More On Movies - April

A New Leaf (1971)
Elaine May's directorial debut starring Walter Matthau and Elaine herself is a charming little film despite the huge production dramas behind the scenes. A spoilt trust fund adult Henry (Matthau) runs out of money. He decides the answer to his problems is to find a rich heiress to marry while keeping up appearances as still being wealthy himself. He finds Henrietta (May), a nerdy klutz, who fits the bill perfectly and the hi-jinx roll on from there. A silly black comedy that's worth watching.

Play It As It Lays (1972)
This is based on the Joan Didion book from 1970 so while it was released in 1972, it's definitely a late 60s film in vibe man. Arty-farty navel gazing existential horse shit of the worst kind or kinda groovy nonsensical, but with its own internal logic, meditation on the meaninglessness of life and how life affirming nihilism can be. I'm going for the latter this time but when I first saw this movie a couple of years ago I was absolutely in the first camp. Pretentious Moi? Frank Perry, I think that's Katy's late uncle, directed this time capsule of California and the emptiness of the film industry, fame and life itself. If you like the sound of all that then no worries, but otherwise steer clear. Another one I discovered on my Anthony Perkins investigation and he stars here once again with Tuesday Weld.

Romeo Is Bleeding (1994)
Noticed this was streaming on Stan (an Australian streaming service similar to Netflix), got five and a half minutes in and that was it. Oh My God what pretentious, generic and embarrassing crap those minutes were. Did I need to give it more time? It felt like I gave it a lifetime!

Dressed To Kill (1980)
After the surprise beginning of Angie Dickinson flicking the bean in the shower there's an absurdly lengthy museum scene which really seems to serve no purpose (except to to drive me & Emma crazy) as it could have been condensed into less than a minute. Once you get past the gallery scene, the film really begins and the suspense builds like only a Hitchcock rip off can. Academy award winning hair goes to Nancy Allen. Good funny twisted movie. Look out for false endings.

Arthur (1981)
It's funny, it's sad...I can't really think of anything to say about this film as I've seen it so many times. I don't even know if it's good or bad.

The Hot Rock (1972)
I gotta say I wasn't expecting much from this crime-heist movie as I'd never even heard of it until a couple of years ago. It's a Twilight Time release though so I thought I'd roll the dice. The Hot Rock starts off unassuming but unrolls quite nicely with unexpected twists and turns and never misses a beat. Robert Redford is peak handsome Redford but he's not just that, his actoring is good, along with the ever reliable George Segal. An enjoyable lil crime film.

The Honeymoon Killers (1969)
This was a first time watch for me and woah! it's the best discovery I've made in ages. This film has been on my radar for something like 30 years and it didn't disappoint. The filmmakers get you in, in the opening seconds of this movie and it just doesn't ever lull. Amazing story, perfect pacing, wonderful characters, strangely erotic, viscerally violent and it's based on a true story apparently. Raymond Femandez (Tony Lo Bianca) and Martha Beck (Shirley Stoler) develop a criminal scheme of ripping off lonely spinsters via a lonely hearts correspondence club with diabolical consequences. You think 'I wish there were a hundred films like this' but then you realise the uniqueness of The Honeymoon Killers is part of what makes this so great. A quintessential cult movie.

Cruising (1980)
Steve Burns (Al Pacino) is a heterosexual cop who goes undercover into the underground gay leather bar/S&M scene to investigate a series of murders that have occurred. An absurd little film set in the NYC cesspool era that's rather enjoyable although it does become quite strange towards the end. The ambiguous ending is not going to be for everyone so I'm not sure if I can actually recommend it but it is a fascinating curio from the end of the new Hollywood era so... I mean if you're into film history, Friedken, Pacino, Spinell or gay shit you've probably already watched it anyway....

The Fly (1986)
Is this David Cronenberg's last great film? I Loved it when I was a teen and I was kinda shocked by it now as a somewhat older human. Quite sexual and erotic to begin with and then it turns into an absolutely grim monster movie. Jeff Goldblum and Geena Davis are terrific as The Fly's main stars. Much more gory and sad than I remember though.

CAM (2018)
Gimme a fuckin break here Netflix. What a load of cods wallop! I thought this was going to be somewhere along the lines of the cyber-thriller Nerve (2016) or at least just as exciting after hearing many recommendations but that was not to be. A good premise executed poorly. A cam girl somehow gets her identity stolen then things go out of control from there but the suspense just doesn't build to high levels like it should, it gets pretty stupidly annoying and I just got fed up. Netflix original movies are losing their allure and I just can't imagine pressing play on one in the near future to be quite honest. They do some good series telly like Glow, Dirty John, The Sinner, Ozark, Mindhunter etc. but fuck I dunno what the hell is going on in their movie department.

Nail Gun Massacre (1985)
This was mentioned just too many times on The Hysteria Continues podcast for me to ignore. I had to finally seek it out. Confusing, low budget trash of the highest order. This movie could have almost been good. There's a killer on the loose, who is driving a hearse, wearing a motorbike helmet with a nail gun as their weapon of choice. Plenty of boobs and blood on the dusty backroads of Nowhere-ville Texas. For cult film enthusiasts, slasher completists and fans of bad acting. Nail Gun Massacre has some of the strangest dialogue ever caught on film. This is definitely not very good but it's often entertaining.

RIP SCOTT WALKER

THE SUN AIN'T GONNA SHINE ANYMORE

My favourite singer of all time is dead.

As stated by me on twitter:

This is my favourite pop culture photograph of the last 20 years. This was the pure essence of SCOTT WALKER captured in one brilliant photo.

*Some bits I wrote about my musical hero Scott Walker here & here & here. Oh and a bit here in my best of 2012 list.

That Month In Movies

  

Abducted In Plain Sight (2017)
Well I'll be. This is next level true crime. Abducted In Plain Sight is the most bizarre, fucked up and fascinating story I've ever heard. There's not even a murder. This documentary was so compelling even the phoney 70s film filters in the flashbacks didn't distract me. Right from the very beginning I was perplexed. This story just kept getting more and more mental as it continued. Even the most batshit crazy film maker could not have come up with a story half as outlandish as this, it's so wrong. This film has left a lingering disturbia in my brain that I can't shake.

A Star Is Born (2018)
Bradley Cooper's vanity project isn't as bad as I thought it was going to be. I imagine wankers are writing think-pieces on the problematic nature of this movie but whatever. It's about a shit-cunt alcoholic musician (Cooper) who gets an up & coming musician (GaGa) to fall in love with him. Lady GaGa is pretty good but the rest of the movie is mostly crap. Awards must go to the dog though, he/she was brilliant and broke my heart.

*I Also thought Bradley Cooper could play Gary Ablett Senior if they were ever to do a bio-pic on Ablett's life. That wouldn't be uninteresting you know.

Bohemian Rhapsody (2018)
Here's the catch one of the worst films in history contains some of the most astounding filmmaking ever. If you hate Queen you are almost certainly not going to enjoy this movie. I have a thing though for rock bands going disco (Rolling Stones, Kiss) and a thing for proggy 70s bands going 80s pop (Yes, Rush etc.) but most of Queen's other music I still find fucking tedious though. The tone of this film is all over the place. It's a bio-pic, drama, faux concert, parody of a bio-pic and a lookalikey contest all in one mess. However the centrepiece of the film is Queen's appearance at Live Aid, which is a miraculous film sequence. It's like no other and worth watching just for that alone. It had me saying 'How is this not actually Live Aid?' I don't get how they did it but it's very impressive.

*Also impressive is how bad the lookalikey for Bob Geldof is. They got all the other lookalikeys correct but Bob...no, good laugh though.

Elysium (2013)
Dystopian future films have become less enticing as the world gets closer each day to a fascist police state. It's more like watching the news now rather than enjoying a dark sci-fi fantasy. So Matt Damon & Jodie Foster do their stuff but who cares right? Not me. Elysium had a total 70s/80s sci-fi vibe. Halfway through Emma asked me 'Are you enjoying this?' I had to say 'Er...not really it feels a bit like a computer game'

Death Wish V: The Face Of Death (1994)
OTT vigilante revenge violence doesn't get much crazier than the Death Wish Movies. Good old Paul Kersey (Charlie Bronson) doesn't have much luck in his private life does he? His new Mrs, Olivia (Lesley-Ann Down), gets her face disfigured by violent gangsters and then the revenge begins. Some of these scenes of vengeance are very inventive. This is filmed in Canada so New York just doesn't look like New York. Michael Parks is brilliant as Tommy the gangster who is Olivia's ex-husband. By this stage you are either in or you're out when it it comes to Death Wish sequels.

Pretty Poison (1968)
I knew next to nothing about Anthony Perkins except for Psycho and the following couple of crappy sequels until I saw this blu-ray two or three years back. I pulled it out the other day after hearing it mentioned on a podcast. Pretty Poison is a tight little movie that I can't believe isn't more well known, maybe it is (?). An ex-con (Perkins) becomes entangled in a relationship with high school girl Sue Ann (Tuesday Weld) after seeing her during marching practice in a park. Their relationship starts off intriguing and ends up diabolical. This is one of the most perfectly realised films I've ever seen. Why isn't this on the (stupid) canonical lists?

Five Miles To Midnight (1962)
Anthony Perkins stars with Sophie Loren and Gig Young in this stylish and suspenseful thriller set in Paris which is a French/Italian co-production. The tension and claustrophobia created here is palpable. A dysfunctional married couple get an out when Robert's (Perkins) plane crashes and he is assumed dead. He secretly reappears to claim his life insurance policy then the film intensifies even more. I can't believe the cult-builders haven't managed to make it a cult movie yet. I recommend.

Wait Until Dark (1967)
Intense & disturbing thriller starring Audrey Hepburn, Richard Crenna, Alan Arkin, Efram Zimbalist, Jack Weston and Julie Herrod. Wait Until Dark is an incredibly clever story that will have you gripped from the get go. Susy (Hepburn) is a recently blinded lady who inadvertently becomes entrenched in a heroin smuggling plot. This story feels like something that could have been made today which you could probably slot quite easily into the home invasion sub-genre. I assume this was originally a play as it all takes place pretty much inside one apartment. Well worth a look.

Ghostbusters (1984)
I haven't seen this since it was first in cinemas. I didn't think much of it then and I don't think much of it now. A great theme tune and logo doth not maketh a great film. The tone here is all over the place and it's just not that funny. The only saving grace for me is the hilarious Rick Moranis character. One for pre-teens or nostalgists but beware, Emma used to love this film as a child and could pretty much recite it, now she cannot believe how daft it is. Some things are best left in the past.

Pontone Is Back

I was listening to Pontone's Bleep Mix from like 10 years ago so I decided to have a look at their inactive but legendary website to see if there were some good mixes I may have missed. The old site is gone but they have made a return in 2019 with 3 new Pontone mixes already. There is only a handful of their archival mixes on the new look site. I assume they will be adding more new and archival stuff soon. Check it out.

So There's These Records - Summer Edition

On Twitter I often mention records I'm currently listening to and enjoying but I almost never follow that up on my blog. So here's some LPs I've been digging in 2019. This first one is a compilation released on the fabulous Strut Records which I totally missed last year. I discovered it on bandcamp a week ago and tweeted about it that day. The grooves on Disque Debs International Volume 1. An Island Story: Biguine, Afro Latin & Musique Antillaise 1960-1972 are soo infectious. These tunes are very well suited to the absurd heatwave we've been having here in the Antipodes. If you liked that Soundway Records compilation from a few years back,...er...that's 10 years, Tumbélé: Biguine, Afro & Latin Sounds Of The French Caribbean 1963-74 you are gonna dig these sweet tropical vibes.

The fantastic record label Awesome Tapes From Africa reissued this in 2016. In need of some healing loose soulful grooves the other day in the immense Australian summer heat I pulled out Wede Harer Gazo and claimed it to be just about the best album ever recorded. I stand by that statement. Wede Harer Gazo is a 1978 recording from Hailu Mergia & The Dahlak Band. This is hypnotic jazz funk in a state of delirious torpor with a blurry organ giving it a frayed psych vibe. The LP comes from the golden age era of Ethiopian music so if you like your Mulatu Astatke or Éthiopiques compilations you are bound to appreciate this beautiful languorous music.

Hailu Mergia also played on this brilliant obscure tape from 1975 Asnakech by Asnakech Worku also featuring Temare Haregu, which was reissued last year by Awesome Tapes From Africa. I think it's a bit odd to give something that was originally a hissy 70s tape the deluxe vinyl treatment. Suffice to say I only bought the digital version but they did reissue it on tape as well. This album was included in my best reissues of 2018 list but Asnakech is still in high rotation around these parts. Like the aforementioned French Caribbean music, golden age Ethiopian music suits summer perfectly. Worku, a 20th century icon, was a famous actor, dancer, singer and master of the krar. The krar is an ancient Ethiopian harp that has 6 strings and sounds a bit like a brittle rusty banjo. Asnakech Worku will have you mesmerised with her off kilter free krar playing intermingled with Mergia's blurry organ swirls. Strange and enchanting. Also check out Éthiopiques 16 (2003).

I know I'd heard Juana Molina on the radio before but I just filed her away in the back of my mind as someone to investigate one day. Something on youtube prompted me to finally check her out properly and what a fool I've been for the last 15 years. Son from 2008 is a modern experimental psych folk masterpiece. Musically it's somewhere between Linda Perhacs, the Canterbury Scene, miscellaneous experimental vocal scientists and a whole lot of Molina's idiosyncratic vision. There are a handful of other Juana Molina LPs either side of this one that are highly rated so I can't wait to track those down.

Kamikaze 1989 is the soundtrack to Fassbinder's 1982 film. How the hell did this even pass me by? Anyway I've found it now and it's a bewdy. I rate Edgar Froese's other six LPs recorded between 1974 and 1983. Froese's last classic solo LP Pinnacles was released in 1983 so I am absolutely flummoxed as to how I didn't know this existed until the other day. Kamikaze 1989 is classic early 80s synth soundtrack action from the Kosmiche maestro of Tangerine Dream fame. This puts to shame all of the 2010's synth-wave pretenders. Splendid stuff.

Moon Wiring Club's 2016 LP Exit Pantomime Control is one of their best. I guess it got a little overlooked*, by me at least, as it was released at the same time as their massive triple cd of archival material When A New Trick Comes Along I Do An Old One. Anyway I've been listening to this constantly for the past three months and it just doesn't get old. Their catalogue is full of treasure and I would place Exit Pantomime Control somewhere in the top 5 of all time Moon Wiring Club releases which is high praise indeed.

*Surely they, well Moon Wiring Club are a one man band that is Ian Hodgson, are one of the most overlooked musical entities of the past 12 years. Due to Mr Hodgson's release schedule of always issuing his new product in early December, as a Yuletide treat, has put him in a peculiar critical position. By the beginning of December most music websites and magazines have usually compiled their albums of the year lists. He really is on the outside of things. I'm not fully aware of how often he is reviewed. I've occasionally seen him reviewed in The Wire and @FACT but a quick search @Pitchfork reveals "No Results'. So I'm guessing he doesn't get a hell of a lot of media attention outside of the dwindling music blogosphere (paid music writers, eh?).

We Must Become The Pitiless Censors Of Ourselves - John Maus

This LP was the first to get dissed on my blog, I think on the second post ever. Here's what I said:

Who cares?

John Maus (he is Chapterhouse to Ariel Pink’s MBV)

Anyway since deciding to listen to Screen Memories by John Maus out of the blue last year I've had a change of heart. Dismissing him as a z-grade Ariel Pink back in 2011 wasn't really fair was it? I mean he was Pink's band mate, collaborator and friend. It was a bit like saying Hugo Race was a bit Bad Seeds-y, hell yeah he was because he was part of the fucking original band. So I had to buy We Must Become The Pitiless Censors of Ourselves again this year and well I love it. It's now giving Rustie and Adele a run for their money as quite possibly my favourite record of 2011. Been diggin last year's Addendum and 2017's Screen Memories too. Now there's some more catching up to do.

Does this also mean a reappraisal of Chapterhouse is in order?

How about this below anthem? Believer gives me the pure pop goose bumps. It's amazing that I could disregard an LP that has now had such an emotional impact on me.

UKG VI

Darqwan - Said The Spider
What is this? Apart from being a wobbly racket, I guess it's proto-dubstep. Is it even garage anymore? More like a drum n bass//bleep/hardcore hybrid. In 2002 this sounded pretty unhinged. Now that the bro-step era has gone by perhaps a tune like this might get a reappraisal or maybe not quite yet. I couldn't find Darqwan's more garage-y tune Pipe Dreams anywhere.



Active Minds - Hobsons Choice
Another terrible project name. Maybe that's why some white labels just say Hobsons Choice. We're back to pure speed garage gold here.



The Dub Monsters - Waiting
Waiting is the flip of Scott Garcia's bona fide speed garage classic A London Thing. Dub Monsters were a project for Garcia and another bloke. Waiting's all about the sugar rush of the vocal science. This was an odd little double A 12" of the best variety! 

That Month in Movies

I've been a bit off films in January. Maybe watching too many shit ones has made me reluctant to invest my time. It has also been way too fucking hot to enjoy or concentrate on anything. Thirteen days of January were over 40 degrees Celsius, that's 104 Fahrenheit. Or to put it another way for Americans and other Fahrenheit people 18 days this month have been over 100 degrees. Then there's also been way too many migraines in my head. Recent great, and I mean great, British telly ie. Detectorists and Inside No 9 has had my eyeball's attention...oh and not forgetting watching a lot of Muppet Babies with my niece during the school holidays. Perhaps I'll get back into the swing of all things movies next month.

Single White Female (1992)
Alright 90s thriller directed by Barbet Shroeder. Is it a slasher in disguise though? Very stylishly crafted with good performances from Bridget Fonda, Jennifer Jason Leigh and Stephen Tobolowsky. Allie (Fonda) gets a new flatmate (Leigh) who gradually becomes obsessed with her. 'What ever happened to the very likeable Bridget Fonda?' You ask. She quit the acting game in 2002 apparently.

Game Night (2018)
Fucking stupid crime comedy. It's kinda like a comic version of David Fincher's The Game (1997). You would think these actors have never been in a comedy before as they just keep missing the beats. About five of the jokes in the entire film work. Don't waste your time on this bollocks. Game Night has totally put me off so called comedy movies for the next couple of years at least. Let's face it comedy is better suited to short bursts on TV anyway.

The Orchard End Murder (1981)
This is a real curio from 80s Britain. The Orchard End Murder was made as part of a double bill to be screened with the much more well known and admired Dead & Buried (1981). It's a mini feature (50 minutes) of unsettling rural horror. In 1966 a young lady goes missing after attending a game of cricket in the countryside with a male acquaintance. Sure it's not a masterpiece but it's strange, intriguing and well worth a look.

Notorious (1946)
Hitchcock noir classic starring Ingrid Bergman, Cary Grant and Claude Raines. Alicia (Bergman) becomes entangled with espionage and romance in post WWII Rio De Janeiro where Nazis in need of spying on have settled.

The Haunting (1963)
Highly rated Robert Wise haunted house flick that was totally disappointing. The Haunting had some really cool camera angles, direction, sound design, that freaky pounding door moment and a stunning set. Not even a young Russ Tamblyn (That's Doctor Jacoby from Twin Peaks) couldn't save this movie for me though. Perhaps I was expecting too much from this mostly non-haunting film.

Ghost Stories (2017)
I was very excited at the prospect of finally getting to watch this film as it had been rated by some people I respect. It starts out very gripping but turns out a bit disappointing. Is Ghost Stories a depiction of a crazy nightmare or is it supposed to make some sort of actual sense? Film makers trying to blow my mind with convoluted twists or being 'oh so meta' is fucking tedious, just make a good movie. Great performances from Martin Freeman and Paul Whitehouse however. Maybe a second look is in order.

UK Garridge V

Sunship - Try Me Out (Chunky Beats)
Noice. I've heard this before, I mean how could I forget right? The flip of this might even be better. I might post that next time.



Phaze One - Nicole's Groove 
Ooh that bass. You think this is just gonna be a whatever garage tune then all this shit happens. UKG!



DJ ZINC - 138 Trek
I dunno if this one is strictly garage but I like it a lot. It fits in that liminal space of not quite drum n bass and not quite garridge either and it's a bit aaciiidd. Like it matters right.

More UK Garridge IV

Antonio - Hyperfunk (Steve Gurley Mix)
Magical. You can never go wrong with Steve Gurley at the controls.



24 Hour Experience - Together
Such a bad band name. That second keyboard line that comes in at 1.18 is strange. It would usually be an octave or two lower and be the bassline but it feels too high to be the bass giving this tune a light headed off kilter quality.



Sunship - Cheque One-Two 
Wicked man. Cheque One-Two is pretty in yer face innit? Those eastern keys are very odd for speed garage, aren't they? Classic 1998 UKG beat though. I could totally imagine this tune getting a remix in the wobble era if indeed it didn't.