Remember when you just wanted to play Daniel Lopatin's records over and over again because they were lovely, atmospheric, epic and sometimes anthemic. Rifts (Oneohtrix Point Never), Days Of Thunder (Skyramps), Artificial Midnight (Infinity Window) and Returnal (Oneohtrix Point Never) were all classics and you thought they'd never stop coming. Now his records are just ok and interesting. But are they though? If a record was interesting I'd wanna keep dropping the needle on it wouldn't I? I want to love R Plus 7 (and the previous album Replica) more than I can. When S Club 7 is on its fine I don't wanna smash the stereo in but at the same time it doesn't fill me with the desire to rewind or add it to my I-Pod. There was a good few years where Oneohtrix was the sound in my eardrums. Particularly in the morning on the train, on the platform, on the escalator and walking the windswept and rainy streets. But he's moved on and Lopatin is not giving me what I need any more. Lovely has turned to slightly irritating, serene to jittery (not in a good way) and neo-kosmiche to pretty much vapourwave. Then towards the end of R Plus 7 with tracks like Chrome Country and Still Life there's a flicker of the Oneohtrix I once knew which keeps me hangin on a little longer hoping for a full blown return to form next time.
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| These tunes also included on the compilation below. |
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| Artificial Midnight-Infinity Window Serene Atmospheres. Lopatin in collaboration with Human Teenager's Taylor Richardson. |
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| Essential compilation. Includes the above record. |
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| Days Of Thunder-Skyramps Scintillating collaboration with Mark McGuire from Emeralds. |
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