The fog has lifted slightly but I feel like I can barely string a cohesive sentence together. I'm strugglin to get past 'I like/don't like' sort of writing at the moment. Deep analysis might be out the window until my brain gets flowing again. Sometimes it seems you need to be a musicologist to review this (above) kind of shit but no, I'm gonna give it a Space Debris crack. This is very bloody good. Before we had jungle we had the polyrhythmic mentalness of this Latino shit. Some of this music is as outre as Miles in the 70s while some of it sounds like it could have been off the soundtrack to The Love Boat. Many a legend is to be found on this comp that came out 20 years ago including Palmieris Charlie & Eddie, Joe Bataan, Ocho, Grupo Folklorico etc. This new version has an added cd with 8 tracks that weren't on the original collection. Do I need to mention Cuba, Boogalooo, Salsa Classic, Puerto Rico, New York, Fonkay or whatever? This is Superfly, sometimes soulful, jazzy, summertime and everything else in between! Makes you want to drink cocktails in the sun and dance like you think you are the greatest dancer ever.
LIVE IN ALCALPULCO - DDAA (1981) (Tape 2)
Well I was not expecting this. I had previously heard DDAA's Nouvelles Construction Sonores Sur Fondations which was a lengthy drifting sonic art collage released in 1991. When the opening tune Ready With The Answer came on with it's rubbish bin percussion and mental guitar I was so shocked I thought this was a different group altogether. It caused a flurry of research and no it wasn't two different groups, it was the one and only DDAA. As far as I can tell they were a 3 piece who had formed in France in 1979. This release is surely where Sun City Girls got all their inspiration. Live In Alcalpulco is fabulously minimal stuff that sometimes sounds like a Middle Eastern no-fi Slint gone acoustic with drums made of cardboard. Then it goes psych post-punk like a No-Wave group stranded in the desert jamming while imbibing mushrooms then incredibly inventive drones, space invader noises and gamelan-esque percussive sounds enter the fray. The crowd of two like it a lot and clap enthusiastically (surely this is a faux-live record). I thought I was hip to all the under-underground classics by now, but no way, I was not even aware of this double cassette until today. Subterranean Gold!
I have been waiting for a new release from Gesaffelstein since his classic Aleph from 2013. I guess this isn't the true follow up to that masterpiece of 'beautiful paranoid atmospheres, bangin streamlined EBM and Cold Rushes.' It does have the cold and paranoid atmospheres but not so much the bangin club tunes. I assume Maryland is a horror film because this is quite the grim soundtrack. An hour earlier my brain had been comparing Burzum's ambient black metal tunes to those of the mid 90s electronic doom/gloom-core variety ie. Miro, The Mover, Reign etc. so it was weird that this turned up as surely Gesaffelstein loves all that stuff. Wall Of Memories could be a Burzum track with it's simple but bizarre piano phrase that is chilling to the (hard)core. Could a horror score be album of the year two years in a row?
*The Space Debris airwaves have been featuring the aforementioned Burzum plus the likes of Bathory, Ulver, Celtic Frost, Wolf Eyes (??), Bene Gesserit, Skin, Swans, Crime & The City Solution, Clint Ruin & Lydia Lunch, Terror Danjah, Isolee, Ricardo Villalobos, Arthur Russell, Future, Young Thug and er.....Gong. A little old school hip hop has been on the decks too including the likes of LL Cool J, Schooly D, EPMD, Slick Rick, NWA, Public Enemy, Beastie Boys, Dr Dre etc. with a blog post coming up on these ye olde artists and the current state of Hip-Hop.
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