Thursday, 21 September 2017

The Hip Hop In 2017

A REALLY DEEP ANALYSIS OF RAP FROM A FAN LOSING INTEREST

I finally got the urge to play some rap for the first time this year. I had five albums waiting in the wings - Thugger, Migos, RJ and two from Future. After an initial listen to Thugger Girls I thought 'Hmmm.....I dunno....I think listening to Future's 2014 mixtape Monster sounds like a much better idea'. It was a great idea because it seems even better than it did three years ago. Monster was the first place Fuck Up Some Commas appeared and contains the two below classics.





I guess it's pretty easy to get overlooked if you're from LA as Kendrick is so ubiquitous, has anybody got any room for another LA rapper? Last year however there were two excellent LA albums Schoolboy Q's Blank Face and Still Brazy from YG. This year we've got RJ's proper debut album. He has made guest appearances on DJ Mustard's Ketchup (2013) & 10 Summers: The Mixtape (2015). RJ's done a handful of mixtapes but his best album so far is the collaboration he recorded with Choice Rich off Mackin. The new record MrLA, on initial listens, doesn't seem as effortless as that collab with Choice but it's better than anything that K Lamar has done since Good Kid...

Two hours plus of Future was a hell of a lot to take in. His two albums are the best of this bunch though. HNDRXX seems much stronger than than the self-titled effort....

Culture from Migos seemed ok, much better than Beautiful Thugger Girls anyway....

I dunno I guess I have to give all these albums more of a listen. Then there's Drake, Young MA, DJ Quik & Problem, Kehlani etc..... can I be bothered though?

Maybe if I still had an hour and half commute daily or drove a car I'd be more in the mood to be digging this stuff.

Thursday, 14 September 2017

93 'ardcore/Darkside.....



I'd heard Megadrive's Takin Control EP which contained the tune Demon from '92. I thought I'd come across Mega 2 before but perhaps I haven't. Classic hardcore into darkness/92 into 93 bizniz.



God I thought A1 was good but hold your little horses check out A2. That mental liquid bass frequency drop at 0.53 is astounding then the keyboard/bass/whatever the fuck it is riff comes in at 1.20 like it's straight from an Iration Steppas track. Mind and ears blown. Rewind!



The cheap and cheerful, made in 10 minutes style doesn't always work for everybody but fuck this works. What a ruff diamond. So Tight is pretty odd. The vocal science here is psychedelic and creepy. At the 3.36 mark it's crazy/weird time as the hoovers enter and the beats go off the charts. Never even heard of this until tonight = v happy.



This like So Tight is from The Man With No Name's '93 Follow The Leader EP. I guess there are a bunch of darkside tunes similar to this like Boogie Times Tribe's The Dark Stranger. You know, with a repeated sample of film dialogue, dark synthy strings and atmospheric lulls. It's a great formula joined here with some choice choppage and mentastic smears. The Painted Man sounds like a really scary horror monster of a thing but according to youtube it's a sample from Peter Pan (?)!



I've just figured out how I ended up back in 'ardcore/darkside zones. On the weekend we went to the pictures and saw IT which was pretty good. Anyway I couldn't get that bit of dialogue from the 90s tv mini series of IT out of my head and had to come home and play it. I didn't always like Neuromancer's Pennywise but the song has featured in several of my favourite darkside dj mixes. Over the years that demented "They all float down here" refrain has wormed its way into my brain (whoops....this one is from '92).