Showing posts with label Bass Bits. Show all posts
Showing posts with label Bass Bits. Show all posts

Friday, 18 March 2016

Bass Bits Winds Up But...

God I could on forever. Don't get me started Peter Hook, Tina Weymouth, The Contortions, Gang of Four, The Fall, The Moodists, ESG, The Slits, Ian Rilen, The Pop Group, 70s reggae, PIL, liquid Liquid, Joseph K, Can, every band from the 60s, Michael Henderson, Bootsy fuckin Collins, every soul/funk band from USA in the 70s, Paul McCartney, Fire Engines, Minutemen, Jon Entwhistle, Died Pretty, Pete Wells, Gary Gary Beers, Mark Ferrie, James Freud, Steve Hanley, Andy Rourke, Bruce Lose/Will Shatter, Debbie Googe, Grant McLennan, Steve Kilbey, Kim Deal........somebody stop me.

I wrote this bit about bass players in July 2012. Now I wonder if they've all been covered. I've noticed some omissions though ie. Well I missed Carol Kaye but I guess she's included because I said every band from the 60s and hey she was on every second record made in that decade, the Meat Puppets and all of 80s New Zealand but did Kim Gordon, John Frenett (Moonshake/Laika), the dude in Les Rallizes Denudes, Paul Raven etc. get mentioned in the Bass Bits celebration?


 Honey and Heat is a mesmerising off kilter urban dub tune with see-sawing samples. The samples here are meticulously crafted and create an entirely unique peculiarity. 


Red River could be a Moonshake tune with it's squalling sax, tense noisy guitar shapes, claustrophobic minimal bass and tumbling out of control beats

* Words on Laika taken from me bit here.


Paul Raven plays the bass here with great vigour...a bit like a 60s/Noo Wave guitar style with that chopping of the strings thang. I like this song but I also think it's kinda funny....the seriousness of it all. No mistaking that 80s vibe though. Did Killing Joke make it to the stadiums? Probably only as a support act I'd say.



The sound of late 80s Australian indy psych pop bass. Beautifully melodic and swirling. There's even a break at the 3.08 mark, nice. What's not to like? Always thought it was the dude Mark Lock who was the bass player on all Died Pretty's recordings up to1988 but discogs tells me it's Steve Clarke who took over bass duties in 1989 from whence this tune came.



Classic Flying Nun bass from Robert Scott in 1981! Written by Peter Gutteridge (RIP), later of Snapper.



How could I forget this one? Not played by Kim Deal who'd moved onto guitar but by Joesephine Wiggs. Her name's rather apt here as she fully wigs out here.
                                         

GOOD(idea) TRIBUTE




David Barbe does an incredible impersonation of Kim Deal here. Sugar fully admitted this was their homage to The Pixies. Very bloody faithful. 

Friday, 11 March 2016

Bass Bits - Deb Googe


The mythical Instrumental 2 from My Bloody Valentine. This was issued on a 7" with the first few thousand copies of 1988's Isn't Anything. Deb Googe was soo good. This predates stuff like Aphex Twin, Seefeel, all your dub/hip hop influenced post-rockers and Boards Of Canada by many years. Incredible stuff!



Then there's this. The opening tune to Isn't Anything where Googe gets heavy (wo)man.....She would later get lost amongst the euphoric guitar storm on later records. My Bloody Valentine could have been a whole different band had they continued down these paths......just a thought.

*Sorry if these have already been covered elsewhere in Simon's Bass Bits party, which continues on, but I've only sporadically been able to follow the discourse (due to the rupture in my life's flow).

Thursday, 25 February 2016

More Bass Bits


Always loved the bass in this. I can't get enough of this type of bass. It seems particularly British, I've got loads of Jamaican reggae and dub records from from the 70s but the bass lines aren't quite like this are they?



This bass style is so versatile. Here it's in more of a soulful context. Geez...nice.


The bass here, played by Harvey Williams (From many a Sarah Records group), is similar and soo good. I guess there are hints of The Specials and Jah Wobble here which makes me think this particular dubby bass style comes from a post-punk heritage. Feel free to let me know if you know from whence it came.


Another version where the bass is a bit more....I dunno...pointy or something. Still very bloody nice.


Heavenly bass. Heavenly tuuune....oh.... no pun intended. Wasn't everything on Foxbase Alpha sampled though? I could post most of that LP here but I'll spare you, just go and listen to it.


Similar bass style to the above to tunes but in more of a hardcore rave context. Me like.


The bass is great in this I just wish it would come even further forward.



More from the Suburban Bas(s)e label. Wicked bass on this in that classic style, I've been talking about.