[2017]
I really haven't given rap a crack or given a crap about rap since 2018 a year after Future's HNDRXX was issued. In 2018 albums by Migos, Young Thug and Future were in my year end list and then my love of Atlanta trap and whatever followed took a dive and waned to zero interest. After 5 or 6 years of being fully immersed in the innovative delirium of Atlanta trap and its orbiting scenes I just thought well if Thugger and Future ain't cutting it any longer what's the point?
Future had such a great run from 2013's Monster followed by Beast Mode, 56 Nights, DS2, What A Time To Be Alive and ending with 2016's Purple Reign. He was on such a roll I thought it was never gonna end indeed this purple patch was a purple reign. However in 2016 he released the disappointing Evol then the totally bloated Project ET. Then in 2017 he dropped the double wammy of HNDRXX & Future in the same week which was just way way too much and didn't really signal the full comeback we were all hoping for. Those two solo albums should have just been condensed into the one succinct banger-fied LP with all the dross chucked in the bin.
Anyway for some reason in the middle of the night I had the urge to listen Future's 2017 albums HNDRXX and Future again. I can honestly say I was surprised. Many of the tunes from HNDRXX in particular were exceptional and not the ho-hum death of Atlanta trap I thought they had signalled. I mean four or five tunes less and it might have been an all-timer. The vibe unexpectedly isn't anywhere near as nihilistic as the drug addled death wish that was DS2, in fact it feels rather sparkly and upbeat in comparison. The slurred wobbly meat glitch vocal science seems to be more restrained than usual or perhaps it's just been expertly refined due to further mastering of his techniques of fusing his flesh and bone vocals with the tech gimmix of the time.
Incredible is incredible, as are the two other tracks on the LP produced by Dre Moon. I listened to this straight after listening to a mixtape of 80s rock anthems and it totally stood up in anthemic anthem-ness next to those anthems. He's reaching the same ecstatic heights here that he achieved on the 2012 hands in the air classic Turn Out The Lights.
Dre Moon's beats here are like a sunshine pop/psych-rock opus crossed with the usual seedy luxuriance and dilapidated RnB all complimenting the low-key euphoria of Future's slurred strangely emotional delivery. The funny thing is using an array voice altering fx usually alien-izes and trivialises an artist ultimately making them a novelty but Future's performances seem to gain gravitas and pathos. You have to think that he and his producers were so advanced in the sophistication of this human/tech merger that it placed them (along with Migos and Thugger) light years ahead of everyone else.
That eerie ambient synth line here is straight out of early 90s British ambient house. It's a love song innit. Some spellbound space-y opulence on display here.
The last Future thing that really thrilled me was "I'm So Groovy" which I think was from the sister album to HNDRXX, right.
ReplyDeleteThat whole amazing sound seemed to plateau in 2018 and then after that it has gone very flat. Perhaps just overexposure, or there was nowhere further to push it.
Amazed that critics thought Culture III was better than Culture II.
A return to form". Completely unmemorable.