Rich Homie Quan & Birdman as part of The Rich Gang whose mixtape Tha Tour I've previously posted about. I'm wondering if Gucci should stick to acting but that might be a bit hard as he's doing some time for assault and firearm charges. The only one that's stood out so far is The Movie 2: The Sequel released in 2012. This could be due to it's guests though Snoop, Trey Songs, Nicki Minaj, Waka Flacka and Shawty Lo. There are choice beats and many hooks though. We'll see, although I might retire that project for a bit to catch up on what's going on now.

"Spring Break...." Gucci Mane.

Now I have had a few listens to IX-Tab's R.O.C. (get it here) and it's sounding pretty good to these ears so far. More thoughts on this later. One track has a sample of a hypnotist/meditation guru and I swear it's put me to sleep three times, sure I've been in bed and on painkillerz but....

The only other thing I've given a quick listen to is Vell's Stay Down To Come Up. Don't know much about him except he's a young chap from Oakland and he's doin some fine ratchet. He's got Mustard on the beat on 5 trax here as well as YP Spoelestra on a handful of tunes. So he's in good hands. His rap delivery is occasionally a little too close to Jay-Z but he sings as well giving him enough originality to get by. Perhaps this is what 10 Summers should have been. YP is on an unbelievable roll at the moment. So Vell is definitely a rising star, whether he can transcend his influences or not time will tell. Stay Down To Come up will be getting more air time round here as opposed to Salva's highly rated Peacemaker which left me cold. Can't understand the fuss about that one but who cares?, I suppose.

Horror Movie Right There On Me Stereo

It's been a daily bonanza in the last few years for lovers of soundtracks with a vinyl fetish. Before that we already had the Trunk and Finders Keepers record labels releasing soundtrack esoterica for over ten years. More recently a bunch of new record labels have popped up to satiate your cult film score needs mainly in the vinyl format. Odd, obscure, cult and classic soundtracks are all getting the reissue treatment. What's incredible is how much of it is great stuff. Horror and electronic scores are getting some much deserved attention from labels such as Death Waltz, Waxwork and the new Belgian label One Way Static. These labels have definitely found a niche market for horror buffs who also love their vinyl. Bloggers (Inferno Music Vault, Digital Meltdown, Sleazy Listening, and, well the list goes on & on) are probably most responsible for the rise in interest in these sounds. Such blogs have been passionate about bringing classic and little heard, some even unreleased, horror scores into the public spotlight for many years. Of course many of these links are now dead as these new small labels are now reissuing the music. These labels are set up with a ready made audience wanting their product thanks to the enthusiasm and effort put in by the blogging fraternity. The ongoing cults of Morricone, Goblin and Carpenter have led to a trickle down effect for other lesser known but equally excellent film composers Bruno Nicolai, Giuliano Sorgini, Riz Ortolani, Nico Fidenco, Fabio Frizzi, Richard Band etc. The OSTs to Argento and Carpenter directed films have been exhaustively reissued. Its now the time for another bunch of directors films to get a look in: Fulci, Lenzi, Girolami, Ferrara, Deodato, Craven etc.

I've been searching for the Day Of The Dead (1985) soundtrack ever since I re-watched it 5 or 6 years ago. I couldn't find it in mp3 form, let alone a physical copy. Waxwork re-released it and I bloody missed out but now I think the MP3 is on sale so I guess I'll have to make do with John Harrison's classic 80s synth zombie score in diminished audio. If they get around to releasing Harrison's masterpiece Creepshow I will not be missing out on that! Waxwork were also responsible for one one of my favourite reissues of the 2013, Re-Animator by Richard Band from 1985 as well as the perennially creepy Rosemary's Baby by Krzysztof Komeda.

Death Waltz have covered the obvious ie Goblin and many titles from John Carpenter and Alan Howarth. But new or recent (read post '80's) scores aren't out of the question for their catalogue. Donnie Darko and Room 237 have been issued. Remake scores get a look in as well. Who even knew they remade Maniac or Evil Dead let alone had soundtracks worthy enough to be issued by such a quality label? A reissue of the scores to the original movies of those two wouldn't be unwelcome either. Death Waltz's three most exciting reissues for me have been House By The Cemetery by Walter Rizzati, The Living Dead At The Manchester Morgue by Giuliano Sorgini and De Masi's New York Ripper. Now they are set to reissue two of my all time favourite unheralded scores. I only have a crappy mp3 of Ralph Jones' soundtrack to Slumber Party Massacre so I'm looking forward to hearing this in its original glory. This is an exceptional score of melodic pulsating synthy creepiness and minimal mayhem. The other is possibly the cultiest soundtrack item of them all Susan Justin's electronic score to Forbidden World. This has been unavailable since its original release in 1982. Never seen the film (possibly not even strictly a horror flick) but love the soundtrack. '80's new wave synth disco, space age tones, squeaks, squelches, eerie melodies and even mini slices of power electronics make this one of the most unique and best soundtracks of the '80's if not the best. Some of it sounds like it was recorded yesterday and released on Spectrum Spools.

80s Masterpiece

One Way Static have twigged my interest with the imminent release of Roberto Donati's OST to Cannibal Ferox from 1981 although this was only released less than 2 years ago in digital. This is a classic funky disco psych gem with swathes of intense horror synth. One of Italy's great soundtracks. One Way Static's other releases have been two seventies Wes Craven titles, The Last House On The Left with a soundtrack from David Alexander Hess and Don Peak's score to The Hills Have Eyes.

On the more arthouse tip was last years sublime synthesiser score from Eduard Artemiev for the 1972 Andrei Tarkovsky film Solaris, which made it into my reissues of 2013 list. This was released on Superior Viaduct not really a Soundtrack label but worth a mention as Artimiev's scores have never been released for the western market before. This year the label plan on releasing two more of Artemiev's Tarkovsky soundtracks, the scores to the 1979 Russian cult movie Stalker and The Mirror (1975) will get a release. I recall Stalker having some of the most extraordinary and haunting drones I'd ever heard on celluloid.

There is so much happening in this little sector of the music world I don't know if I can keep up. I'm assuming somewhere along the line Wayne Bell & Tobe Hooper's experimental score to 1974's Texas Chainsaw Massacre will get a release as well as Joe Delia's bizarre soundtrack to Abel Ferarra's Driller Killer (Delia's score to Ferarra's Ms.45 was issued by Death Waltz recently). My wish list would include 3 horror soundtracks I've never been able to track down before. Madeleine-Anitomia Di Un Incubo (1974) composed by Maurizio Vandetti, Chopping Mall (1986) by Chuck Cirino and 1980's Roberto Donati score for Umberto Lenzi's Mangiati Vivi! (Eaten Alive). Oh and what about Tim Krog's fabulous Boogey Man score last issued in its year of release 1980? Finally, surely there is a bidding war going on now to see who gets the vinyl release for the (un)holy grail of Italian horror soundtracks Cannibal Holocaust. I've got that on cd though, so who cares?! What do you think I am, some kind of vinyl snob?

This was released on California's other SST label in 1980.

*Previous post here on Slumber Party Massacre and one here on The Living Dead At The Manchester Morgue.