Bleached Black - Self-titled LP

Bleached Black - I Was In Your Life [1985]

Then some bands were in a zone somewhere between REM and Husker Du. I Was In Your Life is hard edged power-pop, hooks and harmonies plus excellent backwards guitar solo. It's all done and dusted in a brisk two minutes. These guys missed out. Bleached Black had the electrifying tunes but sometimes notoriety just doesn't happen and their potential was never fulfilled. Forty years later this 7 inch single is going for sixty bucks on discogs.

Bleached Black - Morning Sun [1987]

This one's sorta somewhere between Died Pretty and Grant Hart. Morning Sun goes along splendidly in a harmonising, drumless  and acoustic manner. The production on this is fantastic so it's no surprise producer Lou Giordano later went on to produce many Alternative bestsellers of the 90s like Bob Mould, Lemonheads, Julianna Hatfield, Belly, Sugar, Live, Goo Goo Dolls and many more.   

There isn't a hell of a lot of info out there on New Haven, Connecticut's Bleached Black but it seems their self-titled LP from 1987 was dumped with little promotion, no singles and no videos, then they just drop off the face of the earth. It all seems very bizarre considering how promising they were but I guess there's an untold story that we just don't know. Anyway that's how the cookie crumbled...

Bleached Black - Let Me Take The Time [1987]

This time Bleached Black get dark and noisy. Let Me Take The Time is hard driving yet melodic post-punk with added feedback that's got a bit more of neo-psych flavour like Rain Parade crossed with mid tempo Husker Du. 

Bleached Black - Crisis [1987]

More driving buzzsaw neo-psych with surreal guitar interludes, intense lead and top harmonising. The hard hitting twin vocals of Stevo and Greg Prior are pretty infectious, right up there with peak Stipe and Mills and future legends Staley and Cantrell.

fIREHOSE - For The Singer Of REM

[1987]

More REM worship... well this not so much a rip off as a tribute. This is a pretty fantastic impersonation of an REM song too. Stipe and co were absolutely mythical in the 80s before they did terrible shit like Radio Song that destroyed all of that delicious mystique. 

P - Michael Stipe [1995]

Even Gibby Haynes of Butthole Surfers was dazzled by the great man, so much so that he wrote a song about meeting him. Others name checked in the song include River Phoenix, Sophie Coppolla, Martin Landau etc.

REM - 9-9 [1983]

You tend to forget that REM were pretty fucking peculiar on those early records. I mean what the fuck are they up to on this tune? This ain't no radio friendly schlock à la Everybody Hurts. They were incredibly inspired, eccentric and distinctive. 

Another Place To Hide - Even Greenland

[1986]

Heading further into obscure territory here with more long lost paisley jangling from down south. There's some uncommon lo-fi haunted psychedelic magic going on here. The strange tonal shifts of the insane bass passages on this create a pretty discombobulating sensation! This band from Tuscaloosa Alabama are right in an inspired zone on Another Place To Hide creating the perfect mid 80s one and done 7 inch single. Recorded by Tim Lee from Windbreakers (see previous post). 

The Ivy Room EP - One Plus Two

September Nights - One Plus Two (1985)

Now for some REM mimicry. If I'd heard this at the time I would have been irritated and thought this was just pale imitation but now I'm fascinated by it. It does have a nice boy/girl chorus which is pretty sweet and the whole thing is pretty darn catchy. I guess there's elements of other jangle and strummers too like The Feelies, The Bats and their ilk. The biggest surprise here is that Mitch Easter is not the producer, surely that can't be right.

Secret Question - One Plus Two [1985]

More REM worship from the terribly named One Plus Two from North Carolina. They did a single, this EP and an an LP and surprise surprise Homestead Records was their label. 

Promise - One Plus Two [1985]

The Ivy Room EP would be a mere historic jangly curiosity if it wasn't for this fabulous track. Songs about leaving small country towns in your youth are close to my heart and Promise does not disappoint. The whole defiant optimism of leaving your town because of a relationship disaster is so darn infectious. This time honoured theme pops up in other classics like Pavement's Box Elder and Gene Clarke's I'll Feel A Whole Lot Better by The Byrds.

Color Appreciation · Plasticland

[1981]

Some early 80s garage-psych complete with OTT intergalactic acid guitars from Milwaukee group Plasticland. I guess it's some kinda precursor to the paisley underground. I vaguely recall Matt Piucci saying, on a podcast, that Rain Parade were influenced by them and that perhaps he ripped off certain elements of this tune for I Look Around one of the great songs on Emergency Third Rail Power Trip.

Flying Color - Dear Friend

Flying Color - Dear Friend [1985]

Pretty choice slice of jangly power pop . Everything's in the right place. Right up there with The Someloves and The Plimsouls. A love song that's in that sweet spot of emotive yet restrained making it not too cheesy.

Nice.

Actually the more I think about it, the more I think it's one of the great lost guitar pop songs of the 80s that hardly anyone knows. This version is a re-recording of their ramshackle 1985 single for their one and only self-titled LP from 1987. 

Changeless · The Windbreakers

[1985]

A southern more twangy take on the paisley underground sound. All these ingredients were becoming cliche by this point but somehow Mississippi's terminally underrated Windbreakers absolutely kill it here driving windswept lost highways with their ghostly melodies and reverbed to the hilt twin guitar trip-out. 

Friends Of The Future · Translator

[1985]

These guys had previously been pretty new wave-y but by their third record, the minor triumph that was Translator (1985), they were laying on the dark jangles and psych tinges to their melodic power pop. I mean if someone told you that was Marty Wilson-Piper rockin' out in a blistering fashion from the 2:58 minute mark you'd believe them. 

Despite crafty songwriting, fabulous musicianship and a great sounding production they just didn't have enough to get them over the line. They didn't have the strong cohesive identity or cool image of say your Dream Syndicate, Smiths, REM or XTC.

New Song - Translator [1985]

Here's the trippiest, most paisley moment on the record. All hallucinogenic and kaleidoscopic backwards guitars sounding a lot like a Rain Parade or Church tune from 1983. 

Pretty cool.

Fall Forever - Translator [1985]

This fan favourite is catchy power pop with psycho bits. 

Fell From the Sun - Clay Allison

[1984]

More Peak Paisley underground. 

After Rain Parade and Dream Syndicate and before Opal Kendra Smith and David Roback formed Clay Alison. On their one and only single they had Terry Graham from Gun Club on drums. Pretty cool psych-pop sound with Dave laying down some pretty hazy sweet lonesome fuzz. 

Rain Parade - This Can't Be Today

[1983]

Peak PAISLEY underground. 

Tripped out fuzz, jangles, cosmic bass, swirly sideshow alley organ, narcotic electro hand claps, Kendra Smith on backing vocals all reverb-ed to the hilt for a maximum daydream haze-y buzz. 

Hallucinatory hypnotic neo-psych at its finest. Get mesmerized!

Every coupla years I put on Emergency Third Rail Power Trip and go hang on... isn't this one of the greatest records of all time? and not just in the dreamy jangly psych field? Why doesn't this show up in the retarded lists and cannons? 

[1983]

1 Hour 1/2 Ago

All the cool influences: Syd Barrett, Yardbirds... wait for the 1:05 moment. That could be peak "the bottoms fallen out of the song" abstract shenanigans that The Church's Wilson-Piper/Koppes were so fond of. Fragments, interludes, playback slow downs, backwards tapes and volume shifts creating great 80s psychedelia. 

[1983]

I look Around

Who's ever heard so many Byrdsian jangles then incredible backwards guitar stylings outside of a classic 80s Church tune? Here they were the contemporaneous Rain Parade before guitarist Dave Roback went on to form the sublime Opal and 90s legends Mazzy Star. 

Na na na nannana